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Phil Leader (619 KP) rated An Angel Came Down: The Angel of All Cannings in Books
Nov 8, 2019
My wife was the assistant manager of the little community shop in All Cannings (a small village in Wiltshire) and the author was a regular customer. When he couldn't get any interest in his story set around the village from a publisher he decided to publish it himself - and so we are the proud owners of a copy of this work. It doesn't feature any cover art - the book is simply white with the title writtien in black writing, something that is more effective and chilling than any picture could be.
Written for young adults, this tells the story of a group of friends who investigate the appearance of an 'angel' - a white mark on the hillside near their home, which intriguingly they are warned away from by some officials. The area is famous for its crop circles and soon it becomes clear there is a link between crop circles and secret military testing. Despite the danger the children pursue the truth.
The plot works well with the children (and the reader) wanting to find out more as each part of the conspiracy is uncovered and it is immensely readable. The children are likeable and the adults they encounter are by turns helpful and friendly or threatening and scary.
There are faults - the children sometimes act older than their ages and there is an event late in the book which is morally questionable. But overall this is a very sound and credible novel. It is such a shame that it was written a few years before eBooks took off, when it might have seen a much wider audience.
Written for young adults, this tells the story of a group of friends who investigate the appearance of an 'angel' - a white mark on the hillside near their home, which intriguingly they are warned away from by some officials. The area is famous for its crop circles and soon it becomes clear there is a link between crop circles and secret military testing. Despite the danger the children pursue the truth.
The plot works well with the children (and the reader) wanting to find out more as each part of the conspiracy is uncovered and it is immensely readable. The children are likeable and the adults they encounter are by turns helpful and friendly or threatening and scary.
There are faults - the children sometimes act older than their ages and there is an event late in the book which is morally questionable. But overall this is a very sound and credible novel. It is such a shame that it was written a few years before eBooks took off, when it might have seen a much wider audience.
ClareR (5726 KP) rated Roar: A Story for Every Woman in Books
Nov 13, 2019
On the whole, I enjoyed this book of short stories. They’re all stories about women who are unhappy about some aspect of their lives, have lost their way and are working out how to get back. They’re all a bit magical realism, and just plain fantasy sometimes (this is not a bad thing for me, by the way!), and ‘Feminist Aesop’s Fables’ kept popping in to my head. It’s definitely a book to dip in to, and I did so whilst reading other books - I could see that reading all of these in one go could be overwhelming.
I think that these stories have a bit of something for everyone. I didn’t enjoy all of them, but I did have my favourites: The Woman Who Grew Wings is about a woman who flees her country with her family to live in the West, and the negative attitudes of the other mothers at the school gates (they’re not nice people) - this brought me to tears actually. The Woman Who Was Swallowed Up by the Floor and Who Met Lots of Other Women Down There Too - because who HASN’T had this happen to them at least once in their lives?! The Woman Who Ate Photographs was another tear jerker about how visual prompts (the photos) can bring back feelings connected to smell, touch, and the memories of our children before they grew into hairy teenagers (this one did for me, I’m afraid!).
I think all of these stories will resonate with someone.
Many thanks to NetGalley and the publisher for my copy of this book to read and review.
I think that these stories have a bit of something for everyone. I didn’t enjoy all of them, but I did have my favourites: The Woman Who Grew Wings is about a woman who flees her country with her family to live in the West, and the negative attitudes of the other mothers at the school gates (they’re not nice people) - this brought me to tears actually. The Woman Who Was Swallowed Up by the Floor and Who Met Lots of Other Women Down There Too - because who HASN’T had this happen to them at least once in their lives?! The Woman Who Ate Photographs was another tear jerker about how visual prompts (the photos) can bring back feelings connected to smell, touch, and the memories of our children before they grew into hairy teenagers (this one did for me, I’m afraid!).
I think all of these stories will resonate with someone.
Many thanks to NetGalley and the publisher for my copy of this book to read and review.
Phil Leader (619 KP) rated The Last Child of Leif in Books
Nov 18, 2019
Did you hear about the child who ran away to join the circus? How about if that child was a crown prince called Valiant who escapes the murder of his father, barely escaping with his mother and faithful swordsman Sebastian?
That's an extremely simplistic rendering of the start of this book, but one that is quite illustrative of the way that the whole story unfolds. What starts as something very simple evolves into something a whole lot more complicated.
Valiant does indeed end up hiding in a travelling circus as its traction engines slowly pull it across an alternate 19th Century Eastern Europe. But this is no ordinary circus and among it's various performers and other attractions much skill and knowledge is hidden. As the journey continues it becomes clear that forces want Valiant dead and really will stop at nothing to achieve this.
With a story this complex and with the very big cast of characters it would be easy for the reader to get confused, but Pridmore is very careful to introduce everything and everybody gradually, giving each time and space so the reader becomes familiar. The characterisation is outstanding, everybody in the circus is very much their own person and very well realised and each character develops throughout the book, sometimes with some surprising revelations.
The plot itself is really good, building at each turn, becoming gradually more complex and more expansive as each chapter passes. The threats appear credible and the efforts to repel them are completely in line with how the characters have been developed up to that point.
Overall this is an utterly compelling read that has been very well written
That's an extremely simplistic rendering of the start of this book, but one that is quite illustrative of the way that the whole story unfolds. What starts as something very simple evolves into something a whole lot more complicated.
Valiant does indeed end up hiding in a travelling circus as its traction engines slowly pull it across an alternate 19th Century Eastern Europe. But this is no ordinary circus and among it's various performers and other attractions much skill and knowledge is hidden. As the journey continues it becomes clear that forces want Valiant dead and really will stop at nothing to achieve this.
With a story this complex and with the very big cast of characters it would be easy for the reader to get confused, but Pridmore is very careful to introduce everything and everybody gradually, giving each time and space so the reader becomes familiar. The characterisation is outstanding, everybody in the circus is very much their own person and very well realised and each character develops throughout the book, sometimes with some surprising revelations.
The plot itself is really good, building at each turn, becoming gradually more complex and more expansive as each chapter passes. The threats appear credible and the efforts to repel them are completely in line with how the characters have been developed up to that point.
Overall this is an utterly compelling read that has been very well written
LeftSideCut (3778 KP) rated Frozen II (2019) in Movies
Dec 7, 2019 (Updated Jan 22, 2020)
Frozen II is a genuinely fantastic sequel that build on the original in every way.
It's feels more mature for a start. It's still a magical, kid friendly, animated adventure for sure, but the film manages to touch upon subjects such as death, loss, depression, how it's ok to feel angry, and all without veering too far away from a family feature.
The more mature tone comes with more mature animation - and it's really something. The animation is pretty much flawless. The contrasting colour pallets - the icy cold blues and white of Arendelle, to the autumnal greens and oranges of the forest - are all pleasing to look at.
I'm not one for musicals, and I wasn't keen on the songs from the original, but the music in Frozen II is way more tolerable. Well written, and sometimes epic, and that Lost in the Woods song is a banger - the fact that Weezer did a recording of it just earns the movie bonus points in my eyes.
The plot is easy to follow, whilst offering a twist here and there, but the overall message is once again, the importance of family, and the importance of writing wrongs from the last. Interestingly, there is no villain in Frozen II. The focus is purely on the good guys trying to make the world a better place for everyone. It's all rather wholesome.
The characters are all great in their own ways, and the creature designs are fantastic.
I have nothing bad to say about Frozen II. It's a damn solid sequel that easily surpasses the first film. Now if you'll excuse me, I'm going to go and listen to Weezer all night.
It's feels more mature for a start. It's still a magical, kid friendly, animated adventure for sure, but the film manages to touch upon subjects such as death, loss, depression, how it's ok to feel angry, and all without veering too far away from a family feature.
The more mature tone comes with more mature animation - and it's really something. The animation is pretty much flawless. The contrasting colour pallets - the icy cold blues and white of Arendelle, to the autumnal greens and oranges of the forest - are all pleasing to look at.
I'm not one for musicals, and I wasn't keen on the songs from the original, but the music in Frozen II is way more tolerable. Well written, and sometimes epic, and that Lost in the Woods song is a banger - the fact that Weezer did a recording of it just earns the movie bonus points in my eyes.
The plot is easy to follow, whilst offering a twist here and there, but the overall message is once again, the importance of family, and the importance of writing wrongs from the last. Interestingly, there is no villain in Frozen II. The focus is purely on the good guys trying to make the world a better place for everyone. It's all rather wholesome.
The characters are all great in their own ways, and the creature designs are fantastic.
I have nothing bad to say about Frozen II. It's a damn solid sequel that easily surpasses the first film. Now if you'll excuse me, I'm going to go and listen to Weezer all night.
LeftSideCut (3778 KP) rated Us (2019) in Movies
Dec 15, 2019
The first thing I'll say about Us is just how unnerving it . It's one of those horror films that leaves you with a sense of unease at everyday normal things.
Jordan Peele's second horror offering verges on standard horror tropes, clearly taking influence from horror that had come before, and at times feeling similar in nature to The Strangers, and It Follows, but it's intriguing underneath-the-surface plot and underlying social commentary save it from being just another horror film.
The idea of doppelganger horror has been explored before, but it feels a bit more apt in todays climate, as Peele explores the fear of outsiders, whilst also carrying a message about wealth gaps and the effect of privilege obliviousness.
In doing so, he successfully crafts a family of character we can root for, facing off against 'monsters' that sometimes feel all to familiar.
Lupita Nyong'o in particular is a massive stand out here, playing an inherently good central character, desperately protecting her family against a shadow of herself, who at times come across as relatable.
The plot has a decent amount of depth to it, and I'm glad that the narrative explores beyond the central family.
Jordan Peele's camerawork is fantastic throughout. There are striking shots put forwards from start to finish. He also makes fantastic work of colour... The vibrant setting of Santa Cruz works nicely, and the simple colour setup for The Tethered creates a look that is sure to become iconic in the horror genre.
I found Us to be a hugely enjoyable experience, and between Peele and Ari Aster, the future of horror is looking pretty exciting.
Jordan Peele's second horror offering verges on standard horror tropes, clearly taking influence from horror that had come before, and at times feeling similar in nature to The Strangers, and It Follows, but it's intriguing underneath-the-surface plot and underlying social commentary save it from being just another horror film.
The idea of doppelganger horror has been explored before, but it feels a bit more apt in todays climate, as Peele explores the fear of outsiders, whilst also carrying a message about wealth gaps and the effect of privilege obliviousness.
In doing so, he successfully crafts a family of character we can root for, facing off against 'monsters' that sometimes feel all to familiar.
Lupita Nyong'o in particular is a massive stand out here, playing an inherently good central character, desperately protecting her family against a shadow of herself, who at times come across as relatable.
The plot has a decent amount of depth to it, and I'm glad that the narrative explores beyond the central family.
Jordan Peele's camerawork is fantastic throughout. There are striking shots put forwards from start to finish. He also makes fantastic work of colour... The vibrant setting of Santa Cruz works nicely, and the simple colour setup for The Tethered creates a look that is sure to become iconic in the horror genre.
I found Us to be a hugely enjoyable experience, and between Peele and Ari Aster, the future of horror is looking pretty exciting.
Mike75 (5 KP) rated Zombicide: Invader in Tabletop Games
Jan 19, 2020
Mechanics (1 more)
Component Quality
Best Version of Zombicide
CMON really hits their stride in the Zombicide series with Zombicide: Invader. The original Zombicide was a good start but had some rough rules, as many early offerings on Kickstarter often do. Over the years, CMON has matured the series, refining the rules and making plenty of gameplay improvements with follow on editions, including a medieval/fantasy themed Black Plague editions, and now the sci-fi themed Invader.
Invader shows off the maturity of the Zombicide series with well balanced fights against hordes of aliens (who might be alien zombies, though this seems a little unclear). This game uses the nice plastic boards to track each survivors stats, as was introduced in Black Plague. New rule tweaks in Invader allow a survivor to concentrate fire on larger targets, reducing some of the unwinnable situations that sometimes dogged earlier editions. Overall the scenarios and gameplay mechanics all seem well crafted to create tense and rewarding game sessions.
As with all CMON games, there is a wide variety of expansions and characters. There are the usual cameo/homage characters drawn from pop culture and real life. There are also a number of interesting variant Abominations to increase the challenge and variety, as well as several expansions. I bought into the Kickstarter, and Zombicide: Invader may be the first Kickstarter game I've ever gotten where I've actually played through all the expansions.
Overall, a great game from CMON. Zombicide: Invader is lots of fun, and this latest edition makes me very optimistic about their upcoming Zombicide 2nd Edition and the Night of the Living Dead Editions.
Invader shows off the maturity of the Zombicide series with well balanced fights against hordes of aliens (who might be alien zombies, though this seems a little unclear). This game uses the nice plastic boards to track each survivors stats, as was introduced in Black Plague. New rule tweaks in Invader allow a survivor to concentrate fire on larger targets, reducing some of the unwinnable situations that sometimes dogged earlier editions. Overall the scenarios and gameplay mechanics all seem well crafted to create tense and rewarding game sessions.
As with all CMON games, there is a wide variety of expansions and characters. There are the usual cameo/homage characters drawn from pop culture and real life. There are also a number of interesting variant Abominations to increase the challenge and variety, as well as several expansions. I bought into the Kickstarter, and Zombicide: Invader may be the first Kickstarter game I've ever gotten where I've actually played through all the expansions.
Overall, a great game from CMON. Zombicide: Invader is lots of fun, and this latest edition makes me very optimistic about their upcoming Zombicide 2nd Edition and the Night of the Living Dead Editions.
Merissa (12066 KP) rated To the Boys Who Wear Pink in Books
Mar 31, 2020
To The Boys Who Wear Pink is a standalone novel that details the lives of seven (sometimes eight) men from individual points of view through current time and flashbacks. Most of them were at the same school and we find out what their lives were like, who they were with etc. And then they grow up and a tragedy occurs. It is only about three-quarters through the book when you actually get the full picture but the hints are definitely enough to keep you turning the pages.
This is a dark story, with many subjects such as being overweight, drug use, excessive drinking, self harm, and rape being covered in personal histories. Although I personally didn't like some of the characters, I thought the way they were written was simply brilliant.
There is no HEA in this book. It would be wrong to have one. I'm not actually sure about the ending. It was right in one way but... I don't know. Some of the characters I was happy with how their story ended (for now) and some I wanted more for them. I'll leave it to you to figure out which was which.
This is a great read, told from many differing perspectives, and no, it doesn't always make sense. What does if you are drunk or on drugs? However, the overall effect was one I thoroughly enjoyed and therefore I have no hesitation in recommending this book.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
This is a dark story, with many subjects such as being overweight, drug use, excessive drinking, self harm, and rape being covered in personal histories. Although I personally didn't like some of the characters, I thought the way they were written was simply brilliant.
There is no HEA in this book. It would be wrong to have one. I'm not actually sure about the ending. It was right in one way but... I don't know. Some of the characters I was happy with how their story ended (for now) and some I wanted more for them. I'll leave it to you to figure out which was which.
This is a great read, told from many differing perspectives, and no, it doesn't always make sense. What does if you are drunk or on drugs? However, the overall effect was one I thoroughly enjoyed and therefore I have no hesitation in recommending this book.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Ross (3284 KP) rated God of Broken Things in Books
Aug 1, 2019
Excellent conclusion to the duology
* I received an advance copy of this book from the publishers and NetGalley in exchange for an honest review *
The second and final book in the short series (for once an author who is willing to restrict his series to two books rather than padding out to a trilogy with a low quality middle book!) continues Edrin Walker's fight for his life. Where in the first book the coward found himself accidentally returning to the city where he was banished from, and thrown into a conspiracy to destroy the city, here he is more of a willing participant.
The scarrabus (the mind-controlling parasite race) are rife in the city and Walker starts to uncover their plot. Events see him sent to hold off a fast approaching army, where he once again battles with mind-controlled mages and warriors.
The action is thick and fast in this book, and while there are some metaphysical sections, and some epic sections of exposition it keeps the reader engaged throughout.
Walker is a likeable, though thoroughly detestable selfish coward who sometimes ends up doing the right things, if not for the right reason. His magic power of mind-control is used more here than in the first book (where I felt it had been a little neglected for fear of being a Mary Sue), but not over-used and at times it wonderfully helps the story move along while his body can't allow him to be in the thick of the action.
There are twists and conflict galore in this brilliant gritty conclusion to a great story with some really strong, original characters.
The second and final book in the short series (for once an author who is willing to restrict his series to two books rather than padding out to a trilogy with a low quality middle book!) continues Edrin Walker's fight for his life. Where in the first book the coward found himself accidentally returning to the city where he was banished from, and thrown into a conspiracy to destroy the city, here he is more of a willing participant.
The scarrabus (the mind-controlling parasite race) are rife in the city and Walker starts to uncover their plot. Events see him sent to hold off a fast approaching army, where he once again battles with mind-controlled mages and warriors.
The action is thick and fast in this book, and while there are some metaphysical sections, and some epic sections of exposition it keeps the reader engaged throughout.
Walker is a likeable, though thoroughly detestable selfish coward who sometimes ends up doing the right things, if not for the right reason. His magic power of mind-control is used more here than in the first book (where I felt it had been a little neglected for fear of being a Mary Sue), but not over-used and at times it wonderfully helps the story move along while his body can't allow him to be in the thick of the action.
There are twists and conflict galore in this brilliant gritty conclusion to a great story with some really strong, original characters.
Hazel (1853 KP) rated Dakota and the American Dream in Books
Apr 24, 2020
"Dakota was tired of playing catch with his mother at the park," so he rested on a bench but was soon distracted by a peculiar talking squirrel. Chasing after the strange creature, Dakota finds himself in a fantasy world full of anthropomorphic animals. Before he knows what is happening, Dakota finds himself working for Corporate America with its odd rules and unhappy employees.
The fantasy world of Sameer Garach's Dakota and the American Dream is a satire of modern-day America. From a ten year old's perspective, the short story covers the corporate ladder, hierarchy, racism, discrimination, career success and an extreme love of coffee. Whilst all this is humorous to the adult mind, there is an alarming amount of truth that paints the "American Dream" as a corrupt society.
From the very start, Dakota's experience feels remarkably like Lewis Carroll's Alice's Adventures in Wonderland and could almost be said to be a 21st-century version of the classic children's book. Most of Dakota's story will go over the heads of young readers, however, adults will enjoy the humour and childhood innocence as well as appreciate the connection with their favourite books as a child.
As a parody of both real life and fiction, Dakota and the American Dream is a clever story that entertains and makes you think. Although sometimes extreme, it is amusing to read about everyday life being acted out by squirrels, mice, rats, a cowardly lion, an 800-pound Gorilla and many more bizarre creatures. If the humour and satire was stripped away, we would be left with a child's confusion about the way America works with many things appearing stupid or unfair.
The fantasy world of Sameer Garach's Dakota and the American Dream is a satire of modern-day America. From a ten year old's perspective, the short story covers the corporate ladder, hierarchy, racism, discrimination, career success and an extreme love of coffee. Whilst all this is humorous to the adult mind, there is an alarming amount of truth that paints the "American Dream" as a corrupt society.
From the very start, Dakota's experience feels remarkably like Lewis Carroll's Alice's Adventures in Wonderland and could almost be said to be a 21st-century version of the classic children's book. Most of Dakota's story will go over the heads of young readers, however, adults will enjoy the humour and childhood innocence as well as appreciate the connection with their favourite books as a child.
As a parody of both real life and fiction, Dakota and the American Dream is a clever story that entertains and makes you think. Although sometimes extreme, it is amusing to read about everyday life being acted out by squirrels, mice, rats, a cowardly lion, an 800-pound Gorilla and many more bizarre creatures. If the humour and satire was stripped away, we would be left with a child's confusion about the way America works with many things appearing stupid or unfair.
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