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Thunderbird Falls (Walker Papers, #2)
6
7.0 (2 Ratings)
Book Rating
The second book in the Walker Papers series was more enjoyable than the first one for me, simple because I like Joanne's sense of humor. She pokes fun at herself relentlessly, whether it be in her thoughts or outloud in conversation, which makes her superhuman abilities not so off-putting. At one part she makes the remark that the people who are given the strongest powers usually don't even want them - the universe's way of creating balance. This is a great summary of Joanne's reluctance to be who she is supposed to be. The irony of this book is that reluctance is what she needs most in this book in order to defeat the Big Bad of this book, but she spends most of the book working on acceptance. She has a certain klutz factor in everything she does, and yet she still ends up on top no matter what the situation is.
The lack of romantic interludes I find rather discouraging, since she seems to have a few potential men in her sights but refuses to act on her attractions. With the chemistry building between her and her boss, a lack of activity feels like a loose end left hanging.
Another factor that felt like a loose end was Joanne's search for a spirit animal. While she did the search in the plot, and did come out with one, the ending made it look like she lost her spirit animal, so does she still have one or not? It seems like an awful lot of work to come up empty-handed.
Loose end number three was the outcome of the coven that Joanne joined. Nothing was stated to indicate if she was still a member, or what they intend to do about the events that they played a part in.
I was also rather confused about what the meaning of several of the scenes was, such as her encounter with the big Coyote and her sight-reversal of color. Neither of these, as well as other things, were explained much at all. I feel like I should research what shamanism is before I read anymore of this series, as it does not look like the author is inclined to delve into the details.
  
Breakfast at Tiffany's (1961)
Breakfast at Tiffany's (1961)
1961 | Classics, Comedy, Drama
Technically highly proficient adaptation of the Capote novella, as kooky free spirit/irritating self-absorbed freeloader Holly Golightly (Hepburn) wins the heart of George Peppard's young novelist. Probably looked old-fashioned even in 1961; absurdly romanticised depiction of New York (even the drug barons are charming old gentlemen) is effectively done and rather compelling.

Perhaps the problem is that the presentation of the emotional havoc Holly leaves in her wake is a bit too effective: I couldn't help feeling sorry for Doc (Buddy Ebsen), and wasn't inclined to let Hepburn's charm and good looks sway me (having met people like Holly Golightly for real may have prejudiced me a bit). I must be in the minority - for most people, the film clearly manages the trick of having its cake and eating it, by presenting Hepburn's character as trouble but making the audience fall in love with her anyway. Speaking of minorities, the grotesque racial caricature of Mickey Rooney's character is appalling - but hey, the theme song is nice.