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Sarah Bennett has two secrets: she sees ghosts, and she is in love with a spy.
When Sarah takes a job with occult expert Dr Matthew Geisler, he promises to help her understand the sorrowful spirit that seems to have attached itself to her.
As Sarah struggles to cope with the ghostly presence, she runs into Zeke, the man who left her six months earlier and is recovering from injuries suffered in an alleged accident. But Zeke has secrets of his own, and when an attempt is made on Geisler’s life, Sarah finds herself caught in a struggle between the living and the dead.
Unsure who she can trust, Sarah must solve the mystery of the soul determined to haunt her, and save Dr Geisler and herself from an unknown threat.

This book was previously published as WEEPING IN THE WINGS

This is actually a historical fiction, paranormal, mystery, romance book. I thought it was going to be more paranormal mystery with a little hint of romance.
The characters were lovable and the story kept me wanting more!
I liked the characters and the story was well thought out. A perfect read for fans of mysteries.
This is the first book I have read by Terry Lynn Thomas and am looking forward to reading more of her books.

Thanks to the publisher and NetGalley.
  
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Awix (3310 KP) rated Hands of the Ripper (1971) in Movies

May 27, 2018 (Updated May 27, 2018)  
Hands of the Ripper (1971)
Hands of the Ripper (1971)
1971 | Horror
7
8.5 (2 Ratings)
Movie Rating
Bring the Daughter; Have some Slaughter
Pretty decent Hammer horror melodrama set in a sort of grab-bag version of late Victorian London. Anna (Rees) grows up an orphan, little suspecting the identity of her father, or the fact that she seems to have inherited his compulsion to kill. An ambitious psychiatrist (Porter) takes her under his wing, believing he can help her with her little problem. (As ever, hubris comes before a gory comeuppance.) Meanwhile, Hammer whips up gallons of fake blood.

Not-bad production values and decent performances go a long way to make up for some fairly preposterous plotting; you get the classic Hammer sense of a traditional costume drama coupling energetically with a disreputable exploitation movie, with a good time had by all. On the one hand this is another tale of an improbably arrogant man whose specific area of brilliance doesn't stop him making a whole series of insanely bad decisions; on the other it is about the power of men to seriously screw up the lives of women in patriarchal societies (so perhaps still somewhat relevant). Film does an interesting little dance, too: are Anna's problems purely psychological or is she genuinely possessed by the spirit of the Ripper? Well put together, some interesting ideas, doesn't outstay its welcome - definitely worth a look if old British horror movies are your thing.
  
Meagan’s life ended 2 years ago when her husband walked out the door and died in the war. She had to keep it together for her children and make a life for them to grow and thrive in. She never thought her broken heart would heal until one day the missing piece came back.

Edward left his family to go off to war, thinking he was making the right choice, he knows now it was for selfish reasons not legitimate ones. He was left for dead on the battlefield and now has a second chance at this family. He just has to believe he is worth the second chance.

Meagan has to work hard to get Edward to see that his life was spared for a reason. A reason to fight for his family this time and not fight for the country. He has some limitations with his injuries but she knows in her heart that her Edward is strong as ever. No matter how much Edward objects to her observations.

Edward must work past his own limitations to find his strength within. Seeing his children in a new light reaches deep in his soul and gives him the will to survive and thrive. Together they mend his broken spirit and remind each other of their love and strengths.
  
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