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JT (287 KP) rated Elysium (2013) in Movies
Mar 10, 2020
Neill Blomkamp came pretty much out of nowhere. Having only directed a handful of shorts he was handed $30m by Peter Jackson and told to make any film he wanted. That offer for any up and coming director would be as good as winning the lottery and he didn’t disappoint, making the dystopian District 9 which went on to become a smash hit.
So when it was announced that his next project would be called Elysium there was much talk, excitement and anticipation about what it would entail. Blomkamp again focuses on a dystopian society, L.A. to be exact (but not an Alien in sight). With Earth quite literally turned into a shit hole it’s ravaged by crime, poverty and disease along with an ever growing population just looking to survive.
The rich and wealthy made their escape from the planet and reside on a beautiful man made space station called Elysium. Here there is no poverty or sickness and one can be cured instantly by stepping into a medical pod. Dropped into all of this is Max (Matt Damon), a former convict who is trying to get by in life but who still holds a fascination that one day he too will get to live on Elysium as we find out through an early back story.
Elysium is an enjoyable ride of thrills and spills and as a sci-fi actioner it ticks all the relevant boxes.
When an accident at work leaves him with only a few days to live he steps back into the criminal underworld in order to get himself a one way ticket onto Elysium and cure himself and in the process become a saviour for the suffering hordes on Earth. Blomkamp sticks with District 9′s Sharlto Copley an actor plucked from obscurity and who has gone on to make a real name for himself. Here he plays sleeper agent Kruger complete with distinguished South African accent and beard.
Pairing up with him from the safe confines of Elysium is Jodie Foster’s Delacourt, the Secretary of Homeland Security whose cool and unassuming personality gives her licence to literally blast people from outer space while drinking tea. She wants her place as the next Elysium president and so enlists the help of the slimy John Carlyle (William Fichtner) who helps to organise a reboot program for the station which falls into the wrong hands.
Blomkamp keeps the story very much as close to reality as possible without overstepping the mark. A world of poverty and hardship with the rich living the high life, sound familiar?
Filmed on location in the slums of Mexico as opposed to South Africa it lends itself to real life and the harsh reality that this isn’t a film set built with a large overblown budget but a place where everyday folk have to live. The action is captivating both on Earth and in space. A car chase and data heist that encounters a flying Bugatti Veyron. While in space, ships explode and crash into the tranquil surroundings of normality (well as normal as you can get in 2154).
The shaven headed Damon gives a good account of himself whether it’s delivering the dramatic line or battling through the action – complete with exoskeleton he is always reliable.
So when it was announced that his next project would be called Elysium there was much talk, excitement and anticipation about what it would entail. Blomkamp again focuses on a dystopian society, L.A. to be exact (but not an Alien in sight). With Earth quite literally turned into a shit hole it’s ravaged by crime, poverty and disease along with an ever growing population just looking to survive.
The rich and wealthy made their escape from the planet and reside on a beautiful man made space station called Elysium. Here there is no poverty or sickness and one can be cured instantly by stepping into a medical pod. Dropped into all of this is Max (Matt Damon), a former convict who is trying to get by in life but who still holds a fascination that one day he too will get to live on Elysium as we find out through an early back story.
Elysium is an enjoyable ride of thrills and spills and as a sci-fi actioner it ticks all the relevant boxes.
When an accident at work leaves him with only a few days to live he steps back into the criminal underworld in order to get himself a one way ticket onto Elysium and cure himself and in the process become a saviour for the suffering hordes on Earth. Blomkamp sticks with District 9′s Sharlto Copley an actor plucked from obscurity and who has gone on to make a real name for himself. Here he plays sleeper agent Kruger complete with distinguished South African accent and beard.
Pairing up with him from the safe confines of Elysium is Jodie Foster’s Delacourt, the Secretary of Homeland Security whose cool and unassuming personality gives her licence to literally blast people from outer space while drinking tea. She wants her place as the next Elysium president and so enlists the help of the slimy John Carlyle (William Fichtner) who helps to organise a reboot program for the station which falls into the wrong hands.
Blomkamp keeps the story very much as close to reality as possible without overstepping the mark. A world of poverty and hardship with the rich living the high life, sound familiar?
Filmed on location in the slums of Mexico as opposed to South Africa it lends itself to real life and the harsh reality that this isn’t a film set built with a large overblown budget but a place where everyday folk have to live. The action is captivating both on Earth and in space. A car chase and data heist that encounters a flying Bugatti Veyron. While in space, ships explode and crash into the tranquil surroundings of normality (well as normal as you can get in 2154).
The shaven headed Damon gives a good account of himself whether it’s delivering the dramatic line or battling through the action – complete with exoskeleton he is always reliable.
Gareth von Kallenbach (980 KP) rated Interstellar (2014) in Movies
Aug 6, 2019
For my money, Christopher Nolan is the best director and storyteller in the film industry today. Over the years he has grown with each film he has created. In his early work, like Following, Memento, and Insomniac, he experimented with different notions of how we as an audience perceived a story unfold on film. In each of those films he learned techniques that he carried with him as he moved onto bigger commercial success’ like The Dark Knight Trilogy and The Prestige. All of those techniques, culminated in my humble opinion, his masterpiece with 2010s Inception. Now he is back, with a space exploration film for this generation that rivals Stanley Kubrick’s 2001: A Space odyssey with an added dash of 1997s Contact.
Everything you expect from a Nolan film his here. Stunning visuals that not only leave us breathless at the vastness and beauty of space and other worlds, but also character driven framing that is subtle enough for us to be able to understand and focus on this character driven story. We are driven forward by one man’s mission to save the earth, but on a more humanizing level, his family. It is this constant thread, especially the bond of Love between a father and daughter, which holds this majestic film together from start to finish. Those who miss this focus or nitpick at the science of it all may be disappointed and feel the film is too big to be concluded with such a simple notion. However those who are willing to concede that impressive visuals do not need to be concluded on an ostentatious scale for there to be a grandiose impact, will find satisfaction at a film that makes us contemplate our place in time and space.
If these stunning visuals are the face of this film, then the score is undoubtedly the emotion. Nolan once again teams up with Academy Award winning composer Hans Zimmer, to produce a stunningly moving and heartfelt score that not only propels forward in our exploration of the unknown, but at times is our only friend in letting us know it is ok to breath.
Perhaps it is just the gravity of the work that Nolan has done in the last few years, but the actors in this film know the stakes and each came to play. The cast each elevate their performances not only for themselves but for each other. Led by Academy Award Winner winners Mathew McConaughey and Anne Hathaway, as well as Academy Award Nominee Jessica Chastain, the entire cast of Interstellar deliver excellent performances that cause us not only relate, but to feel the world at large and the relationships with each other. I was especially impressed with the young Mackenzie Foy, whose relationship with McConaughey is crucial to the story being able to hold together for the entire film.
In closing, Interstellar is a beautiful film to behold with a story that revolves around exploration, survival, and love told in an epic way both visually and audibly. For some there may be a few make or break moments, but if you just focus on the story and world being told to you, it will all make sense. The film’s running time is 2 hours and 49 minutes which may seem like much to some, however because Interstellar is an experience, not just a film, the length is hardly noticeable as a bad thing. After walking away, you will want to see this experience in the theaters again, especially in IMAX for the best possible visuals and audio.
Everything you expect from a Nolan film his here. Stunning visuals that not only leave us breathless at the vastness and beauty of space and other worlds, but also character driven framing that is subtle enough for us to be able to understand and focus on this character driven story. We are driven forward by one man’s mission to save the earth, but on a more humanizing level, his family. It is this constant thread, especially the bond of Love between a father and daughter, which holds this majestic film together from start to finish. Those who miss this focus or nitpick at the science of it all may be disappointed and feel the film is too big to be concluded with such a simple notion. However those who are willing to concede that impressive visuals do not need to be concluded on an ostentatious scale for there to be a grandiose impact, will find satisfaction at a film that makes us contemplate our place in time and space.
If these stunning visuals are the face of this film, then the score is undoubtedly the emotion. Nolan once again teams up with Academy Award winning composer Hans Zimmer, to produce a stunningly moving and heartfelt score that not only propels forward in our exploration of the unknown, but at times is our only friend in letting us know it is ok to breath.
Perhaps it is just the gravity of the work that Nolan has done in the last few years, but the actors in this film know the stakes and each came to play. The cast each elevate their performances not only for themselves but for each other. Led by Academy Award Winner winners Mathew McConaughey and Anne Hathaway, as well as Academy Award Nominee Jessica Chastain, the entire cast of Interstellar deliver excellent performances that cause us not only relate, but to feel the world at large and the relationships with each other. I was especially impressed with the young Mackenzie Foy, whose relationship with McConaughey is crucial to the story being able to hold together for the entire film.
In closing, Interstellar is a beautiful film to behold with a story that revolves around exploration, survival, and love told in an epic way both visually and audibly. For some there may be a few make or break moments, but if you just focus on the story and world being told to you, it will all make sense. The film’s running time is 2 hours and 49 minutes which may seem like much to some, however because Interstellar is an experience, not just a film, the length is hardly noticeable as a bad thing. After walking away, you will want to see this experience in the theaters again, especially in IMAX for the best possible visuals and audio.
In My Room: The Human Journey as Encountered by a Psychiatrist
Book
'The room is a space for the mind, and a metaphor for the mind at the same time. Most of us will...
Halcyon 6: Starbase Commander
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*** App Store Game Of The Day *** *** Winner Best PC Game - DIGI Awards 2016 *** *** Runner Up...
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MelanieTheresa (997 KP) rated First Man (2018) in Movies
Oct 3, 2018
POV launch sequences (1 more)
Claire Foy
A bit slow (2 more)
A little long
Terrible sound mixing
I love a good space movie.
Everyone knows the story of the first moon landing - who, what, where, when, how - but this movie goes a bit deeper than the history books you've read. I'm not spoiling the ending by telling you they land on the moon; you already know this. What you may not know is what led up to that historical moment: the tests, the failures, the losses, the toll taken on the astronauts and their families during NASA's race to the moon. This movie does well in that respect. Claire Foy does an amazing job of making you feel with her and for her. The POV in the launch sequences is terrific. You almost feel like you're in the cockpit with Armstrong as he's launching into space. Really well done.
Now, the bad.
- It was slow, and probably too long.
- Ryan Gosling has exactly one facial expression throughout the entire movie. He goes through the proper emotions, but his face does not. Even when he's crying over the death of his daughter, the only thing that changes about his face is the added tears.
- The sound mixing was terrible. The effects were turned up far too high and the voices far too low, to the point where I sometimes couldn't hear what was being said, and as a result I definitely missed some partial conversations. This is one of my biggest movie pet peeves.
Overall, I enjoyed the movie, but it's not one I'd need to watch again down the road.
Now, the bad.
- It was slow, and probably too long.
- Ryan Gosling has exactly one facial expression throughout the entire movie. He goes through the proper emotions, but his face does not. Even when he's crying over the death of his daughter, the only thing that changes about his face is the added tears.
- The sound mixing was terrible. The effects were turned up far too high and the voices far too low, to the point where I sometimes couldn't hear what was being said, and as a result I definitely missed some partial conversations. This is one of my biggest movie pet peeves.
Overall, I enjoyed the movie, but it's not one I'd need to watch again down the road.
David McK (3854 KP) rated Battlefront II: Inferno Squad (Star Wars) in Books
Jan 30, 2019
The second 'Battlefront' tie-in novel (based on a series of games themselves based on a series of novels) which, I have to say, I found to be far more enjoyable than the previous ([b:Twilight Company|25455901|Twilight Company (Star Wars Battlefront, #1)|Alexander Freed|https://images.gr-assets.com/books/1440781979s/25455901.jpg|45222133]).
I don't know whether that because, this time around, the source online shooter game actually (and finally!) has a single-player campaign, meaning the author can actually concentrate on proper chatacters instead of the expendable cannon-fodder of the previous, or if it's because this time aroudn it's told from the point of view of the 'bad guys': that is, from the PoV from dyed-in-the-wool Imperials.
This picks up towards the end of the first Star Wars film (Episode IV, retroactively entitled 'A New Hope'),w ith the attack on the Death Star occuring in the opening pages of the novel and with the central character of Iden Versio actively participating in the defense of the Space Station, before crash-landing on the planet of Yavin IV and making her way back to Imperial Space (that bit told in passing).
This also ties into Rogue One, with an offshoot of Saw Garrera's violent Partisan group - naming themselves The Dreamers - providing the antagonists rather than The Rebellion, allowing the story and the characters to go undercover into that group without breaking with the commonly-held lore - lets face it, since Inferno Squad is meant to be the best of the best it would be hard to place them in Leia / Han's / Luke's path without somehow having to wave the explanation away!
I don't know whether that because, this time around, the source online shooter game actually (and finally!) has a single-player campaign, meaning the author can actually concentrate on proper chatacters instead of the expendable cannon-fodder of the previous, or if it's because this time aroudn it's told from the point of view of the 'bad guys': that is, from the PoV from dyed-in-the-wool Imperials.
This picks up towards the end of the first Star Wars film (Episode IV, retroactively entitled 'A New Hope'),w ith the attack on the Death Star occuring in the opening pages of the novel and with the central character of Iden Versio actively participating in the defense of the Space Station, before crash-landing on the planet of Yavin IV and making her way back to Imperial Space (that bit told in passing).
This also ties into Rogue One, with an offshoot of Saw Garrera's violent Partisan group - naming themselves The Dreamers - providing the antagonists rather than The Rebellion, allowing the story and the characters to go undercover into that group without breaking with the commonly-held lore - lets face it, since Inferno Squad is meant to be the best of the best it would be hard to place them in Leia / Han's / Luke's path without somehow having to wave the explanation away!
JT (287 KP) rated Iron Sky (2012) in Movies
Mar 10, 2020
When a pair of astronauts set foot on the moon having not been back in over five decades they get a nasty surprise in the shape of a Nazi soldier.
If you thought the premise of Snakes on a Plane was nuts then this is surely right up there for insanity, the film has it’s moments but doesn’t have any A-listers big enough to pull in an audience.
After discovering that the Nazi’s have won the space race (we’re never enlightened as to how they come to arrive there) and set up a huge base on the dark side of the moon, it’s up to a lone astronaut (Kirby) to stop a potential invasion of Earth.
The base is like something out of a cartoon and is in the shape of a huge Swastika which gives you some indication about just how insane this film is? Couple that with big hats and large trousers, along with turning a black man white and you’ll see what you’ve let yourself in for.
The battling US President is a Sarah Palin wanna be, (in all honesty they might as well have got the real one) complete with a gung-ho approach and deer heads on the wall of the Oval office.
It doesn’t get much better, but ironically there is enough to keep you interested. Oddly the visuals featuring battling ships in space is quite effective.
This is one film that you’ll probably watch just for the title of it, when it’s finished you’ll wonder why the hell you ever put it on in the first place?
If you thought the premise of Snakes on a Plane was nuts then this is surely right up there for insanity, the film has it’s moments but doesn’t have any A-listers big enough to pull in an audience.
After discovering that the Nazi’s have won the space race (we’re never enlightened as to how they come to arrive there) and set up a huge base on the dark side of the moon, it’s up to a lone astronaut (Kirby) to stop a potential invasion of Earth.
The base is like something out of a cartoon and is in the shape of a huge Swastika which gives you some indication about just how insane this film is? Couple that with big hats and large trousers, along with turning a black man white and you’ll see what you’ve let yourself in for.
The battling US President is a Sarah Palin wanna be, (in all honesty they might as well have got the real one) complete with a gung-ho approach and deer heads on the wall of the Oval office.
It doesn’t get much better, but ironically there is enough to keep you interested. Oddly the visuals featuring battling ships in space is quite effective.
This is one film that you’ll probably watch just for the title of it, when it’s finished you’ll wonder why the hell you ever put it on in the first place?
Little Galaxy Family
Games and Entertainment
1.0
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“It’s galactic!” IGN “Little Galaxy has all the ingredients of a portable classic” Pocket...
Hope for Common Ground: Mediating the Personal and the Political in a Divided Church
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Much like the rest of the country, American Catholics are politically divided, perhaps more so now...
A Differential Approach to Geometry: Geometric Trilogy III
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This book presents the classical theory of curves in the plane and three-dimensional space, and the...