"The first movie I ever saw in my life, interestingly enough, was The Gods Must Be Crazy. It was a South African movie. It’s ironic that years later, the next most commercially successful film from South Africa after The Gods Must Be Crazy is District 9. The effect was kind of an early imprint that South Africa belonged in motion pictures. Because there was nothing else for years, as I became an adult — or even a young man — I kind of realized it didn’t. Everything that South Africa made was terrible that I subsequently saw. Usually I was just ashamed of it. I was like, “Oh God, we make terrible television, we make terrible movies.” And even with Marius Weyers doing the South African accent — something that was uniquely South African and African could be commercial was just imprinted in my brain."

"Another film I love is The Power of One, and that became one of my favorite films because I actually got the chance to work with Armin Mueller-Stahl, who is amazing, and I was also doing a film in South Africa at the time. I turned 14 in South Africa and had learned all about Apartheid and the country and the history of it, so watching that film in South Africa was wild, and I felt a definite connection to it. And it’s one of those films that not everyone knows about; you say The Power of One and a lot of people go, “What? I’ve never seen that.”"

"The story of a Zulu pastor and his son, set amid the horror of apartheid South Africa. It’s the tragic yet redemptive tale of human dignity, a beautifully woven story of that time. It was written in 1948, and I read it when I was at university in the early 1980s, when South Africa was the big moral story of the time. I longed to be a foreign correspondent and get out there. I also read, and wept through many performances of South African playwright Athol Fugard’s plays. But the images from this book stay with me, as does its amazing title."

"King Kong was a musical from South Africa that had an all-black cast. It was a fusion of South African traditional music, soul and jazz. It was so powerful when I listened to it for all those nights. I fell in love with that musical, which was a very big part of my life. I think [I was drawn to] the authenticity of the voice of what people call world music or ethnic music coming from the earth, of the people, the hope and their struggle. South Africans are so strong with their emotions and I think Africa itself is an amazing, inspirational place for music, because they live and breathe it. It was for me, a connection with the soul."

"Warning: this is one of the most upsetting books I’ve ever read, but it’s a great one. Set in South Africa, a nation struggling to remake itself in the wake of Apartheid, it tracks a professor’s downfall as he suffers a career-ending scandal followed by a horrific episode in the life of his daughter. It’s a Booker-winning book by a Nobel-winning novelist."

"A superb documentary about the once little-known American singer-songwriter Sixto Rodriguez, and his huge popularity in South Africa, which starts with a rumour about him killing himself by setting fire to himself on stage. His real story then reveals itself to be very different. This film delves into mythology, how it develops, and the way we elevate musicians as beacons in culture. It’s also a film about an incredibly underrated guy, and how difficult it was to find lost stars before the internet took off. It couldn’t happen now."