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Erika Kehlet (21 KP) rated The Occasional Diamond Thief (#1) in Books
Feb 21, 2018
Kia is a 16 year old girl with a troubled family life and a penchant for languages. When her father dies, leaving her with a mother who seems to despise her and a sister who wont give her the time of day, she leaves home and starts school to become a translator. After being caught stealing to finance her new life, she is sent to Malem to act as a translator for a Select (a religious title, something akin to a nun or priest) named Agatha. This is the same world where her father contracted the illness that eventually killed him. Its also the world where her father acquired the gem he gave her right before he died a Malem diamond that it is illegal for anyone who is not Malemese to posses.
I really enjoyed this story. Kia didnt seem to be able to get a break at all, and even thought being sent to Malem kept her out of prison, it still seemed like punishment for her. Once she and Agatha arrived on Malem, the story kept moving at a pace that kept me reading, wanting to know what was going to happen next. Both Kia and Agatha were well developed, likable characters who learned and grew throughout the story. Sometimes I wanted to shout at Kia for her behavior, but considering her age it was perfectly appropriate.
There was no cliffhanger ending, and it may turn out to be a standalone novel, but I wouldnt be surprised to see more adventures for Kia in the future.
Disclaimer I received a free digital copy from the publisher in exchange for an honest review.
I really enjoyed this story. Kia didnt seem to be able to get a break at all, and even thought being sent to Malem kept her out of prison, it still seemed like punishment for her. Once she and Agatha arrived on Malem, the story kept moving at a pace that kept me reading, wanting to know what was going to happen next. Both Kia and Agatha were well developed, likable characters who learned and grew throughout the story. Sometimes I wanted to shout at Kia for her behavior, but considering her age it was perfectly appropriate.
There was no cliffhanger ending, and it may turn out to be a standalone novel, but I wouldnt be surprised to see more adventures for Kia in the future.
Disclaimer I received a free digital copy from the publisher in exchange for an honest review.
Sarah (7800 KP) rated Deadpool 2 (2018) in Movies
May 31, 2018
More Marvel films should be like this
Deadpool really makes me want to see more Marvel films like this. It's refreshing to watch a more "adult" Marvel film, with the violence and rude humour and aside from Logan, Deadpool is the only film to have ventured into this adult territory.
That's not to say it always works, as sometimes the jokes are a little too crude or offensive. But for the most part Deadpool 2 is pretty funny and even verging on hilarious at times, and the blood and gore is actually great to see. The plot itself is maybe a tad predictable, but it more than makes up for it with everything else. The title credits, post credits scene and a lot of the tongue in cheek references are particularly hilarious. The soundtrack is eclectic and a bit bonkers, but Deadpool a manages to pull it off.
The cast and characters are fantastic, both the returning favourites (I love Dopinder) and some of the new cast too. Josh Brolin has always been a favourite and he does very well in this, Deadpool even managed to throw in a genius reference to Thanos. Zazie Beetz too is a great new addition. There are also some brilliant cameos in this, which I won't spoil for anyone who hasn't seen it.
My main problem with this film is that parts of it are way too serious and sombre and these scenes really bring down the tone of the film. They do need something serious, but I think with this they've gone a little too heavy handed which is a shame.
That's not to say it always works, as sometimes the jokes are a little too crude or offensive. But for the most part Deadpool 2 is pretty funny and even verging on hilarious at times, and the blood and gore is actually great to see. The plot itself is maybe a tad predictable, but it more than makes up for it with everything else. The title credits, post credits scene and a lot of the tongue in cheek references are particularly hilarious. The soundtrack is eclectic and a bit bonkers, but Deadpool a manages to pull it off.
The cast and characters are fantastic, both the returning favourites (I love Dopinder) and some of the new cast too. Josh Brolin has always been a favourite and he does very well in this, Deadpool even managed to throw in a genius reference to Thanos. Zazie Beetz too is a great new addition. There are also some brilliant cameos in this, which I won't spoil for anyone who hasn't seen it.
My main problem with this film is that parts of it are way too serious and sombre and these scenes really bring down the tone of the film. They do need something serious, but I think with this they've gone a little too heavy handed which is a shame.
Almost everyone I know uses it. (2 more)
Reconnect with people I thought I'd lost forever.
Stuff I wouldn't generally see elsewhere.
Security/privacy is HORRIBLE! (2 more)
Facebook is biased against minorities.
Facebook enforces the rules when & if they choose.
If Only There Was A Better Alternative
If I could convince all my Facebook friends to move to another site, I'd jump ship in a heartbeat! Yes, there's fun stuff & great info that I wouldn't normally come across any where else. But it comes at a price. With all the info Facebook has gathered on me, sometimes I feel like they know more about me then I do. I've been the victim of (& witnessed others be victims of) bullying numerous times. 99% of the time, Facebook does nothing about it. I report the problem, & the typical response is that "it doesn't violate Facebook's community standards". I've been hacked on their Messenger app. People can be downright cruel in the comment section of any article. There are bugs that keep getting worse instead of better. For example, I'm reading an article or watching a video I've clicked on. When I'm finished, instead of taking me back to where I was in my news feed, I'm sent back to the beginning. Once is frustrating. After that it's painfully irritating! There's so much more! I'll just sum it up by saying "Facebook has become a cesspool of negativity." I would leave the app, but I'd either lose people completely that can't or won't use other apps, or I'd have to use a boatload of apps, because of course people won't agree on the same alternative.
Phillip McSween (751 KP) rated Jurassic World: Fallen Kingdom (2018) in Movies
Jul 26, 2018
Fun Summer Blockbuster
Taking place three years after Jurassic World, Owen (Chris Pratt) and Claire (Bryce Dallas Howard) find themselves back on Isla Nublar where a dormant volcano is on the verge of erupting. Their mission is to safely rescue as many dinosaurs as they can, but there are others who have more sinister plans.
Acting: 10
Beginning: 10
Characters: 9
Cinematography/Visuals: 9
The Jurassic Park series has set the standard for visuals and this new installment is no exception. From the opening scene to the film's conclusion, you are treated to the beautiful dino goodness that keeps viewers coming back for more. I appreciated the consistent attention to detail and the constant refining of the traditional dinos like the t-rex and pesky raptor. I left as I always do, thinking this is how these creatures must have moved and acted when they were alive.
Conflict: 9
Genre: 5
Memorability: 5
Pace: 8
Plot: 1
Resolution: 10
Overall: 76
It's funny how critics rag on films like these saying, "Where is the heart? This film is all over the place, big on action, lacking on script." Is that accurate of Jurassic World: Fallen Kingdom? Absolutely. However, sometimes we also have to remember why we came to the see the film in the first place. You came for the action. You came for the dinosaurs. In that sense, the film delivers. You want an enriching story? Go see Lady Bird. Meanwhile, I'll keep munching on my Raisinets and enjoying films the way they were meant to be enjoyed.
P.S.--Lady Bird is actually a phenomenal film.
Acting: 10
Beginning: 10
Characters: 9
Cinematography/Visuals: 9
The Jurassic Park series has set the standard for visuals and this new installment is no exception. From the opening scene to the film's conclusion, you are treated to the beautiful dino goodness that keeps viewers coming back for more. I appreciated the consistent attention to detail and the constant refining of the traditional dinos like the t-rex and pesky raptor. I left as I always do, thinking this is how these creatures must have moved and acted when they were alive.
Conflict: 9
Genre: 5
Memorability: 5
Pace: 8
Plot: 1
Resolution: 10
Overall: 76
It's funny how critics rag on films like these saying, "Where is the heart? This film is all over the place, big on action, lacking on script." Is that accurate of Jurassic World: Fallen Kingdom? Absolutely. However, sometimes we also have to remember why we came to the see the film in the first place. You came for the action. You came for the dinosaurs. In that sense, the film delivers. You want an enriching story? Go see Lady Bird. Meanwhile, I'll keep munching on my Raisinets and enjoying films the way they were meant to be enjoyed.
P.S.--Lady Bird is actually a phenomenal film.
Ross (3284 KP) rated Sword of Destiny in Books
Jul 26, 2018
This is a largely well-written set of Witcher short stories, which start to piece together some of the stories in the Last Wish with the main books (which I have yet to read!).
While this time there is no over-arching story linking them together this is to the book's credit. I got annoyed with the Last Wish/Season of Storms's clumsy attempt to sew together a number of different stories - like those old episodes of a sitcom that was just a hashing together of different flashbacks. Though it does mean you could struggle with the chronology, but I think assuming the stories are after the Season of Storms is a safe bet.
All of the stories are reasonably exciting, but Sapkowski does have a tendency to start these stories with the Witcher's triumph over another creature, and focus on the aftermath - sometimes you long for the thrill of the preceding hunt.
The final story, which I feel is the main link into the first book, includes a number of sections where the Witcher is hallucinating. The segue between these isn't always clear, and while this adds to the atmosphere and feel of the Witcher being drugged, it does leave you a little confused at times (though this passes briefly).
A good set of stories and a decent translation with few clunky parts.
I would recommend these are read after the main books (i.e. in published order) - while I haven't read those, I have probably taken some characters/stories for granted and not appreciated how they feed in to the overall canon of Witcher works (without googling for spoilers).
While this time there is no over-arching story linking them together this is to the book's credit. I got annoyed with the Last Wish/Season of Storms's clumsy attempt to sew together a number of different stories - like those old episodes of a sitcom that was just a hashing together of different flashbacks. Though it does mean you could struggle with the chronology, but I think assuming the stories are after the Season of Storms is a safe bet.
All of the stories are reasonably exciting, but Sapkowski does have a tendency to start these stories with the Witcher's triumph over another creature, and focus on the aftermath - sometimes you long for the thrill of the preceding hunt.
The final story, which I feel is the main link into the first book, includes a number of sections where the Witcher is hallucinating. The segue between these isn't always clear, and while this adds to the atmosphere and feel of the Witcher being drugged, it does leave you a little confused at times (though this passes briefly).
A good set of stories and a decent translation with few clunky parts.
I would recommend these are read after the main books (i.e. in published order) - while I haven't read those, I have probably taken some characters/stories for granted and not appreciated how they feed in to the overall canon of Witcher works (without googling for spoilers).
Steph (468 KP) rated Special Topics in Calamity Physics in Books
Aug 14, 2018
Wow. This book is incredible. First, the prose is absolutely brilliant. From the very beginning, its intellectual and detailed nature gripped me and pulled me into the story. When the plot was slow (and it is at times), I still couldn't put it down because of how beautifully it was written. The author has an almost encyclopedic knowledge of famous books and quotations and references them throughout the text in a really clever way. These references really make the metaphors hit home and are a creative way to allow the main character's personality to come through.
The end of this book is a shock like jumping into a cold pool. How Hannah dies and what is going on with this woman is the focus of 2/3 or 3/4 of the book. At the slow points I would sometimes think that with all the build up, the ending better be good- and it absolutely does not disappoint. There are little clues throughout the book that become obvious once the ending has been revealed. The author leaves us clues to this mystery just like the clues that Hannah leaves for Blue that unravel into her life story. You don't see them at first, but in retrospect, everything fits together in a puzzle that leaves you incredibly satisfied. Everything you thought was just worldbuilding or intricate detail to enhance the characters or setting actually is relevant to the entire mystery.
I'm very impressed with this book. I'm already looking forward to my next re-read when I can go through the book knowing the ending- I imagine it will be an entirely different, but still absolutely wonderful, experience.
The end of this book is a shock like jumping into a cold pool. How Hannah dies and what is going on with this woman is the focus of 2/3 or 3/4 of the book. At the slow points I would sometimes think that with all the build up, the ending better be good- and it absolutely does not disappoint. There are little clues throughout the book that become obvious once the ending has been revealed. The author leaves us clues to this mystery just like the clues that Hannah leaves for Blue that unravel into her life story. You don't see them at first, but in retrospect, everything fits together in a puzzle that leaves you incredibly satisfied. Everything you thought was just worldbuilding or intricate detail to enhance the characters or setting actually is relevant to the entire mystery.
I'm very impressed with this book. I'm already looking forward to my next re-read when I can go through the book knowing the ending- I imagine it will be an entirely different, but still absolutely wonderful, experience.
A very uncomfortable read.
We know straight from the very first page what has happened and who committed the murder of 2 small children: it’s the nanny. This book is far more to do with the ‘why’ of it. Why exactly did she do it? Were there any mitigating circumstances?
This short novel shows a middle-aged woman who is very lonely, poor and under-educated. She does the work she loves though, looking after children in their own homes. She becomes very attached to all of her charges, and it seems that they all adore her.
This isn’t a story with a nice explanation or reason for a murder. It’s a lot like real life in that way: sometimes people become overwhelmed and can’t cope. It seemed obvious to me from early in that the nanny, Louise, had mental health problems. She seemed to be given full responsibility of two small children for a large part of the day, whilst their parents worked really long hours. I think the changing opinions of the parents don’t help her: one minute she can do no wrong and is an integral part of the family, the next, she’s ‘just’ the hired help. The ending isn’t wrapped up all nicely with a resolution. There’s no happy ending for any of them. Just like real life. I wasn’t surprised to learn that this could actually be based on the true story of a nanny murdering her employers children in much the same way, which made it all the more chilling.
If you’re not ok with reading about child murders, I’d steer well clear of this book, otherwise, it’s a very compelling read.
This short novel shows a middle-aged woman who is very lonely, poor and under-educated. She does the work she loves though, looking after children in their own homes. She becomes very attached to all of her charges, and it seems that they all adore her.
This isn’t a story with a nice explanation or reason for a murder. It’s a lot like real life in that way: sometimes people become overwhelmed and can’t cope. It seemed obvious to me from early in that the nanny, Louise, had mental health problems. She seemed to be given full responsibility of two small children for a large part of the day, whilst their parents worked really long hours. I think the changing opinions of the parents don’t help her: one minute she can do no wrong and is an integral part of the family, the next, she’s ‘just’ the hired help. The ending isn’t wrapped up all nicely with a resolution. There’s no happy ending for any of them. Just like real life. I wasn’t surprised to learn that this could actually be based on the true story of a nanny murdering her employers children in much the same way, which made it all the more chilling.
If you’re not ok with reading about child murders, I’d steer well clear of this book, otherwise, it’s a very compelling read.
CJ (8 KP) rated 2001: A Space Odyssey (1968) in Movies
Aug 26, 2018
Visit space at your local IMAX
This review is specifically about the IMAX re-release in 2018.
Never having seen this film before, I was psyched to hear it was coming to IMAX. Raised in museums, I have a strong predisposition to watch movies set in space or in the ocean on IMAX screens. In that respect, this movie does not disappoint. If your idea of a great time is watching space craft drift through space to classical music on a screen so big you feel like you’re there, you will LOVE this movie. The cinematography is stunning, and I found myself enjoying shifting back and forth between space and 1960’s set design. 2001 is, if nothing else, a feast on for the eyes.
This movie has a reputation for being confusing, and it does earn it. This is particularly true of the last half our or so.
Because this was originally made for Cinerama (a style that was projected onto a heavily curved screen using 3 synchronized projectors) a few scenes looked a little squished or bent in places. It’s barely noticable, and probably unavoidable in translating from the curved to flat screen. Still, this was remarkably well done.
Still, regardless what you think of the story and meaning of this film, you will be doing yourself a favor to see it in IMAX before it leaves!
Never having seen this film before, I was psyched to hear it was coming to IMAX. Raised in museums, I have a strong predisposition to watch movies set in space or in the ocean on IMAX screens. In that respect, this movie does not disappoint. If your idea of a great time is watching space craft drift through space to classical music on a screen so big you feel like you’re there, you will LOVE this movie. The cinematography is stunning, and I found myself enjoying shifting back and forth between space and 1960’s set design. 2001 is, if nothing else, a feast on for the eyes.
This movie has a reputation for being confusing, and it does earn it. This is particularly true of the last half our or so.
Because this was originally made for Cinerama (a style that was projected onto a heavily curved screen using 3 synchronized projectors) a few scenes looked a little squished or bent in places. It’s barely noticable, and probably unavoidable in translating from the curved to flat screen. Still, this was remarkably well done.
Still, regardless what you think of the story and meaning of this film, you will be doing yourself a favor to see it in IMAX before it leaves!
MelanieTheresa (997 KP) rated First Man (2018) in Movies
Oct 3, 2018
POV launch sequences (1 more)
Claire Foy
A bit slow (2 more)
A little long
Terrible sound mixing
I love a good space movie.
Everyone knows the story of the first moon landing - who, what, where, when, how - but this movie goes a bit deeper than the history books you've read. I'm not spoiling the ending by telling you they land on the moon; you already know this. What you may not know is what led up to that historical moment: the tests, the failures, the losses, the toll taken on the astronauts and their families during NASA's race to the moon. This movie does well in that respect. Claire Foy does an amazing job of making you feel with her and for her. The POV in the launch sequences is terrific. You almost feel like you're in the cockpit with Armstrong as he's launching into space. Really well done.
Now, the bad.
- It was slow, and probably too long.
- Ryan Gosling has exactly one facial expression throughout the entire movie. He goes through the proper emotions, but his face does not. Even when he's crying over the death of his daughter, the only thing that changes about his face is the added tears.
- The sound mixing was terrible. The effects were turned up far too high and the voices far too low, to the point where I sometimes couldn't hear what was being said, and as a result I definitely missed some partial conversations. This is one of my biggest movie pet peeves.
Overall, I enjoyed the movie, but it's not one I'd need to watch again down the road.
Now, the bad.
- It was slow, and probably too long.
- Ryan Gosling has exactly one facial expression throughout the entire movie. He goes through the proper emotions, but his face does not. Even when he's crying over the death of his daughter, the only thing that changes about his face is the added tears.
- The sound mixing was terrible. The effects were turned up far too high and the voices far too low, to the point where I sometimes couldn't hear what was being said, and as a result I definitely missed some partial conversations. This is one of my biggest movie pet peeves.
Overall, I enjoyed the movie, but it's not one I'd need to watch again down the road.
Bong Mines Entertainment (15 KP) rated I See Red by Geowulf in Music
Jun 18, 2019
Geowulf (Star Kendrick & Toma Banjanin) is an Australian duo based in London, England. Not too long ago, they released an introspective alternative tune, entitled, “I See Red”.
“‘I See Red’ was written after an argument with my sister. The song was a realization that you are only ever your most raw, horrible self when you’re with the people you love to death and who love you.” – Star Kendrick
‘I See Red’ tells an interesting tale of a young woman who attends therapy to learn how to control her anger and mental health issues.
Apparently, she makes the same emotional mistakes and realizes it’s going to take some time to change her raging behavior.
Later, she admits that she’s only human and wants to be a better person, lover, and friend. But sometimes, she gets lost, and before she knows it, she’s seeing red again.
“I have been very proactive over many years in going to therapy. Talking openly about mental health and have constantly taken steps to control emotions, moods, and even my temper. Having a family history of mental illness, this is something my siblings and I have had a lot of awareness about. This song is about that process and what I’ve learned. The ebbs and flows of trying to be the best version of yourself.” – Star Kendrick
‘I See Red’ can be utilized as the trigger to your spirited response to any of the stresses which weigh you down.
The likable tune doubles as the first collaboration with Geowulf’s new writing partner, Justin Parker (Lana Del Rey, Bat For Lashes, Cloves).
https://www.bongminesentertainment.com/geowulf-i-see-red/
“‘I See Red’ was written after an argument with my sister. The song was a realization that you are only ever your most raw, horrible self when you’re with the people you love to death and who love you.” – Star Kendrick
‘I See Red’ tells an interesting tale of a young woman who attends therapy to learn how to control her anger and mental health issues.
Apparently, she makes the same emotional mistakes and realizes it’s going to take some time to change her raging behavior.
Later, she admits that she’s only human and wants to be a better person, lover, and friend. But sometimes, she gets lost, and before she knows it, she’s seeing red again.
“I have been very proactive over many years in going to therapy. Talking openly about mental health and have constantly taken steps to control emotions, moods, and even my temper. Having a family history of mental illness, this is something my siblings and I have had a lot of awareness about. This song is about that process and what I’ve learned. The ebbs and flows of trying to be the best version of yourself.” – Star Kendrick
‘I See Red’ can be utilized as the trigger to your spirited response to any of the stresses which weigh you down.
The likable tune doubles as the first collaboration with Geowulf’s new writing partner, Justin Parker (Lana Del Rey, Bat For Lashes, Cloves).
https://www.bongminesentertainment.com/geowulf-i-see-red/