Search
Search results
Heather Cranmer (2721 KP) rated Morgwel Hall in Books
Feb 20, 2019
Interesting plot (1 more)
Great setting
A bit too wordy sometimes (1 more)
Hard to get an idea of the age of main character
A Lovely Ghost Story
I love books about ghost stories, so when I got the chance to read Morgwel Hall by Michael Hutchins, I didn't think twice. The synopsis definitely piqued my interest. Luckily, I was not disappointed.
I really enjoyed the plot for Morgwel Hall. Captain Williamson sees a girl dancing on the battlements of the ruined castle he is about to purchase. He is instantly mesmerized by her. He learns her name is Anna and begins to fall in love with her. The only problem is she's a ghost. However, there's a bit more paranormal happenings going on at Morgwel Hall. Desperate to learn the history of the place, he seeks out two locals who tell him of the horrible history of Morgwel Hall and of Anna's demise. I wouldn't say the plot was scary. It was spooky and a bit creepy at times, but it wasn't overly scary which I didn't mind. It was still very interesting! I didn't really read any major plot twists, but that didn't take away from the story. All of my questions and wondering were answered by the end of the book even my questions about Williamson's cat and dog which was a nice touch. I wish there was more detail as to why Anna took a shining to Captain Williamson and what made her fall in love with him though. The world building was done very well as well. The story takes place almost completely in Cornwall not long after World War I. It was definitely believable.
The characters of Morgwel Hall were very well written and realistic. Captain Williamson is a great character although sometimes it was hard to tell if he was supposed to be an older man or a younger man. It would have been nice to know his actual age in the book because I struggled to picture him in my mind age wise. Other than that, everything about Williamson was great. It was interesting learning with Williamson about Morgwell Hall. Albert and Nancy were also fantastic characters. I really liked Nancy for some reason. I guess it was just how humble she was. Dougy was my absolute favorite though. He sounded like such a sweet dog!
The pacing in Morgwel Hall was set decently. There were a few times when the story got a bit too wordy and descriptive which would slow the pacing down a little, but for the most part, the pacing stayed strong, and I was desperate to learn more about Morgwel Hall and the history.
Trigger warnings for Morgwel Hall include alcoholism (Captain Williamson came across as being addicted to whiskey), minor profanities, death, suicide, and implied murder.
Overall, Morgwel Hall is a very interesting read. The plot is written very well, and the characters are interesting to read about. I would definitely recommend Morgwel Hall by Michael Hutchins to those aged 15+ who are fans of ghost stories but don't want to be too scared.
--
(A special thank you to the author for providing me with a paperback of Morgwel Hall in exchange for an honest and unbiased review.)
I really enjoyed the plot for Morgwel Hall. Captain Williamson sees a girl dancing on the battlements of the ruined castle he is about to purchase. He is instantly mesmerized by her. He learns her name is Anna and begins to fall in love with her. The only problem is she's a ghost. However, there's a bit more paranormal happenings going on at Morgwel Hall. Desperate to learn the history of the place, he seeks out two locals who tell him of the horrible history of Morgwel Hall and of Anna's demise. I wouldn't say the plot was scary. It was spooky and a bit creepy at times, but it wasn't overly scary which I didn't mind. It was still very interesting! I didn't really read any major plot twists, but that didn't take away from the story. All of my questions and wondering were answered by the end of the book even my questions about Williamson's cat and dog which was a nice touch. I wish there was more detail as to why Anna took a shining to Captain Williamson and what made her fall in love with him though. The world building was done very well as well. The story takes place almost completely in Cornwall not long after World War I. It was definitely believable.
The characters of Morgwel Hall were very well written and realistic. Captain Williamson is a great character although sometimes it was hard to tell if he was supposed to be an older man or a younger man. It would have been nice to know his actual age in the book because I struggled to picture him in my mind age wise. Other than that, everything about Williamson was great. It was interesting learning with Williamson about Morgwell Hall. Albert and Nancy were also fantastic characters. I really liked Nancy for some reason. I guess it was just how humble she was. Dougy was my absolute favorite though. He sounded like such a sweet dog!
The pacing in Morgwel Hall was set decently. There were a few times when the story got a bit too wordy and descriptive which would slow the pacing down a little, but for the most part, the pacing stayed strong, and I was desperate to learn more about Morgwel Hall and the history.
Trigger warnings for Morgwel Hall include alcoholism (Captain Williamson came across as being addicted to whiskey), minor profanities, death, suicide, and implied murder.
Overall, Morgwel Hall is a very interesting read. The plot is written very well, and the characters are interesting to read about. I would definitely recommend Morgwel Hall by Michael Hutchins to those aged 15+ who are fans of ghost stories but don't want to be too scared.
--
(A special thank you to the author for providing me with a paperback of Morgwel Hall in exchange for an honest and unbiased review.)
Kristy H (1252 KP) rated The Adults in Books
Mar 20, 2019
Quick read with its funny moments
Matt and Claire are no longer married, but both want to spend the Christmas holiday with their seven-year-old daughter, Scarlett. It's not quite clear whose idea it was, or how the whole thing came about, but suddenly Matt, Claire, their new partners, and Scarlett are spending a long weekend at the Happy Forest holiday park. Oh yes, and we can't forget that Posey, Scarlett's giant imaginary friend--a nearly life-size rabbit--is along for the ride too. Claire has brought Patrick, a fellow lawyer, a seemingly rational guy who loves Scarlett and is training for an Ironman. And Matt has brought Alex, his scientist girlfriend, who is skeptical about the whole affair. Suddenly the group is jammed into a small lodge, subject to the whims of a mercurial seven-year-old (and her pretend rabbit), and stuck doing a variety of "fun family activities." It's no wonder that this all leads to an event so horrific that the police are called.
This book was an odd one, as if it couldn't decide to be serious or funny. It starts out with a call to the police, so we know that someone has been shot at archery, but we don't yet know who. Then things unfold from the beginning of the holiday, slowly building back up to the incident. Interspersed with the characters' narratives are bits and pieces of the police's discussion with various people at the holiday park involved with the shooting. It's interesting, but it's a little disconcerting: partial mystery/partial character-driven novel/partial "humorous look at family fun gone wrong."
Unfortunately for me, I didn't find a lot of the book all that fun. Yes, I could see the humor in some of the situations, but honestly, a lot of it just made me uncomfortable. Perhaps it's being a child of divorce myself. Maybe too much hit close to home. I felt the most for poor Alex, who was tortured by Scarlett (and that darn fake bunny) and then forced to witness her boyfriend in a series of cozy moments with her ex. Patrick was slightly insane, Claire too good to be true, and Matt, honestly, an infuriating wuss for most of the book. As everyone got more and more tired of each other, I would have had a feeling of doom reading this even without knowing someone gets shot. You just know no good can come of this.
Now, yes, there is some dark humor here, and I did laugh at times. There are definitely some funny places. But I think Scarlett and Posey were supposed to be more funny than they were (I've been that kid angry at her parents for divorcing, but man, Scarlett was really irritating sometimes). When you really only feel for one of the characters (Alex), it's hard to stay invested in the book. Luckily, things improved a bit closer to the end, and I found myself getting a more into the story. Still, I couldn't help but find things a bit implausible and frustrating at times, and I really longed for more of the hilarity the book promised.
Overall, this is a quick read, and it has its funny, crazy moments. Still, the characters are tough to feel invested in and sometimes the plot was almost too zany and stressful for me. I liked this one, but didn't love it.
I received a copy of this book from the publisher and LibraryThing in return for an unbiased review (thank you!).
This book was an odd one, as if it couldn't decide to be serious or funny. It starts out with a call to the police, so we know that someone has been shot at archery, but we don't yet know who. Then things unfold from the beginning of the holiday, slowly building back up to the incident. Interspersed with the characters' narratives are bits and pieces of the police's discussion with various people at the holiday park involved with the shooting. It's interesting, but it's a little disconcerting: partial mystery/partial character-driven novel/partial "humorous look at family fun gone wrong."
Unfortunately for me, I didn't find a lot of the book all that fun. Yes, I could see the humor in some of the situations, but honestly, a lot of it just made me uncomfortable. Perhaps it's being a child of divorce myself. Maybe too much hit close to home. I felt the most for poor Alex, who was tortured by Scarlett (and that darn fake bunny) and then forced to witness her boyfriend in a series of cozy moments with her ex. Patrick was slightly insane, Claire too good to be true, and Matt, honestly, an infuriating wuss for most of the book. As everyone got more and more tired of each other, I would have had a feeling of doom reading this even without knowing someone gets shot. You just know no good can come of this.
Now, yes, there is some dark humor here, and I did laugh at times. There are definitely some funny places. But I think Scarlett and Posey were supposed to be more funny than they were (I've been that kid angry at her parents for divorcing, but man, Scarlett was really irritating sometimes). When you really only feel for one of the characters (Alex), it's hard to stay invested in the book. Luckily, things improved a bit closer to the end, and I found myself getting a more into the story. Still, I couldn't help but find things a bit implausible and frustrating at times, and I really longed for more of the hilarity the book promised.
Overall, this is a quick read, and it has its funny, crazy moments. Still, the characters are tough to feel invested in and sometimes the plot was almost too zany and stressful for me. I liked this one, but didn't love it.
I received a copy of this book from the publisher and LibraryThing in return for an unbiased review (thank you!).
Kristy H (1252 KP) rated The Marriage Pact in Books
Jan 21, 2018
Bizarre & unbelievable premise/moments (1 more)
Not compelling
Newlyweds Alice and Jake don't think much of it when a client from Alice's law firm invites himself to their wedding and then gives them a mysterious wedding gift. But they soon discover the gift is offering them membership in a exclusive group called The Pact, whose main goal is to keep couples married. The Pact comes with a series of strict rules detailed in the group's Manual. Jake, a psychologist, is interested in the institution of marriage and excited to find an organization that he thinks will keep his beloved wife, Alice, a former rock singer turned lawyer, interested and focused on their union. Things change quickly for the couple, though, when The Pact thinks that Alice is breaking the rules. Suddenly, Alice and Jake find themselves stuck in The Pact, whose members seem to go to any lengths to enforce their rules--and to keep their members within the group.
The set up to the book is certainly interesting: joining an exclusive group focused on marriage. It's a secretive society of sorts with a series of rules focused on a single goal: keeping your marriage intact. And if you don't follow those rules: there are consequences, often extreme ones.
I can't deny that this book is very creepy at times. It also causes you to question the sanity of this couple. Why on earth would they sign these documents and join the Pact? Jake, okay, perhaps: he supposedly is desperate to keep Alice. But Alice, for pete's sake, is a lawyer: she has to know that signing anything, even if you think it's a joke (and this is not presented as a joke) could have serious consequences. Instead, she blindly signs because she wants to go to a party?! Perhaps they deserved what they get! (And maybe I'm a little bitter.) The book often reminded me of The Girl Before: another novel where you have to completely suspend disbelief that people would even entertain living life by a series of ridiculous rules to somewhat enjoy the book.
That's not to say I didn't sometimes feel sorry for Alice, or even Jake. I was drawn a bit more to Alice and often wished I could have heard her perspective on things sometimes, instead of just her husband's. Rather, things just seemed so drawn out: so much of Jake ruminating about Alice, their marriage, marriage in general, life, etc. It was a little much for me.
Still, as I mentioned the book definitely has its creepy moments. Even with those, it took me forever to read it. I never felt compelled to pick it up (so much talking and thinking from Jake) and probably finished at least two other books over the 10-day (!) span it took me to read this. I was more intrigued and interested in the last fourth or so of the book and then pretty much let down by the end, so there you have it. There's one good twist in there, and I'm going with a three-star rating, but I'm definitely not in the camp raving about this one. However, lots of people loved this book, so you may enjoy it a lot more than me.
I received a copy of this book from the publisher and Netgalley (thank you!) in return for an unbiased review.
The set up to the book is certainly interesting: joining an exclusive group focused on marriage. It's a secretive society of sorts with a series of rules focused on a single goal: keeping your marriage intact. And if you don't follow those rules: there are consequences, often extreme ones.
I can't deny that this book is very creepy at times. It also causes you to question the sanity of this couple. Why on earth would they sign these documents and join the Pact? Jake, okay, perhaps: he supposedly is desperate to keep Alice. But Alice, for pete's sake, is a lawyer: she has to know that signing anything, even if you think it's a joke (and this is not presented as a joke) could have serious consequences. Instead, she blindly signs because she wants to go to a party?! Perhaps they deserved what they get! (And maybe I'm a little bitter.) The book often reminded me of The Girl Before: another novel where you have to completely suspend disbelief that people would even entertain living life by a series of ridiculous rules to somewhat enjoy the book.
That's not to say I didn't sometimes feel sorry for Alice, or even Jake. I was drawn a bit more to Alice and often wished I could have heard her perspective on things sometimes, instead of just her husband's. Rather, things just seemed so drawn out: so much of Jake ruminating about Alice, their marriage, marriage in general, life, etc. It was a little much for me.
Still, as I mentioned the book definitely has its creepy moments. Even with those, it took me forever to read it. I never felt compelled to pick it up (so much talking and thinking from Jake) and probably finished at least two other books over the 10-day (!) span it took me to read this. I was more intrigued and interested in the last fourth or so of the book and then pretty much let down by the end, so there you have it. There's one good twist in there, and I'm going with a three-star rating, but I'm definitely not in the camp raving about this one. However, lots of people loved this book, so you may enjoy it a lot more than me.
I received a copy of this book from the publisher and Netgalley (thank you!) in return for an unbiased review.
Kyera (8 KP) rated Queen of Shadows in Books
Feb 1, 2018
In the fourth book of the Throne of Glass series, Queen of Shadows is the most epic in scope and storyline of Sarah J Maas' ToG books yet. We finally get to experience life outside of Rifthold on a grand scale. She continues switching perspectives in her chapters, bringing us more from the Prince, Aelin, Manon, etc. with the addition of Elide who is located in Morath.
World building is one of my favourite parts of novels, so the inclusion of many new places was wonderful. We got to see places that we had only heard of before, even if they were just brief glimpses. There still was not enough Abraxos in this novel for my liking, where is my favourite character?
I love seeing character development in novels and being the fourth book, the author has had a lot of storylines to play with and allow her characters to grow. While Aelin and Chaol seemed to have experienced personality changes between the first two and second two novels in the series, the other characters walked the line between interesting character development and outright personality changes. I enjoyed getting more of a glimpse into Rowan, Manon and Lysandra's heads.
That being said, I do feel that at times the characterization felt forced so that she could get to a plot point more quickly. I would have loved to experience a more authentic building of relationships, change of emotions because overall it felt too abrupt. There was a sense of insta-love, insta-friendship, insta-everything. The book is quite long, so I understand not being able to dedicate the pages to that development, but it is disappointing not to see it.
Overall, these abrupt personality changes and character interactions made the book feel like the author had decided halfway through writing Heir of Fire and Queen of Shadows that she wanted the series to go in a different direction. It's not entirely cohesive, but I still highly enjoyed the read because it is engaging and fun. I don't want it to seem like I didn't enjoy the read, I just want to be clear about the pitfalls of the book.
One major concern I had with the series is Sarah J Maas' portrayal of relationships. Sometimes you might feel warm and fuzzy about how cute they are together or how protective one is, but sometimes it goes too far. When the relationships become territorial or obsessive or commanding, essentially dictating what one party can do - that's when it slips into an unhealthy territory. As long as younger readers are aware that this is a fictional relationship and not to idealize it, I think that it is fine. I just worry that teens might internalize it as the right way (like Twilight, which is also unhealthy), so I wanted my concerns with the portrayal to be known.
Overall, this is a long but enjoyable read. I know a lot of people had struggled with Heir of Fire being so different from her first two books in the series. She did seem to change her mind about what she wanted to be and where the plot was going. Although this book continues that plotline, it is definitely better than its predecessor so it might be worth taking a chance on again. There is also a lot of action in Empire of Storms, the fifth book in the series. It has some great fight sequences and Abraxos, which is important, so you really need to read this book to get to that point.
World building is one of my favourite parts of novels, so the inclusion of many new places was wonderful. We got to see places that we had only heard of before, even if they were just brief glimpses. There still was not enough Abraxos in this novel for my liking, where is my favourite character?
I love seeing character development in novels and being the fourth book, the author has had a lot of storylines to play with and allow her characters to grow. While Aelin and Chaol seemed to have experienced personality changes between the first two and second two novels in the series, the other characters walked the line between interesting character development and outright personality changes. I enjoyed getting more of a glimpse into Rowan, Manon and Lysandra's heads.
That being said, I do feel that at times the characterization felt forced so that she could get to a plot point more quickly. I would have loved to experience a more authentic building of relationships, change of emotions because overall it felt too abrupt. There was a sense of insta-love, insta-friendship, insta-everything. The book is quite long, so I understand not being able to dedicate the pages to that development, but it is disappointing not to see it.
Overall, these abrupt personality changes and character interactions made the book feel like the author had decided halfway through writing Heir of Fire and Queen of Shadows that she wanted the series to go in a different direction. It's not entirely cohesive, but I still highly enjoyed the read because it is engaging and fun. I don't want it to seem like I didn't enjoy the read, I just want to be clear about the pitfalls of the book.
One major concern I had with the series is Sarah J Maas' portrayal of relationships. Sometimes you might feel warm and fuzzy about how cute they are together or how protective one is, but sometimes it goes too far. When the relationships become territorial or obsessive or commanding, essentially dictating what one party can do - that's when it slips into an unhealthy territory. As long as younger readers are aware that this is a fictional relationship and not to idealize it, I think that it is fine. I just worry that teens might internalize it as the right way (like Twilight, which is also unhealthy), so I wanted my concerns with the portrayal to be known.
Overall, this is a long but enjoyable read. I know a lot of people had struggled with Heir of Fire being so different from her first two books in the series. She did seem to change her mind about what she wanted to be and where the plot was going. Although this book continues that plotline, it is definitely better than its predecessor so it might be worth taking a chance on again. There is also a lot of action in Empire of Storms, the fifth book in the series. It has some great fight sequences and Abraxos, which is important, so you really need to read this book to get to that point.
Kristy H (1252 KP) rated Small Admissions in Books
Feb 13, 2018
Kate Pearson is going through a rough time. She's been dumped by Robert, her incredibly handsome French boyfriend, and she turned down a spot in her grad school program, so instead of living a dream life in Paris, she's living on the couch, barely able to wash her own hair. Her friend Chloe feels responsible (Robert is her cousin, after all), her friend Vicki is just annoyed (Vicki has no patience for wallowing), and Kate's older sister Angela just wants to fix everything. She connects Kate to a lead for an interview at the admissions department at the Hudson Day School. Surprising everyone, Kate gets the job, and suddenly has to get her life together. There's no time for self-pity during admissions season, after all. Indeed, Kate finds herself drawn to her job, her new colleagues, and the various children she meets while at work. And while Kate's working non-stop, her friends are busy falling in love, feeling guilty about their role in Kate's earlier breakdown regarding Robert, and generally making a mess of things. Will Kate make her own mess at the new admissions gig as well, or is this the fresh chance she needed?
I am torn somewhat on my thoughts for this book. It starts off quite witty and drew me in immediately. It's told from a multitude of perspectives, including Kate's friends (Chloe and Vicki), her sister (Angela) and Kate, and Kate's new boss, Henry. It's also interspersed with tales of several children trying to get into private school, along with the perspectives of their parents. There's definitely some nuance and depth there, but sometimes it's A LOT. A lot of characters, a lot of jumping of back and forth. I won't lie: Kate's friends certainly annoyed me at times. The side show with them can be humorous, but often just irritating. I found myself wanting more Kate.
The problem with all the jumping around is that I didn't really get to know the characters as much as I wanted, which was a shame, because they were fascinating. Kate, Chloe, Angela, Henry -- they were intriguing and, when featured, seemed real, even if Angela was driving us crazy meddling into Kate's life, as was Chloe with her never-ending guilt over her supposed role in Kate's breakdown. Poeppel has done an excellent job of creating real, flawed characters, and I just wish they all received a little more face-time. The snippets from the kids (and parents) applying for school are great, too, but it's hard not to see them sometimes as a detraction from our main characters, especially a side plot with two fervent (and delusional) parents.
Still, don't think I didn't enjoy the book, because I did. There are some wise and wonderful moments and some instances where I found myself laughing out loud. Kate is endearing, and you cannot help but rooting for her character. This book is redeemed by her and her journey. She is an inspiration. Because of her and my various feelings for this novel, my final rating falls at 3.75 stars.
I received a copy of this novel from the publisher and Edelweiss (thank you) in return for an unbiased review; it is available everywhere as of 12/27/2016.
I am torn somewhat on my thoughts for this book. It starts off quite witty and drew me in immediately. It's told from a multitude of perspectives, including Kate's friends (Chloe and Vicki), her sister (Angela) and Kate, and Kate's new boss, Henry. It's also interspersed with tales of several children trying to get into private school, along with the perspectives of their parents. There's definitely some nuance and depth there, but sometimes it's A LOT. A lot of characters, a lot of jumping of back and forth. I won't lie: Kate's friends certainly annoyed me at times. The side show with them can be humorous, but often just irritating. I found myself wanting more Kate.
The problem with all the jumping around is that I didn't really get to know the characters as much as I wanted, which was a shame, because they were fascinating. Kate, Chloe, Angela, Henry -- they were intriguing and, when featured, seemed real, even if Angela was driving us crazy meddling into Kate's life, as was Chloe with her never-ending guilt over her supposed role in Kate's breakdown. Poeppel has done an excellent job of creating real, flawed characters, and I just wish they all received a little more face-time. The snippets from the kids (and parents) applying for school are great, too, but it's hard not to see them sometimes as a detraction from our main characters, especially a side plot with two fervent (and delusional) parents.
Still, don't think I didn't enjoy the book, because I did. There are some wise and wonderful moments and some instances where I found myself laughing out loud. Kate is endearing, and you cannot help but rooting for her character. This book is redeemed by her and her journey. She is an inspiration. Because of her and my various feelings for this novel, my final rating falls at 3.75 stars.
I received a copy of this novel from the publisher and Edelweiss (thank you) in return for an unbiased review; it is available everywhere as of 12/27/2016.
Kristy H (1252 KP) rated The Most Dangerous Place on Earth in Books
Feb 13, 2018
Mill Valley is the perfect little town, and Molly Nicoll is excited to start a teaching career in English at the local high school. However, when she starts up mid-year, she has no idea about a tragedy that occurred in her students' eighth grade year. To Miss Nicoll, these kids are in deep need of understanding and guidance, even if they are sometimes a bit rude and unfocused. There's Abby, the perfect student prepping for her Ivy League future, but also hiding a secret; Nick, an intelligent kid with a trick for every situation; Cally, a prominent player in the early tragedy, who now floats through school with the other hippie kids; Emma, a talented dancer who loves to let go and party on the weekends; Damon, who just wants to have fun; Ryan, a popular kid who hangs with Nick and Damon; Elizabeth, the most beautiful girl in school - and the one without any friends; and Dave, who is struggling with the weight of his parents' expectations. These kids have known each other for years, and their lives are shared in every way possible - in their small town, at school, and across all forms of social media.
I'd heard a lot of advance praise for this novel, and had put it on hold at my local library ages ago. I was excited to finally get a chance to read it, but upon finishing it, was left feeling conflicted. This is going to be yet another one of those lauded novels that everyone loves where I feel a bit "eh." Don't get me wrong: this is a well-written book--even a beautiful one at times--and it often tells a compelling and sometimes frightening story of kids growing up in suburbia. The novel starts with the gang in eighth grade and goes through their senior year. It's told in snippets from various students, as well as Miss Nicoll.
The problem, for me, is that it read more like a series of interconnected short stories than a novel. We get brief insights into a variety of students, but no real depth or insight into anyone. You're able to infer a lot about each and how their home life and past has affected them, but every student's piece leaves you wanting more, feeling unfinished. Even Miss Nicoll's role sort of trails off. It's a shame, because most of the teens are so clearly written that you can visualize them so well - they each stand out on the page, and each one could have commanded the book on their own. Instead, they come and go, and at times, the plot veers off into strange side stories that seem unnecessary or unbelievable.
This is one of those novels that terrifies me to have my children grow up, because it presents high school as one never-ending saga of bullying and partying. The rich, disaffected teens are abandoned by their similarly rich and disaffected parents and no one really seems to care about anything. Still, you find yourself getting into one kids' story, only to have the point of view turn and you're thrust into another student's life instead. By the end, I found myself frustrated, wanting to know more, and wishing for more finality to, well, everything. 3.5 stars
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
I'd heard a lot of advance praise for this novel, and had put it on hold at my local library ages ago. I was excited to finally get a chance to read it, but upon finishing it, was left feeling conflicted. This is going to be yet another one of those lauded novels that everyone loves where I feel a bit "eh." Don't get me wrong: this is a well-written book--even a beautiful one at times--and it often tells a compelling and sometimes frightening story of kids growing up in suburbia. The novel starts with the gang in eighth grade and goes through their senior year. It's told in snippets from various students, as well as Miss Nicoll.
The problem, for me, is that it read more like a series of interconnected short stories than a novel. We get brief insights into a variety of students, but no real depth or insight into anyone. You're able to infer a lot about each and how their home life and past has affected them, but every student's piece leaves you wanting more, feeling unfinished. Even Miss Nicoll's role sort of trails off. It's a shame, because most of the teens are so clearly written that you can visualize them so well - they each stand out on the page, and each one could have commanded the book on their own. Instead, they come and go, and at times, the plot veers off into strange side stories that seem unnecessary or unbelievable.
This is one of those novels that terrifies me to have my children grow up, because it presents high school as one never-ending saga of bullying and partying. The rich, disaffected teens are abandoned by their similarly rich and disaffected parents and no one really seems to care about anything. Still, you find yourself getting into one kids' story, only to have the point of view turn and you're thrust into another student's life instead. By the end, I found myself frustrated, wanting to know more, and wishing for more finality to, well, everything. 3.5 stars
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
Joe Julians (221 KP) rated Artemis in Books
Feb 17, 2018
The setting (2 more)
World building
Jazz (sometimes)
The plot (2 more)
Dialogue
Jazz (sometimes)
Following on from the excellent The Martian, Andy Weir delivers another space bound science fiction story, but this one sadly comes up short.
Artemis isn't a bad book and there's plenty of things to enjoy here. The moon based setting complete with it's changes in gravity and Kenyan set up make for an interesting read. There's a ton I want to know about Artemis and Weir does a great job in bringing this place to life. But it feels like there could have been more explored here and it's like the surface is only just being scratched.
With his central character, Jazz, we basically have another version of the lead from The Martian. The same wise cracks are there, but whereas with Mark Watney the wise cracking feels natural- here it feels forced. It doesn't help that Weir decided to write this from the perspective of Jazz, a Muslim woman. Some of the worst aspects of the book are based on that decision. Some of the dialogue here is appalling- embarrassing even. There were many moments I just groaned at how childish some of the things he makes Jazz say are. This doesn't feel like a woman talking. Instead it feels like what it is- a man trying to write as a woman but failing. Which is a shame as Jazz is an interesting character and one I could at times enjoy spending time with- other times though I couldn't stand her. Characters are a problem across the whole story really. Side characters feel under developed and there wasn't really anyone that I could single out as a highlight- none of them felt natural.
There's issues with the story itself too. This is essentially a heist story, but the heist is actually the least interesting part of Artemis. Rarely did I find myself invested in what was going on and this actually got worse as things went on. The first half of Artemis did a good job at setting things up, it's just a shame that as the story started building towards a climax- it lost momentum at the exact moment it should be gaining it.
Also, the science talk. Weir loves science, that's obvious. But here it at times feels like he is showing off to prove how much he knows. I don't actually think he was, but I quickly started to faze out when he went into details about how something works as it came so hot on the heels of a previous explanation of something else. I'm also so bored of welding now that I don't want to ever hear the word again.
I feel like I'm being a tad harsh here by focusing on the negatives. I do want to stress this book isn't bad. I may have got bored and frustrated on occasion I did however for the most part enjoy it. As I said Artemis is a great place and the city is one that I would love to have him explore in future installments. And while Jazz and a lot of the things she said did irritate me, there were flashes of brilliance with the character. I think personally I would like a second book to focus on someone new, but if Weir could sort the dialogue and some of her more annoying traits out- I'd happily spend more time with her.
Artemis isn't a bad book and there's plenty of things to enjoy here. The moon based setting complete with it's changes in gravity and Kenyan set up make for an interesting read. There's a ton I want to know about Artemis and Weir does a great job in bringing this place to life. But it feels like there could have been more explored here and it's like the surface is only just being scratched.
With his central character, Jazz, we basically have another version of the lead from The Martian. The same wise cracks are there, but whereas with Mark Watney the wise cracking feels natural- here it feels forced. It doesn't help that Weir decided to write this from the perspective of Jazz, a Muslim woman. Some of the worst aspects of the book are based on that decision. Some of the dialogue here is appalling- embarrassing even. There were many moments I just groaned at how childish some of the things he makes Jazz say are. This doesn't feel like a woman talking. Instead it feels like what it is- a man trying to write as a woman but failing. Which is a shame as Jazz is an interesting character and one I could at times enjoy spending time with- other times though I couldn't stand her. Characters are a problem across the whole story really. Side characters feel under developed and there wasn't really anyone that I could single out as a highlight- none of them felt natural.
There's issues with the story itself too. This is essentially a heist story, but the heist is actually the least interesting part of Artemis. Rarely did I find myself invested in what was going on and this actually got worse as things went on. The first half of Artemis did a good job at setting things up, it's just a shame that as the story started building towards a climax- it lost momentum at the exact moment it should be gaining it.
Also, the science talk. Weir loves science, that's obvious. But here it at times feels like he is showing off to prove how much he knows. I don't actually think he was, but I quickly started to faze out when he went into details about how something works as it came so hot on the heels of a previous explanation of something else. I'm also so bored of welding now that I don't want to ever hear the word again.
I feel like I'm being a tad harsh here by focusing on the negatives. I do want to stress this book isn't bad. I may have got bored and frustrated on occasion I did however for the most part enjoy it. As I said Artemis is a great place and the city is one that I would love to have him explore in future installments. And while Jazz and a lot of the things she said did irritate me, there were flashes of brilliance with the character. I think personally I would like a second book to focus on someone new, but if Weir could sort the dialogue and some of her more annoying traits out- I'd happily spend more time with her.
Zuky the BookBum (15 KP) rated NOS4A2 in Books
Mar 15, 2018
<i>I read this novel as my BookBum Club book for January! Check out <a href="https://www.goodreads.com/group/show/297482-the-bookbum-club">The BookBum Club on Goodreads!</a></i>
A darkly disturbing thrill ride of a book! I was expecting it to spook me out a little more than it did, but it was super enjoyable even still.
I’ve never read a Joe Hill book before this one, but now I know I want to read more of his work. I don’t think there’s any denying that his writing style really sucks you into the story and he’s a genius as describing things. How can one man come up with so many different Christmas similes? I also loved how this book was set up, where sometimes the end of sentence in a paragraph wouldn’t end because the title of the next paragraph completed the sentence. I thought this was a really unique aspect of the novel, as well as several illustrations dotted throughout.
One thing I really loved about this novel was the characters. I’ve seen some less that glowing reviews whinging about Vic, and while I can understand some people’s frustration at how frustrating she was, I think the whole point of her character to be frustrating. I personally found her troubled but sweet. Lou was equally sweet, a nice human being through-and-through, but at the end of the day, I don’t think he brought an awful lot to the story.
On the opposite end of the spectrum, of course, was Charlie Manx. What a genuinely terrifying character. I’ve read through several books with horrifying characters (Annie Wilkes springs to mind immediately) and Charlie Manx is definitely up there with the worst of them. What made him so chilling, for me, was how I imagined his voice. Every sentence of his speech was lifted at the end by an exclamation mark! He was always so cheery! Always so sinister! And then, of course, we have Bing Partridge who may just be the most repulsive character I’ve ever read about.
I loved the story of this novel, but I’m not going to explain what happened because this novel needs to be experienced, not told, in order to reach its full potential. My only issue was I though maybe 700 pages was a bit long. Chapter after chapter was a new dip and dive in this roller-coaster of a story, but sometimes it just felt like stalling time.
Another thing that disappointed me about this book, and this is what brought it down to 4 stars, is that I was expecting this to be scarier than it turned out to be. Don’t get me wrong, it’s seriously sinister and has some really creepy moments, but I wanted to get to “I can’t sleep” scared. Though saying that, when I was driving home in the dark one day, an old classic black British car (we have a lot of old car conventions around where I live) pulled up behind me and followed me nearly all the way home and I did get the heebie-geebies (don’t worry, I didn’t break the speed limit though).
Overall, this novel is well worth the read if you’re into dark, sinister novels filled with the really weird and the really wonderful. I’m so happy I’ve finally read this novel and have been opened up to the world of Joe Hill’s writing. I will definitely be reading more of his stuff.
A darkly disturbing thrill ride of a book! I was expecting it to spook me out a little more than it did, but it was super enjoyable even still.
I’ve never read a Joe Hill book before this one, but now I know I want to read more of his work. I don’t think there’s any denying that his writing style really sucks you into the story and he’s a genius as describing things. How can one man come up with so many different Christmas similes? I also loved how this book was set up, where sometimes the end of sentence in a paragraph wouldn’t end because the title of the next paragraph completed the sentence. I thought this was a really unique aspect of the novel, as well as several illustrations dotted throughout.
One thing I really loved about this novel was the characters. I’ve seen some less that glowing reviews whinging about Vic, and while I can understand some people’s frustration at how frustrating she was, I think the whole point of her character to be frustrating. I personally found her troubled but sweet. Lou was equally sweet, a nice human being through-and-through, but at the end of the day, I don’t think he brought an awful lot to the story.
On the opposite end of the spectrum, of course, was Charlie Manx. What a genuinely terrifying character. I’ve read through several books with horrifying characters (Annie Wilkes springs to mind immediately) and Charlie Manx is definitely up there with the worst of them. What made him so chilling, for me, was how I imagined his voice. Every sentence of his speech was lifted at the end by an exclamation mark! He was always so cheery! Always so sinister! And then, of course, we have Bing Partridge who may just be the most repulsive character I’ve ever read about.
I loved the story of this novel, but I’m not going to explain what happened because this novel needs to be experienced, not told, in order to reach its full potential. My only issue was I though maybe 700 pages was a bit long. Chapter after chapter was a new dip and dive in this roller-coaster of a story, but sometimes it just felt like stalling time.
Another thing that disappointed me about this book, and this is what brought it down to 4 stars, is that I was expecting this to be scarier than it turned out to be. Don’t get me wrong, it’s seriously sinister and has some really creepy moments, but I wanted to get to “I can’t sleep” scared. Though saying that, when I was driving home in the dark one day, an old classic black British car (we have a lot of old car conventions around where I live) pulled up behind me and followed me nearly all the way home and I did get the heebie-geebies (don’t worry, I didn’t break the speed limit though).
Overall, this novel is well worth the read if you’re into dark, sinister novels filled with the really weird and the really wonderful. I’m so happy I’ve finally read this novel and have been opened up to the world of Joe Hill’s writing. I will definitely be reading more of his stuff.
Zuky the BookBum (15 KP) rated The Ridge in Books
Mar 15, 2018
When I saw John Rector had another novel coming out I was really excited. I read a previous book of his, <i>Ruthless</i>, which I really enjoyed, so I was sure I was going to like this one, but it didn't live up to my expectations.
This book sounds like it's going to be about a creepy neighbourhood, and while it is, it also isn't. Sure, our characters live in a Stepford Wives feeling place, but we actually only meet 2 or 3 extra characters who live in the neighbourhood, so when the synopsis says something about "exposing the community's pretty lies", there didn't feel like there was much of that. It was far more about a woman digging up secrets on an institute that happens to have all its employees living in one area. This isn't particularly a bad thing, it's just something to note. It's not quite as Stepford Wives as you might think!
This book is 90% conversation and 10% description, so if you're the kind of person who likes descriptive, poetic reads, this certainly won't be for you, but for me, all the speech wasn't an issue, it was sometimes what was being said that I had an issue with. Lots of the time I felt conversation was a little bland, stiff and unrealistic. In terms of descriptive writing, about the neighbourhood or a person, there was nothing special to note. There was also a rehashing of several particular phrases that began to grate on me quite soon into the book.
To begin with, I did really like this novel, I found myself rushing through it, intrigued to know what was going on. It was subtle but it was creepy. Towards the middle, my interest began to dip a bit. I had started to guess what was happening, as well as there being a not-so-exciting reveal. Some parts of the story also started to feel amiss, such as the roses bushes outside of Rachel's being described as "in full bloom" after the scene of her hacking away at them... continuity was sometimes a little shady.
What really let this novel down for me was the characters and the immaturity of them all. None of them felt real, so it was difficult picturing them in situations. Particularly our MC, Megan, who was really juvenile and melodramatic. And naive. Oh so very, stupidly, unrealistically naive. It was so easy to become annoyed by her rash decision making and all the different ways she handled situations. What really got me, was her revealing conversation with Mercer about midway through the book. I couldn't wrap my head around how she could turn around and call him "crazy" after everything she had been through. It felt totally off kilter!
I liked and I didn't like this book. I think it could have been so much creepier and mysterious than it was. I felt there was too much time being spent on Megan's thoughts of Chicago and her marriage to fully appreciate the weirdness of the community she lived in. Ultimately, this book was too simple. It all worked out too well and everything slot perfectly into place, which totally isn't my kind of thriller story.
<i>Thanks to Netgalley and Thomas & Mercer for giving me the opportunity to read this in exchange for an honest review.</i>
This book sounds like it's going to be about a creepy neighbourhood, and while it is, it also isn't. Sure, our characters live in a Stepford Wives feeling place, but we actually only meet 2 or 3 extra characters who live in the neighbourhood, so when the synopsis says something about "exposing the community's pretty lies", there didn't feel like there was much of that. It was far more about a woman digging up secrets on an institute that happens to have all its employees living in one area. This isn't particularly a bad thing, it's just something to note. It's not quite as Stepford Wives as you might think!
This book is 90% conversation and 10% description, so if you're the kind of person who likes descriptive, poetic reads, this certainly won't be for you, but for me, all the speech wasn't an issue, it was sometimes what was being said that I had an issue with. Lots of the time I felt conversation was a little bland, stiff and unrealistic. In terms of descriptive writing, about the neighbourhood or a person, there was nothing special to note. There was also a rehashing of several particular phrases that began to grate on me quite soon into the book.
To begin with, I did really like this novel, I found myself rushing through it, intrigued to know what was going on. It was subtle but it was creepy. Towards the middle, my interest began to dip a bit. I had started to guess what was happening, as well as there being a not-so-exciting reveal. Some parts of the story also started to feel amiss, such as the roses bushes outside of Rachel's being described as "in full bloom" after the scene of her hacking away at them... continuity was sometimes a little shady.
What really let this novel down for me was the characters and the immaturity of them all. None of them felt real, so it was difficult picturing them in situations. Particularly our MC, Megan, who was really juvenile and melodramatic. And naive. Oh so very, stupidly, unrealistically naive. It was so easy to become annoyed by her rash decision making and all the different ways she handled situations. What really got me, was her revealing conversation with Mercer about midway through the book. I couldn't wrap my head around how she could turn around and call him "crazy" after everything she had been through. It felt totally off kilter!
I liked and I didn't like this book. I think it could have been so much creepier and mysterious than it was. I felt there was too much time being spent on Megan's thoughts of Chicago and her marriage to fully appreciate the weirdness of the community she lived in. Ultimately, this book was too simple. It all worked out too well and everything slot perfectly into place, which totally isn't my kind of thriller story.
<i>Thanks to Netgalley and Thomas & Mercer for giving me the opportunity to read this in exchange for an honest review.</i>
Lucy Buglass (45 KP) rated Anchor & Hope (2018) in Movies
Jun 20, 2019
A heart-wrenching portrait of parenthood & sexuality
Deciding to have a baby is a big step in many couples’ lives, but sometimes, things don’t always go according to plan. Carlos Marques-Marcet’s Anchor and Hope follows two lesbian women who, one drunken night, decide to use their friend’s sperm in order to have a child of their own. It’s not a decision that should be taken lightly, but makes for an interesting story nonetheless. Insemination is a viable option that is often considered by those in same-sex relationships, or by those who struggle to conceive. This is the first film I’ve seen that deals with the subject so explicitly.
Throughout the course of the film, we focus heavily on the lives of Eva, Kat and Roger. The quality of acting was very good and believable, meaning it was easy for me to stay invested in their lives as events transpired. They all have very different personality traits that inevitably clash, and it’s not long before jealousy starts to rear its ugly head and tensions rise. Kat and Roger are close and both fluent in Spanish, meaning they’re able to communicate and Eva hasn’t got a clue what they’re saying. She starts feeling left out, which may or may not have driven her to think about the insemination. It’s left up to the audience to figure that one out. It’s clear Eva wants the baby more than Kat does, which is already a huge red flag.
The baby becomes a central part of the narrative, and the character’s lives. Anchor and Hope presents us with different viewpoints, all centred around this new life. It’s incredibly emotional to watch as we witness how three very different characters respond to it. I respected the fact the film doesn’t position itself as for or against any argument, it simply presents them to the audience as valid responses to what’s happening. Had the film gotten too preachy one way or the other, I think I may have found that frustrating. This is a film that leaves a lot up to the audience, and one that can spark interesting discussions.
Despite my interest in the topic and praise for the acting, I didn’t particularly like any of the characters. They’re all frustrating in their own ways and sometimes it felt a little too far-fetched and melodramatic. This weakened the film for me as I didn’t find myself rooting for anyone, and just wished they’d never made that decision in the first place. There’s no warmth for any of the characters, which was a let down. I also felt the story could have been shorter and snappier, as it felt too drawn out in places.
However, it is a very interesting look into insemination and sperm donors, and the script is strong and considered. It would be easy to cause controversy if not dealt with respectfully, but I felt like appropriate research had been done and they remained impartial throughout. The visuals are clean, well shot, and I liked the use of small, intimate locations to tell the story. Eva and Kat live on a houseboat, so that sense of minimalism is present throughout.
I was mostly entertained and enjoyed watching it, so I would recommend this film if it’s a topic that interests you. Overall, it’s an emotionally charged and well-written LGBT+ film and we definitely need more of those.
https://lucygoestohollywood.com/2018/11/08/anchor-and-hope-a-heart-wrenching-portrait-of-parenthood-sexuality/
Throughout the course of the film, we focus heavily on the lives of Eva, Kat and Roger. The quality of acting was very good and believable, meaning it was easy for me to stay invested in their lives as events transpired. They all have very different personality traits that inevitably clash, and it’s not long before jealousy starts to rear its ugly head and tensions rise. Kat and Roger are close and both fluent in Spanish, meaning they’re able to communicate and Eva hasn’t got a clue what they’re saying. She starts feeling left out, which may or may not have driven her to think about the insemination. It’s left up to the audience to figure that one out. It’s clear Eva wants the baby more than Kat does, which is already a huge red flag.
The baby becomes a central part of the narrative, and the character’s lives. Anchor and Hope presents us with different viewpoints, all centred around this new life. It’s incredibly emotional to watch as we witness how three very different characters respond to it. I respected the fact the film doesn’t position itself as for or against any argument, it simply presents them to the audience as valid responses to what’s happening. Had the film gotten too preachy one way or the other, I think I may have found that frustrating. This is a film that leaves a lot up to the audience, and one that can spark interesting discussions.
Despite my interest in the topic and praise for the acting, I didn’t particularly like any of the characters. They’re all frustrating in their own ways and sometimes it felt a little too far-fetched and melodramatic. This weakened the film for me as I didn’t find myself rooting for anyone, and just wished they’d never made that decision in the first place. There’s no warmth for any of the characters, which was a let down. I also felt the story could have been shorter and snappier, as it felt too drawn out in places.
However, it is a very interesting look into insemination and sperm donors, and the script is strong and considered. It would be easy to cause controversy if not dealt with respectfully, but I felt like appropriate research had been done and they remained impartial throughout. The visuals are clean, well shot, and I liked the use of small, intimate locations to tell the story. Eva and Kat live on a houseboat, so that sense of minimalism is present throughout.
I was mostly entertained and enjoyed watching it, so I would recommend this film if it’s a topic that interests you. Overall, it’s an emotionally charged and well-written LGBT+ film and we definitely need more of those.
https://lucygoestohollywood.com/2018/11/08/anchor-and-hope-a-heart-wrenching-portrait-of-parenthood-sexuality/