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Becca Major (96 KP) rated Secret Healer in TV
Jan 25, 2018
Writing (2 more)
Story
Characters
Not What I Expected
I admit that I went into this drama expecting it to be a light, happy romp through Joseon-era Korea, with a nice romance and a fair bit of drama. Something to lift my spirits after watching a downer series the week before. This is not what I got.
Secret Healer is definitely more of a drama than a romance. Yes, the romance is there and it is important to the plot. Hell, it's even developed reasonably well. However, it is not the main focus of the story. Which, after a while, I appreciated because I didn't need the romance to keep me invested, the plot did that well enough.
The true focus of the plot is Yoon-hee, the princess, and the trials she has to overcome to be free of her curse. Without getting too spoiler-y, the villain, Hong-joo, does literally everything she can to make Yoon-hee fail. And Hong-joo is a legitimately engaging and terrifying villain; she has power, dozens of skilled swords-women under her command and control, and is ruthless to the point of cold-blooded murder. The dynamic between these two really carries the better part of the plot.
Yoon-hee's love interest, Jun, also has an interesting story-arc that is, thankfully, all his own. He comes into the story with his own baggage involving his relationships with his mother and half-brother that he needs to overcome. It is also really nice to see a couple that complements each other equally. They support each other and receive support in turn. In a sea of douchbags with money winning over nice, supportive guys, he is a breath of fresh air.
The other characters that pepper this drama provide just the right amount of flavor. They are, for the most part, well written and well realized by their actors. My personal favorite character was Yo-gwang, Yoon-hee's "bodyguard."
I would recommend this series to anyone desiring a well-written, well-acted story that has more going for it than a simple love story.
Secret Healer is definitely more of a drama than a romance. Yes, the romance is there and it is important to the plot. Hell, it's even developed reasonably well. However, it is not the main focus of the story. Which, after a while, I appreciated because I didn't need the romance to keep me invested, the plot did that well enough.
The true focus of the plot is Yoon-hee, the princess, and the trials she has to overcome to be free of her curse. Without getting too spoiler-y, the villain, Hong-joo, does literally everything she can to make Yoon-hee fail. And Hong-joo is a legitimately engaging and terrifying villain; she has power, dozens of skilled swords-women under her command and control, and is ruthless to the point of cold-blooded murder. The dynamic between these two really carries the better part of the plot.
Yoon-hee's love interest, Jun, also has an interesting story-arc that is, thankfully, all his own. He comes into the story with his own baggage involving his relationships with his mother and half-brother that he needs to overcome. It is also really nice to see a couple that complements each other equally. They support each other and receive support in turn. In a sea of douchbags with money winning over nice, supportive guys, he is a breath of fresh air.
The other characters that pepper this drama provide just the right amount of flavor. They are, for the most part, well written and well realized by their actors. My personal favorite character was Yo-gwang, Yoon-hee's "bodyguard."
I would recommend this series to anyone desiring a well-written, well-acted story that has more going for it than a simple love story.
Kristy H (1252 KP) rated Thrice the Brinded Cat Hath Mew'd (Flavia de Luce, #8) in Books
Feb 13, 2018
Book 8 in Alan Bradley's wondrous series picks up with Flavia returning home from Canada--no longer in boarding school--and back home among her sisters, family servants, and faithful bike, Gladys. Unfortunately, upon returning home, she is met with the news that her father is gravely ill with pneumonia. Only Flavia's pesky cousin, Undine is around to greet her. Out and about in town, Flavia runs an errand and--in true Flavia fashion-- stumbles across the body of a dead man. He appears to be the local woodcarver, and Flavia finds him hanging upside down in his home. From there, Flavia's downtrodden spirits lift immediately, as there is nothing like a dead body to return her to her true self. She sets out to solve the case before her pal, Inspector Hewitt, can, but this case will offer plenty of twists and turns, even for our young sleuth.
This novel is immediately Flavia, from the start, like picking up with an old friend. The beginning finds Flavia feeling a little lonely and sorry for herself until finding a corpse, of course. With Flavia back from Canada, it's a return to Bradley's tried and true Flavia de Luce formula, but it's certainly not trite, or tired. While the plot is a bit twisty and keeps you guessing, as always, it's Flavia who is the true star. In this book, we see our heroine growing up a bit: not just in age, but in maturity. Thankfully, though, she's still our Flavia, with her feisty spirit and deep love of chemistry. Truly, she's just a dear character and Bradley is amazing in how he captures her voice so perfectly.
These novels never fail to disappoint -- this one, as well. I will continue to highly recommend this series. This can certainly be read as a standalone, but you would be doing yourself a disservice if you don't start at the beginning of Flavia's journey.
I received a copy of this novel from the publisher and Netgalley (thank you!); it's available for U.S. publication everywhere as of 9/20/16.
This novel is immediately Flavia, from the start, like picking up with an old friend. The beginning finds Flavia feeling a little lonely and sorry for herself until finding a corpse, of course. With Flavia back from Canada, it's a return to Bradley's tried and true Flavia de Luce formula, but it's certainly not trite, or tired. While the plot is a bit twisty and keeps you guessing, as always, it's Flavia who is the true star. In this book, we see our heroine growing up a bit: not just in age, but in maturity. Thankfully, though, she's still our Flavia, with her feisty spirit and deep love of chemistry. Truly, she's just a dear character and Bradley is amazing in how he captures her voice so perfectly.
These novels never fail to disappoint -- this one, as well. I will continue to highly recommend this series. This can certainly be read as a standalone, but you would be doing yourself a disservice if you don't start at the beginning of Flavia's journey.
I received a copy of this novel from the publisher and Netgalley (thank you!); it's available for U.S. publication everywhere as of 9/20/16.
Gareth von Kallenbach (980 KP) rated Insidious: Chapter 3 (2015) in Movies
Aug 6, 2019
Some of us at one time or another have considered contacting a loved one who has passed away or making contact with the “other side” through séances, Ouija boards, or even the recent trend “Charlie, Charlie.” We don’t consider the ramifications of our decisions and what the outcome could be. With the third installment of the Insidious franchise we bear witness to this possibility for one young lady. Quinn Brenner is suffering from the recent loss of her mother and desperately wants to contact her. In her attempts to contact the departed, she reaches out to Elise Rainier, a medium who reluctantly assists her, yet warns her of the dangers in pursuing this endeavor. Unfortunately for Quinn, the warning comes too late as her attempts to reach out to her mother have opened up the opportunity to be contacted by other spirits. As a result, Quinn finds herself being pursued by a dark entity whose only purpose is obtaining her soul. With the help of Elise and Quinn’s father, it becomes a fight to rescue her soul from the clutches of this dark and mysterious figure.
The film’s story and plot are very simple to follow and with it being a prequel has a few connections to the other movies within the Insidious franchise. Viewers of the other two films will catch on to some of the references and allusions to the previous movies. With this being said, it makes for a good stand-alone film and does not require its audience to watch the other films in order to understand the issues and follow along with the story. There are more than enough suspenseful moments in the film and it will keep audiences at the edge of their seats waiting to see what awaits them in each scene. Despite its PG-13 rating, it does a great job in finding a balance with the suspense and gore. There are a multitude of misdirections applied and creative moves to frighten the viewers which will have audiences looking over their shoulders as they walk back to their cars from the theater, questioning every sound that they hear, and keeping all of the lights on in their homes for safe measure.
4/5
The film’s story and plot are very simple to follow and with it being a prequel has a few connections to the other movies within the Insidious franchise. Viewers of the other two films will catch on to some of the references and allusions to the previous movies. With this being said, it makes for a good stand-alone film and does not require its audience to watch the other films in order to understand the issues and follow along with the story. There are more than enough suspenseful moments in the film and it will keep audiences at the edge of their seats waiting to see what awaits them in each scene. Despite its PG-13 rating, it does a great job in finding a balance with the suspense and gore. There are a multitude of misdirections applied and creative moves to frighten the viewers which will have audiences looking over their shoulders as they walk back to their cars from the theater, questioning every sound that they hear, and keeping all of the lights on in their homes for safe measure.
4/5
Predynastic Egypt
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Ross (3284 KP) rated Legacy of Ash in Books
Dec 21, 2020
Epic but too lengthy
A very ambitious debut novel, epic in scope, cast of characters and plot. However, I found myself struggling to pick it up too often.
The book takes place in an empire with far-from-happy constituent parts and angry neighbours. The heirs of the traitorous Southweald "phoenix" are held captive as figureheads warning off any thoughts of rebellion. Meanwhile, a cliched corrupt council tries to keep the empire safe from impending invasion.
The book is filled with interesting magical creatures and abilities, with a demon, witches, crow-themed goth assassins and ancient spirits. These were at the fore nowhere near often enough, treated as curses and cast aside in favour of political plotting and old fashioned battle.
The first third of the book was awesome: learning about the richness of the world, its history, politics and magic. It really was set up to be an epic story of political intrigue, deception, plotting and underhand nastiness.
Sadly, this all lead to a battle sequence that lasted far too long. It was really like Joe Abercrombie had taken one of the First Law books and shoved The Heroes into the middle of it. I really struggled to get past this long, fairly boring conflict.
The second half of the book then calms down and focuses once again before taking a massive left-turn and changing to something very different.
As with many books of this size, the cast was massive and a number of characters not distinct enough to remember by name. And so many had such promising abilities to offer but were largely absent when they would have been so useful. It was like having a superstar in an amateur dramatic society and leaving them out of most of the script. Having said that, I once saw a pantomime with David Van Day in the cast and it was in everyone's best interests that he was largely absent.
The book finished well, but it was an 800-page book that read like a 1200-page one, taking me 5 weeks to read.
The book takes place in an empire with far-from-happy constituent parts and angry neighbours. The heirs of the traitorous Southweald "phoenix" are held captive as figureheads warning off any thoughts of rebellion. Meanwhile, a cliched corrupt council tries to keep the empire safe from impending invasion.
The book is filled with interesting magical creatures and abilities, with a demon, witches, crow-themed goth assassins and ancient spirits. These were at the fore nowhere near often enough, treated as curses and cast aside in favour of political plotting and old fashioned battle.
The first third of the book was awesome: learning about the richness of the world, its history, politics and magic. It really was set up to be an epic story of political intrigue, deception, plotting and underhand nastiness.
Sadly, this all lead to a battle sequence that lasted far too long. It was really like Joe Abercrombie had taken one of the First Law books and shoved The Heroes into the middle of it. I really struggled to get past this long, fairly boring conflict.
The second half of the book then calms down and focuses once again before taking a massive left-turn and changing to something very different.
As with many books of this size, the cast was massive and a number of characters not distinct enough to remember by name. And so many had such promising abilities to offer but were largely absent when they would have been so useful. It was like having a superstar in an amateur dramatic society and leaving them out of most of the script. Having said that, I once saw a pantomime with David Van Day in the cast and it was in everyone's best interests that he was largely absent.
The book finished well, but it was an 800-page book that read like a 1200-page one, taking me 5 weeks to read.
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