
Bong Mines Entertainment (15 KP) rated Hopeless Romantics - Single by Lexi Scatena in Music
Jun 18, 2019
“‘Hopeless Romantics’ focuses on the naive, ‘honeymoon phase’ of love. Also, it brings back the sultry sound of old-school R&B while maintaining mainstream appeal. I wrote the song after traveling to New York for the first time with my boyfriend. Not only did I fall in love with the city, but I also fell in love with my boyfriend all over again. Literally, each word in the song was a part of the internal monologue I had while exploring the city.” – Lexi Scatena
‘Hopeless Romantics’ tells a passionate tale of a young woman who is head-over-heels in love with her significant other. Apparently, she wants to stay in her partner’s arms till death do them part.
Later, she admits that Cupid should get a raise for bringing them together, not only for this moment but for eternity.
‘Hopeless Romantics’ contains a relatable storyline and ear-welcoming vocals. Also, the likable tune possesses soothing instrumentation flavored with contemporary R&B and neo-soul elements.
“‘Hopeless Romantics’ is a dive into a sound that I never knew I was capable of doing, but always loved. Working with Vibeslow really opened my eyes to a genre that embodied everything I admire musically. With modern music focusing heavily on hip-hop-infused R&B, I wanted to do something different and incorporate old school RnB into my music, but with my own personal touch. I think that the current music industry is lacking valuable elements of old-school R&B, and I’m hoping to help bring those back.” – Lexi Scatena
During the day, Lexi Scatena is an ordinary college student, pursuing a bachelor’s degree in Journalism and Spanish at the University of Nevada, Reno.
At night, she’s serenading fans at live shows, posting covers of her favorite artists, and preparing for upcoming, original releases.
https://www.bongminesentertainment.com/lexi-scatena-hopeless-romantics/

JT (287 KP) rated Rec 3: Genesis (2012) in Movies
Mar 10, 2020
The opening twenty minutes are shot from the viewpoint of a handheld camera by one of the guests as well as the occasional cut shot to the official wedding videographer. For Clara (Leticia Dolera) and Koldo (Diego Martín) this is the happiest day of their lives and we witness everything from the arrival of the guests, service and the wedding breakfast. The film then suddenly turns on its head when one of the guests starts showing the signs of a strange illness, then the shit hits the fan.
The handheld camera shot is abruptly dropped in a neat edit that adds in the title sequence, although we still get glimpses of flesh eating carnage from security cameras scattered around the venue. Clara and Koldo the pair are separated amidst all the mayhem and they have to fight their way back together, how romantic.
The first film’s apartment block location had the effectiveness of delivering high tension in a relatively enclosed and tight space, with Génesis the location is more vast and so at times it doesn’t feel as gripping, given also that some of the occurances happen in broad daylight.
Once the film gets going the gore is ramped up a few more levels, and when Clara turns into some sort of bridezilla complete with ripped wedding dress and chainsaw any more scares are lost in the comedy of death scenes for the unlucky few who choose to get in her way. It is certainly not the best of the three but it offers enough to keep the connections of the story-line going, perhaps even for one more film?

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