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Starboard (Voyagers #2)
Starboard (Voyagers #2)
Ava Olsen | 2023 | Contemporary, LGBTQ+, Romance
10
10.0 (1 Ratings)
Book Rating
STARBOARD is the second book in the Voyagers series and it is Dylan's turn. He is Rowan and Drew's best friend and has been to hell and back. He has been offered a book deal; to write his biography with the help of a ghostwriter. Max is divorced but still has communication with his ex due to their child, Blake. She is a brilliant character with a wise head on her shoulders for a thirteen-year-old. To keep the press away from them, they go on Rowan's boat in French waters. Romance strikes again.

Drew makes a joke in this that a spell has been put on the boat. When he said that, all I could remember was the cheesy TV series, The Love Boat 🤣. Surrounded by all that luxury, romance isn't hard but when real life intrudes, I loved the way Max and Dylan worked together.

I loved Drew and Rowan's book but this one... Oh, man; I loved it! The stories of Dylan's past he shared were done in such a sensitive manner. It was both heartbreaking and emotional to read. Max was the perfect person to tell it to, with his reactions being non-judgemental.

I also loved how both of them had had complaints about being too distant, too cold, and yet, with each other, the softness came out. Their endearments - and subsequent grumbles - were wonderful.

Not only did we get Drew and Rowan showing up, but we also have Rafe (who's next up) plus two other "couples" (and I use that term loosely right now) that I need to know more about. There is Jared and Alex, plus Reed and Tate. I don't know if they are in any other of Ava Olsen's books, but I will be searching through the backlist to see. I really want to read their stories as the sparks were just flying.

Tender, emotional, heartbreaking, and funny; this book is guaranteed to give you the warm fuzzies. HIGHLY recommended by me.

** same worded review will appear elsewhere **

* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *

Merissa
Archaeolibrarian - I Dig Good Books!
Jun 12, 2023
  
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Girls on Fire
Robin Wasserman | 2016 | Fiction & Poetry
8
7.5 (4 Ratings)
Book Rating
Hannah Dexter has led a fairly mundane life in the small town of Battle Creek, where everyone knows everyone else and everything that happens to everyone. But her life is turned upside town by two events: the suicide of a local boy, Craig, and the arrival of a new girl, Lacey, who quickly becomes the town's resident bad girl. Hannah and Lacey unite over their hatred of the town's "it girl" Nikki Drummond. Lacey transforms Hannah into Dex--a darker version of Hannah--who adores Lacey and Kurt Cobain's music (this is the early '90s after all). But Hannah doesn't realize that Lacey is hiding a secret from her, a pretty big one, which threatens to destroy the very fabric their friendship is based on.

"Girls on Fire" is an oddly captivating and compelling novel. The story unfolds before you and you're powerless to stop the events as they occur. It's told mainly from the alternating points of view of Lacey and Hannah, and we slowly learn about the events that led to their friendship and its aftermath-- and also Craig's suicide. The book wasn't a particularly fast read for me, but it was fascinating. It's an accident where you can't look away, even though you know something horrible will happen. This book is dark and disastrous and makes you afraid to ever send your children off to high school.

Parts of the novel are a bit cliched (it's almost too dark, too awful) but it doesn't stop it from being intriguing and captivating. It pulls you in to Lacey and Hannah's world and as time somehow moves forward, yet we learn about what happened to Craig in the past, Wasserman does an amazing job of unfurling her plot. I was drawn to the book and the characters. Tragic Lacey, confused Hannah, evil queen Nikki: you can see them so clearly in your head. The book almost casts a spell over you as it sucks you into its world. The writing is intense, the storyline is intense, and you're left almost breathless at the end. I didn't really enjoy the book, per se, but I appreciated it. It's a wild ride, a dark one, and definitely one worth taking.

I received an advanced copy of this novel from Edelweiss (thank you!); it is available everywhere on 5/17/2016.
  
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Kristy H (1252 KP) rated Saving Grace in Books

Feb 13, 2018  
SG
Saving Grace
4
4.0 (1 Ratings)
Book Rating
I was somewhat disappointed by <i>Saving Grace</i> and I'm not exactly sure why. I think because its plot synopsis reminded me somewhat of a Liane Moriarty book and by the end of Green's novel, I felt that Moriarty had done it much better.

<i>Saving Grace</i> tells the story of Grace and Ted Chapman. Ted is a famous and beloved author, though one in the bit of a decline, and Grace his faithful wife, well-known mostly for her style and grace (haha). To an outsider, the Chapmans look to be the perfect couple, but we learn that Ted is quick to rage and Grace continually finds herself walking on eggshells around her husband.

The one person who seems able to calm these rages is his assistant, Ellen. When she leaves to care for her ailing mother, Grace finds herself in despair. She feels as if her life is falling apart, trying to care for her house and Ted's needs. (At this point, I find myself a little frustrated and flabbergasted. Seriously? Join the real world, lady.) However, she feels like her prayers have been answered when her daughter, Clemmie, introduces her to Beth. Beth becomes Ted's assistant and also Grace's helpmate. But Grace quickly feels as if Beth is taking over -- not just as Ted's assistant, but over Grace's life. We're left to wonder, is Grace crazy? Or Beth?

The story itself is sort of a compelling one -- assistant moves in and takes over perfect wife's life. It sounds quite exciting (Lifetime movie, anyone?. However, Grace is not that compelling of a character, and her whiny ways did not garner a ton of sympathy with me, even if Beth was a horrible person. Her husband was clearly an ass, but we really didn't get to learn much about his character, either. Or, really, even Beth's. There's also a lot of far-fetched plot points - yes, Ted is under Beth's spell, but would he really believe some of the tales she weaves about his wife? It's all just very strange.

All in all, I read the book fairly quickly, interested to see what would happen to Grace, mostly for the sake of finding out. However, in the end, I just felt Green could have done so much more with the story, and with Grace's character.
  
The Rules of Magic
The Rules of Magic
Alice Hoffman | 2017 | Fiction & Poetry
8
8.6 (14 Ratings)
Book Rating
So I actually didn't know that Practical Magic the movie was based on a book. But when I saw The Rules of Magic billed as the prequel to a movie I had loved, I knew I had to read it. And I'm so glad I did. The Rules of Magic is, well, magical. Magical and nostalgic and spell-binding. Most book worlds feel different than their respective movie-worlds, but this felt like a logical prequel. (It may be because I haven't seen the movie in some time - I intend to remedy that soon, and I might just have to read the book as well.)

Practical Magic, the well known movie with Sandra Bullock and Nicole Kidman, centers around the two girls and their elderly aunts. The Rules of Magic is the aunts' story. And what a story. It begins in New York, as the older of the two aunts is turning 17. On an Owens' girl's seventeenth birthday, they receive an invitation to spend the summer at the Owens home in Massachusetts. Frances, the older of the two girls, receives the invitation, and her two siblings won't let her go alone, so all three of them (yes, three, the movie doesn't mention their brother that I recall, though I suppose Bullock and Kidman's characters had to come from somewhere!) pack up and head to Massachusetts, where they meet their Aunt Isabelle. Over the course of the summer, they learn their family history, and get verification that they are indeed witches. (They'd had certain powers throughout childhood, though their mother tried to deny it.)

It was Vincent's storyline that intrigued me, since I knew where Frances and Jet ended up. There was an unexpected curveball that I won't spoil here, but I enjoyed it. It was Jet and Frances' storylines that had me crying at the end of the book, though. Not the very last chapter - it ended on a hopeful note - but the few chapters preceding it had me in tears. (It was midnight, and everyone else was asleep, so I had myself a good cry over my book, and then had to try to sleep on a wet pillow.)

If you enjoyed Practical Magic the movie, you should read this book. It's a perfect prequel.

You can find all my reviews at http://goddessinthestacks.wordpress.com
  
    Dinosaur Train A to Z

    Dinosaur Train A to Z

    Education and Entertainment

    (0 Ratings) Rate It

    App

    *Cynopsis Kids !magination Award Winner - Best Educational App!* *Parents' Choice Silver Award...

"It's a film that my parents introduced me to when I was younger that's by a director called Pasolini. It's a black and white film about the life and times of Jesus Christ. The only words on screen are words from the Bible. So it's a quite direct representation of that particular gospel story, according to Matthew, but it's a really inventive film. The director may have taken the story direct from the Bible, but what he does with the music and editing, as well as the use of non-actors in the film, it's just a really original and moving film. It features scenes where at points you're hearing a gospel song by Odetta, and she's singing a song called, 'Sometimes I Feel Like a Motherless Child' which is this amazing gospel tune. She's singing that to accompany scenes of the children being killed by Herod. The music in the film is very raw. It'll use a song that's going to spell something out literally. I don't know how Pasolini chose all these songs for the film or who was in charge of the music selection. You've got Blind Willie Johnson - the old blues artist - accompanying some of the miracle scenes where people are getting their sight back. It's an exercise in juxtaposing very disparate elements that actually really enhance each other. You have to second guess it though, because of the way it's edited, a scene will suddenly just be chopped really harshly, and the film will move on to something else. All of these things are very powerful - and unusual - devices in film-making. In a way, if it's not too pretentious to say it, some of that harsh editing and juxtaposing with disparate elements on screen with music is something that I feel inspired by in terms of making a record. Things don't always have to fit together neatly, or as you'd expect them to. If you think about it in terms of the Alex Chilton record I mentioned earlier, that album is kind of a guide through rock & roll, country and soul music or Americana if you like, and this one is a guide to raw, blues and gospel as well as a classical take on the gospel. It's a very eclectic soundtrack with music that definitely enhances what's going on on the screen. It's very powerful music in its own right."

Source
  
Get Out (2017)
Get Out (2017)
2017 | Horror, Thriller
ritten and directed by Jordan Peele, “Get Out” is not so much an actual horror film but more of a dark comedy. The plot is filled with political undertones, spotlighting awkward racial interactions that are shadowed by systemic inequality.
Chris Washington (Daniel Kaluuya) and Rose Armitage (Allison Williams) are a vibrant young couple living in the city. He’s a photographer. Not sure what she does. He’s black. She’s white. After dating for four months, Rose convinces Chris to go on a trip to meet her parents. Chris is apprehensive at first and skeptical about how her parents will react to meeting their daughter’s black boyfriend. Rose laughs that off and everything seems fine as they head to the country.
From this point forward the film starts to build in creepiness. It almost has the feel of an M. Night Shayamalan movie like “The Village.” As the plot develops, the audience knows they are supposed to be suspecting something creepy and sinister hiding behind images of normalcy. So everything begins to take on this feel. Rose’s family lives in a creepily perfect mansion in the country. They have a creepily quiet black groundskeeper and a creepily happy black maid.
Fortunately, two things save this film from becoming a hokey Shyamalan style disappointment. The plot is executed in a comedic fashion and it isn’t completely predictable.
The entire film balances a creepy-funny style. Moments of white people awkwardly trying to appear not-racist also build a suspenseful feeling that something darker is behind the surface.
Rose’s mom Missy (Catherine Keener) specializes in hypnosis. It quickly becomes clear that Missy is using mind control tactics to basically enslave black people. Under her spell, her victims take a psychological fall into a dark abyss and are left in a robotic state. It would have been nice if this aspect of the plot was given more screen time.
The film picks up pace when Rose’s parents host a “family” get together that actually turns out to be essentially a “slave” auction. It almost takes too much time to get to this point in the plot. A few more moments, and it would begin to feel like trudging through a repetitious build up. From here forward, it becomes pretty fast paced as Chris desperately tries to escape a horrific fate.
“Get Out” probably won’t actually scare anyone, but it is highly entertaining in a very dark way.