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MelanieTheresa (997 KP) rated First Man (2018) in Movies
Oct 3, 2018
POV launch sequences (1 more)
Claire Foy
A bit slow (2 more)
A little long
Terrible sound mixing
I love a good space movie.
Everyone knows the story of the first moon landing - who, what, where, when, how - but this movie goes a bit deeper than the history books you've read. I'm not spoiling the ending by telling you they land on the moon; you already know this. What you may not know is what led up to that historical moment: the tests, the failures, the losses, the toll taken on the astronauts and their families during NASA's race to the moon. This movie does well in that respect. Claire Foy does an amazing job of making you feel with her and for her. The POV in the launch sequences is terrific. You almost feel like you're in the cockpit with Armstrong as he's launching into space. Really well done.
Now, the bad.
- It was slow, and probably too long.
- Ryan Gosling has exactly one facial expression throughout the entire movie. He goes through the proper emotions, but his face does not. Even when he's crying over the death of his daughter, the only thing that changes about his face is the added tears.
- The sound mixing was terrible. The effects were turned up far too high and the voices far too low, to the point where I sometimes couldn't hear what was being said, and as a result I definitely missed some partial conversations. This is one of my biggest movie pet peeves.
Overall, I enjoyed the movie, but it's not one I'd need to watch again down the road.
Now, the bad.
- It was slow, and probably too long.
- Ryan Gosling has exactly one facial expression throughout the entire movie. He goes through the proper emotions, but his face does not. Even when he's crying over the death of his daughter, the only thing that changes about his face is the added tears.
- The sound mixing was terrible. The effects were turned up far too high and the voices far too low, to the point where I sometimes couldn't hear what was being said, and as a result I definitely missed some partial conversations. This is one of my biggest movie pet peeves.
Overall, I enjoyed the movie, but it's not one I'd need to watch again down the road.
Bong Mines Entertainment (15 KP) rated I See Red by Geowulf in Music
Jun 18, 2019
Geowulf (Star Kendrick & Toma Banjanin) is an Australian duo based in London, England. Not too long ago, they released an introspective alternative tune, entitled, “I See Red”.
“‘I See Red’ was written after an argument with my sister. The song was a realization that you are only ever your most raw, horrible self when you’re with the people you love to death and who love you.” – Star Kendrick
‘I See Red’ tells an interesting tale of a young woman who attends therapy to learn how to control her anger and mental health issues.
Apparently, she makes the same emotional mistakes and realizes it’s going to take some time to change her raging behavior.
Later, she admits that she’s only human and wants to be a better person, lover, and friend. But sometimes, she gets lost, and before she knows it, she’s seeing red again.
“I have been very proactive over many years in going to therapy. Talking openly about mental health and have constantly taken steps to control emotions, moods, and even my temper. Having a family history of mental illness, this is something my siblings and I have had a lot of awareness about. This song is about that process and what I’ve learned. The ebbs and flows of trying to be the best version of yourself.” – Star Kendrick
‘I See Red’ can be utilized as the trigger to your spirited response to any of the stresses which weigh you down.
The likable tune doubles as the first collaboration with Geowulf’s new writing partner, Justin Parker (Lana Del Rey, Bat For Lashes, Cloves).
https://www.bongminesentertainment.com/geowulf-i-see-red/
“‘I See Red’ was written after an argument with my sister. The song was a realization that you are only ever your most raw, horrible self when you’re with the people you love to death and who love you.” – Star Kendrick
‘I See Red’ tells an interesting tale of a young woman who attends therapy to learn how to control her anger and mental health issues.
Apparently, she makes the same emotional mistakes and realizes it’s going to take some time to change her raging behavior.
Later, she admits that she’s only human and wants to be a better person, lover, and friend. But sometimes, she gets lost, and before she knows it, she’s seeing red again.
“I have been very proactive over many years in going to therapy. Talking openly about mental health and have constantly taken steps to control emotions, moods, and even my temper. Having a family history of mental illness, this is something my siblings and I have had a lot of awareness about. This song is about that process and what I’ve learned. The ebbs and flows of trying to be the best version of yourself.” – Star Kendrick
‘I See Red’ can be utilized as the trigger to your spirited response to any of the stresses which weigh you down.
The likable tune doubles as the first collaboration with Geowulf’s new writing partner, Justin Parker (Lana Del Rey, Bat For Lashes, Cloves).
https://www.bongminesentertainment.com/geowulf-i-see-red/
Andy K (10823 KP) rated Big Little Lies in TV
Dec 16, 2018
The best thing about good programming is good writing!
I just finished binge watching all 7 episodes of this fantastic HBO limited series featuring a mostly female cast (I'm sure everyone knows of this by now).
The story centers around three women, all raising children trying to lead "normal" lives, but have hidden scars and emotional baggage in their relationships they are trying to work through. Tensions continue to escalate through a series of confrontations and slow burn emotional scenes, but the payoff is ultimately worth it. I am much more a fan of vague endings than most people, so I would say I thought they could have left out the final scene and left us to wonder what happened, but I'm sure I'm in the minority on that.
The acting is certainly stellar all around; however, the real royalty here is the screenplay. too often great writing gets overlooked since it's not the flashiest of production values, but this one should not be ignored. It shows that everyone you encounter in life is a human being with strengths and weaknesses. You have to take the good with the bad sometimes, or make the tough choices to save your situation and make a better life for yourself.
After finishing I read they are doing a second season. Not sure how I feel about that. It would be all right maybe if it was a completely separate story, but this is going to be a continuation. They are adding Meryl Streep so I guess that's a good start.
I will have to wait and see!
The story centers around three women, all raising children trying to lead "normal" lives, but have hidden scars and emotional baggage in their relationships they are trying to work through. Tensions continue to escalate through a series of confrontations and slow burn emotional scenes, but the payoff is ultimately worth it. I am much more a fan of vague endings than most people, so I would say I thought they could have left out the final scene and left us to wonder what happened, but I'm sure I'm in the minority on that.
The acting is certainly stellar all around; however, the real royalty here is the screenplay. too often great writing gets overlooked since it's not the flashiest of production values, but this one should not be ignored. It shows that everyone you encounter in life is a human being with strengths and weaknesses. You have to take the good with the bad sometimes, or make the tough choices to save your situation and make a better life for yourself.
After finishing I read they are doing a second season. Not sure how I feel about that. It would be all right maybe if it was a completely separate story, but this is going to be a continuation. They are adding Meryl Streep so I guess that's a good start.
I will have to wait and see!
Jordan Binkerd (567 KP) rated The Dukes of Hazzard: The Beginning (2007) in Movies
Aug 15, 2019
April Scott as Daisy Duke was hot - which is half of the appeal (2 more)
The stunts were decent - which is the other half
Harland Williams is hilarious, and I'll watch basically anything with him in it
Most of the cast - not necessarily that they were bad, but some were a bad fit for the characters (2 more)
The writing sometimes felt like a parody of itself.
The stunts were only decent.... and this is Dukes of Hazzard, where the stunts are the key.
Inconsistent and dumb
Ugh. And I thought the first movie was bad. Basically, this movie wants to be The Dukes of Hazzard meets American Pie but winds up closer to a parody of the classic show crossed with one of American Pie's less competent knockoffs. At times it hits the mark, true, but other times its almost more like a parody of the Dukes than it is the real deal. April Scott was decent in her role as Daisy, and turned out not to be just a mannequin for the shorts and crop-top, but the two leads? Less than stellar. Harland Williams is hilarious, but he's not a good fit for Sherriff Coltrane, who is supposed to be at least a little menacing if memory serves. Chris McDonald has made his career playing the corrupt businessman/politician role, which means he does it well, but his turn as Boss Hogg was just a generic rehash of a dozen other roles. As a final nail in the coffin the TV budget hampered the stunts to the point of not being able to save it. Go watch the show instead.
Russ Troutt (291 KP) rated Won't You Be My Neighbor? (2018) in Movies
Jul 2, 2019
It's always a beautiful day in the neighborhood,
For in the worst of times you always made me see the good.
You would walk in with a smile on your face,
I knew that I was welcome at your place.
And no matter the weather,
You would put on your sweater.
Then you would sit down to put on more comfortable shoes,
Making me comfortable knowing I had a neighbor like you.
Together we would feed the fish,
Sometimes go to the kitchen and make a dish.
It was always my brain and heart that you were feeding,
As a kid you knew exactly what I was needing.
Messages would come from Mr. McFeely,
Who would show up with a speedy delivery.
When I'd hear the bell of the trolley,
I'd get excited and feel jolly.
For I knew we were off to visit our puppetry friends,
On the other side of the tunnel in make believe land.
You taught me what to do with my mad,
And that it was okay to be sad.
You helped in dealing with the bad and serious issues of the world,
But at the end of everyday in me the good you had restored.
In our daily meetings on television with me there is so much that you left,
I am special, amazing the way I am, and in the scary to be the one that helps.
It was in your words that I did find,
The key to success is being kind.
In many ways you were a savior whose love will always be savored,
Mister Rogers I will be forever grateful that you were my neighbor.
For in the worst of times you always made me see the good.
You would walk in with a smile on your face,
I knew that I was welcome at your place.
And no matter the weather,
You would put on your sweater.
Then you would sit down to put on more comfortable shoes,
Making me comfortable knowing I had a neighbor like you.
Together we would feed the fish,
Sometimes go to the kitchen and make a dish.
It was always my brain and heart that you were feeding,
As a kid you knew exactly what I was needing.
Messages would come from Mr. McFeely,
Who would show up with a speedy delivery.
When I'd hear the bell of the trolley,
I'd get excited and feel jolly.
For I knew we were off to visit our puppetry friends,
On the other side of the tunnel in make believe land.
You taught me what to do with my mad,
And that it was okay to be sad.
You helped in dealing with the bad and serious issues of the world,
But at the end of everyday in me the good you had restored.
In our daily meetings on television with me there is so much that you left,
I am special, amazing the way I am, and in the scary to be the one that helps.
It was in your words that I did find,
The key to success is being kind.
In many ways you were a savior whose love will always be savored,
Mister Rogers I will be forever grateful that you were my neighbor.
Phil Leader (619 KP) rated Aaliyah in Books
Nov 8, 2019
When her mother was healed by angels shortly before she was born, Aaliyah has been able to heal others, both physically and mentally. In particular she helps out her friend Duan, a unique child born of both demon and angel.
Her sheltered existence is a great concern to her mother, and so she takes her young family away from their monastery home - and Duan - in order the live a 'normal' life. But Aaliyah can't help using her power, and draws unwanted attention to the family.
This book is the start of a new series, albeit one firmly rooted in Cope's Afterlife series. However it is not necessary to have read that series, nor the Witch's Legacy book which provides some additional background.
As usual with Cope's books it is the characters that shine out, everyone from Aaliyah and Duan to the villagers who are just desperate for Aaliyah's healing touch are realised perfectly. As the stakes are raised, not least by a dreadful prophesy and dark forces who want to use her gift for their own ends, both Aaliyah and Duan must decide where they belong and who they need the most.
As the story unfolds the stakes are skillfully raised, drawing the reader along, genuinely fearing for the fates of the main characters at each step. Sometimes it was hard to turn the page, knowing that the characters you have been getting to know so well will almost definitely end up coming to harm.
In this book Cope has managed to take the elements of angels, witches and shapeshifters and combined them into an engrossing and thrilling read that will appeal to young adults of all ages.
Her sheltered existence is a great concern to her mother, and so she takes her young family away from their monastery home - and Duan - in order the live a 'normal' life. But Aaliyah can't help using her power, and draws unwanted attention to the family.
This book is the start of a new series, albeit one firmly rooted in Cope's Afterlife series. However it is not necessary to have read that series, nor the Witch's Legacy book which provides some additional background.
As usual with Cope's books it is the characters that shine out, everyone from Aaliyah and Duan to the villagers who are just desperate for Aaliyah's healing touch are realised perfectly. As the stakes are raised, not least by a dreadful prophesy and dark forces who want to use her gift for their own ends, both Aaliyah and Duan must decide where they belong and who they need the most.
As the story unfolds the stakes are skillfully raised, drawing the reader along, genuinely fearing for the fates of the main characters at each step. Sometimes it was hard to turn the page, knowing that the characters you have been getting to know so well will almost definitely end up coming to harm.
In this book Cope has managed to take the elements of angels, witches and shapeshifters and combined them into an engrossing and thrilling read that will appeal to young adults of all ages.
Phil Leader (619 KP) rated An Angel Came Down: The Angel of All Cannings in Books
Nov 8, 2019
My wife was the assistant manager of the little community shop in All Cannings (a small village in Wiltshire) and the author was a regular customer. When he couldn't get any interest in his story set around the village from a publisher he decided to publish it himself - and so we are the proud owners of a copy of this work. It doesn't feature any cover art - the book is simply white with the title writtien in black writing, something that is more effective and chilling than any picture could be.
Written for young adults, this tells the story of a group of friends who investigate the appearance of an 'angel' - a white mark on the hillside near their home, which intriguingly they are warned away from by some officials. The area is famous for its crop circles and soon it becomes clear there is a link between crop circles and secret military testing. Despite the danger the children pursue the truth.
The plot works well with the children (and the reader) wanting to find out more as each part of the conspiracy is uncovered and it is immensely readable. The children are likeable and the adults they encounter are by turns helpful and friendly or threatening and scary.
There are faults - the children sometimes act older than their ages and there is an event late in the book which is morally questionable. But overall this is a very sound and credible novel. It is such a shame that it was written a few years before eBooks took off, when it might have seen a much wider audience.
Written for young adults, this tells the story of a group of friends who investigate the appearance of an 'angel' - a white mark on the hillside near their home, which intriguingly they are warned away from by some officials. The area is famous for its crop circles and soon it becomes clear there is a link between crop circles and secret military testing. Despite the danger the children pursue the truth.
The plot works well with the children (and the reader) wanting to find out more as each part of the conspiracy is uncovered and it is immensely readable. The children are likeable and the adults they encounter are by turns helpful and friendly or threatening and scary.
There are faults - the children sometimes act older than their ages and there is an event late in the book which is morally questionable. But overall this is a very sound and credible novel. It is such a shame that it was written a few years before eBooks took off, when it might have seen a much wider audience.
ClareR (6054 KP) rated Roar: A Story for Every Woman in Books
Nov 13, 2019
On the whole, I enjoyed this book of short stories. They’re all stories about women who are unhappy about some aspect of their lives, have lost their way and are working out how to get back. They’re all a bit magical realism, and just plain fantasy sometimes (this is not a bad thing for me, by the way!), and ‘Feminist Aesop’s Fables’ kept popping in to my head. It’s definitely a book to dip in to, and I did so whilst reading other books - I could see that reading all of these in one go could be overwhelming.
I think that these stories have a bit of something for everyone. I didn’t enjoy all of them, but I did have my favourites: The Woman Who Grew Wings is about a woman who flees her country with her family to live in the West, and the negative attitudes of the other mothers at the school gates (they’re not nice people) - this brought me to tears actually. The Woman Who Was Swallowed Up by the Floor and Who Met Lots of Other Women Down There Too - because who HASN’T had this happen to them at least once in their lives?! The Woman Who Ate Photographs was another tear jerker about how visual prompts (the photos) can bring back feelings connected to smell, touch, and the memories of our children before they grew into hairy teenagers (this one did for me, I’m afraid!).
I think all of these stories will resonate with someone.
Many thanks to NetGalley and the publisher for my copy of this book to read and review.
I think that these stories have a bit of something for everyone. I didn’t enjoy all of them, but I did have my favourites: The Woman Who Grew Wings is about a woman who flees her country with her family to live in the West, and the negative attitudes of the other mothers at the school gates (they’re not nice people) - this brought me to tears actually. The Woman Who Was Swallowed Up by the Floor and Who Met Lots of Other Women Down There Too - because who HASN’T had this happen to them at least once in their lives?! The Woman Who Ate Photographs was another tear jerker about how visual prompts (the photos) can bring back feelings connected to smell, touch, and the memories of our children before they grew into hairy teenagers (this one did for me, I’m afraid!).
I think all of these stories will resonate with someone.
Many thanks to NetGalley and the publisher for my copy of this book to read and review.
Phil Leader (619 KP) rated The Last Child of Leif in Books
Nov 18, 2019
Did you hear about the child who ran away to join the circus? How about if that child was a crown prince called Valiant who escapes the murder of his father, barely escaping with his mother and faithful swordsman Sebastian?
That's an extremely simplistic rendering of the start of this book, but one that is quite illustrative of the way that the whole story unfolds. What starts as something very simple evolves into something a whole lot more complicated.
Valiant does indeed end up hiding in a travelling circus as its traction engines slowly pull it across an alternate 19th Century Eastern Europe. But this is no ordinary circus and among it's various performers and other attractions much skill and knowledge is hidden. As the journey continues it becomes clear that forces want Valiant dead and really will stop at nothing to achieve this.
With a story this complex and with the very big cast of characters it would be easy for the reader to get confused, but Pridmore is very careful to introduce everything and everybody gradually, giving each time and space so the reader becomes familiar. The characterisation is outstanding, everybody in the circus is very much their own person and very well realised and each character develops throughout the book, sometimes with some surprising revelations.
The plot itself is really good, building at each turn, becoming gradually more complex and more expansive as each chapter passes. The threats appear credible and the efforts to repel them are completely in line with how the characters have been developed up to that point.
Overall this is an utterly compelling read that has been very well written
That's an extremely simplistic rendering of the start of this book, but one that is quite illustrative of the way that the whole story unfolds. What starts as something very simple evolves into something a whole lot more complicated.
Valiant does indeed end up hiding in a travelling circus as its traction engines slowly pull it across an alternate 19th Century Eastern Europe. But this is no ordinary circus and among it's various performers and other attractions much skill and knowledge is hidden. As the journey continues it becomes clear that forces want Valiant dead and really will stop at nothing to achieve this.
With a story this complex and with the very big cast of characters it would be easy for the reader to get confused, but Pridmore is very careful to introduce everything and everybody gradually, giving each time and space so the reader becomes familiar. The characterisation is outstanding, everybody in the circus is very much their own person and very well realised and each character develops throughout the book, sometimes with some surprising revelations.
The plot itself is really good, building at each turn, becoming gradually more complex and more expansive as each chapter passes. The threats appear credible and the efforts to repel them are completely in line with how the characters have been developed up to that point.
Overall this is an utterly compelling read that has been very well written
LeftSideCut (3776 KP) rated Frozen II (2019) in Movies
Dec 7, 2019 (Updated Jan 22, 2020)
Frozen II is a genuinely fantastic sequel that build on the original in every way.
It's feels more mature for a start. It's still a magical, kid friendly, animated adventure for sure, but the film manages to touch upon subjects such as death, loss, depression, how it's ok to feel angry, and all without veering too far away from a family feature.
The more mature tone comes with more mature animation - and it's really something. The animation is pretty much flawless. The contrasting colour pallets - the icy cold blues and white of Arendelle, to the autumnal greens and oranges of the forest - are all pleasing to look at.
I'm not one for musicals, and I wasn't keen on the songs from the original, but the music in Frozen II is way more tolerable. Well written, and sometimes epic, and that Lost in the Woods song is a banger - the fact that Weezer did a recording of it just earns the movie bonus points in my eyes.
The plot is easy to follow, whilst offering a twist here and there, but the overall message is once again, the importance of family, and the importance of writing wrongs from the last. Interestingly, there is no villain in Frozen II. The focus is purely on the good guys trying to make the world a better place for everyone. It's all rather wholesome.
The characters are all great in their own ways, and the creature designs are fantastic.
I have nothing bad to say about Frozen II. It's a damn solid sequel that easily surpasses the first film. Now if you'll excuse me, I'm going to go and listen to Weezer all night.
It's feels more mature for a start. It's still a magical, kid friendly, animated adventure for sure, but the film manages to touch upon subjects such as death, loss, depression, how it's ok to feel angry, and all without veering too far away from a family feature.
The more mature tone comes with more mature animation - and it's really something. The animation is pretty much flawless. The contrasting colour pallets - the icy cold blues and white of Arendelle, to the autumnal greens and oranges of the forest - are all pleasing to look at.
I'm not one for musicals, and I wasn't keen on the songs from the original, but the music in Frozen II is way more tolerable. Well written, and sometimes epic, and that Lost in the Woods song is a banger - the fact that Weezer did a recording of it just earns the movie bonus points in my eyes.
The plot is easy to follow, whilst offering a twist here and there, but the overall message is once again, the importance of family, and the importance of writing wrongs from the last. Interestingly, there is no villain in Frozen II. The focus is purely on the good guys trying to make the world a better place for everyone. It's all rather wholesome.
The characters are all great in their own ways, and the creature designs are fantastic.
I have nothing bad to say about Frozen II. It's a damn solid sequel that easily surpasses the first film. Now if you'll excuse me, I'm going to go and listen to Weezer all night.