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    Draw a Stickman: EPIC HD

    Draw a Stickman: EPIC HD

    Games and Education

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    Pencil your way into one of the most creative drawing puzzle games ever designed: Draw a Stickman:...

Venom (2018)
Venom (2018)
2018 | Action, Sci-Fi
It's... Ok, I guess...
There's not really much to say about Venom to be honest. I didn't hate it, I didn't love it, it just sort of exists.

It's a pretty by the numbers origin film, that veers fairly sharply from the comics due to there being zero Spider-Man.
If you've seen the trailer, then you know the plot. There are no surprises (with the exception of an extremely on the nose tease for future installments near the end).
No one in the cast seems to be too bothered that they are there either, with the exception of Tom Hardy, who does a pretty sterling job of playing Eddie Brock - the dialogue between him and Venom is pretty entertaining throughout.

Surprising absolutely no one, the films climaxes in a CGI heavy face off, with both parties being dark grey in colour - making for a pretty bland showdown.

Venoms ok, worth a watch, even if it's just the one time - the Marvel nerd in me just really wishes that these characters were under the same MCU umbrella (one day... One day)
  
Iron Man (2008)
Iron Man (2008)
2008 | Action, Drama, Sci-Fi
Where it all began
After becoming essentially bankrupt in the mid 90s, Marvel Comics ended up selling off the film rights of their properties to various film studios, resulting in a decade of new superhero franchises varying in quality, from X-Men, to Dardevil, Spider-Man to Hulk, Blade to Ghost Rider, and so on.
As such, none of these films we ever close to being part of a connected universe.

Along comes 2008, and Marvel Comics and Kevin Feige hit the scene with their first offering from Marvel Studios. A company determined to just that, with the properties they still have left.
Before 2008, Iron Man was a beloved character to the comic book faithful. A lot of casual moviegoers had no idea who he was, and Iron Man was essentially a B-list risk. And now, in 2020, that couldn't be further from the truth. The trifecta of Iron Man, Tony Stark, and Robert Downey Jr. are arguably the premier face of Marvel, and it's all thanks to this fantastic B-list risk.

Director Jon Favreau wastes no time in introducing us to Tony himself, and RDJ does a fine job of letting us know just how arrogant, clever and sarcastic the titular hero is. When everything goes wrong and Tony ends up captive in a terrorist environment, were given a pretty gritty origin story to how Iron Man came to be.
As Tony is quickly forced into a situation where his life becomes fragile, we see a slow burning but evident change in his behaviour, and RDJ does a great job in sweeping the audience up alongside him in his path to becoming the people's hero.
It's a simple and effective origin template that has definitely been borrowed again in other MCU projects (looking at you Dr Strange), but it's easy to see why.

Along side Downey Jr is the always charismatic Jeff Bridges. He plays Obadiah Stane, a villain who has close ties to the Stark family, and is an imposing presence throughout. His character sees him go full super villain, which honestly cheapens his otherwise great performance. Also, in the ensuing clash between Iron Man and Iron Monger, this is the first of many MCU films to do the whole 'villain-is-just-an-evil-version-of-the-hero' trope, which is fine here (let's not forget - first MCU film after all), but did become annoyingly predictable here and there.
Gwyneth Paltrow is Pepper Potts, and I suitably charming in the role, and still remains a fan favourite now.
We also have Terrance Howard as James Rhodes, the future War Machine. I enjoyed him here, and it's evident that he had good chemistry with RDJ. It's a shame that he didn't stay on for more films, but that's money for you I guess!

Considering this film is entering it's 12th year of existence, the CGI still holds up incredibly well. The classic red and gold Iron Man suit is striking and looks great. The action scenes are pretty thrilling and fun, something that Marvel Studios have excelled in since, and just to top it all off, the now infamous post credit scene sets up the conjoined Avengers franchise that we all know and love.

Iron Man is a solid first effort from Marvel Studios, and set the MCU running out the gates, whilst simultaneously setting up a new injection of quality into Marvel movies.
  
Captain America: Civil War (2016)
Captain America: Civil War (2016)
2016 | Action, Sci-Fi
Mini Avengers, Assemble
Is anyone else getting bored of superhero films? Nope? Just me then. We’re not even halfway through 2016 and there have been three of them. In February, there was Deadpool, a film that despite all the odds, turned out to be smashing – despite its generic finale.

Then, DC tried to compete with Marvel in March with Batman v Superman: Dawn of Justice. It was fine, if far too long and lacking in any real drama. Now, Marvel is back with Captain America: Civil War. But can it break the superhero tedium that has started to settle in?

Steve Rogers (Chris Evans) is back and he is not happy. The titular hero, and the rest of our beloved Avengers clan, are asked to sign up to a UN treaty, designed to reign in their unsupervised power after a dramatic and deadly battle against terrorists in Nigeria. It turns out the Avengers lost the PR war and countries across the globe want blood – well them to back off a little at least.

Most of the fan favourites return in Civil War, with Robert Downey Jr proving once again why he was cast as Tony Stark/Iron Man all those years ago. He is a commanding presence and brings to the table some of the best one-liners outside a fully-fledged Iron Man film.

Elsewhere, Scarlett Johansson (Black Widow), Jeremy Renner (Hawkeye), Elizabeth Olsen (Scarlet Witch) and Paul Bettany (Vision) all return and despite the increasing number of characters all make their presence felt throughout the course of the film – something Avengers: Age of Ultron failed to do.

However, the film belongs to the characters that join the film and the Marvel Universe. Paul Rudd’s Ant-Man makes a truly exceptional appearance and features in Civil War’s most memorable scene – a brilliantly choreographed battle between two sides in a deserted airport.

And, the long-awaited “homecoming” of Spider-Man to the MCU is thankfully worth the wait. He’s been teased in the trailers and I’m pleased to say his screen-time is far greater than anyone could have imagined. Young Tom Holland’s portrayal of Peter Parker may need some time to settle in, we have a Spider-Man reboot to look forward to in 2018, but he makes a cracking first impression.

So, with all those characters it’s fair to say that Civil War should be renamed “Mini Avengers Assemble” as there’s far more at stake here than a simple Captain America movie. Directors Joe and Anthony Russo have created the film that Age of Ultron should have been and it’s a slight disservice to their incredible work that the film isn’t labelled as a full Avengers feature, despite the lack of Thor and Hulk.

The action is beautifully filmed and the locations are fabulous. From Africa to America and from Germany to London, nearly every inch of the world is touched upon in some way – yet it doesn’t feel disjointed.

But what makes Civil War stand out from all the rest is its human side. This isn’t a superhero movie that ends in a climactic battle against a faceless army, it explores the human impact of our characters’ actions and the emotion radiates from its heart.

Yes, it’s 20 minutes too long but apart from that, I can’t think of a bad word to say. It has reinvigorated a genre that was starting to turn a little stale. Bringing together a set of characters that against all the odds gel together so well makes it feel as fresh as Iron Man did way back in 2008.

If this is the magic the Russo brothers can work at Marvel, Avengers: Infinity War should be something truly special indeed. X-Men: Apocalypse, you have your work cut out.

Oh, and wait right up until the end credits for something very special indeed.

https://moviemetropolis.net/2016/05/01/mini-avengers-assemble-captain-america-civil-war-review/
  
TA
The Amazing Spider-Man : 24/7
Mark Waid, Dan Slott | 2009 | Comics & Graphic Novels
7
7.5 (2 Ratings)
Book Rating
The writing (0 more)
JJJ's Hitler stache (0 more)
Daze in the life
This collection of loosely-strung vignettes varies in quality. It happens, especially when you have half a dozen issues with as many creators.

The first story, "Loose Ends", offers a promising future foe in Kraven's daughter. It's a follow-up to a story told elsewhere.


Next is "Marked". It features a "D-list" (according to Spider-Man) villain going by The Spot. He should be upgraded to more of a threat seeing as he doesn't set off the Spidey Sense anymore.


Following this is "Birthday Boy". Pretty much a character-centric filler with Wolverine. It's not bad - none of these really are - it just feels like treading water.


The 2 part "Face Front" features the Fantastic Four. The story about dabbling in an alternate dimension's affairs is cliche, and the focus on a mindwipe about Spidey's identity starts to grate after a while.


Finally, we have the 3 part "24/7". This is the most entertaining of the bunch. Peter goes on a superhero spree for days, simply to annoy the newly-elected mayor. It also introduces an acid-spitting version of the Vulture.
  
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Awix (3310 KP) rated Godzilla Vs Mechagodzilla II (1993) in Movies

Mar 11, 2018 (Updated Mar 11, 2018)  
Godzilla Vs Mechagodzilla II (1993)
Godzilla Vs Mechagodzilla II (1993)
1993 | Fantasy, Sci-Fi
6
5.3 (9 Ratings)
Movie Rating
Old-school Toho monster mash follows the trend of early-90s Godzilla movies by reinventing popular characters from 60s and 70s films. Kind of suffers from the same problem as superhero films with multiple villains (cf Spider-Man 3 or Batman Forever), in that contriving a way for all the monsters to appear and interact requires some outlandish plotting and a good deal of hand-waving of implausibilities (not to mention indulgence from the audience).

In addition to Godzilla, in this film you get Mechagodzilla (well, duh), and also giant pterodactyl Rodan and Minilla (aka Baby Godzilla). The monster battles are pretty good, though there's a slight tendency towards the combatants just standing there and zapping each other with breath-rays, and the monster suits are excellent (the Rodan puppet is particularly impressive). Set against this we must place the fact that the movie doesn't actually have a plot, as such - things just happen one after the other with no sense of theme or structure. Most of the human characters are slightly annoying too. A step down from the previous few films, but still better than much of what was to follow in the late 90s and early 2000s.