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David McK (3219 KP) rated Imperfect Sword (The Lost Stars #3) in Books
Jan 30, 2019
The third book in [a:Jack Campbell|55547|Jack Campbell|https://d.gr-assets.com/authors/1302415236p2/55547.jpg]'s (aka John Hemry) 'The Lost Stars', this continues the story of Gwen Iceni and Arrur Drakon from the star system Midway in the wake of their revolution against their former Syndicate rulers.
This also takes place mostly alongside the events of [b:Steadfast|576565|The Steadfast Tin Soldier|Hans Christian Andersen|https://d.gr-assets.com/books/1348002883s/576565.jpg|2146970], with 'Balck Jack' Geary making a brief cameo about two-thirds of the way through, for reason explained in that other book.
The bulk of this novel concerns a preemptive attack on a neighbouring star system in which a former Syndic CEO has set up his own little Empire: an Empire that will, in time, threaten the security of Midway itself. As is usual, however, things are not as they seem ...
If you've read any of the other novels in this series, you will know pretty much what to expect: internal politicking, massive space battles (following Newtonian laws rather than the Space Opera of, say, Star Wars), and - especially in this book - ground battles,with Iceni and Drakon still just as unable as ever to admit their feelings to each other!
This also takes place mostly alongside the events of [b:Steadfast|576565|The Steadfast Tin Soldier|Hans Christian Andersen|https://d.gr-assets.com/books/1348002883s/576565.jpg|2146970], with 'Balck Jack' Geary making a brief cameo about two-thirds of the way through, for reason explained in that other book.
The bulk of this novel concerns a preemptive attack on a neighbouring star system in which a former Syndic CEO has set up his own little Empire: an Empire that will, in time, threaten the security of Midway itself. As is usual, however, things are not as they seem ...
If you've read any of the other novels in this series, you will know pretty much what to expect: internal politicking, massive space battles (following Newtonian laws rather than the Space Opera of, say, Star Wars), and - especially in this book - ground battles,with Iceni and Drakon still just as unable as ever to admit their feelings to each other!
Nickg24 (492 KP) rated Another Life in TV
Aug 11, 2019
Another netflix sci fi
This series began well,the opening 2 episodes were ok and steadily set the tone for the rest of the series BUT instead the series just gradually went downhill to the point of ridiculousness.
The Story is divided into two sections.A mysterious alien artifact lands on earth and a crew are sent into space to try to trace its origins while on earth scientists/government officials try to make contact with the artifact.
The earth set story is fine but the story set on the spaceship gets worse as the episodes go on.Everyone at some point is either screaming,shouting,trying to kill someone or trying to get off with one another.
A very bog standard Netflix drama all in all.
The Story is divided into two sections.A mysterious alien artifact lands on earth and a crew are sent into space to try to trace its origins while on earth scientists/government officials try to make contact with the artifact.
The earth set story is fine but the story set on the spaceship gets worse as the episodes go on.Everyone at some point is either screaming,shouting,trying to kill someone or trying to get off with one another.
A very bog standard Netflix drama all in all.
Awix (3310 KP) rated La derniere vague (The Last Wave) in TV
Aug 8, 2020
Le goings-on spooky in the south of France: a mysterious, apparently sentient cloud which may or may not embody nature's vengeance on civilisation abducts a group of surfers for five hours and then returns them, with strange powers. (Not that the media takes any notice of any of this.) This provides everyone in town with un beaucoup lovely chance to work through all their various personal issues before the end of the last episode.
Comes across a bit like a mid-table Stephen King novel, or possibly just a very glossy soap opera with a guest appearance by Giant Space Monster Dogorah. Fairly engaging stuff, though unlikely to feel terribly original to the clued-up viewer; passes the time nicely without demanding your full attention. Avoids too many explanations (they're clearly hoping for a second season), which could be irritating, but the end-of-series cliffhanger is okay.
Comes across a bit like a mid-table Stephen King novel, or possibly just a very glossy soap opera with a guest appearance by Giant Space Monster Dogorah. Fairly engaging stuff, though unlikely to feel terribly original to the clued-up viewer; passes the time nicely without demanding your full attention. Avoids too many explanations (they're clearly hoping for a second season), which could be irritating, but the end-of-series cliffhanger is okay.
David McK (3219 KP) rated A Little Rebellion (Crimson Worlds #3) in Books
Jan 30, 2019
Like the previous two entries in [a:Jay Allan|6477659|Jay Allan|https://s.gr-assets.com/assets/nophoto/user/u_50x66-632230dc9882b4352d753eedf9396530.png]'s 'Crimson Worlds' series, this is probably more accurately called space opera than science fiction: set in a distant future where man has colonised the stars, this concerns itself with an act of rebellion, an act whereby the colony world's of the Alliance are seeking the gain their freedom from the autocratic rule of the latter.
Cue divided loyalties of Eric Cain and his compatriats in both the Marines and the Fleet ...
I found this to be an OKish read: it did keep me reading and turning the (electronic) pages, but it never really sucked me in all that much, never really hooked me enough to go looking for any further entries in the series. Don't get me wrong, I may read them if I come across them, just not actively search them out ...
Cue divided loyalties of Eric Cain and his compatriats in both the Marines and the Fleet ...
I found this to be an OKish read: it did keep me reading and turning the (electronic) pages, but it never really sucked me in all that much, never really hooked me enough to go looking for any further entries in the series. Don't get me wrong, I may read them if I come across them, just not actively search them out ...
Sassy Brit (97 KP) rated Connor's Gambit in Books
Jun 5, 2019
Connor’s Gambit by Z. Gottlieb is the first book I’ve received to review that’s in audible format, so this is quite a new experience for me, just like it’s the lead character Brad Johnson’s first adventure with aliens. And what a trip this is!
After Brad sees an alien spaceship and it seems no one else did, he begins to doubt his sanity. But when his suspicions are confirmed and his wife, Shinny, reveals who and what she really is, his life not only changes forever, but so does everything he thought he knew about his life and the universe which surrounds him — aliens do exist — he should know, he’s married to one! And, boy, does the plot thicken after that.
In Z. Gottlieb’s fun world there were times that the space technology seemed so realistic I was wondering if the author had some sort of NASA experience. From alien creature descriptions, their lifestyles and their amazing high-tech technology, to Brad’s awakening and newfound belief in UFOs, and his acceptance to jump right in and help, whilst learning on the job; this book has a lot to offer any self-respecting science fiction fan and space cadet!
A few of my favourite things? There’s so many to choose from. I loved Brad (obviously!). Then there’s the scary Neslins, the Aneplè, the battle cruiser Zuonopy and all its features and Brad and Shinny’s son, Dane with his talking dragon Yeshawliq. I need a talking dragon, can you make one out of a 3D printer for me please?
The narrator’s voice was different to what I expected at first, however, Charlie Thurston pulled me into the action and kept me hooked right through to the satisfying end, which is slightly left open for more, whilst at the same time it’s also a fully completed standalone story with major plot threads all tied up nicely. I’m so pleased to have discovered Z. Gottleib’s space world and I cannot wait to read or even listen to the next instalment. I’m sure it will definitely be worth the wait!
Z. Gottlieb has captured the essence of space travel, alien life and the rules of their universe spectacularly. I really enjoy my time (all 13 hours of it) listening to this space opera, and the fact that I was listening (instead of reading) really made me feel like I was there, thrown in deep with the characters and their stories, part of their crew!
After Brad sees an alien spaceship and it seems no one else did, he begins to doubt his sanity. But when his suspicions are confirmed and his wife, Shinny, reveals who and what she really is, his life not only changes forever, but so does everything he thought he knew about his life and the universe which surrounds him — aliens do exist — he should know, he’s married to one! And, boy, does the plot thicken after that.
In Z. Gottlieb’s fun world there were times that the space technology seemed so realistic I was wondering if the author had some sort of NASA experience. From alien creature descriptions, their lifestyles and their amazing high-tech technology, to Brad’s awakening and newfound belief in UFOs, and his acceptance to jump right in and help, whilst learning on the job; this book has a lot to offer any self-respecting science fiction fan and space cadet!
A few of my favourite things? There’s so many to choose from. I loved Brad (obviously!). Then there’s the scary Neslins, the Aneplè, the battle cruiser Zuonopy and all its features and Brad and Shinny’s son, Dane with his talking dragon Yeshawliq. I need a talking dragon, can you make one out of a 3D printer for me please?
The narrator’s voice was different to what I expected at first, however, Charlie Thurston pulled me into the action and kept me hooked right through to the satisfying end, which is slightly left open for more, whilst at the same time it’s also a fully completed standalone story with major plot threads all tied up nicely. I’m so pleased to have discovered Z. Gottleib’s space world and I cannot wait to read or even listen to the next instalment. I’m sure it will definitely be worth the wait!
Z. Gottlieb has captured the essence of space travel, alien life and the rules of their universe spectacularly. I really enjoy my time (all 13 hours of it) listening to this space opera, and the fact that I was listening (instead of reading) really made me feel like I was there, thrown in deep with the characters and their stories, part of their crew!
ClareR (5589 KP) rated A Matter of Oaths in Books
Nov 15, 2017
Believable characters (1 more)
Great world building
A worthy Space Opera!
A story that drops you right in to the action. The world building is believable and the characters are diverse. Considering that this was first published in 1988, there are characters of colour. gay and women in positions of unquestioned authority. None of this seems forced, the gay relationship isn't contrived, the leading female character, Rally, isn't over-bearing as so many strong female characters are often written in the past, and she is very competent and highly thought of by other characters in the book.
How this has slipped through the net, I will never understand. This deserves to be more widely known, and it is such a shame that the author didn't publish anything else that I know of or have been able to find. If she did, I would find it, read it and no doubt recommend it!
I would like to thank Netgalley and the publisher, Bloomsbury Caravel, for my copy of the book and the opportunity to read and review it!
How this has slipped through the net, I will never understand. This deserves to be more widely known, and it is such a shame that the author didn't publish anything else that I know of or have been able to find. If she did, I would find it, read it and no doubt recommend it!
I would like to thank Netgalley and the publisher, Bloomsbury Caravel, for my copy of the book and the opportunity to read and review it!
Goddess in the Stacks (553 KP) rated Redshirts in Books
Dec 23, 2018
Some books are surreal suspensions of disbelief. Some books just make you go "WHAT the FUCK" every couple of chapters when a new twist is revealed, and this is one of the latter. Just - what the FUCK.
Imagine your average sci-fi space opera TV show on cable television with hand-wavey science and half-assed special effects - take those characters and make them realize they're IN A TV SHOW. Let them realize all of their woes are due to shitty writing, and see what they do with that knowledge. THAT is this book, and it is crazy and hilarious and weird and eye-roll-inducing.
Between the time travel, the Box that does magic science behind the scenes so things work out on-screen, the Narrative taking control and making people say and do things they wouldn't otherwise do - this book is wacky and just full of what-the-fuckery. It's fun, though, and if you can keep yourself from groaning out loud every few pages, it's a pretty good read.
You can find all my reviews at http://goddessinthestacks.com
Imagine your average sci-fi space opera TV show on cable television with hand-wavey science and half-assed special effects - take those characters and make them realize they're IN A TV SHOW. Let them realize all of their woes are due to shitty writing, and see what they do with that knowledge. THAT is this book, and it is crazy and hilarious and weird and eye-roll-inducing.
Between the time travel, the Box that does magic science behind the scenes so things work out on-screen, the Narrative taking control and making people say and do things they wouldn't otherwise do - this book is wacky and just full of what-the-fuckery. It's fun, though, and if you can keep yourself from groaning out loud every few pages, it's a pretty good read.
You can find all my reviews at http://goddessinthestacks.com
Christine A. (965 KP) rated To Sleep in a Sea of Stars in Books
Sep 16, 2020
Space Epic From The Author Of The Eragon Series
I was provided with a complimentary copy of this book so I could give an honest review. The opinions are entirely my own, and any quotes are taken from the ARC and may be different in the final published copy.
Having read and thoroughly enjoyed Christopher Paolini's Eragon series, I looked forward to listening to the audiobook of his latest novel, To Sleep in a Sea of Stars.
Paolini did not disappoint. His work on this space opera spanned for nearly a decade. The research completed to make it accurate as possible shows he did not rush his writing.
Do not expect to read/listen to this in one sitting. The run time is 32 hours, 29 minutes, and the book is 880 pages. The book could have been released into a trilogy but do not let that scare you. The story may be long, but it is well built and full of completely fleshed out characters and worlds. My favorite character is Gregorovich, a ship mind. Paolini's sarcastic words and the narrator's voice makes him a character as memorable as paranoid Marvin from H2G2.
In 2013, the narrator, Jennifer Hale, was recognized by Guinness World Records as "the most prolific video game voice actor (female)." Her voice is instantly recognizable, and the array of voices she uses in the audiobook are separate and distinct from each other.
Paolini's story and Hale's voices make this an enjoyable story to remember.
This 200-word review was published on Philomathinphila.com on 9/15/20.
Having read and thoroughly enjoyed Christopher Paolini's Eragon series, I looked forward to listening to the audiobook of his latest novel, To Sleep in a Sea of Stars.
Paolini did not disappoint. His work on this space opera spanned for nearly a decade. The research completed to make it accurate as possible shows he did not rush his writing.
Do not expect to read/listen to this in one sitting. The run time is 32 hours, 29 minutes, and the book is 880 pages. The book could have been released into a trilogy but do not let that scare you. The story may be long, but it is well built and full of completely fleshed out characters and worlds. My favorite character is Gregorovich, a ship mind. Paolini's sarcastic words and the narrator's voice makes him a character as memorable as paranoid Marvin from H2G2.
In 2013, the narrator, Jennifer Hale, was recognized by Guinness World Records as "the most prolific video game voice actor (female)." Her voice is instantly recognizable, and the array of voices she uses in the audiobook are separate and distinct from each other.
Paolini's story and Hale's voices make this an enjoyable story to remember.
This 200-word review was published on Philomathinphila.com on 9/15/20.
BankofMarquis (1832 KP) rated First Man (2018) in Movies
Oct 13, 2018
GREAT, Visceral Space Scenes - Boring, Soap-Opera-ish Earth Scenes
Get to the largest screen you can find with the best sound system and check out FIRST MAN. The visceral spectacle of space travel is expertly captured and needs to be seen on the BIG screen while your chair vibrates from the sound. You, the audience, fwill eel like you are in the spaceship with Neil Armstrong on his way to the moon.
Too bad the Earth-bound moments of this film don't go to the same heights.
Directed by Damien Chazelle in his follow-up to his Oscar winning Directorial stint with LA LA LAND, FIRST MAN tells the story of Neil Armstrong in the 1960s, going from test pilot to the First Man who stepped foot on the moon.
As I stated earlier, the times that we are in the space capsule, or flight plane or test simulator with Armstrong are a visceral experience not to be missed. Chazelle puts his camera close in, often times seeing what Armstrong is seeing - most of that time with loud, shimming and shaking noises and shimming and shaking cameras that left me wonder how these Pioneers of Space Flight ever made it to the Moon and back safely. These scenes - and especially the last 1/2 hour of the film when Armstrong & Co. go to the moon - are worth the price of admission alone. Add on top of that a driving, visceral (there's that word again) score by Chazelle's musical collaborator Justin Hurwitz (Oscar winner for the music for LA LA LAND) and your heart will be thumping loudly in your chest during these exhilarating scenes.
And that is good, for Chazelle and screenwriter Josh Singer (SPOTLIGHT) try to squeeze in a Soap-Opera-esque plot and motivation for Armstrong throughout this film that just didn't work for me. They tried too hard to give Armstrong some "personal" motivations for being stoic, pragmatic and driven to his vision.
As for the acting, Ryan Gosling is...well...stoic, pragmatic and driven to his vision as Armstrong. Do you see that look on Gosling/Armstrong's face in the picture that is accompanying this review? You get that 90% of the time with him. Most of the other actors - Jason Clarke, Kyle Chandler, Pablo Schreiber, Ethan Embry, Lukas Haas - all give the same stoic, pragmatic performance, so there is no real personality here. Even the great Ciaran Hinds - who normally can chew scenery with the best of them - was toned way down to stoic, pragmatic proportions.
This made the performance of Corey Stoll as Buzz Aldrin all the more jarring for he bursts into this film at about the halfway point, cracking jokes and having a personality. Unfortunately, this was annoying at this point, rather than refreshing and I ended up thinking what a jerk Aldrin is.
Add to that Claire Foy (THE CROWN) as Armstrong's wife who has a constant pained expression on her face. She will get an Oscar nomination, for she had the big "Oscars" speech as the worried wife and mother - a speech where Gosling/Armstrong looked at her pragmatically and with solid stoicism.
Fortunately, what saves this movie is that these Earth-bound scenes of fairly boring people in cliched situations are quickly wiped away with awe-inspiring action pieces - they really are worth the price of admission - even the higher price you will need to pay to see it in IMAX with a kick-butt sound system.
Letter Grade: B+
7 1/2 (out of 10) stars - have I mentioned how great the space scenes in this film are?
And you can take that to the Bank(ofMarquis)
Too bad the Earth-bound moments of this film don't go to the same heights.
Directed by Damien Chazelle in his follow-up to his Oscar winning Directorial stint with LA LA LAND, FIRST MAN tells the story of Neil Armstrong in the 1960s, going from test pilot to the First Man who stepped foot on the moon.
As I stated earlier, the times that we are in the space capsule, or flight plane or test simulator with Armstrong are a visceral experience not to be missed. Chazelle puts his camera close in, often times seeing what Armstrong is seeing - most of that time with loud, shimming and shaking noises and shimming and shaking cameras that left me wonder how these Pioneers of Space Flight ever made it to the Moon and back safely. These scenes - and especially the last 1/2 hour of the film when Armstrong & Co. go to the moon - are worth the price of admission alone. Add on top of that a driving, visceral (there's that word again) score by Chazelle's musical collaborator Justin Hurwitz (Oscar winner for the music for LA LA LAND) and your heart will be thumping loudly in your chest during these exhilarating scenes.
And that is good, for Chazelle and screenwriter Josh Singer (SPOTLIGHT) try to squeeze in a Soap-Opera-esque plot and motivation for Armstrong throughout this film that just didn't work for me. They tried too hard to give Armstrong some "personal" motivations for being stoic, pragmatic and driven to his vision.
As for the acting, Ryan Gosling is...well...stoic, pragmatic and driven to his vision as Armstrong. Do you see that look on Gosling/Armstrong's face in the picture that is accompanying this review? You get that 90% of the time with him. Most of the other actors - Jason Clarke, Kyle Chandler, Pablo Schreiber, Ethan Embry, Lukas Haas - all give the same stoic, pragmatic performance, so there is no real personality here. Even the great Ciaran Hinds - who normally can chew scenery with the best of them - was toned way down to stoic, pragmatic proportions.
This made the performance of Corey Stoll as Buzz Aldrin all the more jarring for he bursts into this film at about the halfway point, cracking jokes and having a personality. Unfortunately, this was annoying at this point, rather than refreshing and I ended up thinking what a jerk Aldrin is.
Add to that Claire Foy (THE CROWN) as Armstrong's wife who has a constant pained expression on her face. She will get an Oscar nomination, for she had the big "Oscars" speech as the worried wife and mother - a speech where Gosling/Armstrong looked at her pragmatically and with solid stoicism.
Fortunately, what saves this movie is that these Earth-bound scenes of fairly boring people in cliched situations are quickly wiped away with awe-inspiring action pieces - they really are worth the price of admission - even the higher price you will need to pay to see it in IMAX with a kick-butt sound system.
Letter Grade: B+
7 1/2 (out of 10) stars - have I mentioned how great the space scenes in this film are?
And you can take that to the Bank(ofMarquis)
Dean (6921 KP) rated Dune (2021) in Movies
Nov 11, 2021 (Updated Nov 11, 2021)
Great visuals (1 more)
Very good ensemble cast
Space Opera
I'm totally new to Dune, I know nothing of the book or the previous film. So I have nothing to compare it to it that sense.
It's visually stunning and on a grand scale, with many wide angle shots to to get a good effect of scale. The design, look and feel of the film, along with Zimmer's score are all quality.
Then to the story which feels like a mix of The Matrix, meets Game of Thrones with a Star Wars setting. For new comers like myself it might be difficult keeping track of who is in alliance with who, as a lot of various faction names appear. The political side of things doesn't get too bogged down though. I did expect bigger and longer action scenes for a film of this scale. What action you do see is very good and the SFX are great.
So to those who are new to Dune it might be a bit of a mixed bag but there is no doubting the quality overall. Roll on part 2.
It's visually stunning and on a grand scale, with many wide angle shots to to get a good effect of scale. The design, look and feel of the film, along with Zimmer's score are all quality.
Then to the story which feels like a mix of The Matrix, meets Game of Thrones with a Star Wars setting. For new comers like myself it might be difficult keeping track of who is in alliance with who, as a lot of various faction names appear. The political side of things doesn't get too bogged down though. I did expect bigger and longer action scenes for a film of this scale. What action you do see is very good and the SFX are great.
So to those who are new to Dune it might be a bit of a mixed bag but there is no doubting the quality overall. Roll on part 2.