This is the first Max Porter novel I have read. He has a very interesting way of laying out his prose which baffles the brain at first, but once you adapt to the flow you just float along with the story. The book is broken up into three parts, and each part is told in a different but distinctive way.
Lanny is a young boy with a gift, a very peculiar gift that his parents can’t quite figure out. So Lanny’s mother enlists the help of ‘Pete’ a local grizzled artist to teach the boy and harness some of his ‘eccentricities’. However, a mysterious event soon throws the lives of Lanny’s parents, Pete, and indeed the whole village in to utter chaos. Questions are asked, relationships are closely examined, but what really lies beneath all that goes on in this little village just outside of London.
One aspect of the book I admired was in part two, after the main turning point of the story. This part of the book is told in sporadic paragraphs of peoples thoughts and deeds during the event. It’s not always clear whose thought or deed you’re reading (and it’s not always necessary to know) but through this episodic storytelling you build up a picture not only of what is happening but how the people involved are feeling about it.
This was very cleverly written and the way that Porter plays with words builds up a very vivid image of the events happening in ‘Lanny’. What Porter has shown us is that in order to tell a good story you don’t necessarily have to write in a smooth and progressive way, sometimes you just have to throw words at the pages and see what sticks!

Gareth von Kallenbach (980 KP) rated Demolition (2016) in Movies
Aug 6, 2019
While grieving, he writes a complaint letter to a vending machine company about a recent experience he had while waiting in the hospital. Through the letters he lets a stranger and the audience in on his mindset and the reality that he feels disconnected from the world, his wife, and himself. When the company’s customer service rep reads the letters, she feels compelled to contact Davis. She offers a sympathetic ear to his pain and numbness. As their friendship grows, he begins to rebuild his life. The task is large and requires him to follow the advice that his father-in-law passed down to him; In order to fix something, sometimes you need to take it all apart in order to see how it works. Davis begins to deconstruct various pieces of his life in order to find peace with his loss so he can move forward.
Demolition offers a unique and provocative look at loss, grief, and identity. This is a film that will have its audience asking questions about their own lives and if they feel fulfilled or satisfied. The plot stays with you. The performances of each of the characters carries the story and makes us truly connect with them. There isn’t a single moment when you cease to care about who they are or what their lives have in store. There is depth and authenticity throughout this film.

BankofMarquis (1832 KP) rated Holmes and Watson (2018) in Movies
Apr 27, 2020
I know that Will Ferrell is an "acquired taste" - either you like the "all in" comedy of this man, or you don't. I happen to like Ferrell, his comedy has aged on me like a fine wine. I find that some of his most recent films like THE OTHER GUYS and THE HOUSE are very funny (maybe not as funny as ANCHORMAN...but what is). I think this comedian still has his fastball.
But, sometimes, wine doesn't age well, it turns into vinegar. And for Ferrell, this vinegar is the comedic dud that is HOLMES & WATSON.
Partnering with familiar on-screen partner John C. Reilly (who paired with Ferrell in films like STEP BROTHERS and TALLEDEGA NIGHTS) this film is a parody of the multitude of Sherlock Holmes films - this time showing that not only is Holmes and idiot but so is Watson. But, somehow, they manage to solve the crime and save the day anyway.
Ferrell is (typically) over-the-top and obtuse as Holmes. Usually, this combination works for him (see ANCHORMAN) but it just falls flat here. Same thing for John C. Reilly's Watson - he is just as over-the-top and obtuse and (I think) that's the beginning of the problem here. The two just bounce off each other without the joke landing on either of them - nor does it land of the audience.
Ralph Fiennes (Moriarty), Rebecca Hall (potential girlfriend), Rob Brydon (Inspector Lestrade) and Kelly Macdonald (Mrs. Hudson) all fair poorly with poor material to work with.
Writer/Director Etan (that's Etan, not Ethan) Cohen (IDIOCRACY) does nothing to help things here with either his writing or his direction. My only thought here is that he thought that Ferrell and Reilly could improvise themselves into a good film.
It didn't happen.
Letter Grade: C (because I guffawed out loud - despite myself - a couple of times)
4 stars (out of 10) and you can take that to the Bank(ofMarquis)

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