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LoganCrews (2861 KP) rated Annabelle: Creation (2017) in Movies
Oct 25, 2020
This damn doll just isn't scary, people - and neither is this movie, not a single time. However, for about half the time it does succeed at being effectively creepy and sometimes even sort of fun. I mean this is still just the same two or three rusty clichés and dated, predictable jumpscares on repeat but it has a lot of half-okay vignettes... which all get soured by the surfeit of nonsensical connections to other movies in the series and the insufferable "Hey, remember when THIS happened??" bullcrap. For one I wish they'd let David F. Sandberg be David F. Sandberg here instead of yet another inferior Wan clone like they do with the rest of these. And for two I'm not the first to suggest that this movie being more concerned with milking the Conjuring mythos dry of any miniscule amount of nuance it once had through attempting to spin it thin into some sort of pointless, scuffed 'cinematic universe' kills the standalone decent horror flick this could have been (as well as devalues the originals in the process) - and I hopefully won't be the last - but Jesus Christ did it have to be so fucking long too? When this script was written, did every sentence have to include at least three sets of ellipses between words? Also the non-horror stuff is worlds better than the horror stuff - personally I would have loved to have seen the movie that was pushed to the side in here about this group of orphans finding out something isn't right with Anthony LaPaglia and Miranda Otto or the secretive demonic stuff they've been cooking up in the background after their daughter gets killed. But no, it rushes past all the intriguing stuff in favor of a competent but saccharine and generic cash grab. Far from awful but also not all that much better than the original 𝘈𝘯𝘯𝘢𝘣𝘦𝘭𝘭𝘦. Did we really need a prequel... to a prequel (which in and of itself we didn't need)?
Eleanor Luhar (47 KP) rated Billy and Me in Books
Jun 24, 2019
This is a very, very different genre than I usually read. It was romantic and contemporary and kind of cliche and gross. But I will admit that it was written well.
Despite the gooey topics, this book was easy to sit and read through. The writing was good, though some of the speech didn't feel particularly authentic. My main problem was how cliche this was. A young woman who loves classic literature andworks in a tea shop meets a movie star without realising who he is and falls in love... Yeah, it's kind of a stereotypical romance. I hate this sort of thing. It's tacky and just ugh. But there was more to it than just the romance, which was very good. Sophie had her own issues to deal with, stemming from childhood grief and caring for her mother. It even had a really tragic moment toward the end, that didn't involve the actor - Billy - much at all.
As I mentioned above, the language wasn't always particularly fluid. It sometimes felt like Fletcher was trying too hard to make it more romantic and emotional. Billy was pretty much 'perfect' and extremely romantic, probably extremely unrealistically so. He was likeable, still, just not very realistic.
Sophie herself was a bit... not annoying, but she's not my favourite protagonist ever. She was trying too hard to be unique and strong and independent and it just irritated me. I get what Fletcher was going for (I think) but I just didn't love Sophie that much at all.
Like most other contemporary novels (not that I've actually read many of them), Sophie's life comes together perfectly at the end. Well, not quite perfectly, but the ending was sickly sweet. But I'm a bit of a cynic. You might like this more than me.
Despite the genre and gross cutesy lovey stuff, I think this deserves 3.5 stars. The writing was good and I did actually enjoy reading it.
Despite the gooey topics, this book was easy to sit and read through. The writing was good, though some of the speech didn't feel particularly authentic. My main problem was how cliche this was. A young woman who loves classic literature andworks in a tea shop meets a movie star without realising who he is and falls in love... Yeah, it's kind of a stereotypical romance. I hate this sort of thing. It's tacky and just ugh. But there was more to it than just the romance, which was very good. Sophie had her own issues to deal with, stemming from childhood grief and caring for her mother. It even had a really tragic moment toward the end, that didn't involve the actor - Billy - much at all.
As I mentioned above, the language wasn't always particularly fluid. It sometimes felt like Fletcher was trying too hard to make it more romantic and emotional. Billy was pretty much 'perfect' and extremely romantic, probably extremely unrealistically so. He was likeable, still, just not very realistic.
Sophie herself was a bit... not annoying, but she's not my favourite protagonist ever. She was trying too hard to be unique and strong and independent and it just irritated me. I get what Fletcher was going for (I think) but I just didn't love Sophie that much at all.
Like most other contemporary novels (not that I've actually read many of them), Sophie's life comes together perfectly at the end. Well, not quite perfectly, but the ending was sickly sweet. But I'm a bit of a cynic. You might like this more than me.
Despite the genre and gross cutesy lovey stuff, I think this deserves 3.5 stars. The writing was good and I did actually enjoy reading it.
Eleanor Luhar (47 KP) rated A Voice in the Distance (Flynn Laukonen, #2) in Books
Jun 24, 2019
I read A Note of Madness a little while ago and absolutely loved it. Flynn is a great character, and the story of his struggles with mental health is just fantastic. There can never be too much awareness, especially in boys/men.
This book was even more... emotional for me. I don't want to go into too much detail, but Flynn really reminds me of my boyfriend. The ending of this novel - while fantastic and honest - was not very comforting at all.
Jennah and Flynn started dating after the first book, and so in this book we alternate between the two narratives. Hearing Jennah's thoughts on what's happening with Flynn was amazing. I related to a lot of it.
In case you haven't heard about A Note of Madness, it's about Flynn Laukonen, a young uni student in London. He struggles with mental health problems and is misdiagnosed at first, but eventually correctly diagnosed with bipolar disorder. He suffers from extreme manic episodes, followed by severe depression. Fitting his music - especially competitions - around these episodes is quite a feat.
As I mentioned earlier, the ending is great. It was extremely bittersweet. I think it's good to be honest about things like this, though, and not just throw together a stereotypical happy ending.
In this book, Flynn goes through a few treatment methods. Following attempted suicide (which may be hard for some people to read about, so be warned) he is sectioned and sent to a residential unit for a month. He also has some issues involving his medication and the side effects they cause.
The most noteworthy thing about Jennah's take on Flynn's illness is her admitting that Flynn can be horrible and can hurt her sometimes, and it's okay to recognise that. Just because he is ill does not mean he is excused for harmful and mean behaviour. This is so important for anyone to realise when dealing with a loved one with any kind of mental health problems.
A really good book, realistic and reassuring but really quite emotional. 4 stars.
This book was even more... emotional for me. I don't want to go into too much detail, but Flynn really reminds me of my boyfriend. The ending of this novel - while fantastic and honest - was not very comforting at all.
Jennah and Flynn started dating after the first book, and so in this book we alternate between the two narratives. Hearing Jennah's thoughts on what's happening with Flynn was amazing. I related to a lot of it.
In case you haven't heard about A Note of Madness, it's about Flynn Laukonen, a young uni student in London. He struggles with mental health problems and is misdiagnosed at first, but eventually correctly diagnosed with bipolar disorder. He suffers from extreme manic episodes, followed by severe depression. Fitting his music - especially competitions - around these episodes is quite a feat.
As I mentioned earlier, the ending is great. It was extremely bittersweet. I think it's good to be honest about things like this, though, and not just throw together a stereotypical happy ending.
In this book, Flynn goes through a few treatment methods. Following attempted suicide (which may be hard for some people to read about, so be warned) he is sectioned and sent to a residential unit for a month. He also has some issues involving his medication and the side effects they cause.
The most noteworthy thing about Jennah's take on Flynn's illness is her admitting that Flynn can be horrible and can hurt her sometimes, and it's okay to recognise that. Just because he is ill does not mean he is excused for harmful and mean behaviour. This is so important for anyone to realise when dealing with a loved one with any kind of mental health problems.
A really good book, realistic and reassuring but really quite emotional. 4 stars.
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