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    The second part of the game PipeRoll, which reached Nr. 1 in many countries, has finally been...

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Hellraiser: Bloodline (1996)
Hellraiser: Bloodline (1996)
1996 | Horror, Sci-Fi
7
6.3 (12 Ratings)
Movie Rating
Honestly, I can't help but admire just how much batshit-crazy content is crammed into this film. The established lore from the first two movies is more or less out of the window by now, with the narrative concentrating on the guy who originally invented the lament configuration in the 1700s, and then subsequent members of his bloodline trying to stop hell on earth once in 1996, and then again in the distant future aboard a space station. Like I said, batshit.
It also happens to be stupidly entertaining. It never threatens to get boring at any point. Pinhead has been scaled back once again to a more menacing presence as opposed to his pantomime villain from Hellraiser III, and the new cenobites looks suitably evil and gross. Angelique (Valentina Vargas) is a great new villain to stand alongside Doug Bradley, and goes someway to making sure Bloodlines has its own identity. Hats off to Bruce Ramsay as well for effectively playing three separate characters. There's liberal splashings of decent and practically done gore, and the CG effects for the space station still hold up for the most part. There's really not a huge amount to complain about in my opinion, and I can't quite comprehend where the general disdain comes from.
Hellraiser IV is certainly not a perfect movie, and doesn't reach the lofty heights of the first two, but it does enough different to ensure its a memorable entry into the franchise.
  
First Man (2018)
First Man (2018)
2018 | Biography, Drama, History
GREAT, Visceral Space Scenes - Boring, Soap-Opera-ish Earth Scenes
Get to the largest screen you can find with the best sound system and check out FIRST MAN. The visceral spectacle of space travel is expertly captured and needs to be seen on the BIG screen while your chair vibrates from the sound. You, the audience, fwill eel like you are in the spaceship with Neil Armstrong on his way to the moon.

Too bad the Earth-bound moments of this film don't go to the same heights.

Directed by Damien Chazelle in his follow-up to his Oscar winning Directorial stint with LA LA LAND, FIRST MAN tells the story of Neil Armstrong in the 1960s, going from test pilot to the First Man who stepped foot on the moon.

As I stated earlier, the times that we are in the space capsule, or flight plane or test simulator with Armstrong are a visceral experience not to be missed. Chazelle puts his camera close in, often times seeing what Armstrong is seeing - most of that time with loud, shimming and shaking noises and shimming and shaking cameras that left me wonder how these Pioneers of Space Flight ever made it to the Moon and back safely. These scenes - and especially the last 1/2 hour of the film when Armstrong & Co. go to the moon - are worth the price of admission alone. Add on top of that a driving, visceral (there's that word again) score by Chazelle's musical collaborator Justin Hurwitz (Oscar winner for the music for LA LA LAND) and your heart will be thumping loudly in your chest during these exhilarating scenes.

And that is good, for Chazelle and screenwriter Josh Singer (SPOTLIGHT) try to squeeze in a Soap-Opera-esque plot and motivation for Armstrong throughout this film that just didn't work for me. They tried too hard to give Armstrong some "personal" motivations for being stoic, pragmatic and driven to his vision.

As for the acting, Ryan Gosling is...well...stoic, pragmatic and driven to his vision as Armstrong. Do you see that look on Gosling/Armstrong's face in the picture that is accompanying this review? You get that 90% of the time with him. Most of the other actors - Jason Clarke, Kyle Chandler, Pablo Schreiber, Ethan Embry, Lukas Haas - all give the same stoic, pragmatic performance, so there is no real personality here. Even the great Ciaran Hinds - who normally can chew scenery with the best of them - was toned way down to stoic, pragmatic proportions.

This made the performance of Corey Stoll as Buzz Aldrin all the more jarring for he bursts into this film at about the halfway point, cracking jokes and having a personality. Unfortunately, this was annoying at this point, rather than refreshing and I ended up thinking what a jerk Aldrin is.

Add to that Claire Foy (THE CROWN) as Armstrong's wife who has a constant pained expression on her face. She will get an Oscar nomination, for she had the big "Oscars" speech as the worried wife and mother - a speech where Gosling/Armstrong looked at her pragmatically and with solid stoicism.

Fortunately, what saves this movie is that these Earth-bound scenes of fairly boring people in cliched situations are quickly wiped away with awe-inspiring action pieces - they really are worth the price of admission - even the higher price you will need to pay to see it in IMAX with a kick-butt sound system.

Letter Grade: B+

7 1/2 (out of 10) stars - have I mentioned how great the space scenes in this film are?

And you can take that to the Bank(ofMarquis)