"I came across this early on in my operatic journey, and to this day it remains one of my favourite recordings and one of my favourite operas. The wonderful thing about Verdi is that, as you get older, it starts to make more and more sense: these fraught relationships between fathers and sons and lovers and friends. He's so profound in his understanding of human relationships. This opera, Don Carlos, is in my opinion a great masterpiece on a Shakespearian level in its defining, most notably, of the father and son dynamic. There's actually a moment when the father contemplates killing his son – I don't know, but I think that has crossed the minds of certain dads. And as well as Domingo and Caballé, Shirley Verrett is on that recording, who is one of the greatest mezzo-sopranos of all time. So everybody is in there at their zenith vocally, and it's a wild ride."

"An example of masterful storytelling that fascinated me growing up. I identified with Kim, the orphaned son of an Irish soldier, because we were both children of the army; my father was an army doctor who had served under Lord Mountbatten. On rereading, the setting of the Afghan Wars in the late Victorian era has chilling implications for today. The book is also a reminder that Kipling’s colonialist perspective didn’t blind him to the teeming human drama of India."