"She’s a classically avant garde, experimental composer who was part of the 70s New York scene that people like Julius Eastman and Arthur Russell were also a part of. Her album Pipe Dreams, which was given to me recently when I was living on my own in the Lake District, became a soundtrack to the moments where I embraced the solitude of living somewhere quite secluded by myself. It has these beautiful drone sounds that interact with bass, and it adapts to your mood in a way. It’s completely transportive – an album to lose yourself in."

"Last one is A Midsummer Night’s Sex Comedy. I don’t think it’s up there on most people’s lists. I just think it’s so beautiful. It’s very funny, but very gentle, and it also deals with issues of life and death in a very serious way. I can remember every time I saw it crying at the end. And part of it, too, is [Woody Allen] makes this incredibly good use of Mendelssohn’s music. I think the entire score is — I’m not sure about the soundtrack — but the score is Mendelssohn. I just think it’s a really exquisite piece of filmmaking."