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Awix (3310 KP) rated Godzilla Vs Mechagodzilla II (1993) in Movies
Mar 11, 2018 (Updated Mar 11, 2018)
Old-school Toho monster mash follows the trend of early-90s Godzilla movies by reinventing popular characters from 60s and 70s films. Kind of suffers from the same problem as superhero films with multiple villains (cf Spider-Man 3 or Batman Forever), in that contriving a way for all the monsters to appear and interact requires some outlandish plotting and a good deal of hand-waving of implausibilities (not to mention indulgence from the audience).
In addition to Godzilla, in this film you get Mechagodzilla (well, duh), and also giant pterodactyl Rodan and Minilla (aka Baby Godzilla). The monster battles are pretty good, though there's a slight tendency towards the combatants just standing there and zapping each other with breath-rays, and the monster suits are excellent (the Rodan puppet is particularly impressive). Set against this we must place the fact that the movie doesn't actually have a plot, as such - things just happen one after the other with no sense of theme or structure. Most of the human characters are slightly annoying too. A step down from the previous few films, but still better than much of what was to follow in the late 90s and early 2000s.
In addition to Godzilla, in this film you get Mechagodzilla (well, duh), and also giant pterodactyl Rodan and Minilla (aka Baby Godzilla). The monster battles are pretty good, though there's a slight tendency towards the combatants just standing there and zapping each other with breath-rays, and the monster suits are excellent (the Rodan puppet is particularly impressive). Set against this we must place the fact that the movie doesn't actually have a plot, as such - things just happen one after the other with no sense of theme or structure. Most of the human characters are slightly annoying too. A step down from the previous few films, but still better than much of what was to follow in the late 90s and early 2000s.
Veronica Pena (690 KP) rated The Amazing Spider-Man 2 (2014) in Movies
Apr 30, 2020
I am surprised at how much I liked this film. I think there is just as much to love as there is to hate - just like the first one - but I think the love outweighs a bit more! I think Andrew Garfield and Emma Stone are what make this film. Their chemistry and their acting are incredible and one that can't be beaten by any other characters in this film.
The action scenes were fun to watch - Times Square, the power grid, the clock tower - but I do agree with some other reviewers in that it does start slow. Despite everything, I am really bummed that they didn't finish out the trilogy. My biggest pet peeve when it comes to film is when a studio starts a series and then doesn't finish it. I'd almost be happier to see it be done and be bad, than have it not be done at all. But what do I know?
I can't say I'll ever watch this film again unless I find myself weirdly craving Andrew Garfield's Spider-Man (which seems unlikely), but I am glad I watched it.
The action scenes were fun to watch - Times Square, the power grid, the clock tower - but I do agree with some other reviewers in that it does start slow. Despite everything, I am really bummed that they didn't finish out the trilogy. My biggest pet peeve when it comes to film is when a studio starts a series and then doesn't finish it. I'd almost be happier to see it be done and be bad, than have it not be done at all. But what do I know?
I can't say I'll ever watch this film again unless I find myself weirdly craving Andrew Garfield's Spider-Man (which seems unlikely), but I am glad I watched it.
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Web of Lies (Elemental Assassin, #2)
8.0
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Curiosity is definitely going to get me dead one of these days. Probably real soon. I'm Gin...
Phillip McSween (751 KP) rated Safety Not Guaranteed (2012) in Movies
Jan 15, 2018
A Favorite
In Safety Not Guaranteed, three reporters go on a wild goose chase to track down a man who put out a want-ad for a time travel partner. I want to keep this is as short as I can because, if you haven't seen it yet, I want you to go in knowing as little as I did. What starts out as a quirky adventure turns into a touching story as truth starts to unfold. Everyone can think of something they would go back in time and change, but Darius (Aubrey Plaza) secretly has a reason that would put ours to shame. Sometimes it's the little things that can make all the difference.
You'll come to love Darius within the first ten minutes of the movie. Plaza plays the role well with quirky quips that crack me up. Definitely an easy character to root for.
My only problem with the film was that it ended way too soon. At only 86 minutes, it's a quick watch that keeps you entertained the whole way through. There is more that I want to expand on outside of the fun, unique premise and the wonderful protagonist, but this is definitely one you should experience for yourself with as little to go on as possible. It finds a way into your heart and sticks with you. For that, not only am I giving it a 100, but it knocks off Spider-Man 2 to crack my All-Time Top Ten List. See it.
You'll come to love Darius within the first ten minutes of the movie. Plaza plays the role well with quirky quips that crack me up. Definitely an easy character to root for.
My only problem with the film was that it ended way too soon. At only 86 minutes, it's a quick watch that keeps you entertained the whole way through. There is more that I want to expand on outside of the fun, unique premise and the wonderful protagonist, but this is definitely one you should experience for yourself with as little to go on as possible. It finds a way into your heart and sticks with you. For that, not only am I giving it a 100, but it knocks off Spider-Man 2 to crack my All-Time Top Ten List. See it.
Kirk Bage (1775 KP) rated Spider-Man: Far From Home (2019) in Movies
Oct 11, 2020 (Updated Jan 22, 2021)
I’m sure I wasn’t alone in the Summer of 2019 when Spider-Man: Far From Home was released in just needing a minute or two, maybe a couple of months, longer to catch my breath after Avengers: Engame, and what very much felt like an ending to the MCU plan that had been in motion since 2008. That climax was so satisfying and complete that the thought of any of them donning the costume and fighting bad guys again so soon felt wrong.
I wasn’t against the survivors having continued adventures, of course not. It was more a question of where do we go from here? And how? Well, perhaps Tom Holland as the youngest and most emotionally resilient of the bunch was the right choice to continue the universe, if any at all. Knowing that Jake Gyllenhaal had been brought onboard certainly added to the appeal, being one of my very favourite actors of the last decade (together with Ryan Gosling and Joaquin Phoenix), but I had made up my mind to skip this one at the cinema.
And so, before any of us knew where we were, it was Spring 2020 and we were all in a different place. Needing films, any films, to fill out the days of lockdown and isolation became a case of make a list and tick them off. This was one of those that made the shortlist around June when I began the trial month of Now TV and discovered that this was where all the big films of the last year I had missed were hiding.
I liked Spider-Man: Homecoming very much, after some initial trepidation over who the heck Jon Watts was, and why he had been trusted with such a big job out of seemingly nowhere? I also really like Tom Holland in the role. I think the idea of making him seem like a naive teenager again is a masterstroke, and he fast became The real Spider-Man in my head. His relationship with Robert Downey Jnr across the last handful of MCU films was rich, genuine and fully rounded, and Holland has managed to pitch the balance between nervy teen and likeable hero quite deftly.
The charm of the first film from Watts was how much it felt like a teen film, full of teens that were actual teens, not adults pretending to be teens. And in this second instalment that element is even more to the fore. It is a travelling road movie that keeps everything fresh and energetic, not giving a moment to dwell despondently on previous events, but looking forward to a bright, hopeful world, full of romance and adventure and discovery.
Other than Holland himself, who grows in stature and maturity as an actor every minute, the rising star of Zendaya as MJ fills the screen very pleasantly, she has a great aura about her for one so young. I am expecting great things from her, especially in the upcoming yet delayed Dune, directed by Denis Villeneuve. She doesn’t have a lot to do here, but steals enough scenes to hint at a serious talent. In fact, most of his classmates seem beyond their years ability-wise, or do they seem that way because of the skilled direction and bottomless production?
It’s also nice to get more time with Samuel L. Jackson as Nick Fury and Marisa Tomei as Aunt May in this one. You always do wonder what the lesser characters have been up to while everyone else was saving the world. But the backbone of the film as a spectacle is the Peter Parker / Quentin Beck face off. Every moment of Holland and Gyllenhaal together feels like a huge movie treat. And knowing nothing about who Quentin Beck was going in from comic book lore, I got a real thrill out of how it all develops.
I came away from my small screen experience of this movie thinking that I had really enjoyed it, but in a very disposable way, that I was happy to leave behind almost instantly. Nothing about it is especially deep or meaningful, just fun! And that was 100% what Marvel needed at this junction in the pantheon. These guys are pretty smart at knowing when and why and how much with these movies, and I’m pleased to say they did it again!
There is some serious work to be done to ever reach the heights of interest generated by the final pairing of Avengers films, and a lot has changed, as it must, as some actors age, some even pass away (RIP CB) and some call it a day. But if nothing else, there feels like there is plenty of mileage left in this incarnation of the friendly neighbourhood Spider-Man, and a lot of new fans to be hauled in by the onscreen romance between Tom Holland and Zendaya’s MJ. Older fans, like me, could maybe care less, but I believe that is the hook to ensure a future generation of fans stay loyal to Marvel. Every hero needs someone to save, after all. I’m still watching.
I wasn’t against the survivors having continued adventures, of course not. It was more a question of where do we go from here? And how? Well, perhaps Tom Holland as the youngest and most emotionally resilient of the bunch was the right choice to continue the universe, if any at all. Knowing that Jake Gyllenhaal had been brought onboard certainly added to the appeal, being one of my very favourite actors of the last decade (together with Ryan Gosling and Joaquin Phoenix), but I had made up my mind to skip this one at the cinema.
And so, before any of us knew where we were, it was Spring 2020 and we were all in a different place. Needing films, any films, to fill out the days of lockdown and isolation became a case of make a list and tick them off. This was one of those that made the shortlist around June when I began the trial month of Now TV and discovered that this was where all the big films of the last year I had missed were hiding.
I liked Spider-Man: Homecoming very much, after some initial trepidation over who the heck Jon Watts was, and why he had been trusted with such a big job out of seemingly nowhere? I also really like Tom Holland in the role. I think the idea of making him seem like a naive teenager again is a masterstroke, and he fast became The real Spider-Man in my head. His relationship with Robert Downey Jnr across the last handful of MCU films was rich, genuine and fully rounded, and Holland has managed to pitch the balance between nervy teen and likeable hero quite deftly.
The charm of the first film from Watts was how much it felt like a teen film, full of teens that were actual teens, not adults pretending to be teens. And in this second instalment that element is even more to the fore. It is a travelling road movie that keeps everything fresh and energetic, not giving a moment to dwell despondently on previous events, but looking forward to a bright, hopeful world, full of romance and adventure and discovery.
Other than Holland himself, who grows in stature and maturity as an actor every minute, the rising star of Zendaya as MJ fills the screen very pleasantly, she has a great aura about her for one so young. I am expecting great things from her, especially in the upcoming yet delayed Dune, directed by Denis Villeneuve. She doesn’t have a lot to do here, but steals enough scenes to hint at a serious talent. In fact, most of his classmates seem beyond their years ability-wise, or do they seem that way because of the skilled direction and bottomless production?
It’s also nice to get more time with Samuel L. Jackson as Nick Fury and Marisa Tomei as Aunt May in this one. You always do wonder what the lesser characters have been up to while everyone else was saving the world. But the backbone of the film as a spectacle is the Peter Parker / Quentin Beck face off. Every moment of Holland and Gyllenhaal together feels like a huge movie treat. And knowing nothing about who Quentin Beck was going in from comic book lore, I got a real thrill out of how it all develops.
I came away from my small screen experience of this movie thinking that I had really enjoyed it, but in a very disposable way, that I was happy to leave behind almost instantly. Nothing about it is especially deep or meaningful, just fun! And that was 100% what Marvel needed at this junction in the pantheon. These guys are pretty smart at knowing when and why and how much with these movies, and I’m pleased to say they did it again!
There is some serious work to be done to ever reach the heights of interest generated by the final pairing of Avengers films, and a lot has changed, as it must, as some actors age, some even pass away (RIP CB) and some call it a day. But if nothing else, there feels like there is plenty of mileage left in this incarnation of the friendly neighbourhood Spider-Man, and a lot of new fans to be hauled in by the onscreen romance between Tom Holland and Zendaya’s MJ. Older fans, like me, could maybe care less, but I believe that is the hook to ensure a future generation of fans stay loyal to Marvel. Every hero needs someone to save, after all. I’m still watching.
Daniel Boyd (1066 KP) rated Marvel's Spider-Man in Video Games
Jan 15, 2019 (Updated Jan 15, 2019)
The best web swinging has felt in any Spiderman game ever. (3 more)
Good presentation in all of the cutscenes.
Enjoyable orchestral backdrop to swing around Manhattan to.
The parts of Manhattan that are in the game look great.
A lot of Manhattan has been left out or vastly downsized. (2 more)
The other 4 boroughs have been ignored.
Although the presentation is great, the graphics are slightly sub par.
Thwip!
Marvel's Spider-man was one of the biggest games of last year. Developed by Insomniac and following an original story, not tied in to the recent MCU movie, this was the most exciting superhero game since the Arkham series for a lot of people. Thankfully, Insomniac did manage to deliver a brilliant game, but not a perfect one.
The game's opening fantastically sets up the tone and energy of what's to follow and it's probably one of the best video game opening's I have ever played in that respect. Once the rush and momentum of that first mission wears off, you are introduced to the open world that you will be exploring for the next 20 or so hours. Manhattan does look good here, possibly the best it ever has done in a game. Landmarks like the Empire State Building and Madison Square Garden are rendered extremely accurately to their real life counterparts.
The stuff that they chose to include in the game's version of Manhattan is great, but the issue is all of the parts that they left out. Battery Park is has halved in size, the One World Trade Centre has changed shape and everything above mid Harlem has vanished, making the district feel stumpy. Hopefully some of this stuff is amended for the sequel, along with the addition of at least a couple of the other boroughs.
Although the environment looks good graphically, as do Spidey's various suits that can be unlocked during the game, the human character models aren't the best and are fairly ugly when compared to character models in other 2018 games such as God of War, Red Dead 2 and Detroit: Become Human. Usually, in cutscenes etc, the game presents these character model well enough that it isn't too noticeable, but there were a good few times during gameplay that I would catch a glimpse of MJ's or Miles' weird faces and scratch my head wondering why they don't look better.
I have heard a few reviews moaning about the orchestral score that plays in the background as you swing around the city, but I personally really enjoyed it and it made me feel even more like a superhero than I already do when swinging through the middle of Times Square. I felt that all of the musical choices were well implemented and matched the story beats aptly to add impact in the right places.
Let's finish on a positive, the web swinging mechanic in this game is extremely satisfying and comes out on top of any other Spider-man game's web swinging system. Again, it's not flawless, there are moments that it will frustrate you and you will web to the opposite side of what you were aiming for. Also, for some reason the wall crawling mechanic is really slow and finicky and can often break the fast paced momentum of the web swinging/zipping/wall running combo that you have going. Most of the time though, it works fantastically and feels extremely fluid and immersive and it is probably one of the most satisfying game mechanics of 2018, along with Kratos' axe in GOW.
Overall, Marvel's Spider-man is great, but not perfect. There is definitely room for improvement, but this could be the start of a potentially incredible series of Marvel superhero games and hopefully the sequel, (that Insomniac is undoubtedly working on,) can improve on some of the flaws present in this game and deliver something incredible.
The game's opening fantastically sets up the tone and energy of what's to follow and it's probably one of the best video game opening's I have ever played in that respect. Once the rush and momentum of that first mission wears off, you are introduced to the open world that you will be exploring for the next 20 or so hours. Manhattan does look good here, possibly the best it ever has done in a game. Landmarks like the Empire State Building and Madison Square Garden are rendered extremely accurately to their real life counterparts.
The stuff that they chose to include in the game's version of Manhattan is great, but the issue is all of the parts that they left out. Battery Park is has halved in size, the One World Trade Centre has changed shape and everything above mid Harlem has vanished, making the district feel stumpy. Hopefully some of this stuff is amended for the sequel, along with the addition of at least a couple of the other boroughs.
Although the environment looks good graphically, as do Spidey's various suits that can be unlocked during the game, the human character models aren't the best and are fairly ugly when compared to character models in other 2018 games such as God of War, Red Dead 2 and Detroit: Become Human. Usually, in cutscenes etc, the game presents these character model well enough that it isn't too noticeable, but there were a good few times during gameplay that I would catch a glimpse of MJ's or Miles' weird faces and scratch my head wondering why they don't look better.
I have heard a few reviews moaning about the orchestral score that plays in the background as you swing around the city, but I personally really enjoyed it and it made me feel even more like a superhero than I already do when swinging through the middle of Times Square. I felt that all of the musical choices were well implemented and matched the story beats aptly to add impact in the right places.
Let's finish on a positive, the web swinging mechanic in this game is extremely satisfying and comes out on top of any other Spider-man game's web swinging system. Again, it's not flawless, there are moments that it will frustrate you and you will web to the opposite side of what you were aiming for. Also, for some reason the wall crawling mechanic is really slow and finicky and can often break the fast paced momentum of the web swinging/zipping/wall running combo that you have going. Most of the time though, it works fantastically and feels extremely fluid and immersive and it is probably one of the most satisfying game mechanics of 2018, along with Kratos' axe in GOW.
Overall, Marvel's Spider-man is great, but not perfect. There is definitely room for improvement, but this could be the start of a potentially incredible series of Marvel superhero games and hopefully the sequel, (that Insomniac is undoubtedly working on,) can improve on some of the flaws present in this game and deliver something incredible.
Cupcakes For All
Food & Drink and Entertainment
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A collection of 109 brilliant cookery lesson videos on how to make great Ciupcakes Lessons include:...
kitty ♡ (68 KP) rated Spider-Man: Homecoming (2017) in Movies
Jul 26, 2017
tony stark's presence (5 more)
peter's friend, ned, & his lines
zendaya's character
pepperony is back together
no uncle ben dying
miles morales mention
it did what it set out to do.
Contains spoilers, click to show
this isn't the most amazing movie i've seen marvel produce. but it's pretty good. i think what marvel wanted to do is to create a movie that just screams TEENHOOD, and they did just that. i've read other reviews that said the movie was rather john hughes-esque, and i agree.
the best part about this movie is unlike in the previous franchises (the original trilogy & the amazing spider-man), the actors playing these teens aren't in their mid-20s, going on 30s. while it is true that peter's aged up in those versions, a 27 year old still shouldn't be playing a high school student.
the other great things about this movie are the "oh shit" factor of peter finding out who his crush's dad is, his conversations with the suit's AI, and the "asset manager" constantly ignoring peter
i would have loved more of donald glover. i would love to see his character alongside peter, & as miles morales is mentioned, i reckon he's going to make an appearance soon! YES!
the best part about this movie is unlike in the previous franchises (the original trilogy & the amazing spider-man), the actors playing these teens aren't in their mid-20s, going on 30s. while it is true that peter's aged up in those versions, a 27 year old still shouldn't be playing a high school student.
the other great things about this movie are the "oh shit" factor of peter finding out who his crush's dad is, his conversations with the suit's AI, and the "asset manager" constantly ignoring peter
i would have loved more of donald glover. i would love to see his character alongside peter, & as miles morales is mentioned, i reckon he's going to make an appearance soon! YES!
Red One
Rachel Dodson, X. Dorison and Terry Dodson
Book
* What if happens when America's Greatest Hero...is actually a Russian Spy? It's 1977, the height of...
LoganCrews (2861 KP) rated Wild Wild West (1999) in Movies
Nov 10, 2020
I hate the late 90s blockbuster, man... I really do. This era's tongue-in-cheek manufactured spectacle coated with pause-for-laughs cringe 'jokes' and standard-to-crappy action makes my skin crawl. This is actually much, much better than 𝘐𝘯𝘥𝘦𝘱𝘦𝘯𝘥𝘦𝘯𝘤𝘦 𝘋𝘢𝘺 but otherwise they're the exact same formula in tiring popcorn slogs though this one dared to actually have a bit of fun sometimes unlike ID so truthfully I have no idea why this one is more reviled - it just seems random to me. Yeah I have no idea why this source material was turned into confusingly sexual, boring one-note tripe but the last twenty minutes is actually kind of exciting and the effects are top-notch. Don't even lie, you think that giant steampunk spider is fucking cool too and the gadgets/costumes/sets/makeup are eye-catching too - I only wish they were all in a better movie. The two perfunctory performances from Smith and Kline are canceled out by the religious scenery-chewing of Ted Levine and this movie's MVP Kenneth Branagh but besides the title song that I'm tired of pretending doesn't slap -because it *does* - that's about where the positives end. Its only personality traits are being dumb, looking cool sometimes, and misogyny.