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Gareth von Kallenbach (974 KP) rated Spider-Man: Into the Spider-Verse (2018) in Movies
Jul 2, 2019
This is the Spider-Man movie that we deserved.
It’s hard to believe that the movie I would end up saying that about would be an animated one. Nevertheless, I left the theater this time feeling a sense of warm satisfaction for the first time since Sony originally graced us with Tobey Maguire.
Spider-Ma n: Into the Spider-Verse is the most poignant statement that Sony could make about their recommitment to all things webslinger. The star-studded cast for this film includes Academy Award winners like Nicolas Cage and Mahershala Ali as well as the likes of Lily Tomlin, Chris Pine, and John Mulaney. But those aren’t even the main characters. Along with the stellar writing, an unbelievably well curated soundtrack and art direction that can only be described as sublime, Into the Spider-verse was exactly what we all needed right now.
This entry into the world of Spider-man actually brings us up to date with the comics by introducing us to Miles Morales (Shameik Moore), the black teenager from Brooklyn who has taken up the mantle of Spider-man following the death of Peter Parker (well, one of them). Witnessing Parker’s demise at the hands of The Kingpin, Morales promises to help destroy the weapon that killed him. Little does he realize that the weapon has opened a hole in the multiverse and multiple other spider men, women (and things) have been drawn through the rift into his universe. They all have to work together to get back to their own universes and to prevent the destruction of reality itself.
The soundtrack for this movie really brings Spider-man into modern times. Artists such as Kendrick Lamar, Eminem and Run the Jewels speak to the Brooklyn upbringing of Morales as the new webslinger. At the same time, it also serves up artists like Marshmello, Pendulum and Prodigy who demonstrate how action can be fueled through their EDM stylings. The music here is the most perfect complement to each part of the action and drama alike. Just as you will see multiple different Spider-men, you’ll be taken through a wide spectrum of musical stylings to match each hero.
The animation style displayed here really can’t be appropriately categorized. Part graffiti, part moving comic book and part CGI, the film brings together numerous different styles and effects such as cell-shading, anime breaks and word bubble subtitles to create something truly unique. The medium itself is perfect because we can finally see everything that a live-action film couldn’t execute. But unlike other animated superhero movies, this feature brings the artistic nature of illustrations to new levels. The mix of styles is unlike any cartoon you’ve ever seen (or are likely to see again). Beauty and realism combine to actually take you into a comic book instead of simply translating one for the screen.
The writing for Into the Spider-verse achieves something that few producers have managed to do in the animation field: it’s equally appealing to both children AND adults. These days it’s rare to see an animated superhero film being made for the big screen instead of going straight to television. As a result, Into the Spider-verse offers up plenty of quick witted and intelligent jokes for adults without crossing the lines of propriety. In addition to the quality humor, the story includes a number of emotional moments that all manage to evoke real feelings instead of coming off as just pandering. So, if you’re planning to take your children to this movie, you’ll certainly both enjoy it.
All-in-all, Into the Spider-Verse brings together all of the best elements in film-making and executes them to perfection. Writing, drawing, music all come together to create an experience that you have to see to believe. The only disappointing part here is that we had to wait 16 years for a Spider-Man movie this well done.
It’s hard to believe that the movie I would end up saying that about would be an animated one. Nevertheless, I left the theater this time feeling a sense of warm satisfaction for the first time since Sony originally graced us with Tobey Maguire.
Spider-Ma n: Into the Spider-Verse is the most poignant statement that Sony could make about their recommitment to all things webslinger. The star-studded cast for this film includes Academy Award winners like Nicolas Cage and Mahershala Ali as well as the likes of Lily Tomlin, Chris Pine, and John Mulaney. But those aren’t even the main characters. Along with the stellar writing, an unbelievably well curated soundtrack and art direction that can only be described as sublime, Into the Spider-verse was exactly what we all needed right now.
This entry into the world of Spider-man actually brings us up to date with the comics by introducing us to Miles Morales (Shameik Moore), the black teenager from Brooklyn who has taken up the mantle of Spider-man following the death of Peter Parker (well, one of them). Witnessing Parker’s demise at the hands of The Kingpin, Morales promises to help destroy the weapon that killed him. Little does he realize that the weapon has opened a hole in the multiverse and multiple other spider men, women (and things) have been drawn through the rift into his universe. They all have to work together to get back to their own universes and to prevent the destruction of reality itself.
The soundtrack for this movie really brings Spider-man into modern times. Artists such as Kendrick Lamar, Eminem and Run the Jewels speak to the Brooklyn upbringing of Morales as the new webslinger. At the same time, it also serves up artists like Marshmello, Pendulum and Prodigy who demonstrate how action can be fueled through their EDM stylings. The music here is the most perfect complement to each part of the action and drama alike. Just as you will see multiple different Spider-men, you’ll be taken through a wide spectrum of musical stylings to match each hero.
The animation style displayed here really can’t be appropriately categorized. Part graffiti, part moving comic book and part CGI, the film brings together numerous different styles and effects such as cell-shading, anime breaks and word bubble subtitles to create something truly unique. The medium itself is perfect because we can finally see everything that a live-action film couldn’t execute. But unlike other animated superhero movies, this feature brings the artistic nature of illustrations to new levels. The mix of styles is unlike any cartoon you’ve ever seen (or are likely to see again). Beauty and realism combine to actually take you into a comic book instead of simply translating one for the screen.
The writing for Into the Spider-verse achieves something that few producers have managed to do in the animation field: it’s equally appealing to both children AND adults. These days it’s rare to see an animated superhero film being made for the big screen instead of going straight to television. As a result, Into the Spider-verse offers up plenty of quick witted and intelligent jokes for adults without crossing the lines of propriety. In addition to the quality humor, the story includes a number of emotional moments that all manage to evoke real feelings instead of coming off as just pandering. So, if you’re planning to take your children to this movie, you’ll certainly both enjoy it.
All-in-all, Into the Spider-Verse brings together all of the best elements in film-making and executes them to perfection. Writing, drawing, music all come together to create an experience that you have to see to believe. The only disappointing part here is that we had to wait 16 years for a Spider-Man movie this well done.
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Bob Mann (459 KP) rated Sweetheart (2021) in Movies
Sep 20, 2021
Great ensemble cast (1 more)
Sensitive and moving writing by Marley Morrison
A Gregory's Girl for the 21st Century
When I was in my late teen's, Bill Forsyth's "Gregory's Girl" perfectly epitomised the angst of the school years' emotions I'd left behind me. And I was very much heterosexual. With "Sweetheart", Marley Morrison in an astonishing feature debut delivers a "Gregory's Girl" for today's much more sexually fluid times.
Positives:
- What a great ensemble cast! It's all headed up by Nell Barlow, amazingly in her feature debut. Nell manages to perfectly deliver the hair-pullingly frustrating unpredictability of a teenage girl: always planning to go off doing something worthy like "knitting jumpers for elephants in Indonesia". But she manages to keep the portrayal just the right side of parody, not straying into 'Kevin and Perry' territory. "What's wrong with you?" asks her mother. "I'm 17. Everything's wrong with me" she replies. It's an immaculate performance for someone so young.
- Jo Hartley is also fabulous as A. J.'s mum, a lost soul struggling with her own worries, without having those of AJ to add to them. It's not portrayed as a typical 'Mum v Teen' battle, but beautifully nuanced. "Just because you're a lesbian now, it doesn't mean you have to dress like a boy" she pleads with A. J.
- If you're trying to place her, Ella Rae-Smith was the striking girl in the baseball cap in Netflix's "The Stranger". She is also wonderful here, as the 'hot girl' who you think has it all but is underneath deeply troubled and conflicted. A sex scene (beautifully lit and filmed by Emily Almond Barr and Matthew Wicks) manages to show absolutely nothing but is deliciously erotic as a result.
- The writing by Marley Morrison feels very autobiographical. And, as I found through reading this Guardian article about Morrison's gender-journey, there is a lot of personal experience in here. It's clever that the film is claustrophobically set in the remote holiday park (actually the real Freshwater Beach Holiday Park near Bridport on the Dorset coast). If it had been set in a big city like London, AJ could have constantly fled from her feelings, never resolving them. Here, she is constantly running into Isla.... there is no escape.
- I also very much liked the relationship written between A. J. and Steve. Steve is almost the safety valve on the pressure cooker, always helpfully allowing some steam to escape. It adds warmth to the story.
- For such an indie picture, there's a range of great tunes on the soundtrack: mostly from bands I have never heard of (probably making it affordable). I'm not sure if there's to be a soundtrack album released, but it's worth a listen if so.
Negatives:
- I wasn't fond of the sound mix on the film. Some of the dialogue was indistinct.
- A. J. gives us an occasional running commentary of her thoughts as a voiceover. Regular readers of my blog will know my thoughts on this subject! I'm not sure if it added much to the story: a 'show-not-tell' approach would have been my preference.
Summary Thoughts on "Sweetheart": I likened this film to 1980's "Gregory's Girl", and that's a great compliment. That movie made stars out of John Gordon Sinclair and Clare Grogan. I'd predict similar great things for Nell Barlow, Ella Rae-Smith and particularly for writer/director Marley Morrison. I'll very much look forward to Marley's future projects.
It's a cracking little British film. It deserves a major cinema release, but I suspect this is one that you might need to hunt out at your less mainstream cinemas. But please do so - it's well worth it. Very much recommended.
(For the full graphical review and video, check out #onemannsmovies on the web, Facebook and Tiktok. Thanks.)
Positives:
- What a great ensemble cast! It's all headed up by Nell Barlow, amazingly in her feature debut. Nell manages to perfectly deliver the hair-pullingly frustrating unpredictability of a teenage girl: always planning to go off doing something worthy like "knitting jumpers for elephants in Indonesia". But she manages to keep the portrayal just the right side of parody, not straying into 'Kevin and Perry' territory. "What's wrong with you?" asks her mother. "I'm 17. Everything's wrong with me" she replies. It's an immaculate performance for someone so young.
- Jo Hartley is also fabulous as A. J.'s mum, a lost soul struggling with her own worries, without having those of AJ to add to them. It's not portrayed as a typical 'Mum v Teen' battle, but beautifully nuanced. "Just because you're a lesbian now, it doesn't mean you have to dress like a boy" she pleads with A. J.
- If you're trying to place her, Ella Rae-Smith was the striking girl in the baseball cap in Netflix's "The Stranger". She is also wonderful here, as the 'hot girl' who you think has it all but is underneath deeply troubled and conflicted. A sex scene (beautifully lit and filmed by Emily Almond Barr and Matthew Wicks) manages to show absolutely nothing but is deliciously erotic as a result.
- The writing by Marley Morrison feels very autobiographical. And, as I found through reading this Guardian article about Morrison's gender-journey, there is a lot of personal experience in here. It's clever that the film is claustrophobically set in the remote holiday park (actually the real Freshwater Beach Holiday Park near Bridport on the Dorset coast). If it had been set in a big city like London, AJ could have constantly fled from her feelings, never resolving them. Here, she is constantly running into Isla.... there is no escape.
- I also very much liked the relationship written between A. J. and Steve. Steve is almost the safety valve on the pressure cooker, always helpfully allowing some steam to escape. It adds warmth to the story.
- For such an indie picture, there's a range of great tunes on the soundtrack: mostly from bands I have never heard of (probably making it affordable). I'm not sure if there's to be a soundtrack album released, but it's worth a listen if so.
Negatives:
- I wasn't fond of the sound mix on the film. Some of the dialogue was indistinct.
- A. J. gives us an occasional running commentary of her thoughts as a voiceover. Regular readers of my blog will know my thoughts on this subject! I'm not sure if it added much to the story: a 'show-not-tell' approach would have been my preference.
Summary Thoughts on "Sweetheart": I likened this film to 1980's "Gregory's Girl", and that's a great compliment. That movie made stars out of John Gordon Sinclair and Clare Grogan. I'd predict similar great things for Nell Barlow, Ella Rae-Smith and particularly for writer/director Marley Morrison. I'll very much look forward to Marley's future projects.
It's a cracking little British film. It deserves a major cinema release, but I suspect this is one that you might need to hunt out at your less mainstream cinemas. But please do so - it's well worth it. Very much recommended.
(For the full graphical review and video, check out #onemannsmovies on the web, Facebook and Tiktok. Thanks.)
Charlie Cobra Reviews (1840 KP) rated The Old Guard (2020) in Movies
Aug 27, 2020
Kick Ass Action (2 more)
Good Casting and Supporting Actors/Characters
Cool Concept
The Musical Score/ Soundtrack (3 more)
Some characters were a little cliché
Characters not fully developed or given enough backstory
Dialogue
In With The Old Guard (7/10)
Contains spoilers, click to show
The Old Guard is 2020 action movie directed by Gina Prince-Bythewood and written by Greg Rucka, The film was produced by Skydance Media, Denver and Delilah Productions and Marc Evans Productions and distributed by Netflix. Producers on the movie include David Ellison, Dana Goldberg, Don Granger, Charlize Theron, AJ Dix, Beth Kono and Marc Evans. The film stars Charlize Theron, Kiki Layne, Marwan Kenzari, Luca Marinelli and Matthias Schoenaerts.
Andy (Charlize Theron), and her covert group of tight-knit immortals have fought and protected the mortal world for centuries with their mysterious inability to die. With their extraordinary abilities suddenly exposed on an emergency mission, the group finds themselves hunted by those who will stop at nothing to replicate their power. Nile (Kiki Layne), the newest soldier, joins their ranks, to help the group eliminate the threat and avoid capture as they find out who's found them.
This move was pretty bad ass. I liked it quite a bit. Charlize Theron definitely kicks ass as Andy in this flick and has a bunch of really cool action sequences throughout the film. The supporting cast was really good as well. I hadn't heard of the graphic novel or comic that it was based off of by the film's writer Greg Rucka but now I really want to check it out because the backstory they give the characters and their actions seem really cool. Now I know a lot of people give the whole girl power thing bad energy online and a lot of stuff gets hate and trolls for stuff like that but I dig this film. (examples Captain Marvel, The girl power scene in Endgame, etc...) I definitely got that vibe that the director was a woman without even paying attention to it in the opening credits and that's not a bad thing, just an observation. The way certain things happened in the movie, the soundtrack (which was good but felt like it didn't match) and the two main characters/protagonists are female as well. I think Gina Prince-Bythewood did a great job in mixing in the story and the action in this movie. Of course when coming up with a cool concept like this there always going to be plot holes or things that don't make sense and this movie is no exception, some characters are a little cliché but there acting pretty good and their performances were good but the dialogue definitely suffered from the writing. There was some weird lines in there and some scenes that just kind of faltered. The villain wasn't that memorable and the film had some slow places, not that pacing was off but maybe dragged on a little too long. I think this movie was still great good though and if you're looking for a good action flick to check out you should definitely give it a try, I give it a 7/10.
Spoiler Section Review:
Man, I have seen this movie getting ripped on reviews online and a lot of it is actually on the soundtrack. Now I understand completely, to me the song choices were off for the mood or tone of the film from the beginning but I saw what "they" were going for because all the songs had a similar theme which was connected by women. It was one of the reasons I felt like the movie was directed by a woman before I looked it up. Now I didn't hate the music, I actually liked some of the songs but for some people I can understand how it distracts, how it lessens in a way the impact of the cinematography and graphic violence of the film. Also the plot holes and logic when it comes to cool concept like the one for this movie. Like when they heal, the bullets get pushed out of their body, but what about Andy's earrings? That's literally the only example of plot holes I've found in other reviews, but every review hating on it says that. Other people hated on it's "woke politics" whatever that means and cheap and lacking in most places. I'll admit that they dropped the ball on putting in decent enough backstory for the characters who were supposed to have live for hundreds of years. You would think they would have some good flashback scenes but they only show a couple and some are weird and blurry sometimes. They just really dropped the ball on developing the characters more or giving you a reason to like them or care about them. They're were the two gay guys but for some people that is a little cliché already because everyone movie is trying to be inclusive now so it comes off as unoriginal. I'll admit that Kiki Layne's performance could be better in certain scenes especially in the beginning some of the girl soldiers didn't seem like "real soldiers" whatever that means, lol. but didn't look the part or act the part. And even at the end her character totally just shifts into kill mode when the whole time she couldn't get over the first person she killed and we're supposed to believe that she believes in the cause the fight for now. I mean she has some good scenes too though. There's just a lot of convenience or hand of god ("deus ex machina") throughout the movie. It's hard for me to give this a higher score when some of the points against it are legitimate but I think some of them are just haters. Anyways I give this movie a 7/10 and I for one personally can't wait for the sequel.
Andy (Charlize Theron), and her covert group of tight-knit immortals have fought and protected the mortal world for centuries with their mysterious inability to die. With their extraordinary abilities suddenly exposed on an emergency mission, the group finds themselves hunted by those who will stop at nothing to replicate their power. Nile (Kiki Layne), the newest soldier, joins their ranks, to help the group eliminate the threat and avoid capture as they find out who's found them.
This move was pretty bad ass. I liked it quite a bit. Charlize Theron definitely kicks ass as Andy in this flick and has a bunch of really cool action sequences throughout the film. The supporting cast was really good as well. I hadn't heard of the graphic novel or comic that it was based off of by the film's writer Greg Rucka but now I really want to check it out because the backstory they give the characters and their actions seem really cool. Now I know a lot of people give the whole girl power thing bad energy online and a lot of stuff gets hate and trolls for stuff like that but I dig this film. (examples Captain Marvel, The girl power scene in Endgame, etc...) I definitely got that vibe that the director was a woman without even paying attention to it in the opening credits and that's not a bad thing, just an observation. The way certain things happened in the movie, the soundtrack (which was good but felt like it didn't match) and the two main characters/protagonists are female as well. I think Gina Prince-Bythewood did a great job in mixing in the story and the action in this movie. Of course when coming up with a cool concept like this there always going to be plot holes or things that don't make sense and this movie is no exception, some characters are a little cliché but there acting pretty good and their performances were good but the dialogue definitely suffered from the writing. There was some weird lines in there and some scenes that just kind of faltered. The villain wasn't that memorable and the film had some slow places, not that pacing was off but maybe dragged on a little too long. I think this movie was still great good though and if you're looking for a good action flick to check out you should definitely give it a try, I give it a 7/10.
Spoiler Section Review:
Man, I have seen this movie getting ripped on reviews online and a lot of it is actually on the soundtrack. Now I understand completely, to me the song choices were off for the mood or tone of the film from the beginning but I saw what "they" were going for because all the songs had a similar theme which was connected by women. It was one of the reasons I felt like the movie was directed by a woman before I looked it up. Now I didn't hate the music, I actually liked some of the songs but for some people I can understand how it distracts, how it lessens in a way the impact of the cinematography and graphic violence of the film. Also the plot holes and logic when it comes to cool concept like the one for this movie. Like when they heal, the bullets get pushed out of their body, but what about Andy's earrings? That's literally the only example of plot holes I've found in other reviews, but every review hating on it says that. Other people hated on it's "woke politics" whatever that means and cheap and lacking in most places. I'll admit that they dropped the ball on putting in decent enough backstory for the characters who were supposed to have live for hundreds of years. You would think they would have some good flashback scenes but they only show a couple and some are weird and blurry sometimes. They just really dropped the ball on developing the characters more or giving you a reason to like them or care about them. They're were the two gay guys but for some people that is a little cliché already because everyone movie is trying to be inclusive now so it comes off as unoriginal. I'll admit that Kiki Layne's performance could be better in certain scenes especially in the beginning some of the girl soldiers didn't seem like "real soldiers" whatever that means, lol. but didn't look the part or act the part. And even at the end her character totally just shifts into kill mode when the whole time she couldn't get over the first person she killed and we're supposed to believe that she believes in the cause the fight for now. I mean she has some good scenes too though. There's just a lot of convenience or hand of god ("deus ex machina") throughout the movie. It's hard for me to give this a higher score when some of the points against it are legitimate but I think some of them are just haters. Anyways I give this movie a 7/10 and I for one personally can't wait for the sequel.
Phillip McSween (751 KP) rated It Follows (2015) in Movies
Jan 2, 2018
Terrifying
Perhaps It Follows could have done with a little more resolution. Or maybe it ended exactly where it was supposed to. Either way, the movie was flat-out phenomenal from start to finish.
After sleeping with a guy she has been dating for awhile, Jay (Maika Monroe) wakes up to find herself tied to a chair in an abandoned building. Her boyfriend explains to her that he has passed on to her a mark that will cause something horrific to come after her. She has to kill it before it kills her and comes after the others that have been marked.
It Follows opens with a girl bursting out of a home in her underclothes. She is frazzled and looks to be terrified by something. She runs home, grabs her car keys, and races for the beach. It's not two minutes in before we see what comes of this girl and the horrifying entity we will be dealing with in the film. Three minutes in and you're totally hooked.
Although director David Robert Mitchell confirmed that there is no set time period in which the movie takes place, both the setting and soundtrack gave me an 80's vibe a la "Stranger Things". I can't explain it, but the little touches--cord phone, small tube tv's, etc.--gave the film even more of an unsettling feel.
I can't tell you the number of times I had to leave my chair to hide out in the kitchen, watching the film from around a corner. What terrified me the most was not having any idea what was coming next. The entity antagonist literally could be anyone and could show up at anytime. Edge of my seat doesn't even begin to define it.
The movie benefits from both an interesting premise and a phenomenal performance from Monroe. I hope to see her again in more films, one of which I just added to my Movies 365 list: The Guest (2014)! I give It Follows a very well-deserved 97. See it.
After sleeping with a guy she has been dating for awhile, Jay (Maika Monroe) wakes up to find herself tied to a chair in an abandoned building. Her boyfriend explains to her that he has passed on to her a mark that will cause something horrific to come after her. She has to kill it before it kills her and comes after the others that have been marked.
It Follows opens with a girl bursting out of a home in her underclothes. She is frazzled and looks to be terrified by something. She runs home, grabs her car keys, and races for the beach. It's not two minutes in before we see what comes of this girl and the horrifying entity we will be dealing with in the film. Three minutes in and you're totally hooked.
Although director David Robert Mitchell confirmed that there is no set time period in which the movie takes place, both the setting and soundtrack gave me an 80's vibe a la "Stranger Things". I can't explain it, but the little touches--cord phone, small tube tv's, etc.--gave the film even more of an unsettling feel.
I can't tell you the number of times I had to leave my chair to hide out in the kitchen, watching the film from around a corner. What terrified me the most was not having any idea what was coming next. The entity antagonist literally could be anyone and could show up at anytime. Edge of my seat doesn't even begin to define it.
The movie benefits from both an interesting premise and a phenomenal performance from Monroe. I hope to see her again in more films, one of which I just added to my Movies 365 list: The Guest (2014)! I give It Follows a very well-deserved 97. See it.
PopcornPaul (3 KP) rated Guardians of the Galaxy Vol. 2 (2017) in Movies
Jul 15, 2017
Returning cast, soundtrack is great, special effects and action, cameos (1 more)
Baby Groot
Guardians of the Galaxy Vol. 2
Writer/director James Gunn takes us back to Knowhere to join Star-Lord, Drax, Gamora, Rocket and Baby Groot in the follow-up to the unexpected smash Guardians of the Galaxy.
Taking up where we left off from the last movie, albeit a few years later, the Guardians are in the groove now and start the movie with a spectacular set piece with the super popular Baby Groot showing off some dance moves while the rest of them fight a gigantic intergalactic beast.
All the original cast return and have settled into the characters so the movie cracks straight on with the story. As rumours had it, this film is all about family and charts the discovery of Star-Lord’s father’s origin and how this relates to Star-Lord. Without giving too much away, Star-Lord meets his father (Kurt Russell) and has to choose between his dysfunctional family or his birth father. Another character arc of interest is in a returning character Yondu who also faces another dilemma over family.
Family pervades the movie in Gamora’s case too as Nebula (Karen Gillen) returns to provide a reluctant support to the Guardians while trying to fight them. Some impressive cameos including Sylvester Stallone and, get this, David Hasselhoff!!!
Guardian’s 2 is a fantastic (if not even better) than the first instalment and Gunn has already said he is on board for film 3. The quirkiness, the humour and the action from the first is ramped up in this one and doesn’t let you down.
There’s a shock and no less than 5 after credits scenes, so be sure to stay until the end of the movie to get your money’s worth.
A recommended movie if you like sci-fi, action or just a good exciting adventure story. It’s out now at all good cinemas.
(From @paulandpopcorn - https://popcornpaul.blogspot.co.uk/)
Taking up where we left off from the last movie, albeit a few years later, the Guardians are in the groove now and start the movie with a spectacular set piece with the super popular Baby Groot showing off some dance moves while the rest of them fight a gigantic intergalactic beast.
All the original cast return and have settled into the characters so the movie cracks straight on with the story. As rumours had it, this film is all about family and charts the discovery of Star-Lord’s father’s origin and how this relates to Star-Lord. Without giving too much away, Star-Lord meets his father (Kurt Russell) and has to choose between his dysfunctional family or his birth father. Another character arc of interest is in a returning character Yondu who also faces another dilemma over family.
Family pervades the movie in Gamora’s case too as Nebula (Karen Gillen) returns to provide a reluctant support to the Guardians while trying to fight them. Some impressive cameos including Sylvester Stallone and, get this, David Hasselhoff!!!
Guardian’s 2 is a fantastic (if not even better) than the first instalment and Gunn has already said he is on board for film 3. The quirkiness, the humour and the action from the first is ramped up in this one and doesn’t let you down.
There’s a shock and no less than 5 after credits scenes, so be sure to stay until the end of the movie to get your money’s worth.
A recommended movie if you like sci-fi, action or just a good exciting adventure story. It’s out now at all good cinemas.
(From @paulandpopcorn - https://popcornpaul.blogspot.co.uk/)
Erika (17788 KP) rated A Discovery of Witches - Season 1 in TV
Apr 6, 2019 (Updated Apr 6, 2019)
I am a huge fan of this books series, it's one of my favorites. I debated not watching this series because I had heard from one of my good friends that the first episode was super lame, and then I saw the reviews...But, I bit the bullet and signed up for the free week of Shudder... The US distribution of this series was beyond irritating.
I felt like the series tried to appeal to both people who didn't read the books, and the ones that did, and I don't really think it worked. There were weird, unnecessary changes from the book, that didn't even really make sense... Marcus can't sire? Since when? Dude had a vampire army at one point... Normally, I try to distance the comparison between books and the adaptation, but you had to read the books to fill in the blanks.
The series is beautifully shot, but then we get to the corn factor. This show was SO LAME and CORNY, but I kind of liked it. I watched it all last evening, and ripped on it endlessly with one of my friends, but I still enjoyed it. I laughed out loud at how bad/corny certain moments were.
I do have to completely rip on Teresa Palmer, homegirl is not a good actress. It was a very Twilight performance, like others have mentioned, the open mouth breathing bothers the F out of me. Her American accent wasn't right, seriously, she said the word vampire like Sookie from True Blood.
I'm also wondering why Matthew Goode took the role of Matthew, it was super confusing to me when he was first announced. At the very least, he's nice to look at, and this made me want to go watch Chasing Liberty.
Overall, this was hilariously lame, but I'll still watch the next series, and probably will watch it again in the background before my free week ends.
I felt like the series tried to appeal to both people who didn't read the books, and the ones that did, and I don't really think it worked. There were weird, unnecessary changes from the book, that didn't even really make sense... Marcus can't sire? Since when? Dude had a vampire army at one point... Normally, I try to distance the comparison between books and the adaptation, but you had to read the books to fill in the blanks.
The series is beautifully shot, but then we get to the corn factor. This show was SO LAME and CORNY, but I kind of liked it. I watched it all last evening, and ripped on it endlessly with one of my friends, but I still enjoyed it. I laughed out loud at how bad/corny certain moments were.
I do have to completely rip on Teresa Palmer, homegirl is not a good actress. It was a very Twilight performance, like others have mentioned, the open mouth breathing bothers the F out of me. Her American accent wasn't right, seriously, she said the word vampire like Sookie from True Blood.
I'm also wondering why Matthew Goode took the role of Matthew, it was super confusing to me when he was first announced. At the very least, he's nice to look at, and this made me want to go watch Chasing Liberty.
Overall, this was hilariously lame, but I'll still watch the next series, and probably will watch it again in the background before my free week ends.