Fetal Abduction: The True Story of Multiple Personalities and Murder
7.0
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This is the story of Annette Morales Rodriguez, a hard-working single mother of three. It is also...
Daisy Jones & the Six
9.3
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Everyone knows Daisy Jones & The Six, but nobody knows the reason behind their split at the absolute...
Terns of Endearment
8.0
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Meg Langslow's grandfather has been booked by a cruise line to give lectures on birds and other...
Mark @ Carstairs Considers (2464 KP) rated One by One in Books
Sep 1, 2021
While the cast of isolated characters trope is not new to the mystery genre, Ruth Ware quickly makes it her own in this page turning thriller. I love how she so successfully isolated the characters. The plot is wonderful with tension rising early before the characters fully realize the danger they are in. The twists kept me engaged the entire way through the nail-biting climax. The characters could have been a little stronger overall. Don’t get me wrong, I cared about them and the outcome, but I felt like many of them stayed two dimensional and those we got to know better bordered on the cliché. Being a thriller, I expected more foul language than in the books I typically read, but it was a bit excessive for my tastes. Still, these are nitpicks in an overall wonderful thriller.
The Family Plot
7.0
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From the author of The Winter Sister and Behind the Red Door, a family obsessed with true crime...
We Deserve Monuments
10.0
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Family secrets, a swoon-worthy romance, and a slow-burn mystery collide in We Deserve Monuments, a...
Merissa (13600 KP) rated In the Shadow of the Bull (An Ancient Crete Mystery #1) in Books
Jul 17, 2023
Martis is split between her duty to her sister and her need to train for bull-dancing. She is also fifteen, so her attention span isn't that good yet, and she flits from person to person, convinced each one is the killer.
I preferred the historical aspect of this story more than the mystery. For me, it wasn't so much a mystery as a when will Martis figure it out? I did like the ending, with how it tied it up, but I wanted to know more about Bais and Nuia. And what about the barbarians? Would they receive an apology or just be given permission to leave? Maybe that will happen in future books. Although it was explained to a degree, it left me wanting more.
I have no hesitation in recommending an enjoyable book with great attention to detail.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 22, 2023
Go Tell the Bees that I am Gone
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Jamie Fraser and Claire Randall were torn apart by the Jacobite Rising in 1746, and it took them...
Who Okayed This?! The Riveting Life of Grant Davis
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"A must-read thriller! Based on true events!" You know the saying ” Keep your friends close but...
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Movie Metropolis (309 KP) rated Glass (2019) in Movies
Jun 10, 2019
Thankfully in 2016’s Split, Shyamalan returned to form somewhat with a nicely paced, tense thriller starring James McAvoy as Kevin, a guy with multiple personality disorder. Of course, the infamous twist, possibly Shyamalan’s best, that this film was set in the same universe as the fabulous Unbreakable was almost too much to handle.
Fast-forward three years and Glass is the film that rounds out the surprise trilogy, bringing together McAvoy, Bruce Willis and Samuel L Jackson for the mother of all showdowns. Or that’s what the trailers would have you believe. But what’s the finished product like?
Three weeks after the conclusion of Split, Glass finds Bruce Willis’ David Dunn pursuing James McAvoy’s superhuman figure of The Beast in a series of escalating encounters, while the shadowy presence of Elijah Price (Samuel L Jackson) emerges as an orchestrator who holds secrets critical to both men. Sandwiched in between this is Sarah Paulson’s Dr Ellie Staple who desperately wants to prove that these men simply hold delusions of grandeur.
As a rule, trilogy closers generally tend to the weakest of the three films with Spider-Man 3, Return of the Jedi and X-Men: Apocalypse cementing my point and Glass unfortunately follows a similar pattern. While by no means a bad film, Shyamalan desperately tries to add too many plot threads into the mix at the end resulting in a messy climax that trips all over itself.
Thankfully, the first act, and the majority of the second live up to expectations. James McAvoy is absolutely exceptional as Kevin and his multiple personalities. Switching between them at the flash of a light, he is staggering to watch and is the highlight in a film that for the most part, gets the best out of its stars. Samuel L Jackson and Sarah Paulson are great with the former looking like he’s having an absolute blast reprising a role that’s been dormant for 19 years.
The less said about Bruce Willis the better. He seems to be sleepwalking through the entire film, so it’s probably for the best that he appears fleetingly every now and then as this is very much McAvoy’s film.
Glass is a film that is both longer and weaker than its two predecessors but can still get by on its own merits thanks to a stunning performance by James McAvoy
The script is typical Shyamalan. It’s clunky, filled with overly expositional dialogue and sometimes downright jarring, but the intriguing premise allows you to overlook this more often than not. There are some nice touches as Sarah Paulson’s character tries to explain away the powers of the main trio, making them and us as the audience doubt their superhuman abilities.
Those expecting a film packed with action will be disappointed. Glass is very much a character piece. The action that is there is well-filmed and realistic considering the film’s incredibly small budget, but it’s limited to the beginning and end of the movie, though the finale is such a mess that it’s really not worth mentioning.
Much of Glass takes place within the Raven Hill Memorial Hospital and follows Paulson’s daily studies of the trio and while this does dampen the pacing somewhat, it’s a refreshing change to the action-packed blockbusters that we have become accustomed to in the genre.
When it comes to cinematography, again, it’s typical Shyamalan. Long-tracking shots, super close-ups and peculiar camera angles are all present and correct. In Split, the impact of his unusual camerawork wasn’t too grating, but here it creates quite the distraction. There’s also another Shyamalan staple: the director’s cameo. The one in Glass is overly long and completely unnecessary, but it’s something we’ve come to expect over the last couple of decades.
Overall, Glass is a film that is both longer and weaker than its two predecessors but can still get by on its own merits thanks to a stunning performance by James McAvoy, the class brought by Samuel L Jackson and Sarah Paulson and a great sense of ambition. Unfortunately, budgetary restraints have resulted in a film that is subtle to the point of being dull and while praise should be given for effort, Glass proves to be just a little underwhelming.
https://moviemetropolis.net/2019/01/19/glass-review-an-ambitious-but-flawed-finale/