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Rachel King (13 KP) rated The Uncoupling in Books

Feb 11, 2019

The Uncoupling

Meg Wolitzer | 2011 | Fiction & Poetry

5.3

(3 Ratings)

Book Rating

The story is told in a third-person narrative and divided into three parts. The first part focuses on the events leading up to the introduction of the play Lysistrata by the school's new drama teacher. The second part goes into detail about all of the different couples affected by the spell that the play casts over the town. The third part tells what happens in the night of the actual high-school production of the play and afterwards.
The spell of Lysistrata resembled a cold wind and only affected "women who were in some way connected sexually to men." No woman in the book was strong enough to resist the power of this mysterious wind, not even the ones newly in love and lust. Every woman affected imagined her own reasons for abstaining, and though all of the different reasons had a logical ring to them, only other women could relate. The men were simply left in the dark to react however he felt could change his twist in circumstances.
Early on, I felt that this book was a bit like a study of sex and the affects of sex -- or lack thereof -- on individuals and relationships. Even though the play Lysistrata was meant to be a catalyst for all of these private events, the high-school reenactment seemed to take a minor background role. The spell seemed to empower the women, though they did not act any happier with their new freedom and individuality. Many were just as baffled or depressed with the chastity as the men, but no couple was able to converse with each other about it, which I found strange and attributed to the effects of the spell. Ironically, because the issues of sex are such a private matter, very few couples shared their problems with anyone else in town, and so no one truly recognized the correlation between the abstinence of the females in town and the play Lysistrata. This irritated me to no end throughout the book.
On the night of the play, the spell is magically lifted by, quite appropriately, a warm wind when the men in the audience begin to protest the essence of the play itself and use that to try and win their women back. Throughout the whole book, the reader is lead to believe that this spell has no designer, that it has simply attached itself to the performance of the play from Lysistrata's origins in 411 B.C. Though I at first was suspicious of a certain person as casting the spell, I was also lulled into changing my mind about this. Without giving away the ending, I was quite surprised at the truth behind the spell's beginnings. There is much I could say about the thoughts that raced through my head while reading the last few pages and the conclusions that I drew from the revelation, but I will resist. I will say that the book is worth every page for its startling culmination.