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Goddess in the Stacks (553 KP) rated Redshirts in Books
Dec 23, 2018
Some books are surreal suspensions of disbelief. Some books just make you go "WHAT the FUCK" every couple of chapters when a new twist is revealed, and this is one of the latter. Just - what the FUCK.
Imagine your average sci-fi space opera TV show on cable television with hand-wavey science and half-assed special effects - take those characters and make them realize they're IN A TV SHOW. Let them realize all of their woes are due to shitty writing, and see what they do with that knowledge. THAT is this book, and it is crazy and hilarious and weird and eye-roll-inducing.
Between the time travel, the Box that does magic science behind the scenes so things work out on-screen, the Narrative taking control and making people say and do things they wouldn't otherwise do - this book is wacky and just full of what-the-fuckery. It's fun, though, and if you can keep yourself from groaning out loud every few pages, it's a pretty good read.
You can find all my reviews at http://goddessinthestacks.com
Imagine your average sci-fi space opera TV show on cable television with hand-wavey science and half-assed special effects - take those characters and make them realize they're IN A TV SHOW. Let them realize all of their woes are due to shitty writing, and see what they do with that knowledge. THAT is this book, and it is crazy and hilarious and weird and eye-roll-inducing.
Between the time travel, the Box that does magic science behind the scenes so things work out on-screen, the Narrative taking control and making people say and do things they wouldn't otherwise do - this book is wacky and just full of what-the-fuckery. It's fun, though, and if you can keep yourself from groaning out loud every few pages, it's a pretty good read.
You can find all my reviews at http://goddessinthestacks.com
Joven (172 KP) rated Isle of Skye: From Chieftain to King in Tabletop Games
Aug 12, 2019 (Updated Aug 12, 2019)
Different victory conditions in every game mean it stays fresh every time (2 more)
Great artwork and style
Clever buy/sell mechanics
Clever and highly replayable
Isle of Skye has you playing as a Clan Chief trying to create the best kingdom for your people. Points are scored through a number of means, but the victory conditions can be randomised every time which leads to a really replayable game.
Your clan territory is grown by buying new tiles with different land types (grass/fields, mountains, or lakes) and bonuses, and in each round it is the players themselves who set the prices for these tiles. Sometimes you might find you've horribly over or under-valued a tile by not accounting for another player's plans, and sometimes you can pick up an absolute bargain!
The game is fast paced and relatively easy to learn, but be warned with up to 5 players all trying to build up big clan territories in front of them you need a lot of room to play this properly...
Your clan territory is grown by buying new tiles with different land types (grass/fields, mountains, or lakes) and bonuses, and in each round it is the players themselves who set the prices for these tiles. Sometimes you might find you've horribly over or under-valued a tile by not accounting for another player's plans, and sometimes you can pick up an absolute bargain!
The game is fast paced and relatively easy to learn, but be warned with up to 5 players all trying to build up big clan territories in front of them you need a lot of room to play this properly...
Phil Leader (619 KP) rated Mort in Books
Nov 20, 2019
In lots of ways Mort is the first book which feels like a 'proper' Discworld novel, fusing the fantasy setting, humour and allegorical commentary together into a delightful, coherent whole.
The story itself is a good one: Death takes on Mort as an apprentice so he can take a break. When Mort breaks the rules he causes a wound in space/time that needs to be healed. And the more Mort does the job of Death the more the job begins to take its toll on him.
There is so much to like about this book. The humour is spot-on with some great one-liners, characters and footnotes. The exploration of the mechanics of how Death really operates on the Discworld fits perfectly with the logic of how the rather unique world operates and is the first glimpse into just how complex and rich the series of books could be.
The Discworld was still evolving rapidly at this point and Mort represents a real statement of intent for the future.
The story itself is a good one: Death takes on Mort as an apprentice so he can take a break. When Mort breaks the rules he causes a wound in space/time that needs to be healed. And the more Mort does the job of Death the more the job begins to take its toll on him.
There is so much to like about this book. The humour is spot-on with some great one-liners, characters and footnotes. The exploration of the mechanics of how Death really operates on the Discworld fits perfectly with the logic of how the rather unique world operates and is the first glimpse into just how complex and rich the series of books could be.
The Discworld was still evolving rapidly at this point and Mort represents a real statement of intent for the future.
Awix (3310 KP) rated Blade Runner (1982) in Movies
Nov 25, 2019 (Updated Nov 26, 2019)
Cult thriller from Ridley Scott. In present-day Los Angeles, investigator Harrison Ford finds himself obliged to hunt down and destroy four androids who have illegally returned to Earth from colonies in outer space. Yes, yes: I know it's a timeless classic and a visionary piece of science fiction (if not a particularly accurate piece of prognostication), but it's not a film I've ever found myself able to particularly warm to.
One of the prettiest and most visually dense films you will ever see, of course, but Ridley Scott seems much more interested in the film's visual impact than the actual story (even so, much of the imagery is rather clunky). Harrison Ford doesn't get much to do in his drab and perfunctory section of the plot - the film only really comes to life when it concerns Rutger Hauer's oddly sympathetic homicidal android, who ends up dominating the movie. Most of the book's quirky sense of melancholy disappears, though. For all its strengths it just feels rather superficial and hollow to me.
One of the prettiest and most visually dense films you will ever see, of course, but Ridley Scott seems much more interested in the film's visual impact than the actual story (even so, much of the imagery is rather clunky). Harrison Ford doesn't get much to do in his drab and perfunctory section of the plot - the film only really comes to life when it concerns Rutger Hauer's oddly sympathetic homicidal android, who ends up dominating the movie. Most of the book's quirky sense of melancholy disappears, though. For all its strengths it just feels rather superficial and hollow to me.
Phil Leader (619 KP) rated The Wrong Side of Right (Grey Areas #3) in Books
Nov 29, 2019
The third book of the four part saga continues directly from the shattering events of the second and doesn't let up on the pace, or the twists.
Barrett Grayson is in custody, awaiting his long avoided FBI interview. But all he wants to do is get home to see his father before he dies. Meanwhile Sergeant Jackson's deal with the cartel means that someone is going to pay a heavy price.
The story follows all the protagonists from the saga as they each face their own struggles and make their own choices - for good or bad. As with the saga as a whole the writing is gripping and intense. There are many different plot strands interwoven here from police procedural to romance but each one is given time and space to develop and the reader is drawn into each one and pulled along.
As with the other books, the writing is superb. I would strongly recommend the Grey Areas saga to anyone. It is an extremely accomplished work of fiction.
Barrett Grayson is in custody, awaiting his long avoided FBI interview. But all he wants to do is get home to see his father before he dies. Meanwhile Sergeant Jackson's deal with the cartel means that someone is going to pay a heavy price.
The story follows all the protagonists from the saga as they each face their own struggles and make their own choices - for good or bad. As with the saga as a whole the writing is gripping and intense. There are many different plot strands interwoven here from police procedural to romance but each one is given time and space to develop and the reader is drawn into each one and pulled along.
As with the other books, the writing is superb. I would strongly recommend the Grey Areas saga to anyone. It is an extremely accomplished work of fiction.
Jesters_folly (230 KP) rated Crawl (2019) in Movies
Jul 30, 2019
Crawl is the tale of a father and Daughter who find themselves trapped in a rapidly flooding cellar/crawl space during a hurricane in Florida, their escape is hindered by an increasing number of man eating alligators. There’s not much else to add, plot wise. Crawl is mainly a two and a half cast driven film (two humans and one yappy dog) as Haley and Dave attempt to escape the cellar and get to safety. We do see other characters but usually from a distance and only for short periods of time.
Crawl is a classic creature feature and really works, the small cast helps portray the looming danger and the combination of the alligators and rising flood waters make the threat very believable and the yappy dog is used to enhance the tension as you find yourself waiting for it to be eaten.
And that’s it, Crawl has a simple premise, a simple story and is an hour and half of tension, jump scares, people being eaten and, oh yes one yappy dog.
Crawl is a classic creature feature and really works, the small cast helps portray the looming danger and the combination of the alligators and rising flood waters make the threat very believable and the yappy dog is used to enhance the tension as you find yourself waiting for it to be eaten.
And that’s it, Crawl has a simple premise, a simple story and is an hour and half of tension, jump scares, people being eaten and, oh yes one yappy dog.
Sarah (7798 KP) rated Wounds (2019) in Movies
Feb 22, 2020
Unsettling but confused
This is the kind of horror film I usually enjoy. Something atmospheric, creepy and a little unusual, without the need to go over the top on horrific CGI or predictable jump scares. Wounds succeeds with this and the horror scenes are enjoyably creepy and unsettling. The problem is pretty much the rest of the film.
Armie Hammer and Zazie Beetz are very good, and when they're on screen together they're great, but the rest of the cast are left with little to work with and Dakota Johnson's character is a complete waste of space. The main issue is that the plot is rather weird, which would be fine if there was a decent explanation at the end but the ending is severely lacking and makes for a lot of confusion. The tone of the film also feels more like a drama with a bit of horror thrown in rather than a full on horror - with a little less of the drama and a little more exposition this might have been a decent film.
Armie Hammer and Zazie Beetz are very good, and when they're on screen together they're great, but the rest of the cast are left with little to work with and Dakota Johnson's character is a complete waste of space. The main issue is that the plot is rather weird, which would be fine if there was a decent explanation at the end but the ending is severely lacking and makes for a lot of confusion. The tone of the film also feels more like a drama with a bit of horror thrown in rather than a full on horror - with a little less of the drama and a little more exposition this might have been a decent film.
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