Search
The Visitors
Book
Imagine if you couldn't see couldn't hear couldn't speak...Then one day somebody took your hand and...
The Whisky Cabinet: Your Guide to Enjoying the Most Delicious Whiskies in the World
Book
In today s whisky world full of hype and marketing jargon, The Whisky Cabinet navigates straight to...
Intelligence and Security Oversight: An Annotated Bibliography and Comparative Analysis: 2016
Sophie Richardson and Nicholas Gilmour
Book
This book presents a comprehensive source document on intelligence and security oversight and...
Bus Stops: A Twelve Year Long Picture Inventory of Abandoned Bus Stops
Book
The photo book presents a series of bus stops photographed by Michael Kruscha while traveling. The...
Bob Mann (459 KP) rated Misbehaviour (2020) in Movies
Sep 28, 2021
A film guide on how to sit on the fence.
It’s only 50 years ago, but the timeframe of Misbehaviour feels like a very different world. Although only 9 years old in 1970, I remember sitting around the tele with my family to enjoy the regular Eric and Julia Morley ‘cattle market’ of girls parading in national dress and swimsuits. We were not alone. At its peak in the 70’s over 18 million Britons watched the show (not surprising bearing in mind there were only three channels to choose from in 1970… no streaming… no video players… not even smartphones to distract you!)
The background.
“Misbehaviour” tells the story of this eventful 1970 Miss World competition. It was eventful for a number of reasons: the Women’s Lib movement was rising in popularity, and the event was disrupted a flour-bombing group of women in the audience; the compere Bob Hope did an appallingly misjudged and mysoginistic routine that died a death; and, after significant pressure against the apartheid regime in South Africa, the country surprised the world by sending two entrants to the show – one white (Miss South Africa) and one black (Miss Africa South).
The movie charts the events leading up to that night and some of the fallout that resulted from it.
A strong ensemble cast.
“Misbehaviour” has a great cast.
Leading the women are posh-girl Sally Alexander (Keira Knightley) and punk-girl Jo Robinson (Jessie Buckley). I’m normally a big fan of both of these ladies. But here I never felt either of them connected particularly well with their characters. In particular, Buckley (although delivering as a similar maverick in “Wild Rose“) always felt a bit forced and out of place here.
On the event organisation side is Rhys Ifans, almost unrecognisable as Eric Morley, and Keeley Hawes as Julia Morley. Ifans gets the mannerisms of the impresario spot-on (as illustrated by some real-life footage shown at the end of the film). Also splendid is funny-man Miles Jupp as their “fixer” Clive.
Less successful for me was Greg Kinnear as Bob Hope. Hope clearly has such an unusual moon-shaped face that it’s difficult to find anyone to cast as a lookalike.
Just who is exploiting who here?
There’s no question in my mind that the event, in retrospect, is obscenely inappropriate – even though, bizarrely, it still runs to this day. But my biggest problem with the movie is that it never seems to pin its colours to any particular mast. It clearly illustrates the inappropriateness of Hope’s off-colour jokes and the instruction from host Michael Aspel (Charlie Anson), asking the swimsuit models to “show their rear view” to the audience, is gobsmackingly crass.
However, the script then takes a sympathetic view to the candidates from Grenada, South Africa, etc. who are clearly ‘using their bodies’ to get a leg-up to fame and fortune back in their home countries. (Final scenes showing the woman today, clearly affluent and happy, doesn’t help with that!)
As such, the movie sits magnificently on the fence and never reaches a ‘verdict’.
The racial sub-story.
Equally problematic is the really fascinating racial sub-story: this was an event, held in a UK that was racially far less tolerant than it is today, where no black person had EVER won. Indeed, a win was in most peoples’ eyes unthinkable. This was a time when “black lives didn’t matter”. Here we have Miss Grenada (an excellent Gugu Mbatha-Raw) and the utterly captivating Miss Africa South (a debut performance by Loreece Harrison) threatening to turn the tables . There was surely potential to get a lot more value out of this aspect of the story, but it is generally un-mined.
Perhaps a problem here is that there is so much story potential around this one historical event that there is just too much to fit comfortably into one screenplay. The writers Rebecca Frayn and Gaby Chiappe end up just giving a few bursts on the liquidizer and getting a slightly grey mush.
Nostalgia – it’s not what it used to be.
All this is not to say the movie was a write off. It’s a perfectly pleasant watch and for those (like me) of a certain age, the throwback fashions, vehicles and attitudes deliver a burst of nostalgia for the flawed but rose-coloured days of my first decade on the planet.
But it all feels like a bit of a missed opportunity to properly tackle either one of the two key issues highlighted in the script. As a female-led project (the director is Philippa Lowthorpe) I really wanted this to be good. But I’m afraid for me it’s all a bit “meh”.
If asked “would you like to watch that again?”… I would probably, politely, show my rear view and decline.
The background.
“Misbehaviour” tells the story of this eventful 1970 Miss World competition. It was eventful for a number of reasons: the Women’s Lib movement was rising in popularity, and the event was disrupted a flour-bombing group of women in the audience; the compere Bob Hope did an appallingly misjudged and mysoginistic routine that died a death; and, after significant pressure against the apartheid regime in South Africa, the country surprised the world by sending two entrants to the show – one white (Miss South Africa) and one black (Miss Africa South).
The movie charts the events leading up to that night and some of the fallout that resulted from it.
A strong ensemble cast.
“Misbehaviour” has a great cast.
Leading the women are posh-girl Sally Alexander (Keira Knightley) and punk-girl Jo Robinson (Jessie Buckley). I’m normally a big fan of both of these ladies. But here I never felt either of them connected particularly well with their characters. In particular, Buckley (although delivering as a similar maverick in “Wild Rose“) always felt a bit forced and out of place here.
On the event organisation side is Rhys Ifans, almost unrecognisable as Eric Morley, and Keeley Hawes as Julia Morley. Ifans gets the mannerisms of the impresario spot-on (as illustrated by some real-life footage shown at the end of the film). Also splendid is funny-man Miles Jupp as their “fixer” Clive.
Less successful for me was Greg Kinnear as Bob Hope. Hope clearly has such an unusual moon-shaped face that it’s difficult to find anyone to cast as a lookalike.
Just who is exploiting who here?
There’s no question in my mind that the event, in retrospect, is obscenely inappropriate – even though, bizarrely, it still runs to this day. But my biggest problem with the movie is that it never seems to pin its colours to any particular mast. It clearly illustrates the inappropriateness of Hope’s off-colour jokes and the instruction from host Michael Aspel (Charlie Anson), asking the swimsuit models to “show their rear view” to the audience, is gobsmackingly crass.
However, the script then takes a sympathetic view to the candidates from Grenada, South Africa, etc. who are clearly ‘using their bodies’ to get a leg-up to fame and fortune back in their home countries. (Final scenes showing the woman today, clearly affluent and happy, doesn’t help with that!)
As such, the movie sits magnificently on the fence and never reaches a ‘verdict’.
The racial sub-story.
Equally problematic is the really fascinating racial sub-story: this was an event, held in a UK that was racially far less tolerant than it is today, where no black person had EVER won. Indeed, a win was in most peoples’ eyes unthinkable. This was a time when “black lives didn’t matter”. Here we have Miss Grenada (an excellent Gugu Mbatha-Raw) and the utterly captivating Miss Africa South (a debut performance by Loreece Harrison) threatening to turn the tables . There was surely potential to get a lot more value out of this aspect of the story, but it is generally un-mined.
Perhaps a problem here is that there is so much story potential around this one historical event that there is just too much to fit comfortably into one screenplay. The writers Rebecca Frayn and Gaby Chiappe end up just giving a few bursts on the liquidizer and getting a slightly grey mush.
Nostalgia – it’s not what it used to be.
All this is not to say the movie was a write off. It’s a perfectly pleasant watch and for those (like me) of a certain age, the throwback fashions, vehicles and attitudes deliver a burst of nostalgia for the flawed but rose-coloured days of my first decade on the planet.
But it all feels like a bit of a missed opportunity to properly tackle either one of the two key issues highlighted in the script. As a female-led project (the director is Philippa Lowthorpe) I really wanted this to be good. But I’m afraid for me it’s all a bit “meh”.
If asked “would you like to watch that again?”… I would probably, politely, show my rear view and decline.
Whatchareadin (174 KP) rated Hum If You Don't Know The Words in Books
Apr 9, 2019
Robin and Beauty. Robin is 10 years old and she is quite a curious little girl. She loves her parents and her twin sister Cat, but when tragedy strikes and she loses both her parents in one fell swoop, her world will be turned upside down. Beauty is a mother and a teacher in a remote village in South Africa. She has just received a letter from her brother that her daughter, Nomsa is in trouble. Beauty tries to get to Nomsa as quickly as she can, but will she be able to make it before it's too late? In both of their struggles these two are brought together to be a strength for the other.
Thank you to NetGalley and Penguin Putnam books for the opportunity to read and review this book.
Robin is white and Beauty is black. Its the late 70's in South Africa. Apartheid is rampant and Nelson Mandala has just been arrested for trying to secure freedom and equality for his people. Robin's father is a mine boss and he doesn't treat black people very well, thinking they are all far beneath him. Beauty is an educated black woman which is very rare to see at this time. This is a story of love that goes beyond the color of ones skin, to just the human nature of us all. We want to love and to be loved in return.
This book didn't immediately grab my attention. It starts of sad and keeps getting sadder. You have hope for the two of these ladies that they will be able to accomplish their goals and survive, but many times that seems as if it's impossible. I really enjoyed this book and one that I highly recommend. It's an important book to read at this day and time when we look so much to find the differences that can divide us, we need to find the similarities that can unite us.
Thank you to NetGalley and Penguin Putnam books for the opportunity to read and review this book.
Robin is white and Beauty is black. Its the late 70's in South Africa. Apartheid is rampant and Nelson Mandala has just been arrested for trying to secure freedom and equality for his people. Robin's father is a mine boss and he doesn't treat black people very well, thinking they are all far beneath him. Beauty is an educated black woman which is very rare to see at this time. This is a story of love that goes beyond the color of ones skin, to just the human nature of us all. We want to love and to be loved in return.
This book didn't immediately grab my attention. It starts of sad and keeps getting sadder. You have hope for the two of these ladies that they will be able to accomplish their goals and survive, but many times that seems as if it's impossible. I really enjoyed this book and one that I highly recommend. It's an important book to read at this day and time when we look so much to find the differences that can divide us, we need to find the similarities that can unite us.
Africa's Lions: Growth Traps and Opportunities for Six African Economies
Book
Examining the economic forces that will shape Africa's future Africa's Lions examines the economic...
GT
Give the Best Away: The Story of One of Britain's Most Generous Philanthropists
Rosemary Lancaster and Murray Watts
Book
Rosemary grew up in a poor family in the North West of England, at the end of the Second World War....
Atlas for iPad Free
Education and Reference
App
*** NEW RELEASE *** View World Maps & Facts quickly and conveniently on your iPad. Atlas for iPad...
Setswana Bible
Book and Education
App
Setswana Bible The holy bible in Setswana - Tswana - BEIBELE (TSW70). It's free. This simple and...