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Suswatibasu (1701 KP) rated Spider-Man: Homecoming (2017) in Movies

Nov 22, 2017 (Updated Nov 22, 2017)  
Spider-Man: Homecoming (2017)
Spider-Man: Homecoming (2017)
2017 | Action, Adventure
Fun to watch but doesn't break new ground
No doubt Tom Holland's portrayal of Spiderman is the most accurate version that I have seen, given that Spiderman is a teenager in a high school. I can't help but feel that if Homecoming had more time in the oven, we would have been rewarded with the best Spider-man ever seen on the silver screen. As is, this Spider-man breaks no new ground that won't quickly be plowed under.

Michael Keaton's Vulture is the perfect villain for a downbeat in the MCU symphony. A regular, working-class but ambitious man who took an opportunity - a blue collar Tony Stark. The level of detail and forethought paid to the Vulture and his crew's dealings provides much needed grounding to these fabulous tales of super-heroism. Still, the refreshing qualities of Homecoming are far-outmatched by the staleness of its formula.

Too many of these beats have already been explored in other movies. Tony Stark has remote access to his suit. Tony Stark's dad. Retro-reflective plates. Tony Stark overdesigns stuff. Peter Parker has trouble managing his two lives. Peter Parker's enemy is a close friend's parent.

But the best part is definitely Michael Keaton, who is both seen as a 'hardworking' father trying to provide for his family, while being deeply flawed - the fact that he isn't killed off is also promising. Not a bad film, but not particularly novel.
  
Spider-Man: Homecoming (2017)
Spider-Man: Homecoming (2017)
2017 | Action, Adventure
And so to the latest incarnation in Spider-man Homecoming. After seeing Tom Holland in Civil War, well, let's just say that I was not convinced. Then the adverts where he's making the home movie of everything... yeah that began to grate a bit.

There's no origin story with this one, or with his appearance in Civil War. I'm not sure how I feel about no Uncle Ben, or that they're regressing Aunt May every time she appears. But I do love Marisa Tomei, and she does get a fantastic last line.

Somewhere before this film went into production I reckon someone thought "We need something that's not quite a bad a Spider-man, but not quite as serious as The Amazing Spider-man." Someone else was walking by and overheard. "You should zhush it up with the Avengers treatment."... and so Homecoming was born.

The effects are of course way better than 2002, and everything is pretty bright and shiny since it was properly Marvelised. As much as I initially didn't like Tom Holland, I have to admit that he makes a good film. My only major issue is that it seems more concerned about bringing him into the Marvel Universe than leaving him out there developing his own film.

For a nerd, Peter has got game. We're on the third incarnation of films this side of 2000, and we're on the third (and potential fourth) love interest. I like that they're jumping that around a little, it does help make each lot feel slightly different, but it does get confusing... and obviously you can keep an eye out for other love interests who make appearances.

It seems unfair to compare all three films (which is a bit tricky as that was partly the idea of this whole post) because each of them have their own bit of the movie spectrum. The daft, the heart-wrenching and the blockbuster, all have their place in the collection. Gun against my head I'd probably still pick Andrew Garfield as my favourite, but Holland is right there too.

That being said, I still don't like Spider-man as a superhero...

*ducks under the table to avoid the barrage of abuse*

He's too chaotic, he's just too young (in this one) to really understand the full implications of what he's doing. I personally don't understand why he would be worthy of movie fame over other characters. It has been pointed out to me that as he's just a "regular Joe", that people can identify with him more over the other options of Gods or mutants... but hell... I'm mutant and proud!
  
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LeftSideCut (3778 KP) created a post

Dec 31, 2019 (Updated Dec 31, 2019)  
My top 10 films of the year...

1. Joker
2. Midsommar
3. Once Upon a Time in Hollywood
4. Doctor Sleep
5. Avengers: Endgame
6. Marriage Story
7. Toy story 4
8. Us
9. John Wick 3: Parabellum
10. Spider-Man: Far From Home

I still haven't got round to watching The Irishman, Parasite, El Camino, or Dragged Across Concrete yet so I'm sure this will probably change!

Also, Frozen II just missed out, but it's legit great 🤞

My pick for most disappointing film of the year goes to The Lion King without a doubt.👎
     
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LeftSideCut (3778 KP) Dec 31, 2019


Minority Report (2002)
Minority Report (2002)
2002 | Action, Mystery, Sci-Fi
Spider Robots
Minority Report- is a excellent movie. The action, the sci-fi, the future, the plot, the cast, etc. Also Steven Spilberg directs it, so thats a plus.

The plot: Based on a story by famed science fiction writer Philip K. Dick, "Minority Report" is an action-detective thriller set in Washington D.C. in 2054, where police utilize a psychic technology to arrest and convict murderers before they commit their crime. Tom Cruise plays the head of this Precrime unit and is himself accused of the future murder of a man he hasn't even met.

A excellent movie.
  
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Kevin Phillipson (9967 KP) created a post

Jan 2, 2022  
Okay time for my top ten movies of 2021 can't believe a year ago when at the start of the third lockdown there would be cinema again in 2021 but it did and here's my list.
1 No time to die
2 Spider - man no way home
3 Dune
4 Last night in soho
5 Palm springs
6 Freaky
7 Black widow
8 the Suicide squad
9 Malignant
10 Wonder woman 84
And there we are wasn't easy choosing my top ten but managed it and who knows 2022 which movie will take the top spot this year
     
Ultimate Comics Spider-Man by Brian Michael Bendis, Volume 1
Ultimate Comics Spider-Man by Brian Michael Bendis, Volume 1
Brian Michael Bendis | 2012 | Comics & Graphic Novels, Young Adult (YA)
8
8.0 (2 Ratings)
Book Rating
So, before I begin my review of ULTIMATE COMICS: SPIDER-MAN Vol. 1, I feel the need to confess something: there was a point in life where I was a lot less liberal, a lot less "forward thinking". I felt heroes like Miles Morales were unnecessary, examples of "lazy writing". I felt that instead of creating a non-white Spider-Man, he should have been a newly created hero, not a copy of one already in existence.

Since that time, I have experienced what I can think of no word to better describe it other than an <I>awakening</I>. Much of it was the ignorance I was raised in - a racist father, a mother who followed his ideals because she was co-dependent, lacking any autonomy. It's like a veil was lifted from my eyes and I can see/think a lot more clearly. Far more acceptance and understanding now in my life, and I quite like me much more.

Now, that said, since my <I>awakening</I>, I went and checked out the first volume, as it was on sale on Comixology. Can't think of a better reason to check out what was previously, for me, a much overlooked tpb!

Man, I just want to say that I share many of the others' feelings: this was a fun series! The 616 Spider-Man hasn't been that much fun in far too long a time! He captured the youthful innocence of the character, but also exhibiting maturity and sense of honor that was not common for his age.

Those who have known me are aware that I am not a fan of Brian Michael Bendis. I felt he excelled more with his own characters (like SCARLETT, which I loved immensely) than taking on the task of writing for existing characters. However, here, I felt that he was top of his game, offering us a Spider-Man that this world truly needs!

I don't really want to do this, as 95% of the book was beyond awesome, but the inclusion of ULTIMATE FALLOUT #4 (of 6) was the only negative thing I can offer about this book. The story is awkward as it shows us Miles already in costume, already testing out his newfound powers and abilities. I felt that it made reading Miles' story after it confusing at first. It really brought nothing to the story.

Other than that, the book was solid! Bendis' writing was hot as heck, fun yet not as overly wordy as he can be known for. And assigning Sara Pichelli the task of illustrating Miles' adventures was gold! Her pencils are always tight, giving each character their own distinct visual persona! All across the board, this book was so much win!

Don't be like I used to be: read this book, because you, too, will believe in Heroes again!
  
Doc Rock is back. (0 more)
Less Spidey-centric. (0 more)
Issue 600, plus
This 4-issue collection circles ASM #600 and Aunt May's wedding to J. Jonah Jameson Sr. While there is a lot of creative talent here, many of the stories involve peripheral stuff. Half of the book focuses on Uncle Ben's method of raising Peter, how Ben and May met, the Spider-Mobile, playground kids verbalizing what it would be like to be Spider-Man, Jessica Jones' inspiration, and a tongue-in-cheek couch session for Spidey's changes over the years. All of it is well- handled...just not my first choice for superhero reading.

The book really shines in two stories in particular. The first, "Peter Parker Must Die" has Peter dealing with a Ben Reilly repercussion called Raptor. The second,"Last Legs", contains the return of a physically inferior Doc Ock that wants the leave a lasting legacy. This issue was really good, and even the follow-up, which was a wedding aftermath issue due to a surprise wedding guest, was pretty entertaining.