Search
Search results
ArecRain (8 KP) rated Moonlight (Dark Guardian, #1) in Books
Jan 18, 2018
I still don't really know how I feel about this one. While it wasn't terrible like i was expecting it to be, it wasn't anything special either. It seemed like just another typical young adult werewolf novel.
What I did enjoy about this novel was the style. I actually enjoyed Hawthorne's style compared to many young adult writers. Her dialogues were realistic even if her character were so stereotypical for a young adult novel.
What really irritated was having to continuously read about Kayla's parents dying. I understand that it was a huge part of the plot, but it only needs to brought up so many times when it isn't moving the plot forward. It comes to a point when you need to stop kicking the dead horse.
Another point that irritated me was how out of no where, suddenly Kayla and Lucas were so in love with each other. I can understand that Kayla was attracted to him, but to bring in the whole one true love thing was a bit much. I actually liked the concept that the Shifters found their mates young in life. I felt that it may give some young readers delusions about relationships.
I also felt like Hawthorne rushed so many things, such as Kayla becoming a Dark Guardian. I felt like Hawthorne could have fleshed the end out much more. Despite this, I still want to read the second one just to see what happens with the rest of the pack.
What I did enjoy about this novel was the style. I actually enjoyed Hawthorne's style compared to many young adult writers. Her dialogues were realistic even if her character were so stereotypical for a young adult novel.
What really irritated was having to continuously read about Kayla's parents dying. I understand that it was a huge part of the plot, but it only needs to brought up so many times when it isn't moving the plot forward. It comes to a point when you need to stop kicking the dead horse.
Another point that irritated me was how out of no where, suddenly Kayla and Lucas were so in love with each other. I can understand that Kayla was attracted to him, but to bring in the whole one true love thing was a bit much. I actually liked the concept that the Shifters found their mates young in life. I felt that it may give some young readers delusions about relationships.
I also felt like Hawthorne rushed so many things, such as Kayla becoming a Dark Guardian. I felt like Hawthorne could have fleshed the end out much more. Despite this, I still want to read the second one just to see what happens with the rest of the pack.
Eleanor Luhar (47 KP) rated The Boy Who Fell To Earth in Books
Jun 24, 2019
This is another book I was lent by my teacher, so I previously had no idea it even existed. I've never even heard of the author, Kathy Lette, but I'm glad I know of her now!
Okay, it's nearly midnight and I need to be up early so I'm going to have to keep this one rather short.
Lette writes from the point of view of Lucy, who's son has been involved in a serious car accident. She recaps her time with him, telling us her story of love, loss and difficulty.
This novel is written in an honest voice, with sarcasm and humour on every page. It tells the tale of parenting, divorce, finding and losing love, and even coping with the world's way of dealing with special needs. Like I said, it's brutally honest and does not exclude any of the less favourable thoughts or feelings.
It is quite clear that this is aimed at an older generation of readers, but I must say that I did really enjoy it, far more than I anticipated. It isn't a fantasy or an action novel, and it does have a slightly cheesy happy ending, but I do think a lot of people will be pleasantly surprised by how easy this is to read.
If I was a bit older I would probably adore this, but as it is I can't say it's quite a favourite of mine. But I'm definitely happy to have read it, so 4 stars.
Okay, it's nearly midnight and I need to be up early so I'm going to have to keep this one rather short.
Lette writes from the point of view of Lucy, who's son has been involved in a serious car accident. She recaps her time with him, telling us her story of love, loss and difficulty.
This novel is written in an honest voice, with sarcasm and humour on every page. It tells the tale of parenting, divorce, finding and losing love, and even coping with the world's way of dealing with special needs. Like I said, it's brutally honest and does not exclude any of the less favourable thoughts or feelings.
It is quite clear that this is aimed at an older generation of readers, but I must say that I did really enjoy it, far more than I anticipated. It isn't a fantasy or an action novel, and it does have a slightly cheesy happy ending, but I do think a lot of people will be pleasantly surprised by how easy this is to read.
If I was a bit older I would probably adore this, but as it is I can't say it's quite a favourite of mine. But I'm definitely happy to have read it, so 4 stars.
Lyndsey Gollogly (2893 KP) rated Generation 18 (Spook Squad, #2) in Books
Mar 20, 2022
50 of 230
Book
Generation 18 (Spook Squad book 2)
By Keri Arthur
⭐️⭐️⭐️⭐️
COUNTDOWN TO CRISIS
A serial killer strikes every twelve hours. A vampire takes lives at random. At first glance, these tragic incidents seem unrelated. But Special Investigations Unit agents Sam Ryan and Gabriel Stern trace them both back to a military base known as Hopeworth. Is the murder spree part of a cover-up? And are the vampire killings less by chance and more methodical?
The investigation takes an eerie, personal turn when Sam discovers a connection between herself and the victims—and a clue to her own mysterious origins. With the violence escalating and the danger drawing closer to home, the stakes are raised and the mission changes from seeking justice to ensuring Sam and Gabriel’s own survival. And the one person who seems to hold all the answers—about Hopeworth, about Sam’s past—is a mystery man she isn’t sure she can trust. They share a psychic link through her dreams, and he once saved her life, but he may just be the greatest enemy humankind has ever known.
Another brilliant book from one of my favourite authors. I really like this series although I’m getting so frustrated with Gabriel he needs to deal with his issues! I love the Sam Ryan I really feel for her and the way she’s treated. Hopefully she won’t be so lonely for too much longer. The thing with Keri Arthur is you just become so immersed into her worlds no Mary what series you’re reading.
Book
Generation 18 (Spook Squad book 2)
By Keri Arthur
⭐️⭐️⭐️⭐️
COUNTDOWN TO CRISIS
A serial killer strikes every twelve hours. A vampire takes lives at random. At first glance, these tragic incidents seem unrelated. But Special Investigations Unit agents Sam Ryan and Gabriel Stern trace them both back to a military base known as Hopeworth. Is the murder spree part of a cover-up? And are the vampire killings less by chance and more methodical?
The investigation takes an eerie, personal turn when Sam discovers a connection between herself and the victims—and a clue to her own mysterious origins. With the violence escalating and the danger drawing closer to home, the stakes are raised and the mission changes from seeking justice to ensuring Sam and Gabriel’s own survival. And the one person who seems to hold all the answers—about Hopeworth, about Sam’s past—is a mystery man she isn’t sure she can trust. They share a psychic link through her dreams, and he once saved her life, but he may just be the greatest enemy humankind has ever known.
Another brilliant book from one of my favourite authors. I really like this series although I’m getting so frustrated with Gabriel he needs to deal with his issues! I love the Sam Ryan I really feel for her and the way she’s treated. Hopefully she won’t be so lonely for too much longer. The thing with Keri Arthur is you just become so immersed into her worlds no Mary what series you’re reading.
BankofMarquis (1832 KP) rated Inside Out (2015) in Movies
Apr 1, 2020
The Most Emotionally Resonant Pixar Film
When listing the PIXAR films that have the most emotional resonance, the films I hear mentioned most often are TOY STORY 3, WALL-E and the first 20 minutes of UP. While all of those are most definitely emotionally resonant, I would argue that INSIDE OUT is the most emotionally resonant of all the Pixar films.
And not just because the main characters in the film are emotions.
Telling the tale of 11 year old Riley, who's life is upended when her family moves from Minnesota to San Fransico, INSIDE OUT follows this journey through the eyes of Riley's 5 chief emotions - Joy, Sadness, Anger, Disgust and Fear.
As is customary in Pixar films, the voice cast in this film is outstanding. Amy Poehler (well known as the ever-optimistic Leslie Knope in the marvelous TV Series PARKS & RECREATION) is perfectly cast as Joy. Her never ending well of optimism is perfectly placed - and never gets tiresome. As does the voice work of Lewis Black (Anger), Bill Hader (Fear) and Mindy Kahling (Disgust). They are all marvelous. But the revelation of this film for me is the voicework of Phyllis Smith (THE OFFICE) as Sadness. She brings just the right amount of weight and...well...sadness...to her character without bogging down (and bringing down) the proceedings. These 5 work together well (especially Poehler and Smith).
Special notice needs to be made of the voice work of the unique talent that is Richard Kind as the character BingBong. I will not ruin any of the surprise of this character, but I will say I could not think of any other voice for this character - he is that perfect for it.
Credit, of course, for all of this needs to be given to Director Pete Docter (currently the Chief Creative Officer at Pixar). He has shown he has the ability to really tug at the heartstrings with his previous Pixar effort, UP, and he expands on this promise in this film bringing an emotionally rich film that has many, many moments of humor spliced within. He'll be at the helm of the upcoming SOUL and I can't wait to see it.
I'm glad I revisited INSIDE OUT, it is a stronger, better film than I remembered. You'll like it - and your kids will, too!
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank (ofMarquis)
And not just because the main characters in the film are emotions.
Telling the tale of 11 year old Riley, who's life is upended when her family moves from Minnesota to San Fransico, INSIDE OUT follows this journey through the eyes of Riley's 5 chief emotions - Joy, Sadness, Anger, Disgust and Fear.
As is customary in Pixar films, the voice cast in this film is outstanding. Amy Poehler (well known as the ever-optimistic Leslie Knope in the marvelous TV Series PARKS & RECREATION) is perfectly cast as Joy. Her never ending well of optimism is perfectly placed - and never gets tiresome. As does the voice work of Lewis Black (Anger), Bill Hader (Fear) and Mindy Kahling (Disgust). They are all marvelous. But the revelation of this film for me is the voicework of Phyllis Smith (THE OFFICE) as Sadness. She brings just the right amount of weight and...well...sadness...to her character without bogging down (and bringing down) the proceedings. These 5 work together well (especially Poehler and Smith).
Special notice needs to be made of the voice work of the unique talent that is Richard Kind as the character BingBong. I will not ruin any of the surprise of this character, but I will say I could not think of any other voice for this character - he is that perfect for it.
Credit, of course, for all of this needs to be given to Director Pete Docter (currently the Chief Creative Officer at Pixar). He has shown he has the ability to really tug at the heartstrings with his previous Pixar effort, UP, and he expands on this promise in this film bringing an emotionally rich film that has many, many moments of humor spliced within. He'll be at the helm of the upcoming SOUL and I can't wait to see it.
I'm glad I revisited INSIDE OUT, it is a stronger, better film than I remembered. You'll like it - and your kids will, too!
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank (ofMarquis)
Becs (244 KP) rated Ready Player One in Books
Oct 2, 2019
Genre: Sci-Fi, Fiction, Dystopia, Fantasy
Audience: Young Adult
Reading level: High School +
Interests: science fiction, fantasy, video games, 80’s
Style: Sci-Fi
Point of view: First person.
Difficulty reading: It started off great and I flew through the first half of the book. It’s towards the 55%-75% mark that was a bore for me. But the ending was great!
Promise: Dystopian Sci-Fi video game world
Quality: Minus the 20% that was pretty darn boring and long, the book as a whole was a great read.
Insights: I’m not a huge gaming geek, so without Cline explaining half the time what these gaming terms are, I’d be as lost as a pig in a supermarket. For that, I thank him. It was nice seeing a Dystopian world set in the future that was still in our lifetime. I have never read anything like that – cool to see how Cline wrote it.
Ah-Ha Moment: SPOILERS AHEAD!
Okay, I knew Aech was hiding something. But I could not figure out what it was for the life of me. But when Aech and Parzival first met, in real life, face to face, I WAS NOT EXPECTING him to actually be a ‘her’.
This was me:
Favorite Quotes: “Going outside is highly overrated.” – Yea, I feel ya too. I just want to stay in and read all day every day. Who needs a job, who needs to eat, all we need are books. Am I right?
“You’d be amazed how much research you can get done when you have no life whatsoever.” – I mean, you’re not wrong.
“One person can keep a secret, but not two.” – Secrets, secrets are no fun. Secrets, secrets hurt someone.
Aesthetics: The whole book is an 80’s aesthetic that I love. Plus, it gives a brief inside scoop on the whole “if we don’t care for the planet now, there will be nothing in the future” debate. Which is true, we should care for the planet more than what we do now. I mean we only live on Earth just as much as everybody else. The copy of Ready Player One that I have, is a 2015 Special Edition copy – I love the cover on it.
“People are more than just the way they look.”
Audience: Young Adult
Reading level: High School +
Interests: science fiction, fantasy, video games, 80’s
Style: Sci-Fi
Point of view: First person.
Difficulty reading: It started off great and I flew through the first half of the book. It’s towards the 55%-75% mark that was a bore for me. But the ending was great!
Promise: Dystopian Sci-Fi video game world
Quality: Minus the 20% that was pretty darn boring and long, the book as a whole was a great read.
Insights: I’m not a huge gaming geek, so without Cline explaining half the time what these gaming terms are, I’d be as lost as a pig in a supermarket. For that, I thank him. It was nice seeing a Dystopian world set in the future that was still in our lifetime. I have never read anything like that – cool to see how Cline wrote it.
Ah-Ha Moment: SPOILERS AHEAD!
Okay, I knew Aech was hiding something. But I could not figure out what it was for the life of me. But when Aech and Parzival first met, in real life, face to face, I WAS NOT EXPECTING him to actually be a ‘her’.
This was me:
Favorite Quotes: “Going outside is highly overrated.” – Yea, I feel ya too. I just want to stay in and read all day every day. Who needs a job, who needs to eat, all we need are books. Am I right?
“You’d be amazed how much research you can get done when you have no life whatsoever.” – I mean, you’re not wrong.
“One person can keep a secret, but not two.” – Secrets, secrets are no fun. Secrets, secrets hurt someone.
Aesthetics: The whole book is an 80’s aesthetic that I love. Plus, it gives a brief inside scoop on the whole “if we don’t care for the planet now, there will be nothing in the future” debate. Which is true, we should care for the planet more than what we do now. I mean we only live on Earth just as much as everybody else. The copy of Ready Player One that I have, is a 2015 Special Edition copy – I love the cover on it.
“People are more than just the way they look.”
A Bibliophagist (113 KP) rated Warcross in Books
Jan 27, 2020
Decent characters (2 more)
Plot
Pacing
YA formula (2 more)
Predictable
Not enough of the game
YA VR fun
I really enjoyed this book, as VR stories are some of my favorite types and rarely done well. This one was done well enough but suffered the large YA pitfall of there would be no story had people actually communicated with each other.
The story follows Emika, a scrappy teen living in the slums of (I think New York). As YA books tend to do, she is a normal, poor, orphan girl, who happens to be able to afford to dye her hair rainbow, and oh, I forgot to mention, very good at hacking. The world is fully submerged into the Nuerolink, which are AR/VR glasses almost everyone has, that handle the internet, gaming worlds, infrastructure etc etc. The most popular aspect is a game on the Nuerolink called Warcross, a rather simple Team vs Team capture the flag with power-ups and battling. Football move over, Warcross is where it's at. Because the nuerolink is so ingrained into society, a seedy underbelly of gambling and dark web has cropped up, and Emika makes her pennies as a bounty hunter for people who gamble in Warcross games. On the eve of the Opening of the biggest Warcross Tournament of the year (which takes up like... 6 months of the year...) Emika is being threatened with eviction, failed to get a bounty that would have fixed her situation. So as far as YA tropes go we can check off "ordinary, but special girl of poor circumstances".
Emika and her roommate, even though they are facing a looming eviction, log into the neurolink to experience the opening day ceremony. This is where Lu really introduces the ability of the nuerolink and where we can underline the "special" aspect of our tropey lead, as she somehow hacks herself into the opening game ceremony, revealing herself to the world. This is probably a good place to point out that hacking in this book is pretty much just Emika saying "I hacked into this thing" and little more than that. She runs a program here and there, that always does what she wants. Honestly as the story progresses I forget that she hacks, but the book doesn't let you forget that she's "super good at it".
Now fearing more than just eviction, but fearing for her freedom as she just did something very illegal, Emika is surprised when her world is turned upside down and she's spirited away by the Nuerolink creator to Tokyo. The creator being hot boy Hideo, whom she has been just ever so obsessed with since she was a kid, and much to her fantasies, he thinks she is special and needs her hacker expertise to track down someone that's been messing with the code in the game. BUT she needs to do it from within the game. So now she's going to be in the big game of the year as a player, a spy, and a hacker. Somehow juggling the investigation and playing a game professionally that she's the only kind of dabbled in (as far as we know, YA spoiler alert, she's super good at it).
I know I sound snarky, and like I didn't like the book, but I did. once you just accept the YA formula and that this book will be full of it, you can just lean back an enjoy the ride. Emika finds herself in a deep plot that involves other players, the dark web, and the ghosts of Hideo's past. Of course because YA Hideo is just smitten with Emika from the get go. She's great at the game, everyone acknowledges how special she is, but the big YA factor I struggled with over looking was the utter lack of communication. This whole book could've ended in a few chapters had the characters just communicated with each other. But there was always some kind of personal justification for why they couldn't just talk to each other.
I found the game world to be well thought out and interesting, just unfortunately it didn't get nearly as much page time as I'd like. I get that the story is about the scheme around the game, and not the game, but Lu introduced her as a player so I wanted more. I wanted more intereaction with her teammates, more development. She never felt like she was part of the group to me, which made it harder to believe in the second book when they all go out of their way to help her. The romance with Hideo was heavy-handed but cute, so I didn't mind it. But I kept finding myself wanting more gameplay. It's called Warcross for goodness sake.
One thing I have to commend Lu on is that it has a decent number of legitimate twists. Twists that made me actually gasp once or twice. That kept me intrigued and made me read it in a day. But unfortunately, while a fun little romp, the story's reliance on bad communication and YA tropes to advance the plot made the book lack a soul that really could take the story to the next level. I didn't care too much about anyone. I just wanted answers more than anything. But instead, we get a mysterious bad guy being cryptic, even though if he wasn't cryptic we could have avoided a lot and Emika always winning cause she's special. Though most of the information she gets is freely given to her and had nothing to do with her skills as a hacker.
When my boyfriend asked me if I liked it, I shrugged and said "yea it was fun, can we go get the second book". But I didn't have the overwhelming desire to tell him the plot or anything else as I do with books that truly resonate with me. To be fair when I did attempt to describe it the soap opera YA aspect seemed glaring and he just rolled his eyes.
Absolutely worth a read, especially if you enjoy this genre. But just don't go in expecting it to be special, it follows the YA formula to a T.
The story follows Emika, a scrappy teen living in the slums of (I think New York). As YA books tend to do, she is a normal, poor, orphan girl, who happens to be able to afford to dye her hair rainbow, and oh, I forgot to mention, very good at hacking. The world is fully submerged into the Nuerolink, which are AR/VR glasses almost everyone has, that handle the internet, gaming worlds, infrastructure etc etc. The most popular aspect is a game on the Nuerolink called Warcross, a rather simple Team vs Team capture the flag with power-ups and battling. Football move over, Warcross is where it's at. Because the nuerolink is so ingrained into society, a seedy underbelly of gambling and dark web has cropped up, and Emika makes her pennies as a bounty hunter for people who gamble in Warcross games. On the eve of the Opening of the biggest Warcross Tournament of the year (which takes up like... 6 months of the year...) Emika is being threatened with eviction, failed to get a bounty that would have fixed her situation. So as far as YA tropes go we can check off "ordinary, but special girl of poor circumstances".
Emika and her roommate, even though they are facing a looming eviction, log into the neurolink to experience the opening day ceremony. This is where Lu really introduces the ability of the nuerolink and where we can underline the "special" aspect of our tropey lead, as she somehow hacks herself into the opening game ceremony, revealing herself to the world. This is probably a good place to point out that hacking in this book is pretty much just Emika saying "I hacked into this thing" and little more than that. She runs a program here and there, that always does what she wants. Honestly as the story progresses I forget that she hacks, but the book doesn't let you forget that she's "super good at it".
Now fearing more than just eviction, but fearing for her freedom as she just did something very illegal, Emika is surprised when her world is turned upside down and she's spirited away by the Nuerolink creator to Tokyo. The creator being hot boy Hideo, whom she has been just ever so obsessed with since she was a kid, and much to her fantasies, he thinks she is special and needs her hacker expertise to track down someone that's been messing with the code in the game. BUT she needs to do it from within the game. So now she's going to be in the big game of the year as a player, a spy, and a hacker. Somehow juggling the investigation and playing a game professionally that she's the only kind of dabbled in (as far as we know, YA spoiler alert, she's super good at it).
I know I sound snarky, and like I didn't like the book, but I did. once you just accept the YA formula and that this book will be full of it, you can just lean back an enjoy the ride. Emika finds herself in a deep plot that involves other players, the dark web, and the ghosts of Hideo's past. Of course because YA Hideo is just smitten with Emika from the get go. She's great at the game, everyone acknowledges how special she is, but the big YA factor I struggled with over looking was the utter lack of communication. This whole book could've ended in a few chapters had the characters just communicated with each other. But there was always some kind of personal justification for why they couldn't just talk to each other.
I found the game world to be well thought out and interesting, just unfortunately it didn't get nearly as much page time as I'd like. I get that the story is about the scheme around the game, and not the game, but Lu introduced her as a player so I wanted more. I wanted more intereaction with her teammates, more development. She never felt like she was part of the group to me, which made it harder to believe in the second book when they all go out of their way to help her. The romance with Hideo was heavy-handed but cute, so I didn't mind it. But I kept finding myself wanting more gameplay. It's called Warcross for goodness sake.
One thing I have to commend Lu on is that it has a decent number of legitimate twists. Twists that made me actually gasp once or twice. That kept me intrigued and made me read it in a day. But unfortunately, while a fun little romp, the story's reliance on bad communication and YA tropes to advance the plot made the book lack a soul that really could take the story to the next level. I didn't care too much about anyone. I just wanted answers more than anything. But instead, we get a mysterious bad guy being cryptic, even though if he wasn't cryptic we could have avoided a lot and Emika always winning cause she's special. Though most of the information she gets is freely given to her and had nothing to do with her skills as a hacker.
When my boyfriend asked me if I liked it, I shrugged and said "yea it was fun, can we go get the second book". But I didn't have the overwhelming desire to tell him the plot or anything else as I do with books that truly resonate with me. To be fair when I did attempt to describe it the soap opera YA aspect seemed glaring and he just rolled his eyes.
Absolutely worth a read, especially if you enjoy this genre. But just don't go in expecting it to be special, it follows the YA formula to a T.
Dean Gregory (18 KP) rated Scotland Yard in Tabletop Games
Jun 5, 2019
Clever asymmetrical gameplay (2 more)
Strategic
Beginner rules available for younger players
Catch Me If You Can
Scotland Yard is an asymmetrical game of deduction and deception, depending on which role you take. Mister X must move in secret to stay out of the reach of the law long enough to escape London (22 turns), while the detectives must work together to trap and capture him.
The board is a map of London divided into numbered stations and linked together by coloured lines, depicting routes and different modes of transport - yellow for taxis, blue for buses and red for the underground. There are also a handful of black routes for ferries, which are available only to Mister X under special rules.
The mechanic of a player moving in complete secret on a tabletop game is one I never would have thought was possible, but Scotland Yard manages to pull it off, and make it work well. Mister X plots their movements with the use of a special pad and paper by writing down the station number they occupy, covering it with the ticket they used to make their move. This is the only clue the detectives have as to where X might be. It works extremely well.
Mister X also has access to two special tickets - a X2 ticket allows them to make two moves in one, and a black ticket allows them to use any mode of transport, with the added bonus of showing them to take ferry routes. Smart use of these powers is necessary to get out of scrapes, as they also have to reveal their location every 5 moves, starting with move 3.
Detectives have a limited number of tickets for each mode of transport, so in order to win they need to coordinate their movements so they don't waste tickets unnecessarily. However, if there are less than 4 detective players, each detective not controlled by a player is replaced with a police officer who is universally controlled. The police can move freely without the need for tickets, making them far more versatile than detectives. This is presumably to balance the difficulty for smaller teams, but it ends up making a game with all 4 detectives considerably harder than a game with only 3. The level of care and consideration that must go into each move makes playing the detectives a completely different experience to playing as Mister X.
I came into the game thinking it would be heavily skewed in Mister X's favour. After all, most of the moves they make are in secret, they're completely unhindered by tickets, and they get a couple of special powers to boot. On top of that, the detectives first two moves are complete guesswork, so X gets a head start. In practice though, staying 3 steps ahead of the detectives is vital to survival, and when they work together well it can be ready for X to put themselves in an impossible situation. It takes careful planning to stay ahead of the game.
There is a beginner mode which is aimed at younger players. The differences are that the number of rounds Mister X needs to survive for is 13 instead of 22, red underground routes are unavailable to all players, and most of all, Mister X remains in the board all game, only disappearing on the turns where he would appear in the regular game. I can't really offer an opinion on this version, but I can see the appeal of it, even if it defeats the concept of the game a bit.
This is a bonafide classic, and a solid challenge no matter which role you take on. As long as the game doesn't devolve into a series of guesses and lucky breaks (which, due to the nature of Mister X's movements, can be a regular issue), it offers an evening of smart gameplay with a solid replay value.
The board is a map of London divided into numbered stations and linked together by coloured lines, depicting routes and different modes of transport - yellow for taxis, blue for buses and red for the underground. There are also a handful of black routes for ferries, which are available only to Mister X under special rules.
The mechanic of a player moving in complete secret on a tabletop game is one I never would have thought was possible, but Scotland Yard manages to pull it off, and make it work well. Mister X plots their movements with the use of a special pad and paper by writing down the station number they occupy, covering it with the ticket they used to make their move. This is the only clue the detectives have as to where X might be. It works extremely well.
Mister X also has access to two special tickets - a X2 ticket allows them to make two moves in one, and a black ticket allows them to use any mode of transport, with the added bonus of showing them to take ferry routes. Smart use of these powers is necessary to get out of scrapes, as they also have to reveal their location every 5 moves, starting with move 3.
Detectives have a limited number of tickets for each mode of transport, so in order to win they need to coordinate their movements so they don't waste tickets unnecessarily. However, if there are less than 4 detective players, each detective not controlled by a player is replaced with a police officer who is universally controlled. The police can move freely without the need for tickets, making them far more versatile than detectives. This is presumably to balance the difficulty for smaller teams, but it ends up making a game with all 4 detectives considerably harder than a game with only 3. The level of care and consideration that must go into each move makes playing the detectives a completely different experience to playing as Mister X.
I came into the game thinking it would be heavily skewed in Mister X's favour. After all, most of the moves they make are in secret, they're completely unhindered by tickets, and they get a couple of special powers to boot. On top of that, the detectives first two moves are complete guesswork, so X gets a head start. In practice though, staying 3 steps ahead of the detectives is vital to survival, and when they work together well it can be ready for X to put themselves in an impossible situation. It takes careful planning to stay ahead of the game.
There is a beginner mode which is aimed at younger players. The differences are that the number of rounds Mister X needs to survive for is 13 instead of 22, red underground routes are unavailable to all players, and most of all, Mister X remains in the board all game, only disappearing on the turns where he would appear in the regular game. I can't really offer an opinion on this version, but I can see the appeal of it, even if it defeats the concept of the game a bit.
This is a bonafide classic, and a solid challenge no matter which role you take on. As long as the game doesn't devolve into a series of guesses and lucky breaks (which, due to the nature of Mister X's movements, can be a regular issue), it offers an evening of smart gameplay with a solid replay value.
Darren (1599 KP) rated 22 Chaser (2018) in Movies
Aug 5, 2019
Story: 22 Chaser starts as we meet Ben (Smith) a tow truck driver who has been struggling to keep everything together with his family and with friendly rivalries in the field with the like of Wayne (Trujillo) and Sean (Ashmore) who offer him the advice he needs.
When his company gets a big break he must make the decision to continue to work for the company even if it means he must pay upfront it should bring more money back at the end, while his wife Avery (Horn) trying to get into cookery school. We are left to see just how far he will go.
Thoughts on 22 Chaser
Characters – Ben is an honest hard-working tow truck driver, he does the right thing for the injured people on accident sites which often loses him the tows. He is struggling with money back home which is putting a strain on his marriage and on this one night he will go for broke to make his son’s birthday special. Avery is Ben’s wife who is being strong around their son, trying to push Ben into a better life for them both. The rest of the characters we meet a different people in the tow truck business, we see how they operate both sides of the law.
Performances – Brian J Smith in the leading role shows how desperate side to his character, we feel how much he needs his break from this world and life. When we dive into the rest of the cast each performer is good without taking the spotlight off Brian.
Story – The story here focuses on a tow truck driver that needs to learn the reality of the game he is in, while trying to support his family, it is strange that we can compare this to ‘Nightcrawler’ when talking about the story because it shows us one man that gets deeper into a field that has darker sides about it becoming everything he doesn’t want to be to make sure his wife and child are supported. It does show how hard working people are often over looked until they show a meaner side. This isn’t the deepest and stories and does have a slow pace about it for the most part which can bring it down at times.
Crime – The crime side of the film shows us how Ben can fall into the wrong side of the law when it comes to making the right decisions about what is happening with accidents, he doesn’t cause them and the competition can become fierce.
Settings – The film keeps us in a big city, this gives us enough reason for traffic accidents to happen and shows us who the people cleaning them up are.
Scene of the Movie – The race to the accident.
That Moment That Annoyed Me – The pacing is very slow early on.
Final Thoughts – This is a solid enough movie that does get to put us in the world of tow trucks, showing the competition between drivers for jobs and how good guys might not always be first on call.
Overall: Slow but interesting crime drama.
When his company gets a big break he must make the decision to continue to work for the company even if it means he must pay upfront it should bring more money back at the end, while his wife Avery (Horn) trying to get into cookery school. We are left to see just how far he will go.
Thoughts on 22 Chaser
Characters – Ben is an honest hard-working tow truck driver, he does the right thing for the injured people on accident sites which often loses him the tows. He is struggling with money back home which is putting a strain on his marriage and on this one night he will go for broke to make his son’s birthday special. Avery is Ben’s wife who is being strong around their son, trying to push Ben into a better life for them both. The rest of the characters we meet a different people in the tow truck business, we see how they operate both sides of the law.
Performances – Brian J Smith in the leading role shows how desperate side to his character, we feel how much he needs his break from this world and life. When we dive into the rest of the cast each performer is good without taking the spotlight off Brian.
Story – The story here focuses on a tow truck driver that needs to learn the reality of the game he is in, while trying to support his family, it is strange that we can compare this to ‘Nightcrawler’ when talking about the story because it shows us one man that gets deeper into a field that has darker sides about it becoming everything he doesn’t want to be to make sure his wife and child are supported. It does show how hard working people are often over looked until they show a meaner side. This isn’t the deepest and stories and does have a slow pace about it for the most part which can bring it down at times.
Crime – The crime side of the film shows us how Ben can fall into the wrong side of the law when it comes to making the right decisions about what is happening with accidents, he doesn’t cause them and the competition can become fierce.
Settings – The film keeps us in a big city, this gives us enough reason for traffic accidents to happen and shows us who the people cleaning them up are.
Scene of the Movie – The race to the accident.
That Moment That Annoyed Me – The pacing is very slow early on.
Final Thoughts – This is a solid enough movie that does get to put us in the world of tow trucks, showing the competition between drivers for jobs and how good guys might not always be first on call.
Overall: Slow but interesting crime drama.
Darren (1599 KP) rated REC (2007) in Movies
Jun 20, 2019
Story: [Rec] starts as reporter Angela Vidal (Velasco) is cover the local firefighter department for her latest report on While You’re Sleeping. The first incident the team gets called to is a domestic disturbance case inside an apartment building.
What seems like a simple and even boring story to cover quickly turns into a battle of life and death when the woman causing the disturbance attacks the police officer sent to help. The make the matters worse the people find themselves trapped inside the building which has been locked down by the authorities refusing to let anybody out. When the infection continues to spread, Angela must find a way to survive the terror inside the building and learn the truth about the source of the virus.
Thoughts on [Rec]
Characters/Performance – Angela is the reporter that is covering a simple story but finds herself fighting for her life but wanting to report every single part of the story for her audience. The rest of the characters are cops, firefighters, residents of the apartment and the cameraman.
Performance wise, Velasco is good as the main screen attraction for this film, with everyone else all doing a great job with their roles through the film.
Story – The story is simple to follow, people get trapped in a building as a virus is spreading through the people inside making them killing machines and the ones not infected need to find a way to survive. This all works and the added found footage keeps us believe this could be a breaking story unfolding.
REPORT THIS AD
Horror/Mystery – The horror is very good with each corner potentially having a threat as well as each character not knowing what is happening which I think adds to any horror element.
Settings – The whole film is set within the apartment complex which adds to the tension and horror unfolding through the film.
Special Effects – The special effects all great to with most being practical effects when it comes to the gore required.
Final Thoughts – This is a great atmospheric horror that is short, sweet and hits all the marks for found footage horror needs.
Overall: One for all the horror fans out there.
https://moviesreview101.com/2018/03/10/original-v-remake-rec-2007/
What seems like a simple and even boring story to cover quickly turns into a battle of life and death when the woman causing the disturbance attacks the police officer sent to help. The make the matters worse the people find themselves trapped inside the building which has been locked down by the authorities refusing to let anybody out. When the infection continues to spread, Angela must find a way to survive the terror inside the building and learn the truth about the source of the virus.
Thoughts on [Rec]
Characters/Performance – Angela is the reporter that is covering a simple story but finds herself fighting for her life but wanting to report every single part of the story for her audience. The rest of the characters are cops, firefighters, residents of the apartment and the cameraman.
Performance wise, Velasco is good as the main screen attraction for this film, with everyone else all doing a great job with their roles through the film.
Story – The story is simple to follow, people get trapped in a building as a virus is spreading through the people inside making them killing machines and the ones not infected need to find a way to survive. This all works and the added found footage keeps us believe this could be a breaking story unfolding.
REPORT THIS AD
Horror/Mystery – The horror is very good with each corner potentially having a threat as well as each character not knowing what is happening which I think adds to any horror element.
Settings – The whole film is set within the apartment complex which adds to the tension and horror unfolding through the film.
Special Effects – The special effects all great to with most being practical effects when it comes to the gore required.
Final Thoughts – This is a great atmospheric horror that is short, sweet and hits all the marks for found footage horror needs.
Overall: One for all the horror fans out there.
https://moviesreview101.com/2018/03/10/original-v-remake-rec-2007/
Gareth von Kallenbach (971 KP) rated Clash of the Titans (2010) in Movies
Aug 8, 2019
The creators of this remake of Clash of the Titans changed quite a few things from the original 1981 film. They perfected the special effects, lost all the campiness, but still failed to make an engaging film. Director Louis Leterrier, (Incredible Hulk, Danny the Dog) needs to find a way to redeem himself after this emotionless film.
The script is obviously the problem here, because most of the actors themselves have shown their mastery of the art in recent movies. Sam Worthington (Avatar), Liam Neeson, and Ralph Fiennes are all actors we know and love and they have shown us their capabilities in commanding performances in other films. Unfortunately, Clash of the Titans is likely something they will want to leave off their resumes.
The movie tried to have us empathize with Perseus (Worthington) and the humans in their battle against the Gods, but try as they might, little was felt for either side’s petty grievances. The film began by attempting to explain away a conflict between men and the Gods, but without any degree of detail behind this central plot-line, there was no real tension between the two sides. The characters themselves were poorly established in the beginning of the film. There is no relating to them without understanding their motives in the first place.
The movie stumbled along from subplot to subplot, without giving adequate reasons to the audience why the characters were doing what they did. It is likely obvious from the trailer that Perseus ends up fighting the Kraken, but there wasn’t any reason for him to do so. The Kraken would destroy a city, yes, but he was a prisoner of that city. What reason would he have to fight for a city that was indirectly responsible for destroying everything he loved? Does anyone else see a problem with this?
The special effects were quite stunning in 3D, but some scenes were simply edited with too many abrupt cuts and had too many awkward camera angles, making it difficult to follow the action. Unless you’re taking 3D to “James Cameron” levels of immersion, you’re probably better off getting it right in 2D. Without a compelling story, 3D is just a gimmick.
On a more positive note, the movie clocked in under two hours.
The script is obviously the problem here, because most of the actors themselves have shown their mastery of the art in recent movies. Sam Worthington (Avatar), Liam Neeson, and Ralph Fiennes are all actors we know and love and they have shown us their capabilities in commanding performances in other films. Unfortunately, Clash of the Titans is likely something they will want to leave off their resumes.
The movie tried to have us empathize with Perseus (Worthington) and the humans in their battle against the Gods, but try as they might, little was felt for either side’s petty grievances. The film began by attempting to explain away a conflict between men and the Gods, but without any degree of detail behind this central plot-line, there was no real tension between the two sides. The characters themselves were poorly established in the beginning of the film. There is no relating to them without understanding their motives in the first place.
The movie stumbled along from subplot to subplot, without giving adequate reasons to the audience why the characters were doing what they did. It is likely obvious from the trailer that Perseus ends up fighting the Kraken, but there wasn’t any reason for him to do so. The Kraken would destroy a city, yes, but he was a prisoner of that city. What reason would he have to fight for a city that was indirectly responsible for destroying everything he loved? Does anyone else see a problem with this?
The special effects were quite stunning in 3D, but some scenes were simply edited with too many abrupt cuts and had too many awkward camera angles, making it difficult to follow the action. Unless you’re taking 3D to “James Cameron” levels of immersion, you’re probably better off getting it right in 2D. Without a compelling story, 3D is just a gimmick.
On a more positive note, the movie clocked in under two hours.