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Jon Savage recommended Quadrophenia (1979) in Movies (curated)
LeftSideCut (3776 KP) rated Walk Hard: The Dewey Cox Story (2007) in Movies
Mar 28, 2021
Pretty much every line in Walk Hard is a lampoon of some sort, and quite wonderfully, it all lands! The script is equal parts immature, absurd, and witty, every cast member is just all in, and then there's the songs.
The music in this movie is fantastic - they are well written, and are incredibly funny in their parodies. I will quite happily stick the soundtrack on from time to time.
Biopics, especially music based ones, can be a risky game. They can be amazing cinema, but they always teeter on the edge of unintentional hilarity, and Walk Hard just fucking tears the walls down and savages what these type movies try to be and what they end up being. Its glorious.
The music in this movie is fantastic - they are well written, and are incredibly funny in their parodies. I will quite happily stick the soundtrack on from time to time.
Biopics, especially music based ones, can be a risky game. They can be amazing cinema, but they always teeter on the edge of unintentional hilarity, and Walk Hard just fucking tears the walls down and savages what these type movies try to be and what they end up being. Its glorious.
Cameron Crowe recommended The Royal Tenenbaums (2001) in Movies (curated)
LeftSideCut (3776 KP) rated Assault on Precinct 13 (1976) in Movies
Jul 14, 2021
Assault on Precinct 13 is great for many reasons, but chiefly it's all down to the characters. Austin Stoker, Darwin Joston, and Laurie Zimmer head up a diverse cast, and off the top of my head, I struggle to think of a trio of leads that are so well realised and put together. Their struggle through an evening of violence is one you want them to live through.
The narrative is straightforward and engaging, the villains are pretty faceless but intimidating, the action is decent, the cinematography is visually pleasing, and director John Carpenter provides yet another banging soundtrack to one of his own films.
It's a gritty and hard hitting thriller that serves as further evidence for why Carpenter is one of the greatest.
The narrative is straightforward and engaging, the villains are pretty faceless but intimidating, the action is decent, the cinematography is visually pleasing, and director John Carpenter provides yet another banging soundtrack to one of his own films.
It's a gritty and hard hitting thriller that serves as further evidence for why Carpenter is one of the greatest.
Peter G. (247 KP) rated Guardians of the Galaxy Vol. 2 (2017) in Movies
Sep 4, 2019
for me this is one hell of an outstanding movie with a very high level of well thought out comedy moments that blends well with the now established cast members.
The story can be a bit wobbly but the set pieces make for a enjoying and adventurous ride even though some may see this as a weaker plot compared to the first film.
As with the first film the choice of soundtrack is inspired and uplifting and adds greatly to and is companion piece to the visuals which are also amazing.
Roll on the sequel, which will be just as much fun and now that Gunn is back at the helm we are assured at the very least to be entertained.
The story can be a bit wobbly but the set pieces make for a enjoying and adventurous ride even though some may see this as a weaker plot compared to the first film.
As with the first film the choice of soundtrack is inspired and uplifting and adds greatly to and is companion piece to the visuals which are also amazing.
Roll on the sequel, which will be just as much fun and now that Gunn is back at the helm we are assured at the very least to be entertained.
LeftSideCut (3776 KP) rated Choose Or Die (2022) in Movies
May 24, 2022
Choose or Die has a decent premise, and some good ideas, but it suffers from a sloppy execution that results in a forgettable horror that fails to excite. After an intriguing opening scene and a first act that sets up proceedings well enough, the narrative falls off the rails a bit. It kind of explains why all this bad shit is happening but simultaneously peaces out with a conclusion that doesn't make sense or even matters to be honest. It's like the movie gets bored of itself around the halfway point. The only real saving grace is the disorientating as fuck soundtrack from Liam Howlett (The Prodigy), but otherwise, Choose or Die kind of gives it a go, but is ultimately a flaccid disappointment.
Nick Friesen (96 KP) rated Baby Driver (2017) in Movies
Jul 18, 2017
Ansel Elgort's Baby is Compelling and Well Acted (3 more)
The Criminals Each Have Interesting & Distinct Personalities
The Movie Drives to the Infectious Soundtrack
Punchy & Skillfuly Edited Cinematography
So-so Love Interest (1 more)
Ends With a Stereotypical Action Movie Climax
Edgar Wright Goes Fast & Furious (In a Good Way)
Edgar Wright has yet to direct a bad movie. Baby Driver doesn't ruin his streak, but it doesn't quite raise the bar. It does do something new, for Wright at least, in transposing his humor and musicality on top of more mature and serious subject matter. The issue is that the story isn't as original or creative as his previous works. Instead, the creativity and originality exists in the way the movie is executed. Bank heists, a getaway driver, and the shadowy mastermind are all well-worn tropes; but Wright sets it all to an eclectic and rhythmic soundtrack that drives the movie forward. Baby Driver is masterfully edited to sync up with the rhythm of the music, for the first two-thirds at least, until it devolved into a bit of a frantic mess. I almost wonder if that was intentional, however, as it perfectly mirrors Baby's situation. In the first two acts he is calm, in control, and driving to the music on his many iPods. In the third act, his predicament devolves into a disaster beyond his control, and he is knocked out of the rhythm he normally operates in. In the end, none of Baby Driver is bad or poorly done, it just isn't quite as memorable as the Cornetto Trilogy or Scott Pilgrim.