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Tim Booth recommended Discreet Music by Brian Eno in Music (curated)

 
Discreet Music by Brian Eno
Discreet Music by Brian Eno
1975 | Rock
(0 Ratings)
Album Favorite

"I could have chosen a number of his ambient records, from Apollo – Atmosphere & Soundtracks or Ambient 1 (Music For Airports) to Discreet Music. He, along with maybe one or two others, invented ambient music, which is now the background to a lot of different music, but back then was a revolution. Eno was slagged by the press at every turn. I remember a quote in the NME saying his music was like ""watching paint dry"". If something got that bad a review, I had to check it out and Brian got the worst reviews for a number of years. Discreet Music was the record that I listened to when it came out and I am still listening to it now. Strangely enough, I find it the most incredible music to make love to, because its stillness strips you down to a nakedness that, for me, lovemaking always demands. That's opposed to drunken lovemaking, which is a completely different thing and only part of what is on offer. Discreet Music puts me in the mood to really find out who I am and to be vulnerable with another person. Therefore, it has become one of my favourite lovemaking albums, and I don't think many people could say that."

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Jerry Cantrell recommended Paranoid by Black Sabbath in Music (curated)

 
Paranoid by Black Sabbath
Paranoid by Black Sabbath
1970 | Metal, Rock
9.0 (7 Ratings)
Album Favorite

"The other record I got into listening to at my friend's house. A lot of the records on the list were discovered around a two to three year window, at a time when I was really turned on to music. I was actively hungry, and reaching out, digesting what bands people turned me on to. I think the first Black Sabbath album I heard was actually Vol. 4. I always discover things way late, after the fact. But that's fine, I guess I like the fact of being kinda late to the party. But when it got to me, it really stuck. It's another record that I find very close to perfect. There's a heaviness and a darkness to Sabbath which I often cite as a direct influence to our sound. You can trace the bloodline, and I think you could say that of a lot of Seattle bands. Sabbath are also a very visual band, but in a different way, a lot more visceral. I've read interviews where Ozzy was saying they were trying to make horror film soundtracks, and that makes sense to me. Cause the themes were always pretty dark and pretty bleak, and they pulled their punches thematically and lyrically. Tony Iommi is also one of my favourite guitarists and very influential to me."

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The Guest (2014)
The Guest (2014)
2014 | Horror, Mystery, Thriller
You'd believe this purposefully sidesteps its possible themes or commentary on the adverse effects on war and a government that will sooner do shady things to save a microscopic smidgen of face rather than its own supposed heroes (though it still does a vastly superior job of showcasing them than most autopilot, sleep-inducing, reductive, and recycled WWII movies as of late), hell it hardly even sets up its own backstory let alone the potential depth of it all... but also who *really* cares when the resulting product is a legitimately balls-to-the-wall, terminally fun blast of awesome sauce like this? Wingard is the fucking man, the amount of directors I'd excuse a plot execution as flawed as this for I could probably count on one hand but the sheer lunacy of this unrestrained pulp powerhouse is more than enough evidence of his gift for unforgettable roller coasters of trash. This all - of course - would be next to nothing if not fueled by Dan Stevens in one of my new favorite performances of all time as a re-educated government massacre machine who behaves more like an inherently hostile alien body snatcher than a human being. Pair it with some cerebral editing, point-blank violence, real propaganda era-esque nuclear camerawork, Lance Reddick, and one of the most euphorically implemented soundtracks in all of film and it was impossible for this to ever fail from the get-go. Loved every second of it.
  
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Sarah (7798 KP) rated Pitch Perfect 3 (2017) in Movies

Aug 31, 2018 (Updated Aug 31, 2018)  
Pitch Perfect 3 (2017)
Pitch Perfect 3 (2017)
2017 | Comedy
An unnecessary and shoddy sequel
The first Pitch Perfect was great, funny and a breath of fresh air. Whilst the second one wasn't as good, it was still vaguely enjoyable. Unfortunately the third one goes on a steep downward spiral and isn't even slightly entertaining.

The antics of the Bellas are getting a little old now. All of the films follow the same basic plot: Bellas enter a competition, come up against some clearly superior teams but then against all odds they still come out on top. This is getting boring. And clearly the makers of this film realised that as that's why they've thrown in some completely nonsense subplot to try and mix it up a bit. Sadly it doesn't work.

There's also the issue with the soundtrack. In the previous films the soundtracks were almost the best part, but in this third instalment there's nothing at all that stands out. No memorable songs whatsoever. Then there's the cast and the acting - everything just seems a bit cringey and almost verging on bad acting. Fat Amy has finally outstayed her welcome and become beyond irritating, and there's a notably wide gaping hole that was the treblemakers. Even John Lithgow puts in a poor performance. The only saving grace to this film are Elizabeth Banks and John Michael Higgins. They are fortunately still very funny, it's just a shame they've been sidelined to even smaller roles than the previous films.

I love musicals, but I really don't think I d ever care to see this again.
  
Night on Bald Mountain by Modest Mussorgsky
Night on Bald Mountain by Modest Mussorgsky
(0 Ratings)
Album Favorite

"Growing up I didn't have an older brother, so all my music was formed by my mother and father. The latter would play old Irish folk songs and outlaw music by Johnny Cash and the only thing my mother would play was heavy melancholy orchestral movements like Night On Bald Mountain. What my mother would make me do is sit on the floor and tell my father to tell a story while putting on this record. This was big for me. I was probably four years old at the time. It sounded eerie, spooky and epic. My dad would make up these ghost stories but what he was really doing was recreating these children's story soundtracks that I'd listened to! I was too young to understand what he was doing at the time, but he was just making his personalised version of The Little Prince or Tales of Witches, Ghosts And Goblins. So he'd be like [eerie voice]: ""The ghosts would move up the Catskill Mountains..."" and I'd just sit there freezing in fear of these ghost stories! It was like having a musical campfire in your living room. Also, this song featured on the film Fantasia, which was my whole life up until the age of ten. It stuck with me and it was embedded in there now you're mixing visuals. I wasn't into the Mickey Mouse aspect of it, but when you watch the eerie castle and spooky ghosts, this is just feeding a young boy's imagination and this is the world he's going to confront when he grows up. These were all the ingredients going into my soup."

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Veronica Pena (690 KP) rated Fifty Shades Darker (2017) in Movies

Jan 12, 2020 (Updated Jan 12, 2020)  
Fifty Shades Darker (2017)
Fifty Shades Darker (2017)
2017 | Drama, Romance
Contains spoilers, click to show
This trilogy is an odd one for me. I think that this is one of the stronger films of the three, maybe the strongest, then Fifty Shades Freed, then the first one. My biggest gripe with all of the films, though, is how much of the books they leave out. I understand that you can't get everything in a film that you can get in a novel, there's a lot of scenes that are important in the books but would just be dead screen time in a film. I think at times both Jamie Dornan and Dakota Johnson lack diversity. I know that Christian is meant to be this pensive, too tough for anybody, never lets anyone get close kind of man, but there are times where that doesn't come across. I love Jamie, I think he's great, I don't think anyone could've played Christian better, but I think that there are times in the film where it's obvious that the story wasn't as important as the sex. Or at least that's how it comes across. I find Dakota to be a very believable Ana, I think that she's who I would envision and I not seen the movies, but the scene where Christian is missing and he comes back and she's crying? She's not actually crying, it's obvious and it just feels forced.


Lastly, the strongest part of this film is the music, without a doubt. Actually, the strongest part of any of these films is the music. The soundtracks are so incredibly picked and each song fits exactly what's happening. Plus, there are a few that just really stuck with me and I listen to them pretty regularly.

Overall, it's strong, but not the greatest. Definitely a guilty pleasure though.
  
Star Wars: Episode IV - A New Hope (1977)
Star Wars: Episode IV - A New Hope (1977)
1977 | Fantasy, Sci-Fi
May The Force Be With You: The Beginning
A New Hope- man this movie is a classic. A real classic. Everything about this movie is great. The plot, the action, the sci-fi, the death-star, Dark Vader and of course R2-D2. Its only downfall is that its slow at some points. But other than thats its a excellent movie.

The plot: The Imperial Forces -- under orders from cruel Darth Vader (David Prowse) -- hold Princess Leia (Carrie Fisher) hostage, in their efforts to quell the rebellion against the Galactic Empire. Luke Skywalker (Mark Hamill) and Han Solo (Harrison Ford), captain of the Millennium Falcon, work together with the companionable droid duo R2-D2 (Kenny Baker) and C-3PO (Anthony Daniels) to rescue the beautiful princess, help the Rebel Alliance, and restore freedom and justice to the Galaxy.

The film has been reissued multiple times with Lucas's support—most significantly with its 20th-anniversary theatrical "Special Edition"—incorporating many changes including modified computer-generated effects, altered dialogue, re-edited shots, remixed soundtracks and added scenes. This is also its downfall, cause its not the oringal film, its the speical edition.

AFI 100 Years... series:

AFI's 100 Years...100 Movies (1998) – #15

AFI's 100 Years...100 Thrills (2001) – #27

AFI's 100 Years...100 Heroes & Villains (2003): Han Solo – #14 Hero

Obi-Wan Kenobi – #37 Hero

AFI's 100 Years...100 Movie Quotes (2004):
"May the Force be with you." – #8

AFI's 100 Years of Film Scores (2005) – #1

AFI's 100 Years...100 Cheers (2006) – #39

AFI's 100 Years...100 Movies (10th Anniversary Edition) (2007) – #13

AFI's 10 Top 10 (2008) – #2 Sci-Fi Film

Like i said before its a excellent sci-fi action adventure movie.

May The Force Be With You.
  
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Graham Massey recommended Low by David Bowie in Music (curated)

 
Low by David Bowie
Low by David Bowie
1977 | Rock
9.3 (4 Ratings)
Album Favorite

"Bowie was so important when we were growing up in terms of the way he chose different directions and that that was an acceptable thing to be doing. You'd just be getting into one thing and then he'd turn into the Thin White Duke or something and he'd invite you to twist your head around that. And when Low came out it was like, ""Whoah!"" because it was a complete head twister in terms of how the record sounded, and how Bowie removed himself from the music because there's hardly any upfront Bowie on it. I've always liked instrumental stuff – things like The Shadows and The Tornados' 'Telstar' and those kinds of things – and it's reflected in the music of 808 State, which draws from that kind of thing where melody is the central thing. But the instrumentals on Low almost sound like backing tracks and that's quite confusing. And it was beatless, and that took you to another place. Plus, it was also the record when I first fell in love. There's that theory of your first love record, where it soundtracks your summer and Low is that record. That kind of music and that hormonal rush creates a kind of nostalgia that's deeper than other records. The fact that Brian Eno is on it, when I first started making music, gave me a bit of elbow-room. With the musicians around now, there's a lot of technique, but technique isn't the key to everything. This idea of being a non-musician and using noise as your instrument defined me quite early on; the School of Eno was in me! Even though it was recorded in 1976 and released in 1977, in some ways this is the first post-punk record. This certainly coalesces with PiL's first album, and it they both gave rise to the notion that not everything proggy should be thrown out with the bathwater."

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I Remember Yesterday by Donna Summer
I Remember Yesterday by Donna Summer
1977 | Dance
6.5 (2 Ratings)
Album Favorite

"The reason I’ve chosen the Donna Summer album is not truly because it is a record I’ve played a lot. There is one song on it that changed my career. It’s a song that changed a lot of people’s perceptions of music and it’s, obviously, ‘I Feel Love’. I remember when I first heard ‘I Feel Love’, it sounded alien. I hadn’t heard anything like that before. There wasn’t anything like that before. Somebody had the forethought and the invention to actually come up with something with electronic sequencing that people could dance to. It pulsated in a different way. That person was Giorgio Moroder. I am very grateful to Giorgio Moroder for inventing this way of thinking and for the other records he’s made. I think he is a terrific talent and I loved the work he did on a lot of movie soundtracks, particularly Midnight Express and Cat People. I have all his work. ‘I Feel Love’ was visionary – that’s all I can say about it. The song, along with The Sparks’ album Moroder did [No. 1 In Heaven], was the sort of sound I wanted to make. I was just learning electronic music and how to sequence things. Without a doubt, between Moroder and Kraftwerk, those were the people leading the way – that paved the streets for me. Without ‘I Feel Love’ there wouldn’t be a lot of electronic dance music. That’s the DNA we all used. Moroder, for me, had a period where he was defining the future and it was very unnoticed by a lot of people, perhaps because he was more of a producer than a writer of a lot of songs. As for I Remember Yesterday, it’s a funny album as half of it is electronic and brilliant and the other half is very traditional and is okay. It’s a strange balance but a very important album because of that track."

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The Umbrella Academy - Season 2
The Umbrella Academy - Season 2
2020 | Drama, Fantasy, Sci-Fi
Soundtrack (0 more)
This quirky show always seems to deliver!

I don't normally start out by mentioning soundtracks but from the get-go it packed an absolute punch, and became a living, breathing, essential part of the show.
There was a good range of old and modern, foreign language versions, and just a whole mix of genres - that had me looking up tracks and adding them to my playlists.
Adele's 'Hello' will never be the same again.

This season I genuinely sang, laughed, cried, cheered, and my jaw dropped. Watching programmes on my own means it is normally hard to elicit an actual physical, or emotional, response.

The show has definitely eased into a comfortable stride, and the characters were far more likeable, now that a lot of the angst is out of the way. All the characters have matured somewhat but retained many of their issues, it's what makes them them, and in any good TV show, it takes a bit of time to fully overcome these.
I have come to love and appreciate many of the characters differently from season one. Season one had a few more stand out characters, and they really pushed those ones on to the audience. Whereas this time, it felt more like an ensemble piece, with all the parts being essential (and did I mention more likeable 😅).

The show touched on some tricky themes, and resonates with the current political climate. I feel like the show dealt with these historically horrific times with an elegance and dignity that was in keeping with the feel of the programme.

A few more puzzle pieces fell into place but there is still plenty of mystery left to keep you wanting more.
The whole thing is over the top, messy, and utterly outrageous at times, but that is all part of the charm.
I am eager for the next season, and hope it isn't delayed too much.