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Ross (3282 KP) rated Avengers vs Thanos in Books
Apr 22, 2019
Dated but good
This collection of comics from the 60s is quite an epic read, in terms of volume. We see a different side to Thanos at times, as he seems to be less powerful than in more recent stories and more vulnerable or in need of help. The collection covers interaction with Iron Man, then Captain Marvel, then Adam Warlock, then the Avengers and finally Spider-man gets in on the action.
This is mostly one continuous story as Thanos' plans are foiled and he comes back time and time again.
The story has some real metaphysical mumbo-jumbo that I could have done without (including my favourite, most cringey line ever "Death by ... Time-mind Sync-warp!"), and the dialogue really has dated pretty badly, most notably in the Captain Marvel section.
A real epic read to get something of a feel for Thanos' origins, and a good lead in to the Infinity War/Gauntlet saga.
Read for free on Kindle Unlimited trial.
This is mostly one continuous story as Thanos' plans are foiled and he comes back time and time again.
The story has some real metaphysical mumbo-jumbo that I could have done without (including my favourite, most cringey line ever "Death by ... Time-mind Sync-warp!"), and the dialogue really has dated pretty badly, most notably in the Captain Marvel section.
A real epic read to get something of a feel for Thanos' origins, and a good lead in to the Infinity War/Gauntlet saga.
Read for free on Kindle Unlimited trial.
Marvel Comics 75 Years Of Cover Art
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Celebrating the greatest cover art over Marvel Comics' 75-year history Showcasing the most striking,...
David McK (3233 KP) rated Wonder Woman 1984 (2020) in Movies
Jan 3, 2021
Contains spoilers, click to show
As I write this in early 2021, 'Wonder Woman' is considered to be the best of the DC Extended Universe movies (closely followed by 'Shazam!' and 'Aquaman')
Wonder Woman 1984, in contract, is currently ranked as the worst on IMDB.
While it's definitely not a patch on the original, I'm not sure it's all that bad: sure, it is hard to get past the seeming lack of concern Diana Prince aka Wonder Woman has for (mild spoiler alert!) the body/soul/whatever of the man the returning Steve Trevor has (think Quantum Leap style) while it definitely follows into the old 'Superhero loses/gives up their powers' trope a la Superman 2 or Spider-Man 2, and I still don't understand how a World War One pilot can climb into the cockpit of a jet and fly it with nary a problem ...
Having said that, set your expectations accordingly (Superman 3 level, maybe), and it's an enjoyable enough
Wonder Woman 1984, in contract, is currently ranked as the worst on IMDB.
While it's definitely not a patch on the original, I'm not sure it's all that bad: sure, it is hard to get past the seeming lack of concern Diana Prince aka Wonder Woman has for (mild spoiler alert!) the body/soul/whatever of the man the returning Steve Trevor has (think Quantum Leap style) while it definitely follows into the old 'Superhero loses/gives up their powers' trope a la Superman 2 or Spider-Man 2, and I still don't understand how a World War One pilot can climb into the cockpit of a jet and fly it with nary a problem ...
Having said that, set your expectations accordingly (Superman 3 level, maybe), and it's an enjoyable enough
Captain Marvel: Carol Danvers - The Ms. Marvel Years Vol. 2
8.0
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The adventures of Carol Danvers continue! Ms. Marvel drafts two new recruits from the Avengers...
Marvel Studios: The Making of the Marvel Cinematic Universe
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THE STORY OF MARVEL STUDIOS THE MAKING OF THE MARVEL By Tara Bennett, and Paul Terry The Story...
David McK (3233 KP) rated Death of Wolverine in Books
Jan 30, 2019
The DEATH of Wolverine?
As if.
The Temporary Absence of Wolverine? (from the Marvel Universe). perhaps.
Admittedly, that doesn't sound *quite* as catchy, but I think that we all know by now that the death of any major comic character rarely stays that way: Superman, Captain America and Spider-Man (for instance) have all previously 'died' and later been resurrected. In the comics, indeed, I can only think of a few characters - all with mainly supporting roles - who have died, and stayed dead. Characters such as Uncle Ben (Spider-Man), Jonathan Kent (Superman) or the Wayne's (Batman), for example.
With all that said, this story starts with Logan stripped of his healing powers by unspecified events and with a huge bounty placed on him, leading several of the worlds bounty hunters to try to collect.
How this all fits into 'Old Man Logan' (which I haven't read, but have heard of), I have no idea - in this, he does, indeed, 'die' by the end of the stories. Like the character, the (linked) stories are also pretty brutal, with the art not shying away form showing the injuries sustained by a healing-powers-less Logan, and with blood spilt on a fairly regular basis.
There's also a throw-away line in one of the X-Men movies (the first?), where Logan is asked - when referring to his claws popping out - if that hurts, and in which he answers "Every damn time". The reason I bring that up? Because that fact is woven into this story as well, with Logan trying to avoid using his claws until absolutely necessary and with close-ups of his hands (when he does) showing just how painful it can be.
Worth a read? Yes, but I very much doubt the character will stay dead for long!
As if.
The Temporary Absence of Wolverine? (from the Marvel Universe). perhaps.
Admittedly, that doesn't sound *quite* as catchy, but I think that we all know by now that the death of any major comic character rarely stays that way: Superman, Captain America and Spider-Man (for instance) have all previously 'died' and later been resurrected. In the comics, indeed, I can only think of a few characters - all with mainly supporting roles - who have died, and stayed dead. Characters such as Uncle Ben (Spider-Man), Jonathan Kent (Superman) or the Wayne's (Batman), for example.
With all that said, this story starts with Logan stripped of his healing powers by unspecified events and with a huge bounty placed on him, leading several of the worlds bounty hunters to try to collect.
How this all fits into 'Old Man Logan' (which I haven't read, but have heard of), I have no idea - in this, he does, indeed, 'die' by the end of the stories. Like the character, the (linked) stories are also pretty brutal, with the art not shying away form showing the injuries sustained by a healing-powers-less Logan, and with blood spilt on a fairly regular basis.
There's also a throw-away line in one of the X-Men movies (the first?), where Logan is asked - when referring to his claws popping out - if that hurts, and in which he answers "Every damn time". The reason I bring that up? Because that fact is woven into this story as well, with Logan trying to avoid using his claws until absolutely necessary and with close-ups of his hands (when he does) showing just how painful it can be.
Worth a read? Yes, but I very much doubt the character will stay dead for long!
Matthew Krueger (10051 KP) rated Drag Me to Hell (2009) in Movies
Oct 28, 2020
Sam Raimi (1 more)
Alison Lohman
PG-13 (1 more)
Justin Long
Old Lady Curse
Drag me to Hell- is a anethor movie that ive wanted to see for couple years now and it was not disappointed. Its gory, horrorfying, terrorfying, scary, gory and overall a excellent movie.
The plot: Christine Brown (Alison Lohman) has a loving boyfriend (Justin Long) and a great job at a Los Angeles bank. But her heavenly life becomes hellish when, in an effort to impress her boss, she denies an old woman's request for an extension on her home loan. In retaliation, the crone places a curse on Christine, threatening her soul with eternal damnation. Christine seeks a psychic's help to break the curse, but the price to save her soul may be more than she can pay.
Raimi wrote Drag Me to Hell with his brother, Ivan, before working on the Spider-Man trilogy.
The original story for Drag Me to Hell was written ten years before the film went into production and was written by Sam Raimi and his brother Ivan Raimi. The film went into production under the name The Curse. The Raimis wrote the script as a morality tale, desiring to write a story about a character who wants to be a good person, but makes a sinful choice out of greed for her own betterment and pays the price for it. The Raimis tried to make the character of Christine the main focal point in the film, and tried to have Christine in almost all the scenes in the film.
The most significant parallel is that both stories involve the passing of a cursed object, which has to be passed to someone else, or its possessor will be devoured by one or more demons. Unlike his past horror films, Raimi wanted the film to be rated PG-13 and not strictly driven by gore, stating, "I didn't want to do exactly the same thing I had done before."
After finishing the script, Raimi desired to make the picture after the first draft of the script was completed, but other projects such as the Spider-Man film series became a nearly decade-long endeavor, pushing opportunities to continue work on Drag Me to Hell to late 2007. Raimi offered director Edgar Wright to direct Drag Me to Hell which Wright turned down as he was filming Hot Fuzz and felt that "If I did it, it would just feel like karaoke." After the previous three Spider-Man films, Raimi came back to the script of Drag Me to Hell, wanting to make a simpler and lower-budget film.
Raimi said he set out to create “a horror film with lots of wild moments and lots of suspense and big shocks that’ll hopefully make audiences jump. But I also wanted to have a lot of dark humor sprinkled throughout. I spent the last decade doing Spider-Man and you come to rely on a lot of people doing things for you and a lot of help, but it’s refreshing and wonderful to be reminded that, as with most filmmakers, the best way to do it is yourself, with a tight team doing the main jobs."
Its a excellent movie.
The plot: Christine Brown (Alison Lohman) has a loving boyfriend (Justin Long) and a great job at a Los Angeles bank. But her heavenly life becomes hellish when, in an effort to impress her boss, she denies an old woman's request for an extension on her home loan. In retaliation, the crone places a curse on Christine, threatening her soul with eternal damnation. Christine seeks a psychic's help to break the curse, but the price to save her soul may be more than she can pay.
Raimi wrote Drag Me to Hell with his brother, Ivan, before working on the Spider-Man trilogy.
The original story for Drag Me to Hell was written ten years before the film went into production and was written by Sam Raimi and his brother Ivan Raimi. The film went into production under the name The Curse. The Raimis wrote the script as a morality tale, desiring to write a story about a character who wants to be a good person, but makes a sinful choice out of greed for her own betterment and pays the price for it. The Raimis tried to make the character of Christine the main focal point in the film, and tried to have Christine in almost all the scenes in the film.
The most significant parallel is that both stories involve the passing of a cursed object, which has to be passed to someone else, or its possessor will be devoured by one or more demons. Unlike his past horror films, Raimi wanted the film to be rated PG-13 and not strictly driven by gore, stating, "I didn't want to do exactly the same thing I had done before."
After finishing the script, Raimi desired to make the picture after the first draft of the script was completed, but other projects such as the Spider-Man film series became a nearly decade-long endeavor, pushing opportunities to continue work on Drag Me to Hell to late 2007. Raimi offered director Edgar Wright to direct Drag Me to Hell which Wright turned down as he was filming Hot Fuzz and felt that "If I did it, it would just feel like karaoke." After the previous three Spider-Man films, Raimi came back to the script of Drag Me to Hell, wanting to make a simpler and lower-budget film.
Raimi said he set out to create “a horror film with lots of wild moments and lots of suspense and big shocks that’ll hopefully make audiences jump. But I also wanted to have a lot of dark humor sprinkled throughout. I spent the last decade doing Spider-Man and you come to rely on a lot of people doing things for you and a lot of help, but it’s refreshing and wonderful to be reminded that, as with most filmmakers, the best way to do it is yourself, with a tight team doing the main jobs."
Its a excellent movie.
Mike Carlson (115 KP) rated The Amazing Spider-Man: The Gauntlet - Juggernaut in Books
Mar 24, 2018
The main reason for this collection is a good 3 issue story featuring a new Captain Universe trying to eliminate the Juggernaut. This is a follow-up to a 2 issue Spider-Man/Juggernaut story from 1982 (which is also included).
I really like it when stories deal with the aftermath of events, especially when the events seem inconsequential. There was no hint that anything in the original tale could have devastating effects, but the new story revealed and dealt with the repercussions very well. Being superheroes, all actions should cause reaction.
Lastly, or firstly since it leads the charge, there is a single issue story about a new Scorpion. The SHIELD tech that makes Spidey lose his powers was interesting. Entertaining, but not remarkable.
I really like it when stories deal with the aftermath of events, especially when the events seem inconsequential. There was no hint that anything in the original tale could have devastating effects, but the new story revealed and dealt with the repercussions very well. Being superheroes, all actions should cause reaction.
Lastly, or firstly since it leads the charge, there is a single issue story about a new Scorpion. The SHIELD tech that makes Spidey lose his powers was interesting. Entertaining, but not remarkable.
Emergency Awesome
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LeftSideCut (3778 KP) rated Spider-Man: Far From Home (2019) in Movies
Jul 2, 2019 (Updated Dec 27, 2019)
The future is bright for the MCU
Contains spoilers, click to show
Far From Home is in a tricky position, coming out a couple of months after Avengers Endgame, having to deal with the fallout out of the Infinity story arc, and also having to follow up a great first entry into the MCU Spider-Man franchise, and it's does a damn fine job.
Tom Holland continues to be a near perfect Peter Parker, and he's surrounded by a charming cast - Zendaya is great as MJ, Jon Favreau is always welcome as Happy, and Samuel L. Jackson does his usual broody Nick Fury, this time going up against the more cooky humour of Peters classmates, and it all works - the humour all lands for the most part (and as Curb Your Enthusiasm fan, I couldn't help but enjoy JB Smoove).
But the shining star in Far From Home is of course Jake Gyllenhaal. His portrayal of Quentin Beck/Mysterio is great - watching him go from a sad and scarred man, looking to save the world and be Peters friend, to the eventual (and of course expected) reveal that he's actually a calculating-genius-maniac is pretty great.
The set pieces to begin with are standard Marvel fun, but the first time Spider-Man goes head to head with Mysterio and his illusions is ok another level (zombie Iron Man anyone!?) - it feels lifted straight from the comics, and is a visual treat, knocking down Doctor Strange in terms of crazy hallucinating sequences. It's perfect!
It's also a lovely touch just how much Tony Stark has to do in this film - his character may be gone but his presence is constant throughout.
And to top everything off - the first post credit scene includes a unexpected come back that made me grin from ear to ear, and then the second one, well that was just nuts - needless to say, I'm truly excited for what comes next in the MCU.
Far From Home is fun, visually thrilling, with great cast, and for me, is up there with the top tier MCU films.
Tom Holland continues to be a near perfect Peter Parker, and he's surrounded by a charming cast - Zendaya is great as MJ, Jon Favreau is always welcome as Happy, and Samuel L. Jackson does his usual broody Nick Fury, this time going up against the more cooky humour of Peters classmates, and it all works - the humour all lands for the most part (and as Curb Your Enthusiasm fan, I couldn't help but enjoy JB Smoove).
But the shining star in Far From Home is of course Jake Gyllenhaal. His portrayal of Quentin Beck/Mysterio is great - watching him go from a sad and scarred man, looking to save the world and be Peters friend, to the eventual (and of course expected) reveal that he's actually a calculating-genius-maniac is pretty great.
The set pieces to begin with are standard Marvel fun, but the first time Spider-Man goes head to head with Mysterio and his illusions is ok another level (zombie Iron Man anyone!?) - it feels lifted straight from the comics, and is a visual treat, knocking down Doctor Strange in terms of crazy hallucinating sequences. It's perfect!
It's also a lovely touch just how much Tony Stark has to do in this film - his character may be gone but his presence is constant throughout.
And to top everything off - the first post credit scene includes a unexpected come back that made me grin from ear to ear, and then the second one, well that was just nuts - needless to say, I'm truly excited for what comes next in the MCU.
Far From Home is fun, visually thrilling, with great cast, and for me, is up there with the top tier MCU films.
ClareR (5596 KP) Apr 22, 2019
Ross (3282 KP) Apr 22, 2019