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Hazel (2934 KP) rated Don't Look Back in Books
May 14, 2023
I haven't read anything by Jo Spain before but after reading Don't Look Back, I will certainly be keeping my eyes open in the future as I enjoyed this.
Don't Look Back is a twisty thriller with great characters, not all of whom are likeable, and an intriguing plot with some great twists. Be warned, it deals with domestic violence so if this is a trigger, I would steer clear.
Travelling from London to the Caribbean and to Ireland, this is one twisty book that is told at a good pace, from multiple points of view and with some flashbacks. The plot is complicated but it all comes to a satisfying conclusion in the end.
All in all, an enjoyable thriller that kept me reading into the night and I must thank Quercus Books and NetGalley for enabling me to read and share my thoughts of Don't Look Back.
Don't Look Back is a twisty thriller with great characters, not all of whom are likeable, and an intriguing plot with some great twists. Be warned, it deals with domestic violence so if this is a trigger, I would steer clear.
Travelling from London to the Caribbean and to Ireland, this is one twisty book that is told at a good pace, from multiple points of view and with some flashbacks. The plot is complicated but it all comes to a satisfying conclusion in the end.
All in all, an enjoyable thriller that kept me reading into the night and I must thank Quercus Books and NetGalley for enabling me to read and share my thoughts of Don't Look Back.
The Lock Up
8.0
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The Sunday Times bestselling author of Snow and April in Spain returns with Strafford and Quirke's...
Irish literature Historical fiction
Bob Mann (459 KP) rated The Trip To Spain (2017) in Movies
Sep 29, 2021
Moore should be less.
“The Trip to Spain” is the third in the series of ‘culinery travelogue’ TV programmes by Steve Coogan (“Philomena“) and Rob Brydon (“Gavin and Stacey”). The pair travel by car through Spain sampling the local delicacies while constantly trying to self-salve their fragile egos and trying to out-do each other with comedy spiel. This is of course not a “documentary” as such, since the pair are playing up to their extreme alter-egos (presumably!) of what people expect them to be like. Actors playing their family, agents, etc. call them at various points on the trip to either pour oil on troubled waters or (more often) add fuel to the fire.
All ashore. The guys arrive in Santander.
The six original half hour TV episodes have been edited down into a feature length journey. And this is part of the problem. Repetition that can be forgiven and forgotten about when you see an episode every week, but can become tiresome when forced on you as a continuous stream.
Brydon drinks; Coogan doesn’t; both impersonate.
In this case the repetitive content delivered by Coogan and Brydon are their (normally very good) impersonations of famous stars (most of which it has to be said are British so won’t resonate with a non-UK audience). Roger Moore in particular gets trotted out INTERMINABLY and while some of it is extremely funny – an exchange between Moore as Bond and Scaramanga had me snorting tea out of my nose – it all gets too much by the end.
Coogan in mid-Jagger.
Appearing to recognise this need for more variety, additional characters from Steve’s team join them for a part of their trip – Emma (Clare Keelan) and Yolanda (Marta Barrio). Unfortunately, the additions are just plain dull: they just sit alongside Coogan and Brydon and laugh at their impressions, adding nothing. Now if they had been a couple of good female impersonators, like Ronni Ancona and Jan Ravens, that could act as a foil to the male duo, THAT would have been entertaining.
Coogan and Brydon strides the local streets.
The film also suffers from “Top Gear Challenge” disease. The problem with filming a car journey through Spain is that you know there are not twenty film crews deployed along the route to do the filming…. all of the cameras are carefully set up in advance with someone on a walkie-talkie saying “OK, Steve – coffee down, we’re ready for you to drive over the hill now”. So something that should feel natural and documentary-like feels 100% the opposite.
Tilting at windmills. Brydon and Coogan as Sancho Panza and Don Quixote.
So… if you like Coogan and Brydon, and especially if you liked their Northern England and Italy “trips”, then you will get more laughs out of this one. But I think the concoction needs to be put through the blender and re-heated before it comes out for a fourth outing.
All ashore. The guys arrive in Santander.
The six original half hour TV episodes have been edited down into a feature length journey. And this is part of the problem. Repetition that can be forgiven and forgotten about when you see an episode every week, but can become tiresome when forced on you as a continuous stream.
Brydon drinks; Coogan doesn’t; both impersonate.
In this case the repetitive content delivered by Coogan and Brydon are their (normally very good) impersonations of famous stars (most of which it has to be said are British so won’t resonate with a non-UK audience). Roger Moore in particular gets trotted out INTERMINABLY and while some of it is extremely funny – an exchange between Moore as Bond and Scaramanga had me snorting tea out of my nose – it all gets too much by the end.
Coogan in mid-Jagger.
Appearing to recognise this need for more variety, additional characters from Steve’s team join them for a part of their trip – Emma (Clare Keelan) and Yolanda (Marta Barrio). Unfortunately, the additions are just plain dull: they just sit alongside Coogan and Brydon and laugh at their impressions, adding nothing. Now if they had been a couple of good female impersonators, like Ronni Ancona and Jan Ravens, that could act as a foil to the male duo, THAT would have been entertaining.
Coogan and Brydon strides the local streets.
The film also suffers from “Top Gear Challenge” disease. The problem with filming a car journey through Spain is that you know there are not twenty film crews deployed along the route to do the filming…. all of the cameras are carefully set up in advance with someone on a walkie-talkie saying “OK, Steve – coffee down, we’re ready for you to drive over the hill now”. So something that should feel natural and documentary-like feels 100% the opposite.
Tilting at windmills. Brydon and Coogan as Sancho Panza and Don Quixote.
So… if you like Coogan and Brydon, and especially if you liked their Northern England and Italy “trips”, then you will get more laughs out of this one. But I think the concoction needs to be put through the blender and re-heated before it comes out for a fourth outing.
Lee Paso a Paso 2 - School Edition
Education and Games
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Enjoy this new adventure inside the garden of Bruji’s castle, help her to collect all the stars...
Lonely Planet Andalucia
Lonely Planet, Isabella Noble, John Noble and Josephine Quintero
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Lonely Planet: The world's leading travel guide publisher Lonely Planet Andalucia is your passport...
Lonely Planet Make My Day Barcelona
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Lonely Planet: The world's leading travel guide publisher Lonely Planet Make My Day Barcelona is a...
Innovative Student Residences: New Directions in Sustainable Design
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A fascinating insight into university accommodation. Current design modes of student residences are...
LeftSideCut (3778 KP) rated Pan's Labyrinth (2006) in Movies
Oct 12, 2020
I honestly can't think of a single thing I don't like about Pan's Labyrinth. From start to finish, it's arguably one of the most captivating pieces of cinema ever put to screen.
Guillermo del Toro once again proves his visionary status, with some superbly well realised creature designs. The dark fantasy element of Pan's Labyrinth is vividly otherworldly, and visually unique. Doug Jones portrays both Fauno and The Pale Man, two creatures that immediately earned a place in iconic movie monsters standing. The Pale Man in particular is utterly terrifying.
Ofelia is the young girl who embarks on this fantasy adventure, and actor Ivana Baquero is a delightful presence throughout the movie.
Of course, a bigger chunk of the runtime is taken up by what's happening in the real world. Set in Spain, in the early years of the Francoist period, it's a gritty narrative that touches upon war and dictatorship.
The dictator in this case is Captain Vidal, Ofelia's new stepfather and soon to be biological father of her unborn brother. His contempt towards Ofelia is unpleasant, and he has little regard for anyone's life but his own and his unborn son (nothing like a case of family lineage and mantle carrying to get the misogynistic juices flowing eh?).
He's played with despicabe glee by Sergi López, an actor who I believe was more known in Spain for his comedic work prior to this, so hats off to him. Vidal is one of the most easy-to-hate characters I've ever seen!
The collision of these two opposing world's and cinema styles is fantastic, and is paced perfectly, the fantasy sequences being a brilliant burst of magic, within a compelling and tense war story, all complimented by a beautiful music score.
Pan's Labyrinth is full of wonder and emotion, both fantastical and harrowing. It's a straight up masterpiece that easily makes my top 20 films of all time, maybe even top 10!
Guillermo del Toro once again proves his visionary status, with some superbly well realised creature designs. The dark fantasy element of Pan's Labyrinth is vividly otherworldly, and visually unique. Doug Jones portrays both Fauno and The Pale Man, two creatures that immediately earned a place in iconic movie monsters standing. The Pale Man in particular is utterly terrifying.
Ofelia is the young girl who embarks on this fantasy adventure, and actor Ivana Baquero is a delightful presence throughout the movie.
Of course, a bigger chunk of the runtime is taken up by what's happening in the real world. Set in Spain, in the early years of the Francoist period, it's a gritty narrative that touches upon war and dictatorship.
The dictator in this case is Captain Vidal, Ofelia's new stepfather and soon to be biological father of her unborn brother. His contempt towards Ofelia is unpleasant, and he has little regard for anyone's life but his own and his unborn son (nothing like a case of family lineage and mantle carrying to get the misogynistic juices flowing eh?).
He's played with despicabe glee by Sergi López, an actor who I believe was more known in Spain for his comedic work prior to this, so hats off to him. Vidal is one of the most easy-to-hate characters I've ever seen!
The collision of these two opposing world's and cinema styles is fantastic, and is paced perfectly, the fantasy sequences being a brilliant burst of magic, within a compelling and tense war story, all complimented by a beautiful music score.
Pan's Labyrinth is full of wonder and emotion, both fantastical and harrowing. It's a straight up masterpiece that easily makes my top 20 films of all time, maybe even top 10!
Marine Weather Plus by AccuWeather: UK Edition
Weather and Sports
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Stay connected to the latest, real-time, marine weather conditions with Marine Weather™ Platinum...
ClareR (5726 KP) rated The Other Half of Augusta Hope in Books
Sep 29, 2020
Augusta Hope is the other twin - Julia is the beautiful one who everyone feels able to easily connect with. Augusta is harder work. Whilst Julia wants to stay at home and marry the boy next door, Augusta wants to go to University and travel. Her favourite book is the dictionary, she collates a folder on Burundi and hopes to go there one day. Augusta follows her own path, tells people what she thinks and drives her very conventional family mad.
Alongside the story of Augusta, chapters are alternated with Parfait and his story. He lives in Burundi - a country torn apart by Civil War. Parfaits family is destroyed by the horrors of this war, so he and his younger brother leave for what they feel will be a better life in Spain. Life has more sadness to throw at Parfait, though - and Augusta is dealt a cruel hand as well. She finds solace in Spain, which is where Parfait and Augusta are destined to meet.
I liked the alternating chapters of Augusta and Parfait - this device really highlighted the huge differences in their lives early on. As the story progresses though, it also shows that no matter how different we may all appear, there are actually more similarities than differences. We are all human; we all experience love and loss.
This was such a good way to highlight the refugee crisis in Europe. At a couple of points in the story, Parfait announces to the Spanish town how many people had died in the Mediterranean that year in their quest to live a better life. This book is heartbreaking in more than this one way. Both characters suffer unimaginable loss, and both learn to value life, a feeling of home and belonging.
It’s a wonderful book, and one that I’d heartily recommend. Many thanks to NetGalley and The Borough Press for my ebook copy.
Alongside the story of Augusta, chapters are alternated with Parfait and his story. He lives in Burundi - a country torn apart by Civil War. Parfaits family is destroyed by the horrors of this war, so he and his younger brother leave for what they feel will be a better life in Spain. Life has more sadness to throw at Parfait, though - and Augusta is dealt a cruel hand as well. She finds solace in Spain, which is where Parfait and Augusta are destined to meet.
I liked the alternating chapters of Augusta and Parfait - this device really highlighted the huge differences in their lives early on. As the story progresses though, it also shows that no matter how different we may all appear, there are actually more similarities than differences. We are all human; we all experience love and loss.
This was such a good way to highlight the refugee crisis in Europe. At a couple of points in the story, Parfait announces to the Spanish town how many people had died in the Mediterranean that year in their quest to live a better life. This book is heartbreaking in more than this one way. Both characters suffer unimaginable loss, and both learn to value life, a feeling of home and belonging.
It’s a wonderful book, and one that I’d heartily recommend. Many thanks to NetGalley and The Borough Press for my ebook copy.