"I'm so excited about being on the same bill as Patti Smith at Field Day! I think it's going to be fucking brilliant as well. I think she's going to be amazing. You can sometimes be disappointed because of all the baggage and preconceptions that an artist can bring from back in the day but I think she'll be a killer. She's going to be all over it and I'm really excited. But yeah, this album was a massive mainstay in our tour bus and throughout our working life and it still is now. I always wanted our band to sound like Patti Smith Group - they've got the piano, they've got the hard and fast edgy guitar, the bass… that's how I wanted Supergrass to sound like. How close did we come to achieving that? Well, there were the odd songs where we had that energy where Danny [Goffey] was on drums and keeping quite simple 4/4 beats and punky beats but without having screaming and distorted guitars all over the place. We had those moments of guitar, bass, piano and drums and we had that energy. I mean, can you imagine Sex Pistols with a piano? And that's what Patti Smith Group did so brilliantly - they had that raw energy. They had that piano but it wasn't used in that flowery way. It's a bit like how Bowie used piano in that rhythmic way. This record is an utter classic. That moment in 'Horses' where it all kicks off, I think we've searched to write our own version of that over the years. It's like, 'Woah! Take me away!'"

"Back in the late '60s and early '70s, children's records were all the rage, with stars making cameo appearances. The Little Prince was no different. It featured Richard Burton in the role of the narrator in the audiobook. It had a who's who at the time as well, with big Hollywood names such as Jonathan Winters and a whole other bunch of people. The idea was that you'd read the book and along with it, you'd hear some sort of strange synthesiser. I got it for my birthday in 1974 when I was eight years old. It had one of those effects where the moment it was on the vocoder, I was paralysed, I stopped what I was doing - this I could vividly remember and I would sit down and listen. I literally started to pound tables to turn onto side two! The whole story is read out and the idea of a concept such as narration going over an orchestration or some sort of a continuous, linear soundtrack is something that stayed with me. It gave me the momentum to later on follow on with the idea of a concept record. Certainly a lot of our music has that fairy tale aspect to it and The Little Prince would have been one of the first influences - along with one or two others - that embedded in the DNA of Mercury Rev very early on. This is also probably my favourite book and after 40-45 years it still hits me. Try as I might to go in another direction sometimes, this musical aspect still comes out of me."