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Kirk Bage (1775 KP) rated The Mandalorian in TV
Jan 22, 2021 (Updated Jan 22, 2021)
Being a child of Star Wars, born in ’73, whose first memory of a cinema was A New Hope in ’77, of course the entire franchise is still close to my heart. I am no superfan, however. I do not need to remember every name of every character, or know the obscure names of planets to enjoy it. I remember that deeply competitive nature back in the playground – how important it was to prove Star Wars was yours by knowing more than any other kid! Fortunately I managed to let that go shortly after The Return of the Jedi. Ok, maybe 1995.
The Mandalorian is definitely for all Star Wars fans, but it is mostly for the kids that never grew up and need those details of “the canonical Star Wars” universe in their lives. And there are plenty of them. It is a geek’s wet dream! With chat rooms and fan sites going wild in debate and argument over the smallest of Easter eggs and hints to connections across the medium. As if this is a lost historical document that sheds light on the truth of many characters and events, that until now were shrouded in darkness and speculation only.
I find that phenomenon weird and a little creepy, but I do appreciate where it comes from. For me, I am merely glad it isn’t crap. It is nice to be in the Star Wars universe without holding your face in your hands for shame of lazy storytelling and moments that shit on the spirit of the original trilogy. The first thing that pleased me about The Mandolorian is how close it is in feel to the old school trilogy. In fact it surprised me, because, despite the very modern effects and full budget of Disney behind it, it feels very old fashioned, like a TV show from around 1986, maybe. And I wonder how they have achieved that every time I watch it. It has an intangible magic about it.
In fact, the feel of the show as a whole is often a little cheap, shockingly – the posters and toys and all associated media is as glossy and crisp as all money can afford, creating an image of the show that isn’t actually what the show is. In reality it is a cross between old spaghetti westerns, with The Mandalorian cast as The Man With No Name, and episodes of The A-Team or Knightrider. I kinda like it; very nostalgic, and a smart move by Jon Favreau and the other show-runners. It appeals to middle aged audiences and new alike, because it is a knowing hybrid of all things cool and nerdy!
Design-wise, the look of The Mandalorian himself is perfect fan bait and very cool. The music goes a long way to drawing you in – Ludwig Göransson, known for his work on Black Panther and Tenet, has hit on a career defining theme that blends Clint Eastwood and Star Wars in perfect harmony. I can’t imagine the show working half as well without that theme music! The spaceships and detail of every alien and weapon and costume is meticulous (if at times a little wobbly or cheap looking), and the wider feel of background and tertiary characters is pretty damn good.
But, let’s face it… The Mandalorian is the success it has been predominantly for one reason. I could give him his real name, but if you haven’t finished it yet that would count as a huge spoiler, so I will refer to him as The Child. The temptation to use the phrase Baby Yoda is hard to resist, and has been a cultural phenomenon that only comes along once or twice in a decade, but on this I agree with the fans: it is inaccurate and misleading. The Child is fine. It’ll do until you learn his true moniker.
In season one, where the build up of story, character and mystery is superb, we see very little of The Child at first. But we cannot take our eyes off him for every second he is on screen. The whole concept is so beyond cute and incredibly strong as a hook for a Star Wars story it is almost impossible not to squeal out loud at everything he does. Who is he? Why is he? What is he capable of? How will he fit in to the longterm idea for the story? So exciting, and total genius to keep everyone watching.
It isn’t all about The Child on his own though. It is about the unlikely symbiotic bond, like father and son, that develops between the tiny, vulnerable and childlike focal point, and the increasingly confident and loyal antihero, who will stop at nothing to protect his ward, as he struggles to find his own place in the universe. After a very short time, we care more about this relationship than 90% of all romances in all of TV history.
Through danger, mayhem and a touch of comedy, we grow to adore the two of them together, and can’t bear to think of them being apart. Some trick when you realise The Child is as much a mini-muppet style prosthetic as it is added CGI for expression and detail. Perhaps another callback to our 80s sensibilities, when we accepted ETs and Gremlins and all of the residents of Mos Eisley’s cantina as real without hesitation. It doesn’t have to look real, is the point, as long as it fits the story, is cool and is fun! Which The Child totally is – for entertainment value they have got the tone of the show so right.
What doesn’t hold up that strongly to critical scrutiny though is quite a lot of the scripts, the repetitive nature of the context of many episodes and missions the duo find themselves on, the mismatch quality of the guest directors abilities, and quite a lot of the dodgy acting by supporting characters. It’s as if at some production meeting at one early point they all said, look it’s Star Wars, we make the aliens and the spaceships and the weapons look good and we can’t fail… plus we have The Child and Boba Fett’s (yes, I know) armour, we can’t fail!
The basic storyline is enough to hook it on, just about, it is the detail that sometimes feels weak and lazy. But don’t worry, any minute something cool to look at and a big fight will happen, so we’re all good! I’m sure Pedro Pascal (the actor under the armour) can’t believe his luck! He is one of the biggest stars in TV all of a sudden, for basically doing a fairly monotone voice-over performance of some seriously dodgy dialogue. That is the magic of Star Wars.
So, I came to season one late, having no access at that time to Disney plus. In fact, I watched all of season one in a day the day before the launch of season two, so the switch to a new episode to look forward to suited me well. It gave me something to look forward to on a Friday between Halloween and Christmas. Trouble was that, although still having fun with the exploits of The Kid, I was starting to weary of the plotlines, and put my viewing on hold after S2E4 in favour of the far superior scripting of His Dark Materials on BBC.
I must have needed the hiatus, because when I came back to mop it up and finish season two a few days ago I realised that I had in fact missed it. It also helped that episode 5 onwards is when the season gets really good again. Rosario Dawson as Ashoka Tano (known well by fans of The Clone Wars) was a truly great addition that the show much needed by that point.
I had no trouble after that in bingeing to the end. You could feel a climax and a revelation coming, and although the character of Moff Gideon (Giancarlo Esposito) crumbled disappointly away into nothing much, the last 15 minutes of the final episode had me slack jawed in fan wonderment. I felt 9 years old again, and I loved it! I had been amazingly lucky not to stumble upon spoilers, I guess. Amazing ending, and all faults forgiven for that unforgettable moment and feel. Wonderful stuff!
To say any more, again, is to spoil. So, let’s just talk about it privately, or, you know, in about a year when season 3 is over and it is old news. Hmmm, season 3…? I wonder where they will take that now…? Actually, properly exciting, in a back in the playground kind of way.
The Mandalorian is definitely for all Star Wars fans, but it is mostly for the kids that never grew up and need those details of “the canonical Star Wars” universe in their lives. And there are plenty of them. It is a geek’s wet dream! With chat rooms and fan sites going wild in debate and argument over the smallest of Easter eggs and hints to connections across the medium. As if this is a lost historical document that sheds light on the truth of many characters and events, that until now were shrouded in darkness and speculation only.
I find that phenomenon weird and a little creepy, but I do appreciate where it comes from. For me, I am merely glad it isn’t crap. It is nice to be in the Star Wars universe without holding your face in your hands for shame of lazy storytelling and moments that shit on the spirit of the original trilogy. The first thing that pleased me about The Mandolorian is how close it is in feel to the old school trilogy. In fact it surprised me, because, despite the very modern effects and full budget of Disney behind it, it feels very old fashioned, like a TV show from around 1986, maybe. And I wonder how they have achieved that every time I watch it. It has an intangible magic about it.
In fact, the feel of the show as a whole is often a little cheap, shockingly – the posters and toys and all associated media is as glossy and crisp as all money can afford, creating an image of the show that isn’t actually what the show is. In reality it is a cross between old spaghetti westerns, with The Mandalorian cast as The Man With No Name, and episodes of The A-Team or Knightrider. I kinda like it; very nostalgic, and a smart move by Jon Favreau and the other show-runners. It appeals to middle aged audiences and new alike, because it is a knowing hybrid of all things cool and nerdy!
Design-wise, the look of The Mandalorian himself is perfect fan bait and very cool. The music goes a long way to drawing you in – Ludwig Göransson, known for his work on Black Panther and Tenet, has hit on a career defining theme that blends Clint Eastwood and Star Wars in perfect harmony. I can’t imagine the show working half as well without that theme music! The spaceships and detail of every alien and weapon and costume is meticulous (if at times a little wobbly or cheap looking), and the wider feel of background and tertiary characters is pretty damn good.
But, let’s face it… The Mandalorian is the success it has been predominantly for one reason. I could give him his real name, but if you haven’t finished it yet that would count as a huge spoiler, so I will refer to him as The Child. The temptation to use the phrase Baby Yoda is hard to resist, and has been a cultural phenomenon that only comes along once or twice in a decade, but on this I agree with the fans: it is inaccurate and misleading. The Child is fine. It’ll do until you learn his true moniker.
In season one, where the build up of story, character and mystery is superb, we see very little of The Child at first. But we cannot take our eyes off him for every second he is on screen. The whole concept is so beyond cute and incredibly strong as a hook for a Star Wars story it is almost impossible not to squeal out loud at everything he does. Who is he? Why is he? What is he capable of? How will he fit in to the longterm idea for the story? So exciting, and total genius to keep everyone watching.
It isn’t all about The Child on his own though. It is about the unlikely symbiotic bond, like father and son, that develops between the tiny, vulnerable and childlike focal point, and the increasingly confident and loyal antihero, who will stop at nothing to protect his ward, as he struggles to find his own place in the universe. After a very short time, we care more about this relationship than 90% of all romances in all of TV history.
Through danger, mayhem and a touch of comedy, we grow to adore the two of them together, and can’t bear to think of them being apart. Some trick when you realise The Child is as much a mini-muppet style prosthetic as it is added CGI for expression and detail. Perhaps another callback to our 80s sensibilities, when we accepted ETs and Gremlins and all of the residents of Mos Eisley’s cantina as real without hesitation. It doesn’t have to look real, is the point, as long as it fits the story, is cool and is fun! Which The Child totally is – for entertainment value they have got the tone of the show so right.
What doesn’t hold up that strongly to critical scrutiny though is quite a lot of the scripts, the repetitive nature of the context of many episodes and missions the duo find themselves on, the mismatch quality of the guest directors abilities, and quite a lot of the dodgy acting by supporting characters. It’s as if at some production meeting at one early point they all said, look it’s Star Wars, we make the aliens and the spaceships and the weapons look good and we can’t fail… plus we have The Child and Boba Fett’s (yes, I know) armour, we can’t fail!
The basic storyline is enough to hook it on, just about, it is the detail that sometimes feels weak and lazy. But don’t worry, any minute something cool to look at and a big fight will happen, so we’re all good! I’m sure Pedro Pascal (the actor under the armour) can’t believe his luck! He is one of the biggest stars in TV all of a sudden, for basically doing a fairly monotone voice-over performance of some seriously dodgy dialogue. That is the magic of Star Wars.
So, I came to season one late, having no access at that time to Disney plus. In fact, I watched all of season one in a day the day before the launch of season two, so the switch to a new episode to look forward to suited me well. It gave me something to look forward to on a Friday between Halloween and Christmas. Trouble was that, although still having fun with the exploits of The Kid, I was starting to weary of the plotlines, and put my viewing on hold after S2E4 in favour of the far superior scripting of His Dark Materials on BBC.
I must have needed the hiatus, because when I came back to mop it up and finish season two a few days ago I realised that I had in fact missed it. It also helped that episode 5 onwards is when the season gets really good again. Rosario Dawson as Ashoka Tano (known well by fans of The Clone Wars) was a truly great addition that the show much needed by that point.
I had no trouble after that in bingeing to the end. You could feel a climax and a revelation coming, and although the character of Moff Gideon (Giancarlo Esposito) crumbled disappointly away into nothing much, the last 15 minutes of the final episode had me slack jawed in fan wonderment. I felt 9 years old again, and I loved it! I had been amazingly lucky not to stumble upon spoilers, I guess. Amazing ending, and all faults forgiven for that unforgettable moment and feel. Wonderful stuff!
To say any more, again, is to spoil. So, let’s just talk about it privately, or, you know, in about a year when season 3 is over and it is old news. Hmmm, season 3…? I wonder where they will take that now…? Actually, properly exciting, in a back in the playground kind of way.
Daniel Boyd (1066 KP) rated X-Men: Apocalypse (2016) in Movies
Jul 19, 2017 (Updated Apr 16, 2021)
80's setting (2 more)
Quicksilver
Oscar Isaacs
Mutants Have Mankind Divided
This movie has had the most mixed reaction that I have seen since Batman V Superman, however I do objectively believe that X Men is a better movie and to be honest I don’t understand the mixed response Apocalypse has gotten. The year is 1983, 10 years after the last x men movie, Days Of Future Past (as in the kind of 10 years where no one ages a day,) and we know that it is 1983 because some of the young mutants go and see Return Of The Jedi in the cinema. The hairstyles and fashion statements are suitably 80’s, which is an appropriate motif to choose as it adds a more comic book feel to the movie and forces it to stick to a brighter colour pallet than some of the previous X men outings. Another positive is the return of Quicksilver, who has another awesome slow motion scene, which possibly isn’t as well choreographed as the one in DOFP, but is definitely grander in scale. While the design of Apocalypse in this movie has been heavily criticised, I didn’t feel that it took me out of the movie and I felt that Oscar Isaacs’ portrayal of the ancient mutant is another great turn by the actor and proves yet again how diverse and chameleon like he really is. The one downside of his character is that he has been significantly nerfed in terms of his powers here. He does feel powerful, but never overwhelmingly so and when the final confrontation does take place, it feels like he is holding back. This could be explained in a contrived manner by saying that he doesn’t want to kill mutants, because they are all his children, but if the success of his plan depends on it then he shouldn’t even hesitate, he should just wipe all the X Men out in an instant like we know he can.
The tone is another issue I have with the movie, it is fairly inconsistent throughout and never reaches the level of threat that it is aiming for. However, this is through no fault of the cast or the performances. MacAvoy and Fassbender stand out here as you would expect, their relationship also remains one of the most interesting parts of the plot. Isaacs’ performance is also suitably threatening and sinister, the only thing lacking in his character other than the odd design choice, is how short he is next to the other mutants. He doesn’t have to be huge like in the comics and cartoons, but making him a little bit more physically imposing with clever camera tricks would have went a long way in adding to the character. Jennifer Lawrence is fine here as usual and young Cyclops and Jean Grey are perfectly serviceable, although Sophie Turner’s American accent does come and go in certain scenes. Even Peters is typically brilliant as Quicksilver and the actress who plays Storm here is also pretty convincing, as is the young English actor who plays Angel. Nightcrawler is a welcome addition to the roster as I feel that he has been criminally underused since the second X Men movie and his power set is definitely one of the most interesting in all of the X Men movies, also the actor playing him here does a good job throughout the film. However the same can’t be said for Olivia Munn who plays Psylocke in this movie, I have disliked this actress in every role I have seen her in to date and the same goes for this one, she brings nothing to the movie and she constantly has a resting bitch face that suggests she doesn’t want to be there.
Like Civil War, X Men wasn’t anything like the comic it was based on and we didn’t get what we expected, but what we did end up getting was fresh and entertaining in it’s own right, so it’s okay that the film plots aren’t 100% faithful to the source material and that is something that Singer has been preaching since he made the first X Men movie back in 2001, which incidentally wasn’t based on any comic book and was a totally original plot. Also I love how because of the alternate timeline they are now free to do whatever they want in terms of the timing of certain events. For example, (and this is a slight spoiler, but the movie has been out for a while now so deal with it,) the Phoenix Force makes an appearance in this movie, which typically isn’t something that Jean Grey acquires until later in her life. Also the fact that we saw Wolverine escaping from Weapon X again, (again spoilers but this was in the trailers anyway so again, deal with it,) was awesome and this time we saw him being broken out by the young X Men and this time he had the comic book accurate electric headgear on while he escaped and I also loved how we saw him interact with young Jean Grey and regain some of his memories. This could also could be a change in the timeline caused by the butterfly effect as a result of the events of Days Of Future Past. This would also explain why the Magneto/Quicksilver, father/son relationship has never been discussed before, because if Apocalypse never awakened in the original X Men trilogy, then Quicksilver would have never went to the X Men mansion and therefore wouldn’t have come into contact with his dad during the final battle scene. Also Mystique looks like she is now a member and potential leader of the X Men team, rather than an enemy of the team like she was in the original movies when she was played by Rebecca Romjin. The other big change in the timeline is the death of Magneto’s family and even the fact that he had a wife and another child besides Quicksilver and Scarlett Witch.
Overall I really enjoyed this movie, however I can also see why some people would take a disliking to it, as it does require a good amount of previous knowledge of the universe, but as an X Men fan, I loved it. Also another criticism I have read is that people aren’t happy with the length of the film, stating that it is too long and it drags in, but I actually thought the pacing was spot on. Anyway as an X Men fan, I loved my time would this movie and I look forward to seeing it again and I’d recommend it to anyone who is a mutant superhero fan.
The tone is another issue I have with the movie, it is fairly inconsistent throughout and never reaches the level of threat that it is aiming for. However, this is through no fault of the cast or the performances. MacAvoy and Fassbender stand out here as you would expect, their relationship also remains one of the most interesting parts of the plot. Isaacs’ performance is also suitably threatening and sinister, the only thing lacking in his character other than the odd design choice, is how short he is next to the other mutants. He doesn’t have to be huge like in the comics and cartoons, but making him a little bit more physically imposing with clever camera tricks would have went a long way in adding to the character. Jennifer Lawrence is fine here as usual and young Cyclops and Jean Grey are perfectly serviceable, although Sophie Turner’s American accent does come and go in certain scenes. Even Peters is typically brilliant as Quicksilver and the actress who plays Storm here is also pretty convincing, as is the young English actor who plays Angel. Nightcrawler is a welcome addition to the roster as I feel that he has been criminally underused since the second X Men movie and his power set is definitely one of the most interesting in all of the X Men movies, also the actor playing him here does a good job throughout the film. However the same can’t be said for Olivia Munn who plays Psylocke in this movie, I have disliked this actress in every role I have seen her in to date and the same goes for this one, she brings nothing to the movie and she constantly has a resting bitch face that suggests she doesn’t want to be there.
Like Civil War, X Men wasn’t anything like the comic it was based on and we didn’t get what we expected, but what we did end up getting was fresh and entertaining in it’s own right, so it’s okay that the film plots aren’t 100% faithful to the source material and that is something that Singer has been preaching since he made the first X Men movie back in 2001, which incidentally wasn’t based on any comic book and was a totally original plot. Also I love how because of the alternate timeline they are now free to do whatever they want in terms of the timing of certain events. For example, (and this is a slight spoiler, but the movie has been out for a while now so deal with it,) the Phoenix Force makes an appearance in this movie, which typically isn’t something that Jean Grey acquires until later in her life. Also the fact that we saw Wolverine escaping from Weapon X again, (again spoilers but this was in the trailers anyway so again, deal with it,) was awesome and this time we saw him being broken out by the young X Men and this time he had the comic book accurate electric headgear on while he escaped and I also loved how we saw him interact with young Jean Grey and regain some of his memories. This could also could be a change in the timeline caused by the butterfly effect as a result of the events of Days Of Future Past. This would also explain why the Magneto/Quicksilver, father/son relationship has never been discussed before, because if Apocalypse never awakened in the original X Men trilogy, then Quicksilver would have never went to the X Men mansion and therefore wouldn’t have come into contact with his dad during the final battle scene. Also Mystique looks like she is now a member and potential leader of the X Men team, rather than an enemy of the team like she was in the original movies when she was played by Rebecca Romjin. The other big change in the timeline is the death of Magneto’s family and even the fact that he had a wife and another child besides Quicksilver and Scarlett Witch.
Overall I really enjoyed this movie, however I can also see why some people would take a disliking to it, as it does require a good amount of previous knowledge of the universe, but as an X Men fan, I loved it. Also another criticism I have read is that people aren’t happy with the length of the film, stating that it is too long and it drags in, but I actually thought the pacing was spot on. Anyway as an X Men fan, I loved my time would this movie and I look forward to seeing it again and I’d recommend it to anyone who is a mutant superhero fan.
Ivana A. | Diary of Difference (1171 KP) rated Chroma Crossing Chronicles: Blood Moon in Books
Feb 3, 2020
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#1 <a href="https://www.goodreads.com/review/show/2719945256">Blood Moon Part 1</a> - ★★★
<img src="https://gipostcards.files.wordpress.com/2019/03/new-blog-banner-20.png"/>;
<b><i>A beautiful writing, but a confusing adventure, mixed with Out-Of-Earth creatures that don’t really appear until the end of the book, a very disturbing plot, however, a very promising ending as well. I can’t say I enjoyed this book, but it did leave me curious to read the next one.</i></b>
It is hard to put this book in a certain genre, as it’s quite diverse and quite specific in places. If this is the first time you encounter the book, please don’t read the synopsis. It is not accurate, and nothing that is placed there actually happens in this book.
It is important to mention straight ahead, that this book contains sexual abuse, assault, anxiety, panic attacks, various fears and paranoia and explicit contents.
We have Candy Cane, a woman with a weird name, who keeps telling us her name is weird. I found her slightly annoying, to be honest. She is one of those people that want to not be known about certain thing (in this case, she doesn’t want people to notice her name), but at the same time she keeps talking about it, and telling us how much she hates her name. After a couple times, it gets unbearable.
Nevertheless, her father passes away, leaves her an apartment, but he also leaves the house to his young new wife (now widow) and her extremely thick son.
<b>We spend about half of the book reading about their daily ongoings, and only a few things happen worth noticing, but not really quite related to the story. But even still, the writing is beautiful and witty, and kept me going, even though it was slow-paced at times. Even though nothing really happened for a while, I still enjoyed reading it. </b>
While Candy Cane and her step-mother Cherry Ann (I am not kidding, her name is Cherry Ann) don’t quite get along, but don’t argue either, they both go through a phase of grief and self-assessment in their lives. Candy Cane is an aspiring artist, but she has suffered a traumatic experience in the past and tries to cope with this on a daily basis.
On the other hand, we have Cherry Ann, who doesn’t really have a phase of grief. She wants men, and she does meet one, who doesn’t seem to be who she appears to be. He is willing to take her to an unpleasant journey and she is not even aware for it.
The very same man, seems to be out of this world, and keeps trying to find a missing object that belongs to him from a long time ago. He asks Candy Cane to do a portrait for him, while he dates Cherry Ann, but he wants to harm Candy as soon as he gets the chance.
Before we see any really meaningful action happening, the book is about to end. Very confusing and slow paced, with unnecessary characters and points of view – I have to mention that there were a few chapters where the house cat has her own point of view. I still don’t know how I feel about that, but I think I am slowly coping…
<b><i>The ending though, was quite promising and left me wanting to read the next book, which I have on my shelves already. I will be reading it soon, and I really hope it is better than this one. I am a bit sad that I didn’t enjoy this one, but hopeful for the second book.</i></b>
A huge thank you to the publisher, Book Publicity Services, who sent me a paperback copy of Blood Moon Part 1 by S. Yurvati in exchange for an honest review.
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#1 <a href="https://www.goodreads.com/review/show/2719945256">Blood Moon Part 1</a> - ★★★
<img src="https://gipostcards.files.wordpress.com/2019/03/new-blog-banner-20.png"/>;
<b><i>A beautiful writing, but a confusing adventure, mixed with Out-Of-Earth creatures that don’t really appear until the end of the book, a very disturbing plot, however, a very promising ending as well. I can’t say I enjoyed this book, but it did leave me curious to read the next one.</i></b>
It is hard to put this book in a certain genre, as it’s quite diverse and quite specific in places. If this is the first time you encounter the book, please don’t read the synopsis. It is not accurate, and nothing that is placed there actually happens in this book.
It is important to mention straight ahead, that this book contains sexual abuse, assault, anxiety, panic attacks, various fears and paranoia and explicit contents.
We have Candy Cane, a woman with a weird name, who keeps telling us her name is weird. I found her slightly annoying, to be honest. She is one of those people that want to not be known about certain thing (in this case, she doesn’t want people to notice her name), but at the same time she keeps talking about it, and telling us how much she hates her name. After a couple times, it gets unbearable.
Nevertheless, her father passes away, leaves her an apartment, but he also leaves the house to his young new wife (now widow) and her extremely thick son.
<b>We spend about half of the book reading about their daily ongoings, and only a few things happen worth noticing, but not really quite related to the story. But even still, the writing is beautiful and witty, and kept me going, even though it was slow-paced at times. Even though nothing really happened for a while, I still enjoyed reading it. </b>
While Candy Cane and her step-mother Cherry Ann (I am not kidding, her name is Cherry Ann) don’t quite get along, but don’t argue either, they both go through a phase of grief and self-assessment in their lives. Candy Cane is an aspiring artist, but she has suffered a traumatic experience in the past and tries to cope with this on a daily basis.
On the other hand, we have Cherry Ann, who doesn’t really have a phase of grief. She wants men, and she does meet one, who doesn’t seem to be who she appears to be. He is willing to take her to an unpleasant journey and she is not even aware for it.
The very same man, seems to be out of this world, and keeps trying to find a missing object that belongs to him from a long time ago. He asks Candy Cane to do a portrait for him, while he dates Cherry Ann, but he wants to harm Candy as soon as he gets the chance.
Before we see any really meaningful action happening, the book is about to end. Very confusing and slow paced, with unnecessary characters and points of view – I have to mention that there were a few chapters where the house cat has her own point of view. I still don’t know how I feel about that, but I think I am slowly coping…
<b><i>The ending though, was quite promising and left me wanting to read the next book, which I have on my shelves already. I will be reading it soon, and I really hope it is better than this one. I am a bit sad that I didn’t enjoy this one, but hopeful for the second book.</i></b>
A huge thank you to the publisher, Book Publicity Services, who sent me a paperback copy of Blood Moon Part 1 by S. Yurvati in exchange for an honest review.
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Broken Justice
4.0
Rate It
Book
Cameron Justice- former Special Forces Veteran and now working along side his Justice Brothers Alex...
justicebrothers familyjustice4life suzannehalliday
Movie Metropolis (309 KP) rated Pokémon: Detective Pikachu (2019) in Movies
Jun 10, 2019
Totally Onix-pected
Before we begin, I must apologise for the bad pun, but if any franchise deserves a pun for their first live-action movie adaptation, it’s Pokémon. Growing up in 90s Britain, Pokémon was absolutely everywhere. You couldn’t turn a street corner without seeing Pikachu and his sidekick Ash (or should that be the other way around) emblazoned across every toy shop window or on every bus. It was a true phenomenon that took the world by storm like nothing else.
Fast forward to 2019 and perhaps even more impressively, Pokémon is still very much in people’s consciousness. The adorable Pocket Monsters, if we are referring to them with their full title, are still something of a cultural mainstay across the globe – yet true global box-office success has eluded them.
Enter Pokémon: Detective Pikachu. The first live-action movie from the universally loved series. It’s taken over 20 years to get to this point, but is the resulting film worth the wait? Or are we looking at yet another video game to move adaptation dud?
Ace detective Harry Goodman goes mysteriously missing, prompting his 21-year-old son, Tim (Justice Smith), to find out what happened. Aiding in the investigation is Harry’s former Pokémon partner, wise-cracking, adorable super-sleuth Detective Pikachu (Ryan Reynolds). Finding that they are uniquely equipped to work together, as Tim is the only human who can talk with Pikachu, they join forces to unravel the tangled mystery.
It was a peculiar choice for Warner Bros. and The Pokémon Company to adapt one of the lesser known video games in the franchise in which a talking Pikachu helps a young man solve the mystery of his missing father, but it ended up being a master stroke.
For those not familiar with Pokémon Red, Blue, Yellow etc, the film needs no introduction and no prerequisite of Pokémon knowledge, meaning it’s suitable for Pokémon fans and Pokémon novices.
What the movie does need however, is complete immersion. The central setting of Ryme City is a thriving metropolis in which Pocket Monster and human live alongside each other, free from the battles that brought the franchise universal success. It’s a bold move, putting aside what is essentially the main money-making aspect of the series, but it works well for the most part.
The creature designs are astounding, bringing these historically cartoon animals living and breathing into the 21stCentury
Director Rob Letterman (Goosebumps) creates a vibrant world that is as immersive as anything we’ve seen on the big screen in years. You feel a part of the adventure and to be frank, it took me back to my first experiences with the trading cards and the Gameboy games.
With charm, wit and heart on its side, Pokemon: Detective Pikachu is by far the best video game movie, although that’s not saying much. Jurassic World: Fallen Kingdom’s Justice Smith plays the lead role of Tim with gusto and true emotion and his character arc throughout the film is pleasingly well-written for a film in the genre. Bill Nighy adds some class to proceedings as wealthy businessman Howard Clifford and Ken Watanabe pops up now and then as a detective inspector.
But the main star is of course, Detective Pikachu himself. Ryan Reynolds takes to the role like a Magikarp to water and brings a little of his Deadpool magnetism to the portrayal. It shouldn’t work, but it really does and the humorous little mouse is a delight to spend the film with.
The cinematography too is lovely. John Mathieson, who worked on Robin Hood with Ridley Scott and X-Men: First Class brings to life stunning locations, filled with mystery and magic – and that’s everything you could ask for in a Pokémon movie. The special effects are on the whole, very good. With a reported budget of $150million, you can see where the money has been spent. The creature designs are astounding, bringing these historically cartoon animals living and breathing into the 21stCentury. There are a couple of lapses here and there, but nothing to write home about.
It’s not all good news. The plot is both predictable and nonsensical at the same time, especially towards the film’s climax. The thrill here is definitely not in the story but rather in the exceptional world the film-makers have built. Rumour has it that a sequel is already on the cards, and with a confidently filmed, funny and emotive first outing, the Pokémon franchise continues to be in good health.
Your move Sonic.
https://moviemetropolis.net/2019/05/10/pokemon-detective-pikachu-review-totally-onix-pected/
Fast forward to 2019 and perhaps even more impressively, Pokémon is still very much in people’s consciousness. The adorable Pocket Monsters, if we are referring to them with their full title, are still something of a cultural mainstay across the globe – yet true global box-office success has eluded them.
Enter Pokémon: Detective Pikachu. The first live-action movie from the universally loved series. It’s taken over 20 years to get to this point, but is the resulting film worth the wait? Or are we looking at yet another video game to move adaptation dud?
Ace detective Harry Goodman goes mysteriously missing, prompting his 21-year-old son, Tim (Justice Smith), to find out what happened. Aiding in the investigation is Harry’s former Pokémon partner, wise-cracking, adorable super-sleuth Detective Pikachu (Ryan Reynolds). Finding that they are uniquely equipped to work together, as Tim is the only human who can talk with Pikachu, they join forces to unravel the tangled mystery.
It was a peculiar choice for Warner Bros. and The Pokémon Company to adapt one of the lesser known video games in the franchise in which a talking Pikachu helps a young man solve the mystery of his missing father, but it ended up being a master stroke.
For those not familiar with Pokémon Red, Blue, Yellow etc, the film needs no introduction and no prerequisite of Pokémon knowledge, meaning it’s suitable for Pokémon fans and Pokémon novices.
What the movie does need however, is complete immersion. The central setting of Ryme City is a thriving metropolis in which Pocket Monster and human live alongside each other, free from the battles that brought the franchise universal success. It’s a bold move, putting aside what is essentially the main money-making aspect of the series, but it works well for the most part.
The creature designs are astounding, bringing these historically cartoon animals living and breathing into the 21stCentury
Director Rob Letterman (Goosebumps) creates a vibrant world that is as immersive as anything we’ve seen on the big screen in years. You feel a part of the adventure and to be frank, it took me back to my first experiences with the trading cards and the Gameboy games.
With charm, wit and heart on its side, Pokemon: Detective Pikachu is by far the best video game movie, although that’s not saying much. Jurassic World: Fallen Kingdom’s Justice Smith plays the lead role of Tim with gusto and true emotion and his character arc throughout the film is pleasingly well-written for a film in the genre. Bill Nighy adds some class to proceedings as wealthy businessman Howard Clifford and Ken Watanabe pops up now and then as a detective inspector.
But the main star is of course, Detective Pikachu himself. Ryan Reynolds takes to the role like a Magikarp to water and brings a little of his Deadpool magnetism to the portrayal. It shouldn’t work, but it really does and the humorous little mouse is a delight to spend the film with.
The cinematography too is lovely. John Mathieson, who worked on Robin Hood with Ridley Scott and X-Men: First Class brings to life stunning locations, filled with mystery and magic – and that’s everything you could ask for in a Pokémon movie. The special effects are on the whole, very good. With a reported budget of $150million, you can see where the money has been spent. The creature designs are astounding, bringing these historically cartoon animals living and breathing into the 21stCentury. There are a couple of lapses here and there, but nothing to write home about.
It’s not all good news. The plot is both predictable and nonsensical at the same time, especially towards the film’s climax. The thrill here is definitely not in the story but rather in the exceptional world the film-makers have built. Rumour has it that a sequel is already on the cards, and with a confidently filmed, funny and emotive first outing, the Pokémon franchise continues to be in good health.
Your move Sonic.
https://moviemetropolis.net/2019/05/10/pokemon-detective-pikachu-review-totally-onix-pected/
Heather Cranmer (2721 KP) rated Angel Thieves in Books
Sep 8, 2019
I really enjoyed Kathi Appelt's writing style in her children's picture book Max Attacks, so when the chance to read and review her Young Adult novel Angel Thieves presented itself, I decided to give it a read. I'm really glad I did because I fell head over heels in love with this book!
I very much enjoyed the plot of Angel Thieves and found myself immersed in the story from the very first page. It is told from different perspectives including humans, an ocelot, and a bayou which definitely made this book even more interesting! The narrative is told from 1845 through to present time. It all takes place in Houston, Texas. Every perspective is interwoven with each other. We learn about a teenage crush, a father and son duo who steal marble angel statues to make a living, an ocelot who was poached from her home and caught in a hurricane where she's left starving and unable to escape from her cage, a former slave who is trying to help her young daughters escape from being slaves themselves, a bayou who has seen it all, and some other points of view from others throughout Angel Thieves. I was constantly memorized by each chapter, and I was on pins and needles wondering what would happen next. It also helps that the author, Kathi Appelt, is such a fabulous writer who makes all her words come to life with her extraordinary talent! There weren't any major plot twists, but this isn't a book that needs to rely on plot twists to keep it interesting. The writing itself is strong enough to hold its own. There are no cliff hangers, but I would have liked to know a little more about Achsah and her children. There is some mention of them at the end, but I was heavily invested in Achsah's story where I really wanted to know more. However, this doesn't take away from the appeal of the book by no means. Because the prose is so beautifully written, the pacing flows very well. The chapters are mostly all short as well, so it's easy to read this book in one sitting. The world building was done fantastically, and it was obvious that Kathi Appelt had done her research when it came to the plot of her story. In fact, I even learned something when it came to Texas history! I'm also grateful that Kathi Appelt included an author's note at the end of Angel Thieves. It's definitely worth reading even if you don't normally read author's notes. This will give you more of an insight about the real life history that her book is based upon.
I felt like the characters in Angel Thieves were well written and fleshed out perfectly. Kathi Appelt even made a bayou feel like a real person which goes to show how much of a talented writer she really is! I felt Soleil's frustrations with trying to get Cade's attention and her hurt when it came to losing someone close to her. I felt her joy when she was happy. Cade was a great character too. I loved his relationship with his dad. It was obvious how close the two were. It was interesting to see Cade's conflicting emotions when it came to stealing marble angels. One one hand, he wanted to make his dad happy, but he also knew that what they were doing wasn't right. I enjoyed reading about how he dealt with his feelings about that. Zorra, I absolutely loved. My heart went out to this lovely little ocelot who was helpless and taken from everything she'd ever known. I was always hoping she'd be rescued when her next chapter was up. Out of all the characters, my favorite to read about was Achsah. As a mother, I could relate to wanting to keep her children safe no matter what. As a former slave, she had her freedom when her master died, but her daughters were to become slaves to her master's friend. Achsah couldn't and wouldn't let this happen, so she risked everything to keep her girls safe. I felt like Achsah had the most interesting story to tell. I was constantly wishing good things for Achsah and her two little girls. Unfortunately, Achsah's story is based in truth on what happened with a lot of slaves during that horrible period in American history.
Trigger warnings for Angel Thieves include slavery, minor profanity, stealing, a mention of child rape (although not graphic), and some violence (nothing too graphic).
All in all, Angel Thieves is highly interesting read that is also partly educational. It definitely taught me things about Texas that I didn't even know, and I grew up in Texas! Angel Thieves also has such strong characters, and Kathi Appelt's love for this story is apparent on each page. I would definitely recommend Angel Thieves by Kathi Appelt to those aged 14 and older who love getting lost in a good book. This is one book that's very easy to get lost in! An easy 5 out of 5 stars for Angel Thieves!
--
(A special thank you to Kathi Appelt for providing me with a hardback of Angel Thieves in exchange for an honest and unbiased review.)
I very much enjoyed the plot of Angel Thieves and found myself immersed in the story from the very first page. It is told from different perspectives including humans, an ocelot, and a bayou which definitely made this book even more interesting! The narrative is told from 1845 through to present time. It all takes place in Houston, Texas. Every perspective is interwoven with each other. We learn about a teenage crush, a father and son duo who steal marble angel statues to make a living, an ocelot who was poached from her home and caught in a hurricane where she's left starving and unable to escape from her cage, a former slave who is trying to help her young daughters escape from being slaves themselves, a bayou who has seen it all, and some other points of view from others throughout Angel Thieves. I was constantly memorized by each chapter, and I was on pins and needles wondering what would happen next. It also helps that the author, Kathi Appelt, is such a fabulous writer who makes all her words come to life with her extraordinary talent! There weren't any major plot twists, but this isn't a book that needs to rely on plot twists to keep it interesting. The writing itself is strong enough to hold its own. There are no cliff hangers, but I would have liked to know a little more about Achsah and her children. There is some mention of them at the end, but I was heavily invested in Achsah's story where I really wanted to know more. However, this doesn't take away from the appeal of the book by no means. Because the prose is so beautifully written, the pacing flows very well. The chapters are mostly all short as well, so it's easy to read this book in one sitting. The world building was done fantastically, and it was obvious that Kathi Appelt had done her research when it came to the plot of her story. In fact, I even learned something when it came to Texas history! I'm also grateful that Kathi Appelt included an author's note at the end of Angel Thieves. It's definitely worth reading even if you don't normally read author's notes. This will give you more of an insight about the real life history that her book is based upon.
I felt like the characters in Angel Thieves were well written and fleshed out perfectly. Kathi Appelt even made a bayou feel like a real person which goes to show how much of a talented writer she really is! I felt Soleil's frustrations with trying to get Cade's attention and her hurt when it came to losing someone close to her. I felt her joy when she was happy. Cade was a great character too. I loved his relationship with his dad. It was obvious how close the two were. It was interesting to see Cade's conflicting emotions when it came to stealing marble angels. One one hand, he wanted to make his dad happy, but he also knew that what they were doing wasn't right. I enjoyed reading about how he dealt with his feelings about that. Zorra, I absolutely loved. My heart went out to this lovely little ocelot who was helpless and taken from everything she'd ever known. I was always hoping she'd be rescued when her next chapter was up. Out of all the characters, my favorite to read about was Achsah. As a mother, I could relate to wanting to keep her children safe no matter what. As a former slave, she had her freedom when her master died, but her daughters were to become slaves to her master's friend. Achsah couldn't and wouldn't let this happen, so she risked everything to keep her girls safe. I felt like Achsah had the most interesting story to tell. I was constantly wishing good things for Achsah and her two little girls. Unfortunately, Achsah's story is based in truth on what happened with a lot of slaves during that horrible period in American history.
Trigger warnings for Angel Thieves include slavery, minor profanity, stealing, a mention of child rape (although not graphic), and some violence (nothing too graphic).
All in all, Angel Thieves is highly interesting read that is also partly educational. It definitely taught me things about Texas that I didn't even know, and I grew up in Texas! Angel Thieves also has such strong characters, and Kathi Appelt's love for this story is apparent on each page. I would definitely recommend Angel Thieves by Kathi Appelt to those aged 14 and older who love getting lost in a good book. This is one book that's very easy to get lost in! An easy 5 out of 5 stars for Angel Thieves!
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(A special thank you to Kathi Appelt for providing me with a hardback of Angel Thieves in exchange for an honest and unbiased review.)
Heather Cranmer (2721 KP) rated Failure to Protect (Dre Thomas & Angela Evans #4) in Books
Nov 12, 2019
I don't normally read legal thrillers, but there was something about Failure to Protect by Pamela Samuels Young that drew me in. I think it's because I was bullied as a child, but mostly because I'm a mom now. My oldest son has high functioning Autism and ADHD. He was bullied one year in school, and his school seemed to not do anything about it. Failure to Protect was a very emotional read, and I'm really glad I decided to give it a try.
The plot for Failure to Protect was solid. Nine-year-old Bailey Lewis is constantly being bullied at her school. When something major happens, Bailey's mother, Erika, decides to sue the elementary school. However, the principal, Darcella, is more concerned with keeping the school's good record intact instead of worrying about bullied students. The principal will do whatever it takes to make sure her school's stellar reputation doesn't get soiled even if it means doing some bullying herself.
Pamela Samuels Young did such a stellar job with the world building. Her knowledge of the court process and justice system is fantastic. Young is an attorney, and it's obvious she knows her stuff. Unfortunately, the subject of bullying in schools is all too real, and sadly, many schools are more worried about their reputation and all the paperwork and time a bullying case would take than actually caring about a bullied student. This fiction novel reads like a true story. There are a few plot twists which make this book even more interesting! Failure to Protect also answered every question I had. There's no speculation in Failure to Protect, and there's also no cliffhangers. This book is part of a series, but it's the first book I've read in the series, and I feel like it works as a standalone.
The pacing in Failure to Protect is done perfectly. Every single paragraph, and every single chapter flowed smoothly into the next. Not once did I want to put this book down. It had my attention throughout! I was also a fan of the short chapters which I felt helped with the pacing.
The best thing about Failure to Protect, besides everything, were the characters. Each character had such a unique personality which really helped them to feel like a real person rather than just a character in a novel. I loved little Bailey, and I just wanted to hug her and let her know that I'd protect her against her bully. It was heartbreaking reading about all she went through in her young life from losing her father not too long ago to being relentlessly bullied in school and online. I also felt horrible for her mother Erika. She also went through two horrible tragedies including one a parent should never have to go through. I was constantly in her corner, and I kept rooting for her throughout the whole bullying ordeal with the school. Erika felt like what happened to Bailey was mostly her fault, and I wanted to tell Erika that sometimes it's not easy to know everything about our children. Dre was my favorite character. I enjoyed his thought process and how passionate he was about everything. It was obvious how much he loved his goddaughter Bailey. I loved how Angela grew as a character when it came to her relationship with Erika. At first, she wasn't big on Erika, but it was obvious how much she did end up caring for her. Angela and Jenny were both fantastic attorneys, and I loved how they were willing to dedicate all their time and knowledge for Bailey's case. Darcella, the principal, was such a horrible person. Young did a fantastic job at creating Darcella to be the antagonist. So many times I was so angry with Darcella. I wanted to just shake her and ask her why she didn't do anything for Bailey. Darcella does explain why she decided to overlook the bullying, but I just wanted to know why she bothered to work in a profession dealing with children if she didn't have any empathy. I was so annoyed with Darcella. I was also annoyed with Ethan Landers, Darcella's attorney. I know he was just doing his job at the end of the day, but it wasn't easy to read about how he could just side with the enemy. Zola, Bailey's teacher, was also an interesting character. She was so conflicted about doing the right thing, and I liked reading about why she chose to do what she did. Apache, Dre's best friend, was a minor character in Failure to Protect, but he gets a mention because I loved his scenes. He was such a character, and I loved how comical he was especially when it came to helping out Dre.
Trigger warnings in Failure to Protect include bullying, racism, sexual situations (although not too graphic), suicide, death, lying, alcohol, mentions of past drug use and selling, profanity, and mentions of violence.
All in all, Failure to Protect is an emotionally well written novel. It would make a fantastic Lifetime movie - at least that's what I kept thinking whilst reading it. The story line is something that unfortunately is so commonplace in a lot of schools. I would definitely recommend Failure to Protect by Pamela Samuels Young to those aged 18+. I think this is a book that everyone should read and can relate to on at least some level. If you do decide to read Failure to Protect (which you should), please know that you'll feel a vast range of emotions!
--
(A special thank you to Pamela Samuels Young for providing me with an eBook of Failure to Protect in exchange for an honest and unbiased review.)
The plot for Failure to Protect was solid. Nine-year-old Bailey Lewis is constantly being bullied at her school. When something major happens, Bailey's mother, Erika, decides to sue the elementary school. However, the principal, Darcella, is more concerned with keeping the school's good record intact instead of worrying about bullied students. The principal will do whatever it takes to make sure her school's stellar reputation doesn't get soiled even if it means doing some bullying herself.
Pamela Samuels Young did such a stellar job with the world building. Her knowledge of the court process and justice system is fantastic. Young is an attorney, and it's obvious she knows her stuff. Unfortunately, the subject of bullying in schools is all too real, and sadly, many schools are more worried about their reputation and all the paperwork and time a bullying case would take than actually caring about a bullied student. This fiction novel reads like a true story. There are a few plot twists which make this book even more interesting! Failure to Protect also answered every question I had. There's no speculation in Failure to Protect, and there's also no cliffhangers. This book is part of a series, but it's the first book I've read in the series, and I feel like it works as a standalone.
The pacing in Failure to Protect is done perfectly. Every single paragraph, and every single chapter flowed smoothly into the next. Not once did I want to put this book down. It had my attention throughout! I was also a fan of the short chapters which I felt helped with the pacing.
The best thing about Failure to Protect, besides everything, were the characters. Each character had such a unique personality which really helped them to feel like a real person rather than just a character in a novel. I loved little Bailey, and I just wanted to hug her and let her know that I'd protect her against her bully. It was heartbreaking reading about all she went through in her young life from losing her father not too long ago to being relentlessly bullied in school and online. I also felt horrible for her mother Erika. She also went through two horrible tragedies including one a parent should never have to go through. I was constantly in her corner, and I kept rooting for her throughout the whole bullying ordeal with the school. Erika felt like what happened to Bailey was mostly her fault, and I wanted to tell Erika that sometimes it's not easy to know everything about our children. Dre was my favorite character. I enjoyed his thought process and how passionate he was about everything. It was obvious how much he loved his goddaughter Bailey. I loved how Angela grew as a character when it came to her relationship with Erika. At first, she wasn't big on Erika, but it was obvious how much she did end up caring for her. Angela and Jenny were both fantastic attorneys, and I loved how they were willing to dedicate all their time and knowledge for Bailey's case. Darcella, the principal, was such a horrible person. Young did a fantastic job at creating Darcella to be the antagonist. So many times I was so angry with Darcella. I wanted to just shake her and ask her why she didn't do anything for Bailey. Darcella does explain why she decided to overlook the bullying, but I just wanted to know why she bothered to work in a profession dealing with children if she didn't have any empathy. I was so annoyed with Darcella. I was also annoyed with Ethan Landers, Darcella's attorney. I know he was just doing his job at the end of the day, but it wasn't easy to read about how he could just side with the enemy. Zola, Bailey's teacher, was also an interesting character. She was so conflicted about doing the right thing, and I liked reading about why she chose to do what she did. Apache, Dre's best friend, was a minor character in Failure to Protect, but he gets a mention because I loved his scenes. He was such a character, and I loved how comical he was especially when it came to helping out Dre.
Trigger warnings in Failure to Protect include bullying, racism, sexual situations (although not too graphic), suicide, death, lying, alcohol, mentions of past drug use and selling, profanity, and mentions of violence.
All in all, Failure to Protect is an emotionally well written novel. It would make a fantastic Lifetime movie - at least that's what I kept thinking whilst reading it. The story line is something that unfortunately is so commonplace in a lot of schools. I would definitely recommend Failure to Protect by Pamela Samuels Young to those aged 18+. I think this is a book that everyone should read and can relate to on at least some level. If you do decide to read Failure to Protect (which you should), please know that you'll feel a vast range of emotions!
--
(A special thank you to Pamela Samuels Young for providing me with an eBook of Failure to Protect in exchange for an honest and unbiased review.)
Debbiereadsbook (1487 KP) rated Claimed (Breaking Free #7) in Books
Mar 19, 2019
5 star series!!
**verified purchase Jan 2019**
This is book 7 in the Breaking Free series, although there are 8 books, with a short that spans across 3 and 4. I would STRONGLY, HIGHLY, ABSO-FREAKING-LUTELY recommend that you read the other books before this one. BUT while I do say that, this one is far more a stand alone than the others. Things are recapped and caught up, but it takes a different path, as well as winding with the on-going story arc that continues through the other books.
We met Brandt, an Alpha, along the way: he is boos to the other police officers in the series, boos to ALL of them. He lost his pregnant mate, Ollie, ten years ago without a trace and has finally decided he should (mostly) move on. Going to an anonymous sex party seems the best way to get some sexual relief, without the commitment he cannot make. Meeting Little Blue, however, makes him change his mind. We met Demir, a beta, in book four, Found. He is Isa Higgs youngest son and was 15 at the time. Now an adult and betrayed by the person he thought he loved, Demir also attends said party. Big Red is just the person who pushes all of Demir's buttons and then some. There is a true connection between these two, but when they discover who Brandt is to Demir's father, they keep their relationship a secret, for now. Oliver is in the province to speak at a conference about omega trafficking. He cannot remember a time before ten years ago, when he was found in a van wreck. Meeting Brandt makes him feel . . . .something . . . .he's not sure what though. when Brandt explains who he is to Oliver, things begin to drop into place. But when Brandt tells Oliver about Demir, and that he simply cannot choose, Oliver presents a solution that will at least give them all a chance. Can they make it work?
This one, I found, was like a watching a train wreck coming at ya,it really was. You KNOW there is going to be fall out when Demir and Brandt find out who they are to each other. You KNOW there is going to be a big ole mess when Brandt and Ollie come face to face again. You KNOW that Ollie is going to fight this with every fibre of his being. You bloody well KNOW the Oliver's brother in law is not as . .pure . . in his intentions to Oliver after the death of his husband. An you KNOW, that when Isa finds out about the three of them, he is gonna go nuts. And there ain't a damn thing you can do to stop it! You just watch, and read, and wait and see how it all turns out! Amazing reading, I have to say.
I loved that it was OLLIE who came up with the solution to their predicament. That HE suggested they at least try to be a poly-family, since in his home of the last ten years it really is quite common. Loved that Ollie took Demir into his heart very quickly, the younger man making him feel as safe as Brandt did.
But Isa?? I wanted to punch Isa bloody Higgs so bad! After everything he has told his sons about being betas, that they can do anything, be anything they want to, as much as the alphas can, and he goes and says THAT to Demir! Not saying what, but if you've read these books, you can probably guess. He does redeem himself, but still, a punch was heading his way!
All the other guys pop up in this books, at some point or other, and it's great watching the babies grow up together. Seeing them already forming bonds: alpha, beta and omega all together is great. It would be amazing to catch up with these babies, as they grow and have babies of their own!
So, now, I'm sad! I only started this series because books one and two were shared with me, and I needed something to clear my head after a particularly heavy book. I thought this might be a good hangover cure! And BOY was I wrong, in the best way! Not a hangover cure, not in the least, but another deep dark book that pulled my into an eight book series, that did NOT let me go!
Thank you, Ms Arthur, for pulling into your worlds. I have some other books to read next!
5 amazing, but sad to see it end, stars
**same worded review ill appear elsewhere**
This is book 7 in the Breaking Free series, although there are 8 books, with a short that spans across 3 and 4. I would STRONGLY, HIGHLY, ABSO-FREAKING-LUTELY recommend that you read the other books before this one. BUT while I do say that, this one is far more a stand alone than the others. Things are recapped and caught up, but it takes a different path, as well as winding with the on-going story arc that continues through the other books.
We met Brandt, an Alpha, along the way: he is boos to the other police officers in the series, boos to ALL of them. He lost his pregnant mate, Ollie, ten years ago without a trace and has finally decided he should (mostly) move on. Going to an anonymous sex party seems the best way to get some sexual relief, without the commitment he cannot make. Meeting Little Blue, however, makes him change his mind. We met Demir, a beta, in book four, Found. He is Isa Higgs youngest son and was 15 at the time. Now an adult and betrayed by the person he thought he loved, Demir also attends said party. Big Red is just the person who pushes all of Demir's buttons and then some. There is a true connection between these two, but when they discover who Brandt is to Demir's father, they keep their relationship a secret, for now. Oliver is in the province to speak at a conference about omega trafficking. He cannot remember a time before ten years ago, when he was found in a van wreck. Meeting Brandt makes him feel . . . .something . . . .he's not sure what though. when Brandt explains who he is to Oliver, things begin to drop into place. But when Brandt tells Oliver about Demir, and that he simply cannot choose, Oliver presents a solution that will at least give them all a chance. Can they make it work?
This one, I found, was like a watching a train wreck coming at ya,it really was. You KNOW there is going to be fall out when Demir and Brandt find out who they are to each other. You KNOW there is going to be a big ole mess when Brandt and Ollie come face to face again. You KNOW that Ollie is going to fight this with every fibre of his being. You bloody well KNOW the Oliver's brother in law is not as . .pure . . in his intentions to Oliver after the death of his husband. An you KNOW, that when Isa finds out about the three of them, he is gonna go nuts. And there ain't a damn thing you can do to stop it! You just watch, and read, and wait and see how it all turns out! Amazing reading, I have to say.
I loved that it was OLLIE who came up with the solution to their predicament. That HE suggested they at least try to be a poly-family, since in his home of the last ten years it really is quite common. Loved that Ollie took Demir into his heart very quickly, the younger man making him feel as safe as Brandt did.
But Isa?? I wanted to punch Isa bloody Higgs so bad! After everything he has told his sons about being betas, that they can do anything, be anything they want to, as much as the alphas can, and he goes and says THAT to Demir! Not saying what, but if you've read these books, you can probably guess. He does redeem himself, but still, a punch was heading his way!
All the other guys pop up in this books, at some point or other, and it's great watching the babies grow up together. Seeing them already forming bonds: alpha, beta and omega all together is great. It would be amazing to catch up with these babies, as they grow and have babies of their own!
So, now, I'm sad! I only started this series because books one and two were shared with me, and I needed something to clear my head after a particularly heavy book. I thought this might be a good hangover cure! And BOY was I wrong, in the best way! Not a hangover cure, not in the least, but another deep dark book that pulled my into an eight book series, that did NOT let me go!
Thank you, Ms Arthur, for pulling into your worlds. I have some other books to read next!
5 amazing, but sad to see it end, stars
**same worded review ill appear elsewhere**
Debbiereadsbook (1487 KP) rated Found (Breaking Free #4) in Books
Mar 14, 2019 (Updated Mar 14, 2019)
I freaking love these books!
*verified Amazon purchase Dec 2018*
This is book 4 in the Breaking Free series. personally, I would recommend that you read the other books first, before this one. It will give you a better picture of this world and how things are slowly changing, but still how badly the omegas are treated, and just what a workaholic Isa Higgs is! And they are rather brilliant too.
We met Isa in book one, he is Tarek's boss. And he pops up in all the other books too. He works a lot since the death of his mate two years before, and he is estranged from his 3 beta sons. So being hit with ANOTHER mating bond throws Isa for a loop. Especially since that mate is Liam, a man half his age and already pregnant with another alpha's baby. Liam isn't sure what he is feeling about Isa, but he knows he makes him feel SAFE, and Liam hasn't had that feeling for a very long time. But when Isa brings Liam home, Liam begins to feel the bond. He just isn't sure Isa is! It takes a threat to remove Liam from Isa's home that forces them to admit the bond, and then Isa might have a very difficult choice: his new mated omega and his FOUR sons (assuming the older three will stand by him) or his career.
Oh, these two! I loved these two! Well, I've loved each and every pairing so far, and I have no doubt that next pair will knock Isa and Liam off that top spot, but for now, these two are my favourites! Loved this one!
We met Liam (briefly) in book one, too. He is the omega that Braun sees being kidnapped that causes him to run. He has been held for the fight ring, but not yet fought. Not like the others rescued with him. Being held was bad enough. Liam is not sure what he wants to do about the baby, whether to keep him or not; but at least now he has that CHOICE. He is able to choose what he does. Isa taking him home doesn't help that choice about the baby, but it's very clear the Liam CHOOSES Isa. And once these two actually admit to feeling the bond, that they feel for each other, it's truly beautiful watching them grow towards making Liam feel safe enough and in control of his life enough, to physically mate, and to make Isa secure in Liam's life. He hasn't had much security for a long time, and he needs that to make his choices about the baby.
This one, while carrying the fight ring/kidnapping/Iverson story arcs from the other books, I found far more emotional. Liam is saved with 4 others, and they all suffer in this book (fight ring and physical abuse aside) some devastating losses and news. And bloody hell, I cried for these boys! Because they ARE boys, still really, and they have already been through so much before they get rescued, and they are STILL suffering. Differently, but still.
I loved that Isa's boys came round to Liam and to their father. Loved that they were able to reconcile and make good. Mistakes were made by Isa when his previous mate died, but he forgot the boys lost their omegin too. Loved that Tarius, Isa's 2nd son, was able to finally confide in his dad.
I can't fault these book,s I really can't. But the next three will have to wait for the next payday, and I'm counting the days!
5 full, but very emotional stars.
**same worded review will appear elsewhere**
This is book 4 in the Breaking Free series. personally, I would recommend that you read the other books first, before this one. It will give you a better picture of this world and how things are slowly changing, but still how badly the omegas are treated, and just what a workaholic Isa Higgs is! And they are rather brilliant too.
We met Isa in book one, he is Tarek's boss. And he pops up in all the other books too. He works a lot since the death of his mate two years before, and he is estranged from his 3 beta sons. So being hit with ANOTHER mating bond throws Isa for a loop. Especially since that mate is Liam, a man half his age and already pregnant with another alpha's baby. Liam isn't sure what he is feeling about Isa, but he knows he makes him feel SAFE, and Liam hasn't had that feeling for a very long time. But when Isa brings Liam home, Liam begins to feel the bond. He just isn't sure Isa is! It takes a threat to remove Liam from Isa's home that forces them to admit the bond, and then Isa might have a very difficult choice: his new mated omega and his FOUR sons (assuming the older three will stand by him) or his career.
Oh, these two! I loved these two! Well, I've loved each and every pairing so far, and I have no doubt that next pair will knock Isa and Liam off that top spot, but for now, these two are my favourites! Loved this one!
We met Liam (briefly) in book one, too. He is the omega that Braun sees being kidnapped that causes him to run. He has been held for the fight ring, but not yet fought. Not like the others rescued with him. Being held was bad enough. Liam is not sure what he wants to do about the baby, whether to keep him or not; but at least now he has that CHOICE. He is able to choose what he does. Isa taking him home doesn't help that choice about the baby, but it's very clear the Liam CHOOSES Isa. And once these two actually admit to feeling the bond, that they feel for each other, it's truly beautiful watching them grow towards making Liam feel safe enough and in control of his life enough, to physically mate, and to make Isa secure in Liam's life. He hasn't had much security for a long time, and he needs that to make his choices about the baby.
This one, while carrying the fight ring/kidnapping/Iverson story arcs from the other books, I found far more emotional. Liam is saved with 4 others, and they all suffer in this book (fight ring and physical abuse aside) some devastating losses and news. And bloody hell, I cried for these boys! Because they ARE boys, still really, and they have already been through so much before they get rescued, and they are STILL suffering. Differently, but still.
I loved that Isa's boys came round to Liam and to their father. Loved that they were able to reconcile and make good. Mistakes were made by Isa when his previous mate died, but he forgot the boys lost their omegin too. Loved that Tarius, Isa's 2nd son, was able to finally confide in his dad.
I can't fault these book,s I really can't. But the next three will have to wait for the next payday, and I'm counting the days!
5 full, but very emotional stars.
**same worded review will appear elsewhere**