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Heather Cranmer (2721 KP) rated Among the Red Stars in Books
Dec 21, 2018
The Plot (2 more)
The History
The Characters
A lot of Russian names make it hard to keep up with who's who (1 more)
Lack of mention of parents
A Great Historical Read!
When I was offered the chance to review Among the Red Stars by Gwen C. Katz, I jumped at the chance. After reading the great reviews, I knew it was going to be a great book. Luckily, I was not disappointed.
I though the plot and world building were excellent! The story for Among the Red Stars is mostly told through letters written by Valka, the main character, and her childhood friend, Pasha. Set in Russia during World War II, Pasha was drafted and had no choice but to join, and Valka voluntarily joined because she had been wanting to be a pilot since she was young. The all female bomber regiment isn't taken seriously at first since they are all young and female, but soon enough, it because apparent that these female pilots are the real deal and just as good as their male counterparts. Among the Red Stars is also based in some fact too which made the book that much more interesting. My emotions were all over the place reading this book. I kept on hoping the outcome of the story would be a good one. Among the Red Stars answered all the questions I had, and I would suggest reading the Author's Note at the end of the book because it will give you more insight into the all female Russian bomber regiment. I found it very interesting. The only thing that bothered me was that Valka's parents weren't really mentioned throughout the book. I would have thought that Valka's parents would have written to their daughter during the war. If they didn't want to, it would have been nice to have an explanation as to why they didn't want to write to their daughter. I just found it a bit strange that Valka's parents weren't mentioned at all during the book except for briefly towards the end.
The characters were written very well in Among the Red Stars. It was interesting to learn that many of the characters mentioned in Among the Red Stars were based on actual people who served in World War II. As I've said before, a lot of the story is based on fact which made this book that much more enjoyable. I loved seeing Pasha and Valka grow throughout their letters. I was always hoping they'd be reunited soon because it was obvious how much they really cared about each other. I also loved the relationship between Valka and her cousin Iskra. It was refreshing to read about the love between them. I admired Galya's and Lilya's spirit throughout the war, and I loved how awesome Vera and Tanya were. All the females in Among the Red Stars were amazing, and I admired each and every one of them. I loved the camaraderie between all the girls. I will admit that sometimes it was hard to keep up with who was who during the book due to the Russian names, but I still thoroughly enjoyed every character. If you read the Author's Note at the end of the book, you can learn more about each character that was actually a real person. I loved that Gwen C. Katz added all that information.
The pacing for Among the Red Stars grabs you by the hand and never lets go! Never once did I grow bored of the story. The story never got too fast paced for me where I was confused with what was happening. The pacing was fantastic!
Trigger warnings for Among the Red Stars include violence, death, injuries, war, and sexism.
All in all, Among the Red Stars was a fantastic, thrilling read. I never wanted to put it down. This book had everything from a great group of characters to a fantastic plot. I would definitely recommend Among the Red Stars by Gwen C. Katz to everyone aged 14+. It's such an interesting book as well as an interesting way to learn about a piece of important history.
--
(A special thank you to the author for providing me with a paperback of Among the Red Stars in exchange for an honest and unbiased review.)
I though the plot and world building were excellent! The story for Among the Red Stars is mostly told through letters written by Valka, the main character, and her childhood friend, Pasha. Set in Russia during World War II, Pasha was drafted and had no choice but to join, and Valka voluntarily joined because she had been wanting to be a pilot since she was young. The all female bomber regiment isn't taken seriously at first since they are all young and female, but soon enough, it because apparent that these female pilots are the real deal and just as good as their male counterparts. Among the Red Stars is also based in some fact too which made the book that much more interesting. My emotions were all over the place reading this book. I kept on hoping the outcome of the story would be a good one. Among the Red Stars answered all the questions I had, and I would suggest reading the Author's Note at the end of the book because it will give you more insight into the all female Russian bomber regiment. I found it very interesting. The only thing that bothered me was that Valka's parents weren't really mentioned throughout the book. I would have thought that Valka's parents would have written to their daughter during the war. If they didn't want to, it would have been nice to have an explanation as to why they didn't want to write to their daughter. I just found it a bit strange that Valka's parents weren't mentioned at all during the book except for briefly towards the end.
The characters were written very well in Among the Red Stars. It was interesting to learn that many of the characters mentioned in Among the Red Stars were based on actual people who served in World War II. As I've said before, a lot of the story is based on fact which made this book that much more enjoyable. I loved seeing Pasha and Valka grow throughout their letters. I was always hoping they'd be reunited soon because it was obvious how much they really cared about each other. I also loved the relationship between Valka and her cousin Iskra. It was refreshing to read about the love between them. I admired Galya's and Lilya's spirit throughout the war, and I loved how awesome Vera and Tanya were. All the females in Among the Red Stars were amazing, and I admired each and every one of them. I loved the camaraderie between all the girls. I will admit that sometimes it was hard to keep up with who was who during the book due to the Russian names, but I still thoroughly enjoyed every character. If you read the Author's Note at the end of the book, you can learn more about each character that was actually a real person. I loved that Gwen C. Katz added all that information.
The pacing for Among the Red Stars grabs you by the hand and never lets go! Never once did I grow bored of the story. The story never got too fast paced for me where I was confused with what was happening. The pacing was fantastic!
Trigger warnings for Among the Red Stars include violence, death, injuries, war, and sexism.
All in all, Among the Red Stars was a fantastic, thrilling read. I never wanted to put it down. This book had everything from a great group of characters to a fantastic plot. I would definitely recommend Among the Red Stars by Gwen C. Katz to everyone aged 14+. It's such an interesting book as well as an interesting way to learn about a piece of important history.
--
(A special thank you to the author for providing me with a paperback of Among the Red Stars in exchange for an honest and unbiased review.)
Kristy H (1252 KP) rated Mrs. Everything in Books
Jun 21, 2019
Jo and Bethie, sisters growing up in 1950s Detroit, are leading rather rigid lives. Jo is the troubled and angry older sister--the "different" one, while Bethie is the adored, perfect younger sister. Jo feels completely misunderstood by their mother, Sarah, but at least she has their father to act as a go-between. But, as the sisters grow up and move out, they somehow find their roles and lives changing. Bethie becomes the free spirit: the one unable to settle down and please their mother. Meanwhile, Jo marries and leads a picture-perfect life with her husband and children. Yet, deep down, neither sister is truly happy. Is it too late for either Jo or Bethie to find the life they really want?
This is a really wonderful novel from Jennifer Weiner. In the beginning, she states that she always wanted to write about a woman like her mom, who was born in the 40s, came of age in the 60s, married and had children, but then divorced and ended up falling in love with a woman. By then, times had changed and she could live a very different life than when she was born. Framing the story in this way makes perfect sense, and I think Weiner has more than fulfilled her goal. She's written a gorgeous and sweeping epic novel, starting with Jo and Bethie as children and continuing throughout the majority of their lives.
The novel, as mentioned, starts with Jo and Bethie as kids, moving into a new house in Michigan. Each is hopeful for a new start to their small kid-sized lives. Already Jo is feeling different. The book is told from both Jo and Bethie's perspectives, and Weiner does a wonderful job of not only capturing each of their own unique voices, but telling the story from their perspective at that particular time period.
"But maybe, in this new place, she could make a fresh start. Maybe here, she could be a good girl."
From the beginning, we clearly see how much trouble Jo is to her mother, and how she struggles with her feelings of being different. She's a tomboy who hates dresses and loves sports. She doesn't want to date the boys that her other classmates fawn over. I had no idea that the book was going to cover Jo's sexuality in this way, and it was such a pleasant surprise. It's so well-done. I loved the unexpected storyline about this intelligent and strong girl/woman struggling with her sexual orientation during a time period where it not at all accepted: it was very poignant and touching.
"I am going to leave here, she thought. I am going to read, and I am going to write. I am going to find a girl who is brave enough to love me, and I am going to have the kind of life I want."
So this book touches on a lot of tough subjects--racism, immigration, feminism, sexual orientation, religion, sexual assault, and more. It offers a discussion on womanhood, motherhood, marriage, and the options available to women (or not). Perhaps in the hands of a lesser author, this would all be too much, but through Weiner's deft writing, it's really truly beautifully done. The book spans a huge time period, but it never feels rushed or as if too much is crammed in. Once you get into Jo and Bethie's story, you're there: you are part of the family. And truly, this is a story of family at its core. A bitter family, perhaps, at times. It's a story of how certain moments can change the course of your life. But it's also a story of love and sisterhood, in all its many forms.
"'You think I ruined your life? Well I think you ruined mine.'"
Overall, this is a really lovely book. It's heartbreaking at times, for sure, and I cried at the end, but it's a testament to how much I fell for these two sisters. Its story of strength and love is a wonderful theme. It's a book for and about women, with some excellent messaging about women and society. (Wow, so much has changed and yet so little, it seems.) I certainly recommend this one. 4.5 stars.
This is a really wonderful novel from Jennifer Weiner. In the beginning, she states that she always wanted to write about a woman like her mom, who was born in the 40s, came of age in the 60s, married and had children, but then divorced and ended up falling in love with a woman. By then, times had changed and she could live a very different life than when she was born. Framing the story in this way makes perfect sense, and I think Weiner has more than fulfilled her goal. She's written a gorgeous and sweeping epic novel, starting with Jo and Bethie as children and continuing throughout the majority of their lives.
The novel, as mentioned, starts with Jo and Bethie as kids, moving into a new house in Michigan. Each is hopeful for a new start to their small kid-sized lives. Already Jo is feeling different. The book is told from both Jo and Bethie's perspectives, and Weiner does a wonderful job of not only capturing each of their own unique voices, but telling the story from their perspective at that particular time period.
"But maybe, in this new place, she could make a fresh start. Maybe here, she could be a good girl."
From the beginning, we clearly see how much trouble Jo is to her mother, and how she struggles with her feelings of being different. She's a tomboy who hates dresses and loves sports. She doesn't want to date the boys that her other classmates fawn over. I had no idea that the book was going to cover Jo's sexuality in this way, and it was such a pleasant surprise. It's so well-done. I loved the unexpected storyline about this intelligent and strong girl/woman struggling with her sexual orientation during a time period where it not at all accepted: it was very poignant and touching.
"I am going to leave here, she thought. I am going to read, and I am going to write. I am going to find a girl who is brave enough to love me, and I am going to have the kind of life I want."
So this book touches on a lot of tough subjects--racism, immigration, feminism, sexual orientation, religion, sexual assault, and more. It offers a discussion on womanhood, motherhood, marriage, and the options available to women (or not). Perhaps in the hands of a lesser author, this would all be too much, but through Weiner's deft writing, it's really truly beautifully done. The book spans a huge time period, but it never feels rushed or as if too much is crammed in. Once you get into Jo and Bethie's story, you're there: you are part of the family. And truly, this is a story of family at its core. A bitter family, perhaps, at times. It's a story of how certain moments can change the course of your life. But it's also a story of love and sisterhood, in all its many forms.
"'You think I ruined your life? Well I think you ruined mine.'"
Overall, this is a really lovely book. It's heartbreaking at times, for sure, and I cried at the end, but it's a testament to how much I fell for these two sisters. Its story of strength and love is a wonderful theme. It's a book for and about women, with some excellent messaging about women and society. (Wow, so much has changed and yet so little, it seems.) I certainly recommend this one. 4.5 stars.
Darren (1599 KP) rated The Unborn (2009) in Movies
Jun 21, 2019
Story: The Unborn starts when young woman Casey (Annable) starts seeing visions and getting warnings about someone wanting to be born, with her best friend Romy (Good) and her boyfriend Mark (Gigandet) Casey starts to investigate and learns that she did in fact have a twin brother who died in the womb.
When Casey turns to a friend of her mother’s she learns about a spirit that is trying to find his way into the real world and she must turn to Rabbi Sendak (Oldman) for answers and a potential cure from the possession.
Thoughts on The Unborn
Characters – Casey is a young woman that seems to have a normal life until one day she starts seeing visions, getting strange messages, she must research her past to protect her future, a past that is filled with pain and loss as well as a secret she would never be prepared for. We do follow Casey for most part of this film, the problem with her character is that we don’t learn anything about her before the unusual starts happening, is she a good or bad person, we learn nothing, it just starts with her being visited. Rabbi Sendak is the man Casey must turn to for help, he understands how the exorcizing would need to be done while offering the basic advice to Casey before stepping in himself. Mark is the boyfriend, that is about all we learn about him, he isn’t as supportive of the supernatural side of the events. Romy is the best friend, she will help on everything Casey is going through in an attempt to save her friend from the evil haunting her.
Performances – Odette Annable is the perfect fit for the leading role, she is a beautiful woman whose life is falling apart, she has a good horror scream and you believe it when she is scared. Gary Oldman, well the guy needs to make money, he does bring class to the role even in his limited role. Cam Gigandet is fine without doing too much Meagan Good gives us the only laughs in the film without being anything great in the supporting role.
Story – The story here follows one young woman that gets starts getting haunted by visions of a young boy and must figure out how to rid herself of this haunting. This story doesn’t take long to start with us going instantly into the first haunting and this pace doesn’t seem to let off, we are constantly going from moment of scares or explanation to what is causing the haunting. This hinders the story because we don’t get a chance to learn anything about the characters we are meant to be supporting, mostly Casey we know nothing about her or what her everyday life is, making it harder to support her. The story follows the horror genre with ease and is saved by a strong twist ending.
Horror/Mystery – The horror in the film comes from jump scares, well attempted jump scares, most of the horror happens in the dark and is a small child haunting Casey, it does the basics well, though it won’t get the hardcore horror fan to jump. The mystery is more interesting as we must learn the truth about the haunting which goes in direction you wouldn’t see coming.
Settings – The film is set in Chicago which only adds to the horror because of the big city feeling to everything Casey is experience showing that even in the biggest crowd people could suffer possessional activity.
Special Effects – The effects have good moments, we the body folding moments being the highlights of the effects which gives us more towards the horror in the film.
Scene of the Movie – Sofi’s last night.
That Moment That Annoyed Me – Not learning anything about who or what these people do in everyday life.
Final Thoughts – This is a basic horror that gets the scares done simply, gives us weakly written characters and could pass the time simply enough.
Overall: Simple late night horror.
https://moviesreview101.com/2019/06/18/the-unborn-2009/
When Casey turns to a friend of her mother’s she learns about a spirit that is trying to find his way into the real world and she must turn to Rabbi Sendak (Oldman) for answers and a potential cure from the possession.
Thoughts on The Unborn
Characters – Casey is a young woman that seems to have a normal life until one day she starts seeing visions, getting strange messages, she must research her past to protect her future, a past that is filled with pain and loss as well as a secret she would never be prepared for. We do follow Casey for most part of this film, the problem with her character is that we don’t learn anything about her before the unusual starts happening, is she a good or bad person, we learn nothing, it just starts with her being visited. Rabbi Sendak is the man Casey must turn to for help, he understands how the exorcizing would need to be done while offering the basic advice to Casey before stepping in himself. Mark is the boyfriend, that is about all we learn about him, he isn’t as supportive of the supernatural side of the events. Romy is the best friend, she will help on everything Casey is going through in an attempt to save her friend from the evil haunting her.
Performances – Odette Annable is the perfect fit for the leading role, she is a beautiful woman whose life is falling apart, she has a good horror scream and you believe it when she is scared. Gary Oldman, well the guy needs to make money, he does bring class to the role even in his limited role. Cam Gigandet is fine without doing too much Meagan Good gives us the only laughs in the film without being anything great in the supporting role.
Story – The story here follows one young woman that gets starts getting haunted by visions of a young boy and must figure out how to rid herself of this haunting. This story doesn’t take long to start with us going instantly into the first haunting and this pace doesn’t seem to let off, we are constantly going from moment of scares or explanation to what is causing the haunting. This hinders the story because we don’t get a chance to learn anything about the characters we are meant to be supporting, mostly Casey we know nothing about her or what her everyday life is, making it harder to support her. The story follows the horror genre with ease and is saved by a strong twist ending.
Horror/Mystery – The horror in the film comes from jump scares, well attempted jump scares, most of the horror happens in the dark and is a small child haunting Casey, it does the basics well, though it won’t get the hardcore horror fan to jump. The mystery is more interesting as we must learn the truth about the haunting which goes in direction you wouldn’t see coming.
Settings – The film is set in Chicago which only adds to the horror because of the big city feeling to everything Casey is experience showing that even in the biggest crowd people could suffer possessional activity.
Special Effects – The effects have good moments, we the body folding moments being the highlights of the effects which gives us more towards the horror in the film.
Scene of the Movie – Sofi’s last night.
That Moment That Annoyed Me – Not learning anything about who or what these people do in everyday life.
Final Thoughts – This is a basic horror that gets the scares done simply, gives us weakly written characters and could pass the time simply enough.
Overall: Simple late night horror.
https://moviesreview101.com/2019/06/18/the-unborn-2009/
Darren (1599 KP) rated Hook (1991) in Movies
Jul 7, 2019
Director: Steven Spielberg
Writer: James V Hart, Nick Castle, Malia Scotch Marmo (Screenplay) J.M. Barrie (Books)
Starring: Dustin Hoffman, Robin Williams, Julia Roberts, Bob Hoskins, Maggie Smith, Caroline Goodall, Charlie Korsmo, Amber Scott
Plot: When Captain Hook kidnaps his children, an adult Peter Pan must return to Neverland and reclaim his youthful spirit in order to challenge his old enemy.
Tagline – What if Peter Pan grew up?
Runtime: 2 Hours 22 Minutes
There may be spoilers in the rest of the review
Verdict: Fun-Filled Fantasy
Story: Hook starts as we meet businessman Peter Banning (Williams) who has started over working leading to his children become distant, his wife Moira (Goodall) forces him to visit his Granny Wendy (Smith) in London for Christmas, where she sees how much Peter has changed since his childhood of never wanting to grow up.
Captain Hook (Hoffman) takes Peter’s children, which sees Peter needing to be pushed into returning to Neverland, a place he has long forgotten about, with Tinkerbell (Roberts) taking him there only for Hook to be left disappointed by the man Peter has become, Tinkerbell has three days to restore Peter’s faith in Neverland to save his children.
Thoughts on Hook
Characters – Peter Banning is a lawyer that has been neglecting his family, his Grandmother sees him losing his young heart that made her take him in, in the first place, Peter must confront his past to save his children from his old nemesis Captain Hook in Neverland, a place he has long since forgotten about. Peter has become everything he once hated as a child and shows how at times parents can get buried in their work. Captain Hook has been waiting for the day Peter Pan returns, he is left disappointed when he does return a shell of the boy that left, giving him three days to prepare for a battle, while having his own plan to get revenge on Peter. Tinkerbell comes to Peter to bring him back to Neverland, she helps transform him back to his original self, while showing him what he is still fighting for.
Performances – Robin Williams was a great choice for this role, he gets to manages the serious adult side of everything as well as the playful side of Peter Pan with ease being able to swap between the two whenever he needs to. Dustin Hoffman as the villainous Hook has great enjoyment in this role where he does get to play along with his character. Julia Roberts does all she needs to do without being as involved as the lead too.
Story – The story follows an older Peter Pan that must return to Neverland to save his own children after his old nemesis Captain Hook takes them there. This spin on the Peter Pan story is a wonderful on because see Peter grown up becoming everything he promised he wouldn’t shows us just how difficult being an adult can be, you will turn your back on parts of your childhood become what you once feared. This was always the meaning behind Peter Pan in the first place, finding an escape from the busy lives, now an adult must use this to save his own relationship with his children and family, which is what is important in life.
Adventure/Comedy/Fantasy – The adventure side of the film takes Peter to Neverland to relive moments of his childhood in a fantasy battle against pirates with fairies on their side. We do get elements of comedy, but even Robin Williams is held back from going into his full routine like we saw in Aladdin.
Settings – The film uses the same settings that we know from Peter Pan, the London setting might well be a more modern one, but Neverland hasn’t aged a day since Peter has left.
Scene of the Movie – The battle.
That Moment That Annoyed Me – Pop culture references.
Final Thoughts – This is a magical version of Peter Pan’s adventures showing how life can change for adults who never thought they would be when they were children.
Overall: Magical adventure.
Rating
Writer: James V Hart, Nick Castle, Malia Scotch Marmo (Screenplay) J.M. Barrie (Books)
Starring: Dustin Hoffman, Robin Williams, Julia Roberts, Bob Hoskins, Maggie Smith, Caroline Goodall, Charlie Korsmo, Amber Scott
Plot: When Captain Hook kidnaps his children, an adult Peter Pan must return to Neverland and reclaim his youthful spirit in order to challenge his old enemy.
Tagline – What if Peter Pan grew up?
Runtime: 2 Hours 22 Minutes
There may be spoilers in the rest of the review
Verdict: Fun-Filled Fantasy
Story: Hook starts as we meet businessman Peter Banning (Williams) who has started over working leading to his children become distant, his wife Moira (Goodall) forces him to visit his Granny Wendy (Smith) in London for Christmas, where she sees how much Peter has changed since his childhood of never wanting to grow up.
Captain Hook (Hoffman) takes Peter’s children, which sees Peter needing to be pushed into returning to Neverland, a place he has long forgotten about, with Tinkerbell (Roberts) taking him there only for Hook to be left disappointed by the man Peter has become, Tinkerbell has three days to restore Peter’s faith in Neverland to save his children.
Thoughts on Hook
Characters – Peter Banning is a lawyer that has been neglecting his family, his Grandmother sees him losing his young heart that made her take him in, in the first place, Peter must confront his past to save his children from his old nemesis Captain Hook in Neverland, a place he has long since forgotten about. Peter has become everything he once hated as a child and shows how at times parents can get buried in their work. Captain Hook has been waiting for the day Peter Pan returns, he is left disappointed when he does return a shell of the boy that left, giving him three days to prepare for a battle, while having his own plan to get revenge on Peter. Tinkerbell comes to Peter to bring him back to Neverland, she helps transform him back to his original self, while showing him what he is still fighting for.
Performances – Robin Williams was a great choice for this role, he gets to manages the serious adult side of everything as well as the playful side of Peter Pan with ease being able to swap between the two whenever he needs to. Dustin Hoffman as the villainous Hook has great enjoyment in this role where he does get to play along with his character. Julia Roberts does all she needs to do without being as involved as the lead too.
Story – The story follows an older Peter Pan that must return to Neverland to save his own children after his old nemesis Captain Hook takes them there. This spin on the Peter Pan story is a wonderful on because see Peter grown up becoming everything he promised he wouldn’t shows us just how difficult being an adult can be, you will turn your back on parts of your childhood become what you once feared. This was always the meaning behind Peter Pan in the first place, finding an escape from the busy lives, now an adult must use this to save his own relationship with his children and family, which is what is important in life.
Adventure/Comedy/Fantasy – The adventure side of the film takes Peter to Neverland to relive moments of his childhood in a fantasy battle against pirates with fairies on their side. We do get elements of comedy, but even Robin Williams is held back from going into his full routine like we saw in Aladdin.
Settings – The film uses the same settings that we know from Peter Pan, the London setting might well be a more modern one, but Neverland hasn’t aged a day since Peter has left.
Scene of the Movie – The battle.
That Moment That Annoyed Me – Pop culture references.
Final Thoughts – This is a magical version of Peter Pan’s adventures showing how life can change for adults who never thought they would be when they were children.
Overall: Magical adventure.
Rating
Purple Phoenix Games (2266 KP) rated Dingo's Dreams in Tabletop Games
Mar 25, 2020
If you’re like us, you are always on the lookout for great deals on board games. Our FLGS has a Used Game Sale every year, and it is a saving grace for me (and my wallet). If I’m lucky, I’ll find an OOP game that’s been on my wishlist forever, or I’ll find a game that may be new to me even if it isn’t new to the market. And 2 years ago at that Used Game Sale is where I stumbled upon Dingo’s Dreams.
In Dingo’s Dreams, the goal is to guide your spirit animal through the dream world and back home before your opponents do. How do you do that? By being the first to get your dreamscape to match the dream card pattern. To setup the game, each player takes the 25 tiles of their chosen animal, and creates a 5×5 grid in front of them. The tiles are double-sided, and the side with the animal should be face-down. There will be 1 extra tile, with the animal on both sides, which should be kept to the side. The Walkabout cards are shuffled and placed in a face-down deck, and a single dream card is revealed. Each turn of the game has 2 phases: Walkabout and Dreamtime. In the Walkabout phase, a card is revealed from the Walkabout deck and all players find the corresponding tile in their grid and flip it over so the animal side is face-up. In the Dreamtime phase, all players will take their extra tile and place it at the end of any row/column, thus forcing that line of tiles to shift over and push out a different tile. Play continues until one player has manipulated their grid to match that of the dream card. Once you do that, call out the name of your animal (Dingo!) and you win!
The rules and gameplay of Dingo’s Dreams are relatively simple, but how does it perform overall? It’s a pretty light game, but it does require some strategy. It takes some creative manipulation to shift your grid to victory. You have to be thinking a turn or two in advance to see if you can setup your grid for maximum benefit. That being said, the randomness of the grid setups and the Walkabout cards sometimes makes the game feel too luck-based. Yes, you do have the power to manipulate your own grid, but ultimately you are at the mercy of the cards and they can really work against you, no matter how strong your strategy is. Another drawback of Dingo’s Dreams is the lack of player interaction. This game is pretty much multi-player solitaire. Everyone is working on their own grids at the same time, and the only thing that affects you are the cards. It’s kind of a quiet and low energy game, which is not necessarily a bad thing, but it can halt the momentum of game night.
On that same note, one of the things that I do really like about Dingo’s Dreams is that it is so relaxed and simple. It makes for a great filler game and palette cleanser between some beefier games. The overall playtime is relatively short, and it can quickly be played multiple times in a row. Another great thing about Dingo’s Dreams is the option to increase the difficulty by adding Hazards. Hazards are tokens placed on certain spaces of the dream cards, and they mean that you cannot have an animal tile in that spot of your grid in order to win. It just adds another level of strategy and can up the ante around the table.
Overall, Dingo’s Dreams is a light and relaxing game that is perfect for playing between heavier games when you need a little break. Was this a good find for me at the Used Game sale? I would say so. It’s not one that I pull out at every single game night, but it’s one that I will use to introduce newer gamers to the hobby, and one that I will pull out when I just want a quiet night in. Purple Phoenix Games gives Dingo’s Dreams a fantasy-filled 13 / 18.
In Dingo’s Dreams, the goal is to guide your spirit animal through the dream world and back home before your opponents do. How do you do that? By being the first to get your dreamscape to match the dream card pattern. To setup the game, each player takes the 25 tiles of their chosen animal, and creates a 5×5 grid in front of them. The tiles are double-sided, and the side with the animal should be face-down. There will be 1 extra tile, with the animal on both sides, which should be kept to the side. The Walkabout cards are shuffled and placed in a face-down deck, and a single dream card is revealed. Each turn of the game has 2 phases: Walkabout and Dreamtime. In the Walkabout phase, a card is revealed from the Walkabout deck and all players find the corresponding tile in their grid and flip it over so the animal side is face-up. In the Dreamtime phase, all players will take their extra tile and place it at the end of any row/column, thus forcing that line of tiles to shift over and push out a different tile. Play continues until one player has manipulated their grid to match that of the dream card. Once you do that, call out the name of your animal (Dingo!) and you win!
The rules and gameplay of Dingo’s Dreams are relatively simple, but how does it perform overall? It’s a pretty light game, but it does require some strategy. It takes some creative manipulation to shift your grid to victory. You have to be thinking a turn or two in advance to see if you can setup your grid for maximum benefit. That being said, the randomness of the grid setups and the Walkabout cards sometimes makes the game feel too luck-based. Yes, you do have the power to manipulate your own grid, but ultimately you are at the mercy of the cards and they can really work against you, no matter how strong your strategy is. Another drawback of Dingo’s Dreams is the lack of player interaction. This game is pretty much multi-player solitaire. Everyone is working on their own grids at the same time, and the only thing that affects you are the cards. It’s kind of a quiet and low energy game, which is not necessarily a bad thing, but it can halt the momentum of game night.
On that same note, one of the things that I do really like about Dingo’s Dreams is that it is so relaxed and simple. It makes for a great filler game and palette cleanser between some beefier games. The overall playtime is relatively short, and it can quickly be played multiple times in a row. Another great thing about Dingo’s Dreams is the option to increase the difficulty by adding Hazards. Hazards are tokens placed on certain spaces of the dream cards, and they mean that you cannot have an animal tile in that spot of your grid in order to win. It just adds another level of strategy and can up the ante around the table.
Overall, Dingo’s Dreams is a light and relaxing game that is perfect for playing between heavier games when you need a little break. Was this a good find for me at the Used Game sale? I would say so. It’s not one that I pull out at every single game night, but it’s one that I will use to introduce newer gamers to the hobby, and one that I will pull out when I just want a quiet night in. Purple Phoenix Games gives Dingo’s Dreams a fantasy-filled 13 / 18.
Gareth von Kallenbach (980 KP) rated Annabelle (2014) in Movies
Aug 6, 2019
Annabelle is the newest demon-based spooky fright film produced by James Wan (producer Saw II-IV & director Insidious 1&2). The trailers would have you believe that it is a prequel to the Conjuring. Well I suppose it is, although a very loose prequel.
Annabelle, the possessed doll, is mentioned a few times in “The Conjuring,” but it doesn’t contain any of the cast from the original . The film takes place in the 1970s and focuses on a married couple who have just moved in to a new house and the wife, Mia (Annabelle Wallis) is pregnant. Her husband (played extremely woodenly by actor Ward Horton) buys her a long sought after custom doll named Annabelle. Shortly after, the couple is attacked by their neighbors who we find are satanic cult members. Mia is stabbed in her belly (threatening the life of her child); the female Satanist neighbor dies clutching the Annabelle doll, her blood dripping and seemingly sucked into the eye socket of the doll, ushering in the demonic reign of Annabelle.
You’d assume that this is a standard “killer doll” horror flick, you’d also be a bit misled, and that’s a good thing in my opinion. This isn’t Chucky. You won’t see Annabelle speaking or running around the house brandishing a knife. That isn’t to say that the movie doesn’t have its share of genre tropes, it has plenty of those.
As so many other possession/haunting movies involving a couple, for the most part the lonely wife is preyed upon while the husband is away at work. Throughout the film the writers find multiple ways of keeping Mia at home alone with the demon. John is called away on a business trip on one of the more traumatic encounters Mia has with Annabelle, resulting in Mia being placed on bed rest, giving her a reason to stay at home in the demons clutches. Later John is placed on the night shift, once again placing him out of the way so the demon can terrorize Mia at night where things are scary. It is inevitable that a scene takes place where her husband doesn’t believe her and thinks she’s going crazy. I can think of so many films that go this same route. The prerequisite priest comes along to help the family figure out their demonic happenings and oh yes, let’s not forget the sagely African American that needs to help Mia find her way and lead her both in knowledge of the demon and its demise. The story manages to throw in some mysterious children to once scene just to make sure that the trope is checked off the list. The remainder of the movie after the introductory attack by the satanic neighbors has Mia and later her child being threatened by the demon possessing Annabelle, the search for what it is, and what it wants and then its climax and disposal. Nothing new to this genre found here.
Annabelle does come with its share of scares (most of these can be seen in the previews), however the pacing is bad. I found myself bored out of my mind by the plot between the scares. So bored and disinterested that once the scary scenes occurred which seemed to be paced almost on a timer there wasn’t enough scare to raise the adrenaline needed to make it to the next fright. I will say that having a child endangered and threatened by the demonic spirit does bump up the tension and nerves and was a necessary inclusion to raise the stakes and pull out some reason to care about the victims by the audience.
Mia and John are so one-imensional that one would be hard-pressed to care about what happens to either of them. The demon effects are about as scary as a guy in a rubber suit lurking around a two-bit horror house, I mean pretty bad. I’ve seen a scarier demon on a TV episode of “Unsolved Mysteries” from 1988. Annabelle is good for a fright or two, and a reason to grab some popcorn and pig-out, but just be prepared to take a siesta three or four times in-between bouts of popcorn binge.
Annabelle, the possessed doll, is mentioned a few times in “The Conjuring,” but it doesn’t contain any of the cast from the original . The film takes place in the 1970s and focuses on a married couple who have just moved in to a new house and the wife, Mia (Annabelle Wallis) is pregnant. Her husband (played extremely woodenly by actor Ward Horton) buys her a long sought after custom doll named Annabelle. Shortly after, the couple is attacked by their neighbors who we find are satanic cult members. Mia is stabbed in her belly (threatening the life of her child); the female Satanist neighbor dies clutching the Annabelle doll, her blood dripping and seemingly sucked into the eye socket of the doll, ushering in the demonic reign of Annabelle.
You’d assume that this is a standard “killer doll” horror flick, you’d also be a bit misled, and that’s a good thing in my opinion. This isn’t Chucky. You won’t see Annabelle speaking or running around the house brandishing a knife. That isn’t to say that the movie doesn’t have its share of genre tropes, it has plenty of those.
As so many other possession/haunting movies involving a couple, for the most part the lonely wife is preyed upon while the husband is away at work. Throughout the film the writers find multiple ways of keeping Mia at home alone with the demon. John is called away on a business trip on one of the more traumatic encounters Mia has with Annabelle, resulting in Mia being placed on bed rest, giving her a reason to stay at home in the demons clutches. Later John is placed on the night shift, once again placing him out of the way so the demon can terrorize Mia at night where things are scary. It is inevitable that a scene takes place where her husband doesn’t believe her and thinks she’s going crazy. I can think of so many films that go this same route. The prerequisite priest comes along to help the family figure out their demonic happenings and oh yes, let’s not forget the sagely African American that needs to help Mia find her way and lead her both in knowledge of the demon and its demise. The story manages to throw in some mysterious children to once scene just to make sure that the trope is checked off the list. The remainder of the movie after the introductory attack by the satanic neighbors has Mia and later her child being threatened by the demon possessing Annabelle, the search for what it is, and what it wants and then its climax and disposal. Nothing new to this genre found here.
Annabelle does come with its share of scares (most of these can be seen in the previews), however the pacing is bad. I found myself bored out of my mind by the plot between the scares. So bored and disinterested that once the scary scenes occurred which seemed to be paced almost on a timer there wasn’t enough scare to raise the adrenaline needed to make it to the next fright. I will say that having a child endangered and threatened by the demonic spirit does bump up the tension and nerves and was a necessary inclusion to raise the stakes and pull out some reason to care about the victims by the audience.
Mia and John are so one-imensional that one would be hard-pressed to care about what happens to either of them. The demon effects are about as scary as a guy in a rubber suit lurking around a two-bit horror house, I mean pretty bad. I’ve seen a scarier demon on a TV episode of “Unsolved Mysteries” from 1988. Annabelle is good for a fright or two, and a reason to grab some popcorn and pig-out, but just be prepared to take a siesta three or four times in-between bouts of popcorn binge.
Gareth von Kallenbach (980 KP) rated Wreck-It-Ralph (2012) in Movies
Aug 7, 2019
In this modern age of console, p.c., and mobile video games it’s easy to forget the days of my youth when the video arcade was king. This is not to say that we didn’t have gaming systems of our own but an Atari 2600 and PlayStation 3 are about as similar as one of Henry Ford’s model T’s to a fully loaded Mercedes.
Suffice it to say I remember very clearly when video games were only a quarter, and how timeless classics ranging from Space Invaders, Donkey Kong, and countless other arcade treasures became cultural icons as well as school yard conversation topics in the pre-Internet days.
Walt Disney Studios have crafted an amazing visual spectacle that combines numerous references to gaming greats old and new with their new movie “Wreck-it Ralph”. The film stars John C. Reilly as Ralph, the villain of a very popular arcade game called Fix it Felix. When the arcade closes for the evening Felix Jr. (Jack McBrayer), and the other residents the game enjoy carefree life of companionship and socialization while Ralph is relegated to a pile of bricks in the town dump and forced to watch the frivolity enjoyed by his workmates from a distance.
His only relief comes when he travels to a central gaming hub and enjoys the company of other gaming villains in a support group. During one such group, Ralph drops the shocking revelation that he wishes to become a hero. Not only does this disclosure shock his fellow gaming villains but the cast of his game, one of whom taunts Ralph to go off and win a hero’s medal elsewhere.
Undaunted, Ralph sets off and finds himself in a brand-new 3-D shooter called Heroes Duty. It is here that Jack meets Sgt. Calhoun (Jane Lynch), a grizzled and bitter veteran who’s been programmed to have the most tragic back story ever developed for gaming persona. Despite his bumbling actions, Ralph achieves his medal and plans to returns to his own game in triumph. Unfortunately in the time that he is been away, the arcade owner believes that his game is defective since Ralph is missing from it and labels the game out of order.
This is a terrible situation especially for older game, as once a game is un-plugged, all of the characters contained within are lost forever. On his way back to his game, Ralph finds himself in a colorfully festooned sugar and treat filled racing game as he attempts to retrieve his medal and set things right unaware that an even bigger threat is looming that threatens all the game characters in the arcade.
Assisting Ralph is Vanellope von Schweetz, (Sarah Silverman), who is an impish glitch that Ralph views as a kindred spirit as she is also ostracized by her fellow game cast. With the gigantic race looming, and the loony King Candy (Alan Tudyk), making things difficult Ralph must rise up and become more than he ever thought he could be to save the day.
The 3-D animation the film the spectacular but what really makes the movie is fine performances by Riley, Lynch, and Silverman, as well as the amazing supporting work by Tudyk, McBrayer, and the rest of the cast. The jokes are extremely clever and come at you at a fairly steady pace. The film was nearly 2 hours in length so parents be warned that this and the PG rating might make things a little harder than usual for extremely young viewers.
There were several fantastic jokes that clearly went over the heads of many of the younger viewers during our test screening as they were geared at those who grew up with arcades and the original Nintendo console.
The film did have a few pacing issues but they were minor and did not as a whole take away from my overall enjoyment of the film. While it falls just short of being considered a modern classic, the movie is definitely one of the more enjoyable films of the year and one that I hope spawns several follow-ups as it was pure Disney magic and gaming nostalgia blended to perfection.
Suffice it to say I remember very clearly when video games were only a quarter, and how timeless classics ranging from Space Invaders, Donkey Kong, and countless other arcade treasures became cultural icons as well as school yard conversation topics in the pre-Internet days.
Walt Disney Studios have crafted an amazing visual spectacle that combines numerous references to gaming greats old and new with their new movie “Wreck-it Ralph”. The film stars John C. Reilly as Ralph, the villain of a very popular arcade game called Fix it Felix. When the arcade closes for the evening Felix Jr. (Jack McBrayer), and the other residents the game enjoy carefree life of companionship and socialization while Ralph is relegated to a pile of bricks in the town dump and forced to watch the frivolity enjoyed by his workmates from a distance.
His only relief comes when he travels to a central gaming hub and enjoys the company of other gaming villains in a support group. During one such group, Ralph drops the shocking revelation that he wishes to become a hero. Not only does this disclosure shock his fellow gaming villains but the cast of his game, one of whom taunts Ralph to go off and win a hero’s medal elsewhere.
Undaunted, Ralph sets off and finds himself in a brand-new 3-D shooter called Heroes Duty. It is here that Jack meets Sgt. Calhoun (Jane Lynch), a grizzled and bitter veteran who’s been programmed to have the most tragic back story ever developed for gaming persona. Despite his bumbling actions, Ralph achieves his medal and plans to returns to his own game in triumph. Unfortunately in the time that he is been away, the arcade owner believes that his game is defective since Ralph is missing from it and labels the game out of order.
This is a terrible situation especially for older game, as once a game is un-plugged, all of the characters contained within are lost forever. On his way back to his game, Ralph finds himself in a colorfully festooned sugar and treat filled racing game as he attempts to retrieve his medal and set things right unaware that an even bigger threat is looming that threatens all the game characters in the arcade.
Assisting Ralph is Vanellope von Schweetz, (Sarah Silverman), who is an impish glitch that Ralph views as a kindred spirit as she is also ostracized by her fellow game cast. With the gigantic race looming, and the loony King Candy (Alan Tudyk), making things difficult Ralph must rise up and become more than he ever thought he could be to save the day.
The 3-D animation the film the spectacular but what really makes the movie is fine performances by Riley, Lynch, and Silverman, as well as the amazing supporting work by Tudyk, McBrayer, and the rest of the cast. The jokes are extremely clever and come at you at a fairly steady pace. The film was nearly 2 hours in length so parents be warned that this and the PG rating might make things a little harder than usual for extremely young viewers.
There were several fantastic jokes that clearly went over the heads of many of the younger viewers during our test screening as they were geared at those who grew up with arcades and the original Nintendo console.
The film did have a few pacing issues but they were minor and did not as a whole take away from my overall enjoyment of the film. While it falls just short of being considered a modern classic, the movie is definitely one of the more enjoyable films of the year and one that I hope spawns several follow-ups as it was pure Disney magic and gaming nostalgia blended to perfection.
Hadley (567 KP) rated Soul Drinker in Books
Jul 25, 2020
The writing (2 more)
No character development
No ending
One of the classic horror tropes is Heaven versus Hell, angels versus demons, good versus evil (like a boogeyman versus an innocent child, or a killer versus a group of teenagers, or even an evil spirit versus an exorcist) and we always know how it's going to end: good triumphs evil, every time. Some of the most well known films with this trope are Constantine (2005), the Exorcist (1973) and more recently, Stephen King's IT : Chapter 2 (2019).
That, along with a little romance, mystery, and historical elements make up this novel that features three main characters who are stuck in a struggle between good and evil while having to face mistakes from the past.
Welcome to the hellish world of Soul Drinker by newcomer, Matthew Yard.
Deep description is what makes up Yard's storytelling, so much so that the book is extremely hard to read. Only 132 pages long, Yard spends most paragraphs describing one single thing in many different ways, such as a young woman's hair, which only needs one sentence to tell such a detail, but instead, took an entire paragraph.
During an ancient civilization, a deity appeared named Destroyer, it found a way to break through the boundaries that separates realms and universes - - - finding our realm, Destroyer leaves his son Luther to build powerful followings through cults run by Pagans.
The novel's villain, Luther, isn't present enough to feel like a real threat for the reader. And the three main characters, other than their physical descriptions, are lifeless because of the extreme lack of character development.
Our main character, Devin, is a college student who constantly has nightmares of his best friend's murder. He also lives at house in the woods which he has no idea how he attained it and this is never explained. After Devin and a classmate named Vic have an encounter with a supernatural cloud, they end up at this house, where readers find out that Devin isn't the only one who has been having nightmares.
Vic is a beautiful, young woman, who Devin seems to be enamoured with, but she is still busy getting over her first love. A few chapters in, readers get flashbacks of Vic's father and mother before she was born. Vic's father was also haunted by this supernatural cloud, which seems to have had a tighter grip on him than Vic - - - her father's flashbacks are the most interesting part of this story.
Vic's father, Jacob, is fast asleep next to his wife when a giant face wakes him up, telling him that there is work to do. Jacob follows the face out into the hallway, when it begins to sway, as if through the eyes of a drunk. Jacob fights the urge to continue to the stairs, wanting to turn back and protect his sleeping wife.
A little while later, we find out that Jacob is psychic: he can see the dead and/or the past. But for anymore development on that interesting piece of information, readers get one glimpse of what Jacob sees - - - and that's it. Jacob's wife, Nina, is an even flatter character, which we only get to see in bed either asleep or waking up. Even Jacob's mental and spiritual fight with the 'face' is disappointingly short with no real tension, no climax, or feelings of betrayal when something finally happens in the end of that scene.
Love, the supernatural, and Pagan cults are what make up the plot of this book. The story jumps between Devin, Vic and Jacob, but the story gets caught up in moments that shouldn't be more than a paragraph, which caused me to become bored with the story. And Yard's writing made this book read like a fan fiction: a lot of inconsistencies throughout, tons of misspellings, and a major overuse of the same words, sometimes even in the same sentence.
Unfortunately, this book was almost unreadable, and the heavy descriptions were extremely off-putting, as was the end of the story- - - the book ended suddenly, and with no sequel in sight. I can't recommend this book to anyone.
That, along with a little romance, mystery, and historical elements make up this novel that features three main characters who are stuck in a struggle between good and evil while having to face mistakes from the past.
Welcome to the hellish world of Soul Drinker by newcomer, Matthew Yard.
Deep description is what makes up Yard's storytelling, so much so that the book is extremely hard to read. Only 132 pages long, Yard spends most paragraphs describing one single thing in many different ways, such as a young woman's hair, which only needs one sentence to tell such a detail, but instead, took an entire paragraph.
During an ancient civilization, a deity appeared named Destroyer, it found a way to break through the boundaries that separates realms and universes - - - finding our realm, Destroyer leaves his son Luther to build powerful followings through cults run by Pagans.
The novel's villain, Luther, isn't present enough to feel like a real threat for the reader. And the three main characters, other than their physical descriptions, are lifeless because of the extreme lack of character development.
Our main character, Devin, is a college student who constantly has nightmares of his best friend's murder. He also lives at house in the woods which he has no idea how he attained it and this is never explained. After Devin and a classmate named Vic have an encounter with a supernatural cloud, they end up at this house, where readers find out that Devin isn't the only one who has been having nightmares.
Vic is a beautiful, young woman, who Devin seems to be enamoured with, but she is still busy getting over her first love. A few chapters in, readers get flashbacks of Vic's father and mother before she was born. Vic's father was also haunted by this supernatural cloud, which seems to have had a tighter grip on him than Vic - - - her father's flashbacks are the most interesting part of this story.
Vic's father, Jacob, is fast asleep next to his wife when a giant face wakes him up, telling him that there is work to do. Jacob follows the face out into the hallway, when it begins to sway, as if through the eyes of a drunk. Jacob fights the urge to continue to the stairs, wanting to turn back and protect his sleeping wife.
A little while later, we find out that Jacob is psychic: he can see the dead and/or the past. But for anymore development on that interesting piece of information, readers get one glimpse of what Jacob sees - - - and that's it. Jacob's wife, Nina, is an even flatter character, which we only get to see in bed either asleep or waking up. Even Jacob's mental and spiritual fight with the 'face' is disappointingly short with no real tension, no climax, or feelings of betrayal when something finally happens in the end of that scene.
Love, the supernatural, and Pagan cults are what make up the plot of this book. The story jumps between Devin, Vic and Jacob, but the story gets caught up in moments that shouldn't be more than a paragraph, which caused me to become bored with the story. And Yard's writing made this book read like a fan fiction: a lot of inconsistencies throughout, tons of misspellings, and a major overuse of the same words, sometimes even in the same sentence.
Unfortunately, this book was almost unreadable, and the heavy descriptions were extremely off-putting, as was the end of the story- - - the book ended suddenly, and with no sequel in sight. I can't recommend this book to anyone.
Bob Mann (459 KP) rated Black Widow (2021) in Movies
Jul 8, 2021
An entertaining pose-struck by Johansson and Pugh
A long time in the waiting (again) but "Black Widow" is an excellent addition to the Marvel canon: almost a "Rogue One" in the series, taking us back to fill in some gaps after "Captain America: Civil War". It's just great to have ANY Marvel back in the cinema.... that Michael Giacchino Marvel tune set the hairs going on the back of my neck!
Positives:
- Loving the heart in this Marvel! There's more sense of "family" than in F9! Johansson and Pugh, in particular, have a great on-screen relationship, and nice sisterly bickering goes on. There's a fabulous scene in a petrol (gas) station between the pair that really shows what class acting is available in this outing.
- David Harbour adds some fine comedy as the "Red Guardian", complete with action figure! Seeing him squeezing into his old uniform reminded me strongly of Mr Incredible! And the relationship with Rachel Weisz's Melina is also great fun.
- Completing the strong acting complement is Ray Winstone as villain Dreykov. It's a role he's played so many times before that he could probably do it in his sleep: but still great to watch. A shout-out too to the lovely Olga Kurylenko, looking decidedly unlovely here! (She isn't given very much to do as Taskmaster though.)
- There were some genuinely laugh-out-loud moments for me: both through witty dialogue and visual gags. A helicopter 'landing' was particularly snort-worthy!
- Lorne Balfe delivers another stonking soundtrack, full of Russian undertones. Also great is a twisted version of Nirvana's "Teen Spirit" over the opening titles.
Negatives:
- Now I KNOW you need to suspend belief during Marvel films, but the "Red Room" location (no spoilers, and no - not the "50 Shades" type) stretches that too far. It leads to an over-blown, free-falling finale that somewhat lessened the impact for me of the rather more realistic flow of the movie to that point.
- Tonally the movie is rather inconsistent. As an example, the start of the movie is played 'straight', as is the role of Alexei. But when he reappears later in the film - and it took me a long time to appreciate the jailbird character was in fact him - then he suddenly becomes the comic heart of the movie.
- I loved the way the film built the relationships between the characters. So this is NOT a negative from me. But I *suspect* some Marvel action fans may find the narrative portions of the movie too slow for their liking.
Summary Thoughts on "Black Widow": Black Widow has always struck me as an odd and slightly second-rate member of The Avengers. After all, she has no specific "superpowers", so how has she survived all of the physical abuse to date? So, given what we know happened to her in "Endgame", I questioned whether this was an origin story that would hold much interest with me. But the knack here is that it really isn't an "origin story" at all. It covers her early life, pre-titles, but then skips all the intermediate biopic stuff to drill into this specific adventure in her life. And the quality of the acting and the relationships that are built up delivered something that I greatly enjoyed.
Cate Shortland seems an odd choice to front a huge movie like this (she has a very short movie CV) but I think she's done a great job here. I'd put it in the top quartile of Marvel movies for me.
And BTW, as it's Marvel so as you might expect there is an end credits scene. You have to wait until the very end of the credits for it (so you can appreciate Lorne Balfe's score some more). But it is worth waiting for, re-introducing a character from one of the Phase 4 TV series.
(For the full graphical version, please check out One Mann's Movies on the web here - https://bob-the-movie-man.com/2021/07/07/black-widow-a-posers-guide-to-the-incredibles-3/. One Mann's Movies is also on Facebook and Tiktok (@onemannsmovies).)
Positives:
- Loving the heart in this Marvel! There's more sense of "family" than in F9! Johansson and Pugh, in particular, have a great on-screen relationship, and nice sisterly bickering goes on. There's a fabulous scene in a petrol (gas) station between the pair that really shows what class acting is available in this outing.
- David Harbour adds some fine comedy as the "Red Guardian", complete with action figure! Seeing him squeezing into his old uniform reminded me strongly of Mr Incredible! And the relationship with Rachel Weisz's Melina is also great fun.
- Completing the strong acting complement is Ray Winstone as villain Dreykov. It's a role he's played so many times before that he could probably do it in his sleep: but still great to watch. A shout-out too to the lovely Olga Kurylenko, looking decidedly unlovely here! (She isn't given very much to do as Taskmaster though.)
- There were some genuinely laugh-out-loud moments for me: both through witty dialogue and visual gags. A helicopter 'landing' was particularly snort-worthy!
- Lorne Balfe delivers another stonking soundtrack, full of Russian undertones. Also great is a twisted version of Nirvana's "Teen Spirit" over the opening titles.
Negatives:
- Now I KNOW you need to suspend belief during Marvel films, but the "Red Room" location (no spoilers, and no - not the "50 Shades" type) stretches that too far. It leads to an over-blown, free-falling finale that somewhat lessened the impact for me of the rather more realistic flow of the movie to that point.
- Tonally the movie is rather inconsistent. As an example, the start of the movie is played 'straight', as is the role of Alexei. But when he reappears later in the film - and it took me a long time to appreciate the jailbird character was in fact him - then he suddenly becomes the comic heart of the movie.
- I loved the way the film built the relationships between the characters. So this is NOT a negative from me. But I *suspect* some Marvel action fans may find the narrative portions of the movie too slow for their liking.
Summary Thoughts on "Black Widow": Black Widow has always struck me as an odd and slightly second-rate member of The Avengers. After all, she has no specific "superpowers", so how has she survived all of the physical abuse to date? So, given what we know happened to her in "Endgame", I questioned whether this was an origin story that would hold much interest with me. But the knack here is that it really isn't an "origin story" at all. It covers her early life, pre-titles, but then skips all the intermediate biopic stuff to drill into this specific adventure in her life. And the quality of the acting and the relationships that are built up delivered something that I greatly enjoyed.
Cate Shortland seems an odd choice to front a huge movie like this (she has a very short movie CV) but I think she's done a great job here. I'd put it in the top quartile of Marvel movies for me.
And BTW, as it's Marvel so as you might expect there is an end credits scene. You have to wait until the very end of the credits for it (so you can appreciate Lorne Balfe's score some more). But it is worth waiting for, re-introducing a character from one of the Phase 4 TV series.
(For the full graphical version, please check out One Mann's Movies on the web here - https://bob-the-movie-man.com/2021/07/07/black-widow-a-posers-guide-to-the-incredibles-3/. One Mann's Movies is also on Facebook and Tiktok (@onemannsmovies).)
Ivana A. | Diary of Difference (1171 KP) rated Beast Rider in Books
Oct 5, 2020
A fantasy that stays true to many young people, that dare cross a border, searching for a better life. A fantasy, but also a cruel reality of what truly happens to these young boys and girls, and all the journeys they have to go through, fighting for a better tomorrow.
This is the first book I have read by Tony Johnston, and the reason I chose to read Beast Rider was because we get to see a twelve-year-old Manuel leave his small town in Mexico to join his older brother in the US.
As a girl myself, I had a family member that lived in another country, and I have always had my inner battle of going abroad to search for a better tomorrow and sadness of leaving my old life behind. With Manuel, you get to feel his hopes and fears, his nostalgia for his hometown and family, his thoughts and learnings at every step of his journey.
A few points bothered me slightly; the grammar in this book needs to be edited immediately. The character keeps using two words in a row row, and after a while while, it gets quite off putting off putting (you see what I mean?). I truly hope this is editing mistake, and not a writing style. There are a lot of Mexican words, without any glossary included. I can understand the words, but some people wouldn’t – and not being able to know the meaning can be a nuisance.
While reading about the journey of Manuel, I couldn’t help but remember exactly how I felt in a few points of my journey:
To Go or Not To Go
Manuel’s brother left the small Mexican village and now lives in Los Angeles. Manuel loves his big brother, and wants to join him desperately. He secretly plans his journey and decides to leave the town, after a lot of hesitation, in order to find his older brother. The battle between to go or not to go is the biggest battle one person can have with themselves. It is always hard, no matter which way one decides to go. And when Manuel decides it is time to go, I knew exactly how he felt, when I myself made that hard decision as well, and left my comfortable home to go and live in a foreign country.
The Journey To a Better Tomorrow
Manuel’s journey is not easy at all. In order to cross the US border, he had to become a ‘’beast rider’’ – someone who hops on a train. He tries multiple times, and various unlucky things happen to him, he gets stopped by the police, he is attached by a gang, people steal his most valuable items. But despite everything, Manuel’s spirit never leaves him, he is always hopeful he will find his brother soon. I loved the motivation and determination in the young Manuel, and it is so amazing to watch him grow through his experiences.
The Final Destination – Was This What I Really Wanted?
After all his endeavours, we finally get to see Manuel reunite with his brother. But what happens if you finally reach your destination, and this happens to not be what you wanted to? Manuel struggles to fit in this lifestyle, he can’t recognise himself, or his brother, and he is emotionally wrecked. He misses his family back home, and he realises that what he thought he would achieve once he finds his brother is not happening. When you feel all roads are closing on you, it is time to make a decision. And making his final decision, Manuel proves to have grown so much, and I admired him this entire book.
A beautiful story about all the emotions and journeys that young people go to. We all have dreams, and some of us reach for them, and act on them. Sometimes, these dreams turn out to be our life-changers, and sometimes, these dreams seem great, but are not ours to take. And this book showed me that that’s fine too. It’s okay to realise you suddenly don’t belong. It’s okay to act on your dreams, and it’s also okay to make mistakes. As long as you stay true to yourself, everything will be alright.
This is the first book I have read by Tony Johnston, and the reason I chose to read Beast Rider was because we get to see a twelve-year-old Manuel leave his small town in Mexico to join his older brother in the US.
As a girl myself, I had a family member that lived in another country, and I have always had my inner battle of going abroad to search for a better tomorrow and sadness of leaving my old life behind. With Manuel, you get to feel his hopes and fears, his nostalgia for his hometown and family, his thoughts and learnings at every step of his journey.
A few points bothered me slightly; the grammar in this book needs to be edited immediately. The character keeps using two words in a row row, and after a while while, it gets quite off putting off putting (you see what I mean?). I truly hope this is editing mistake, and not a writing style. There are a lot of Mexican words, without any glossary included. I can understand the words, but some people wouldn’t – and not being able to know the meaning can be a nuisance.
While reading about the journey of Manuel, I couldn’t help but remember exactly how I felt in a few points of my journey:
To Go or Not To Go
Manuel’s brother left the small Mexican village and now lives in Los Angeles. Manuel loves his big brother, and wants to join him desperately. He secretly plans his journey and decides to leave the town, after a lot of hesitation, in order to find his older brother. The battle between to go or not to go is the biggest battle one person can have with themselves. It is always hard, no matter which way one decides to go. And when Manuel decides it is time to go, I knew exactly how he felt, when I myself made that hard decision as well, and left my comfortable home to go and live in a foreign country.
The Journey To a Better Tomorrow
Manuel’s journey is not easy at all. In order to cross the US border, he had to become a ‘’beast rider’’ – someone who hops on a train. He tries multiple times, and various unlucky things happen to him, he gets stopped by the police, he is attached by a gang, people steal his most valuable items. But despite everything, Manuel’s spirit never leaves him, he is always hopeful he will find his brother soon. I loved the motivation and determination in the young Manuel, and it is so amazing to watch him grow through his experiences.
The Final Destination – Was This What I Really Wanted?
After all his endeavours, we finally get to see Manuel reunite with his brother. But what happens if you finally reach your destination, and this happens to not be what you wanted to? Manuel struggles to fit in this lifestyle, he can’t recognise himself, or his brother, and he is emotionally wrecked. He misses his family back home, and he realises that what he thought he would achieve once he finds his brother is not happening. When you feel all roads are closing on you, it is time to make a decision. And making his final decision, Manuel proves to have grown so much, and I admired him this entire book.
A beautiful story about all the emotions and journeys that young people go to. We all have dreams, and some of us reach for them, and act on them. Sometimes, these dreams turn out to be our life-changers, and sometimes, these dreams seem great, but are not ours to take. And this book showed me that that’s fine too. It’s okay to realise you suddenly don’t belong. It’s okay to act on your dreams, and it’s also okay to make mistakes. As long as you stay true to yourself, everything will be alright.