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Steve Foxon, Scott Handcock, Blair Mowat and Lee Binding
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A Special Feature-Length Anniversary Adventure Celebrating 10 Years For The TORCHWOOD team. The...
LeftSideCut (3778 KP) rated The Walking Dead - Season 10 in TV
Oct 21, 2020
The latest season of The Walking Dead is why I have trust issues. I was all but done with this show during season 8, and now, I'm genuinely sad that we only have one more season left. Stop playing with my emotions!
Seriously though, season 10 is a proper return to form in my opinion. The show continues to prove that the time jump introduced last season was a positive direction to take.
Finally, I care about almost every character again. Negan is a huge highlight this time around. The contrast between the bonafide maniac he once once, and the humble guy genuinely looking for acceptance now is massive, buts it's pulled off in a way that is 100% believable. Big props to Jeffrey Dean Morgan.
This is the first full season not to feature Rick Grimes, so the position of lead character is shared out between Daryl (Norman Reedus), Carol (Melissa McBride) and Michonne (Danai Gurira). I like all three characters so this wasn't an issue for me. With Daryl and Carol in particular being season 1 veterans, it's easy to be on their side.
The villains are once again The Whisperers. I can acknowledge that TWD has delved into antagonist back stories before, but the amount of time spent with Alpha and Beta is commendable. The more screentime they get, the more unhinged they seem. They feel dangerous. There's a trio of mid season episodes here (Stalker, Morning Star, Walk With Us) that are hugely tense and high stakes, and reminded me of some of The Governor episodes from way back that had me on a seats edge.
Samantha Morton and Ryan Hurst sell these characters so so well, and are some of the best villains this show has seen.
TWD is never going to be the same show it was when it started, and it's taken the show runners a hell of a long time to figure out how it's going to look going forward. With the movies and various spin offs approaching, I feel they've finally found their footing again. Here's hoping for a rager of a final season.
Seriously though, season 10 is a proper return to form in my opinion. The show continues to prove that the time jump introduced last season was a positive direction to take.
Finally, I care about almost every character again. Negan is a huge highlight this time around. The contrast between the bonafide maniac he once once, and the humble guy genuinely looking for acceptance now is massive, buts it's pulled off in a way that is 100% believable. Big props to Jeffrey Dean Morgan.
This is the first full season not to feature Rick Grimes, so the position of lead character is shared out between Daryl (Norman Reedus), Carol (Melissa McBride) and Michonne (Danai Gurira). I like all three characters so this wasn't an issue for me. With Daryl and Carol in particular being season 1 veterans, it's easy to be on their side.
The villains are once again The Whisperers. I can acknowledge that TWD has delved into antagonist back stories before, but the amount of time spent with Alpha and Beta is commendable. The more screentime they get, the more unhinged they seem. They feel dangerous. There's a trio of mid season episodes here (Stalker, Morning Star, Walk With Us) that are hugely tense and high stakes, and reminded me of some of The Governor episodes from way back that had me on a seats edge.
Samantha Morton and Ryan Hurst sell these characters so so well, and are some of the best villains this show has seen.
TWD is never going to be the same show it was when it started, and it's taken the show runners a hell of a long time to figure out how it's going to look going forward. With the movies and various spin offs approaching, I feel they've finally found their footing again. Here's hoping for a rager of a final season.
Gareth von Kallenbach (980 KP) rated the PlayStation 4 version of Crash Bandicoot 4: It's About Time in Video Games
Oct 29, 2020
Crash Bandicoot is back and better than ever in Crash Bandicoot 4: It’s About Time.
This time around the lovable Crash must face his most challenge obstacles yet as he navigates various locales each with an abundance of timed precision jumps, enemies, traps, and more.
Aside from his speed, Crash can slide, jump, and spin to fight or avoid enemies and obstacles and this time around he can phase objects at certain locales which allows him to pass through them. This is often tricky as he has to phase out an object to jump but must phase it back in order land on it but cannot do so before allowing ample space to land.
Patience is required as there are frequent dangers that require precise movements to complete and nothing is more frustrating than biting it with a checkpoint in site.
The game also offers up some interesting variety not only in a plethora of level designs but by also allowing players to play as other characters in the game. Being able to zap objects to complete levels vs the traditional running and jumping does bring an interesting new dimension to the play and keeps things fresh.
The graphics are pleasing and Crash is such a fun and charming character it is easy to stick with him even when the level becomes so rage inducing you want to quit in a hailstorm of profanity.
What really makes the game great are not only the clever and creative levels but the sheer variety of them. From a junkyard with gears, fire, and shark like creatures to a frozen landscape where slipping off the ice is commonplace, the level designers combine sadism and genius to create a truly fun and challenging gaming experience.
The game is not only lots of fun but is ideal for players of all ages and offers plenty of great gaming moments. This is a great return for Crash and hopefully we will see him again soon as I would love to see a new game designed from the ground up for the Next-Generation systems.
4 stars out of 5
This time around the lovable Crash must face his most challenge obstacles yet as he navigates various locales each with an abundance of timed precision jumps, enemies, traps, and more.
Aside from his speed, Crash can slide, jump, and spin to fight or avoid enemies and obstacles and this time around he can phase objects at certain locales which allows him to pass through them. This is often tricky as he has to phase out an object to jump but must phase it back in order land on it but cannot do so before allowing ample space to land.
Patience is required as there are frequent dangers that require precise movements to complete and nothing is more frustrating than biting it with a checkpoint in site.
The game also offers up some interesting variety not only in a plethora of level designs but by also allowing players to play as other characters in the game. Being able to zap objects to complete levels vs the traditional running and jumping does bring an interesting new dimension to the play and keeps things fresh.
The graphics are pleasing and Crash is such a fun and charming character it is easy to stick with him even when the level becomes so rage inducing you want to quit in a hailstorm of profanity.
What really makes the game great are not only the clever and creative levels but the sheer variety of them. From a junkyard with gears, fire, and shark like creatures to a frozen landscape where slipping off the ice is commonplace, the level designers combine sadism and genius to create a truly fun and challenging gaming experience.
The game is not only lots of fun but is ideal for players of all ages and offers plenty of great gaming moments. This is a great return for Crash and hopefully we will see him again soon as I would love to see a new game designed from the ground up for the Next-Generation systems.
4 stars out of 5
Merissa (12069 KP) rated The Pig Wars in Books
Jan 18, 2022
THE PIG WARS is a standalone fantasy set in a world of Elves, Half-Elves, and Humans, although it does feel as though this is a follow-on or spin-off from a previous set of stories. Our main female, Renna, is a Half-Elf and a strong warrior who has hung up her sword after a long and heart-breaking battle. Gorsfeld is human and wants to rule the Marches, either by marrying Renna or taking over her lands. He's not bothered which. Renna has a dodgy leg from birth which is used as the reason she is still alone.
As the title suggests, the whole book is about the two of them fighting over pigs. Renna is supposed to be the smart, strong, and silent type, but she is not quiet in her mind. There is always a monologue going on, usually about how upset she is because someone is riding roughshod over her, even though she makes no attempt to stand up for herself (apart from in her mind.) Gorsfeld has his fair share of monologues too, so I guess that's fair. Renna's character didn't do much for me. In fact, most of them didn't. There is a lot going on and her friends leave a lot to be desired. Because of some of the rants and situations, it makes me question if I have missed another story in this world. I felt as though I had dropped into a world already established where intrigue and political gains had already been explained.
There were some grammatical errors in the story, not enough to disrupt the flow, but enough so you notice. There is a hint of romance at the end, leading you to believe there might be another book in the making. This was a different book that I did enjoy, but I'm not sure I will be continuing if another story does come out.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
As the title suggests, the whole book is about the two of them fighting over pigs. Renna is supposed to be the smart, strong, and silent type, but she is not quiet in her mind. There is always a monologue going on, usually about how upset she is because someone is riding roughshod over her, even though she makes no attempt to stand up for herself (apart from in her mind.) Gorsfeld has his fair share of monologues too, so I guess that's fair. Renna's character didn't do much for me. In fact, most of them didn't. There is a lot going on and her friends leave a lot to be desired. Because of some of the rants and situations, it makes me question if I have missed another story in this world. I felt as though I had dropped into a world already established where intrigue and political gains had already been explained.
There were some grammatical errors in the story, not enough to disrupt the flow, but enough so you notice. There is a hint of romance at the end, leading you to believe there might be another book in the making. This was a different book that I did enjoy, but I'm not sure I will be continuing if another story does come out.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Gareth von Kallenbach (980 KP) rated The LEGO Ninjango Movie (2017) in Movies
Jul 11, 2019
The newest Lego movie, ‘The Lego Ninjago Movie’ is being released by Warner Brothers and stars Jackie Chan as Master Wu; Dave Franco as Lloyd Garmadon; Michael Pena as Kai;Fred Armisen asCole; Abbi Jacobsen as Nya; Kumail Nanjiani as Jay; Zach Woods as Zane; Olivia Munn as Koko (Lloyds mother); and Justin Theroux as Garmadon.
The film is rated PG and is about 90 minutes.
The story follows the main character Lloyd and his troubled (almost nonexistent) relationship with his father, Garmadon. We begin the movie believing Lloyd has no friends, but quickly discover he DOES have a small handful of friends, and that he, as well as his friends Kai, Cole, Nya and Zane are all leading a secret life as Ninjas. The rest of the kids at school all dislike Lloyd because his father Garmadon is forever attacking the city and destroying everything.
As we see Garmadon repeatedly try to conquer Ninjago city, we see that the Ninjas, along with their “Mech”, and the help of Master Wu, keep beating him back.
Frustrated that his father won’t acknowledge his pain at being abandoned, Lloyd defies Master Wu and attacks Garmadon with ‘the ultimate weapon’.
The Ultimate Weapon ends up doing more harm than good and destroys a large portion of Ninjago city, leaving Garnadon in control of Ninjago city. Master Wu instructs Lloyd and his fellow Ninjas to find their inner strength and ‘the missing piece’ in order to defeat Garmadon.
The Ninjagos then start off on a journey to find what Master Wu has instructed. During one important scene, we discover that Gamadon is Master Wu’s brother!
Apparently, this movie is a spin off of a popular kids TV series, but I was unaware of that. My son does have some Lego Ninjago books and Lego sets, so I knew they existed, but not to what extent.
I was not a fan of the breaks in the middle of the movie to ‘non animated’ pieces, they seemed cheesy to me, and ‘comic-book-ish’. I found them annoying. I did like the tie in at the beginning and end however, of the live action sequences. I felt it tied the story together.
I thought the Ninjago Lego movie was pretty decent, I liked it somewhat better than the Lego Batman Movie. I did find the hot / cold attitude of the Garmadon character a bit hard to follow, but the existence of that same attitude did give that character some of the best lines of the movie.
The PG rating was fair and at no point did I feel uncomfortable having my 9 year old there to see it, and he loved the movie. He said his favorite part was “the action packed fight scene between the brothers in the woods.”
The 9 year old gives the movie 4 out of 5 stars, and
The film is rated PG and is about 90 minutes.
The story follows the main character Lloyd and his troubled (almost nonexistent) relationship with his father, Garmadon. We begin the movie believing Lloyd has no friends, but quickly discover he DOES have a small handful of friends, and that he, as well as his friends Kai, Cole, Nya and Zane are all leading a secret life as Ninjas. The rest of the kids at school all dislike Lloyd because his father Garmadon is forever attacking the city and destroying everything.
As we see Garmadon repeatedly try to conquer Ninjago city, we see that the Ninjas, along with their “Mech”, and the help of Master Wu, keep beating him back.
Frustrated that his father won’t acknowledge his pain at being abandoned, Lloyd defies Master Wu and attacks Garmadon with ‘the ultimate weapon’.
The Ultimate Weapon ends up doing more harm than good and destroys a large portion of Ninjago city, leaving Garnadon in control of Ninjago city. Master Wu instructs Lloyd and his fellow Ninjas to find their inner strength and ‘the missing piece’ in order to defeat Garmadon.
The Ninjagos then start off on a journey to find what Master Wu has instructed. During one important scene, we discover that Gamadon is Master Wu’s brother!
Apparently, this movie is a spin off of a popular kids TV series, but I was unaware of that. My son does have some Lego Ninjago books and Lego sets, so I knew they existed, but not to what extent.
I was not a fan of the breaks in the middle of the movie to ‘non animated’ pieces, they seemed cheesy to me, and ‘comic-book-ish’. I found them annoying. I did like the tie in at the beginning and end however, of the live action sequences. I felt it tied the story together.
I thought the Ninjago Lego movie was pretty decent, I liked it somewhat better than the Lego Batman Movie. I did find the hot / cold attitude of the Garmadon character a bit hard to follow, but the existence of that same attitude did give that character some of the best lines of the movie.
The PG rating was fair and at no point did I feel uncomfortable having my 9 year old there to see it, and he loved the movie. He said his favorite part was “the action packed fight scene between the brothers in the woods.”
The 9 year old gives the movie 4 out of 5 stars, and
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A film with dodgy voices.
Catching up here with a review of a film I saw a couple of weeks ago.
What a great film “Get Out” was. Jordan Peele’s classic which unpeeled (sic) race relations in a wholly novel and horrifying way. Yes, the story was a bit ‘out there’ and unbelievable, but he pulled it off with great chutzpah.
With his follow-up film – “Us”…. sorry but, for me, it just didn’t work.
From great beginnings
It all starts so promisingly. Young Adelaide Wilson (a fine debut performance by Madison Curry) is on a seaside holiday with her mother and careless father when she wanders onto the deserted Santa Cruz beach at night. There sits, like some gothic horror ghost train, the Hall of Mirrors. “Find Yourself” it taunts. She makes the mistake of entering and changes her life forever.
Spin forwards 30 years and Adelaide, now a married mother of two, is back in Santa Cruz with a terrifying feeling that things are about to go pear-shaped. And of course they do!
Why oh why oh why those voices?
This film had me gripped until a particular point. Having people stand still and silent at the end of your drive is an incredibly spooky thing to show. But then, for me, the wheels came off big time. The “reveal” of who these people were I could take. But the manner of their behaviour and – particularly – how they talked was horrifying; and not in a good way. When “Red” started speaking I couldn’t believe my ears: Joe Pasquale after swallowing Donald Duck.
From there, the film became farcical for me, descending in progressive stages to a tunnel-based apocalypse: a plot element that was just so paper thin it bore no scrutiny at all.
This was, no doubt, an attempt at a satirical dig at the class structure of America (“We are Americans” adding a double meaning to the name of the film). If it had been played as a deliberate comedy farce it might have worked. But otherwise no.
Flashes of Peele brilliance
This is not to say that there are not positives in the film. The excellent Lupita Nyong’o gives the whacky material her all, and the other adult female lead – Elisabeth Moss (from TV’s “The Handmaid’s Tale”) – is good value as Kitty Tyler: a diabolical incarnation in either form!
Peele also delivers flashes of directorial brilliance. The “hands across America”, disappearing into the sea, is a sight that stays with you. I also liked the twist at the end, although in retrospect it’s difficult to relate it to the rest of the story and strikes of desperation in the storytelling.
Overall, a big disappointment
I know there are some who really like this movie. Each to their own, but I was not one of them. After “Get Out” I was hoping for something much better. I hope that was just Jordan Peele’s “difficult second album”.
What a great film “Get Out” was. Jordan Peele’s classic which unpeeled (sic) race relations in a wholly novel and horrifying way. Yes, the story was a bit ‘out there’ and unbelievable, but he pulled it off with great chutzpah.
With his follow-up film – “Us”…. sorry but, for me, it just didn’t work.
From great beginnings
It all starts so promisingly. Young Adelaide Wilson (a fine debut performance by Madison Curry) is on a seaside holiday with her mother and careless father when she wanders onto the deserted Santa Cruz beach at night. There sits, like some gothic horror ghost train, the Hall of Mirrors. “Find Yourself” it taunts. She makes the mistake of entering and changes her life forever.
Spin forwards 30 years and Adelaide, now a married mother of two, is back in Santa Cruz with a terrifying feeling that things are about to go pear-shaped. And of course they do!
Why oh why oh why those voices?
This film had me gripped until a particular point. Having people stand still and silent at the end of your drive is an incredibly spooky thing to show. But then, for me, the wheels came off big time. The “reveal” of who these people were I could take. But the manner of their behaviour and – particularly – how they talked was horrifying; and not in a good way. When “Red” started speaking I couldn’t believe my ears: Joe Pasquale after swallowing Donald Duck.
From there, the film became farcical for me, descending in progressive stages to a tunnel-based apocalypse: a plot element that was just so paper thin it bore no scrutiny at all.
This was, no doubt, an attempt at a satirical dig at the class structure of America (“We are Americans” adding a double meaning to the name of the film). If it had been played as a deliberate comedy farce it might have worked. But otherwise no.
Flashes of Peele brilliance
This is not to say that there are not positives in the film. The excellent Lupita Nyong’o gives the whacky material her all, and the other adult female lead – Elisabeth Moss (from TV’s “The Handmaid’s Tale”) – is good value as Kitty Tyler: a diabolical incarnation in either form!
Peele also delivers flashes of directorial brilliance. The “hands across America”, disappearing into the sea, is a sight that stays with you. I also liked the twist at the end, although in retrospect it’s difficult to relate it to the rest of the story and strikes of desperation in the storytelling.
Overall, a big disappointment
I know there are some who really like this movie. Each to their own, but I was not one of them. After “Get Out” I was hoping for something much better. I hope that was just Jordan Peele’s “difficult second album”.
LeftSideCut (3778 KP) rated Day Shift (2022) in Movies
Oct 12, 2022
Vampires vs. The Bronx, Night Teeth, and now Day Shift. Someone over at Netflix really likes investing in vampire horror-comedies of varying quality. Day Shift, for the most part, is a competent and entertaining action flick, thanks in no small part to the cast. Jamie Foxx has shown time and again that he's more than capable of taking on lead duties, whether he's winning Oscars for music biopics, or kicking vampire ass up and down California. His chemistry with Dave Franco lays the foundation for much of the films humour, and introduces a kind of buddy cop dynamic into the mix. The cast is further bolstered with some smaller roles from industry veteran Peter Stormare, and living legend Snoop Dogg (patiently waiting for a Big John spin-off project).
The action scenes are a whole lot of fun. The vampires contort and twist in horrible ways, and are dispatched in equally horrible ways. There's plenty of blood and viscera, limbs flying about the place, decapitations. It's all well choreographed, fast paced, and hugely entertaining.
There's a lot going for Day Shift, but it does faulter at times. After an exciting opening scene, there's quite a lengthy dip in pacing. This leads to a lot of exposition dumps and world building. Crafting lore for a new IP is something that can be tricky to navigate, and Day Shift misses the mark in this instance. It's all well and good providing the audience with background information that would be everyday knowledge for these characters, but it's executed in a way that feels wayward and messy, and almost 100% through dialogue. And example of a film that does this kind of thing well would be Zombieland. Withing minutes, we know plenty of in-universe rules for surviving the zombie apocalypse, and it's done in a fun, breezy, and brisk manner. In contrast, Day Shift puts a pin in any sort of excitement to throw all sorts of exposition at us in a way that feels like it's relying on potential sequels for any kind of pay off. It's just a little deflating, and not even Foxx's charisma can keep it from becoming boring.
To add to the negative side of things, the villain of the piece is aggressively forgettable. There's a semi-clever reference to how estate realtors are evil, but other than that, she's just an uninspired bad guy that causes the protagonists mild peril. The narrative also suffers from the age old issue of characters doing stupid things to drive the plot forward. Some of the events that unfold don't make a huge amount of sense with what we've been told previously.
Despite these misgivings and a messy middle, Day Shift ends on a high note, with an entertaining final third, and ultimately manages to be a perfectly passable popcorn movie. What it lacks in substance, it's makes up for in style, and will surely leave most with a smile on their faces by the time the credits roll.
The action scenes are a whole lot of fun. The vampires contort and twist in horrible ways, and are dispatched in equally horrible ways. There's plenty of blood and viscera, limbs flying about the place, decapitations. It's all well choreographed, fast paced, and hugely entertaining.
There's a lot going for Day Shift, but it does faulter at times. After an exciting opening scene, there's quite a lengthy dip in pacing. This leads to a lot of exposition dumps and world building. Crafting lore for a new IP is something that can be tricky to navigate, and Day Shift misses the mark in this instance. It's all well and good providing the audience with background information that would be everyday knowledge for these characters, but it's executed in a way that feels wayward and messy, and almost 100% through dialogue. And example of a film that does this kind of thing well would be Zombieland. Withing minutes, we know plenty of in-universe rules for surviving the zombie apocalypse, and it's done in a fun, breezy, and brisk manner. In contrast, Day Shift puts a pin in any sort of excitement to throw all sorts of exposition at us in a way that feels like it's relying on potential sequels for any kind of pay off. It's just a little deflating, and not even Foxx's charisma can keep it from becoming boring.
To add to the negative side of things, the villain of the piece is aggressively forgettable. There's a semi-clever reference to how estate realtors are evil, but other than that, she's just an uninspired bad guy that causes the protagonists mild peril. The narrative also suffers from the age old issue of characters doing stupid things to drive the plot forward. Some of the events that unfold don't make a huge amount of sense with what we've been told previously.
Despite these misgivings and a messy middle, Day Shift ends on a high note, with an entertaining final third, and ultimately manages to be a perfectly passable popcorn movie. What it lacks in substance, it's makes up for in style, and will surely leave most with a smile on their faces by the time the credits roll.
RəX Regent (349 KP) rated Rogue One: A Star Wars Story (2016) in Movies
Feb 20, 2019
This is not the first Star Wars spin-off, but it is joining a legacy of sub par entries to the franchise, certainly as where the big screen has been concerned, with two Ewoks movies and The Clone Wars TV pilot come movie to contend with. But Rogue One is first to take on the mantle of a blockbuster and attempt to compete with the very best of the Saga, if not join them.
In many ways, Rogue One is the prequel that we have been waiting for, taking place directly before the original movie, A New Hope, Gareth Edwards of Monsters (2010) and Godzilla fame, has managed to create a fan boy's dream following the events which are mentioned in the opening crawl for that classic movie, the theft of the Death Star plans which would ultimately lead to Luke Skywalker's "shot in a million" to destroy the moon sized planet killer.
But here, the task was to both take Star Wars in new new direction as well as to flesh out the story of the Star Wars saga itself. They manage to pull this off with the only real complaint being the pacing which is sporadic at best. With a combination of contrived plotting and uneven pacing, the starker, war movie which this is, can feel at times, like a check list of everything that fans have wanted to see on the big screen since 1983 and as such, runs the risk of being a vacuous, through-away movie, the "greatest hits" as it were.
But I feel that it skirts this issue and manages to stay on the side of narrative integrity, just about. We finally see Darth Vader, post Episode III for the first time in a life action film since 2005, something which the prequels failed to deliver and whilst at first it seemed to be a crowd pleasing cameo, by the finale, it paid off perfectly, as did the resurrection of the late Peter Cushing's Grand Moff Tarkin, with the aid of ground breaking, if not morally questionable CGI effects. This was also used to bring us a cameo from Princess Laia (1977) to great effect.
Also, integrating stock footage of the original Red and Gold Squadron pilots from Star Wars (1977) and the demise of the original Red 5, who's place Luke Skywalker would assume, were all nice touches.
In the end, at best Rogue One serves to turn the original Star Wars movie into and two part epic, with this movie seamlessly leading into the opening of Star Wars but how does it hold up in its own right?
Well, it is entertaining, well acted, if not let down by Gareth Edwards' slightly uneven direction, but how the notorious re-shoots, which have clearly left several key shots form the trailers on the cutting room floor and possibly changes the finale significantly, effected this is as yet unknown, and Michael Giacchino's slightly over the top bombastic score, Rogue One will certainly be an entertaining and action packed entry into the Star Wars universe.
But the true success of this film lies with its expansion of the Saga as a whole, bridging the less popular prequels with the original trilogy for the first time on the big screen, taking on finally, what J.J. Abrams' The Force Awakens (2015) deliberately chose not too. Hopefully Episode VIII (2017) follow in the same vein, finally repairing some of the issues which Lucas' much derided prequels, which at their heart, may have had much more to offer than Lucas' poor direction let us see the first time around.
In many ways, Rogue One is the prequel that we have been waiting for, taking place directly before the original movie, A New Hope, Gareth Edwards of Monsters (2010) and Godzilla fame, has managed to create a fan boy's dream following the events which are mentioned in the opening crawl for that classic movie, the theft of the Death Star plans which would ultimately lead to Luke Skywalker's "shot in a million" to destroy the moon sized planet killer.
But here, the task was to both take Star Wars in new new direction as well as to flesh out the story of the Star Wars saga itself. They manage to pull this off with the only real complaint being the pacing which is sporadic at best. With a combination of contrived plotting and uneven pacing, the starker, war movie which this is, can feel at times, like a check list of everything that fans have wanted to see on the big screen since 1983 and as such, runs the risk of being a vacuous, through-away movie, the "greatest hits" as it were.
But I feel that it skirts this issue and manages to stay on the side of narrative integrity, just about. We finally see Darth Vader, post Episode III for the first time in a life action film since 2005, something which the prequels failed to deliver and whilst at first it seemed to be a crowd pleasing cameo, by the finale, it paid off perfectly, as did the resurrection of the late Peter Cushing's Grand Moff Tarkin, with the aid of ground breaking, if not morally questionable CGI effects. This was also used to bring us a cameo from Princess Laia (1977) to great effect.
Also, integrating stock footage of the original Red and Gold Squadron pilots from Star Wars (1977) and the demise of the original Red 5, who's place Luke Skywalker would assume, were all nice touches.
In the end, at best Rogue One serves to turn the original Star Wars movie into and two part epic, with this movie seamlessly leading into the opening of Star Wars but how does it hold up in its own right?
Well, it is entertaining, well acted, if not let down by Gareth Edwards' slightly uneven direction, but how the notorious re-shoots, which have clearly left several key shots form the trailers on the cutting room floor and possibly changes the finale significantly, effected this is as yet unknown, and Michael Giacchino's slightly over the top bombastic score, Rogue One will certainly be an entertaining and action packed entry into the Star Wars universe.
But the true success of this film lies with its expansion of the Saga as a whole, bridging the less popular prequels with the original trilogy for the first time on the big screen, taking on finally, what J.J. Abrams' The Force Awakens (2015) deliberately chose not too. Hopefully Episode VIII (2017) follow in the same vein, finally repairing some of the issues which Lucas' much derided prequels, which at their heart, may have had much more to offer than Lucas' poor direction let us see the first time around.