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Sam (74 KP) rated Remember This When You're Sad in Books
Mar 27, 2019
The publisher kindly sent me a copy of Remember This When You’re Sad to review, and I’m so glad they did. This book is hilarious, helpful, and like a nice hug all in one.
Remember This When You’re Sad is part memoir, part self-help, based on the experiences of former Buzzfeed Social Media Editor and current BBC Social Media Manager Maggy Van Eijk. It focuses on her anxiety, depression, panic attacks and disassociation and how she gets through each day with them.
I really loved reading this. I never really read many self-help books before Matt Haig’s Reasons To Stay Alive, but now I really love them and enjoy that they make you feel like you’re being cuddled while reading them.
This book managed to be absolutely hilarious in places while somehow also remaining serious and to the point. It spoke about anxiety in the same way that I address mine. I wouldn’t have gotten through so much if it hadn’t have been for being able to laugh at it sometimes.
It doesn’t preach a miracle cure to mental illnesses. Instead, Maggy Van Eijk talks through different ways of getting through your worst points, from telling you the best places to have a good cry to explaining how to ‘Club Penguin’ your problems. It’s the perfect mental health book for my generation.
I loved how the book is split into lots of lists, and the chapters are split so you can easily flick to the one you need the most at the time you need it.
Maggy Van Eijk even went into the detail of discussing people’s reactions when you talk about your mental health and it made me think about something that happened when I was at college that I had forgotten about until now. I’ve always been open about my mental health, especially when it was much worse when I was in college. I spoke to a girl I knew about it and she said ‘But why are you so open about it? You don’t talk about things like that.’ People’s reactions in the book were quite similar to that.
It’s sad to see that this is a normal thing that people think, but at the same time, it’s not shocking. There is still a massive stigma around mental health conditions, which is why I love books like this that talk openly about it.
This is definitely one of my favourite mental health books. I’ve already had to buy it for a friend and I’ve got two friends waiting to borrow my copy. I’ve never read a book that has been so much like talking to a friend.
Remember This When You’re Sad is part memoir, part self-help, based on the experiences of former Buzzfeed Social Media Editor and current BBC Social Media Manager Maggy Van Eijk. It focuses on her anxiety, depression, panic attacks and disassociation and how she gets through each day with them.
I really loved reading this. I never really read many self-help books before Matt Haig’s Reasons To Stay Alive, but now I really love them and enjoy that they make you feel like you’re being cuddled while reading them.
This book managed to be absolutely hilarious in places while somehow also remaining serious and to the point. It spoke about anxiety in the same way that I address mine. I wouldn’t have gotten through so much if it hadn’t have been for being able to laugh at it sometimes.
It doesn’t preach a miracle cure to mental illnesses. Instead, Maggy Van Eijk talks through different ways of getting through your worst points, from telling you the best places to have a good cry to explaining how to ‘Club Penguin’ your problems. It’s the perfect mental health book for my generation.
I loved how the book is split into lots of lists, and the chapters are split so you can easily flick to the one you need the most at the time you need it.
Maggy Van Eijk even went into the detail of discussing people’s reactions when you talk about your mental health and it made me think about something that happened when I was at college that I had forgotten about until now. I’ve always been open about my mental health, especially when it was much worse when I was in college. I spoke to a girl I knew about it and she said ‘But why are you so open about it? You don’t talk about things like that.’ People’s reactions in the book were quite similar to that.
It’s sad to see that this is a normal thing that people think, but at the same time, it’s not shocking. There is still a massive stigma around mental health conditions, which is why I love books like this that talk openly about it.
This is definitely one of my favourite mental health books. I’ve already had to buy it for a friend and I’ve got two friends waiting to borrow my copy. I’ve never read a book that has been so much like talking to a friend.
Kirk Bage (1775 KP) rated Glass (2019) in Movies
Mar 3, 2020
This doesn’t need to be a long review; the film itself doesn’t merit a lot of reflection. But, I have set myself the task of recording every piece of cultural media I consume, and there is already a backlog. So, here come a few quickfire bits on things that I found less than impressive. There is some value in identifying why something failed. Especially, as in the case of Glass, when there was an expectation it might be quite exciting.
I am not the biggest M. Night Shyamalan fan, to be honest. I will give you The Sixth Sense and Signs (to an extent), but even those contain some dodgy direction, plotting and unforgivable dialogue that hasn’t weathered the test of time well. 75% of his output is so bad it becomes funny; I mean, The Happening and Lady in the Water – WTF!? And the less said about The Last Airbender the better. My favourite of his works would have to be Unbreakable, from 2000. At least there is a satisfying story arc and the “twist” makes sense. Often with him it is so preposterous or an non-event, it makes you wonder why he bothered.
Sixteen years later, and Split sprung a surprise by being not bad at all, largely thanks to James McAvoy’s performance as a man with multiple personality disorder – a striking, terrifying, turn that showcased his abilities as an actor superbly. So there was some anticipation that bringing those two film worlds together would yield something very interesting and at least fun. So, it is sad to say that, once again, he pretty much botched it.
Don’t get me wrong, it is watchable and entertaining, up to a point – that point being when the story tries to gel all its strands together in a cohesive new twist, and fails utterly to do so. McAvoy is yet again the standout. Here he pushes the split personalities at his command to a brain spinning degree, switching from one to the other effortlessly – I would much rather just have watched him talking and twitching for two hours, to be fair. Bruce Willis has little to do but brood, and Samuel L. Jackson becomes totally laughable as he strains with the script to find any grounding in real character, and descends into cartoon / pantomime villain very quickly, losing all validity carried over from Unbreakable.
It’s a shame, because there is an idea in there somewhere; this just wasn’t it. No doubt, he has left it open for further exploration with these characters, and will in time return to them. I just hope he takes his time to consider the script properly before diving headlong into another disappointment of cliche and bad plotting. I just feel sorry for McAvoy, who deserved much better.
I am not the biggest M. Night Shyamalan fan, to be honest. I will give you The Sixth Sense and Signs (to an extent), but even those contain some dodgy direction, plotting and unforgivable dialogue that hasn’t weathered the test of time well. 75% of his output is so bad it becomes funny; I mean, The Happening and Lady in the Water – WTF!? And the less said about The Last Airbender the better. My favourite of his works would have to be Unbreakable, from 2000. At least there is a satisfying story arc and the “twist” makes sense. Often with him it is so preposterous or an non-event, it makes you wonder why he bothered.
Sixteen years later, and Split sprung a surprise by being not bad at all, largely thanks to James McAvoy’s performance as a man with multiple personality disorder – a striking, terrifying, turn that showcased his abilities as an actor superbly. So there was some anticipation that bringing those two film worlds together would yield something very interesting and at least fun. So, it is sad to say that, once again, he pretty much botched it.
Don’t get me wrong, it is watchable and entertaining, up to a point – that point being when the story tries to gel all its strands together in a cohesive new twist, and fails utterly to do so. McAvoy is yet again the standout. Here he pushes the split personalities at his command to a brain spinning degree, switching from one to the other effortlessly – I would much rather just have watched him talking and twitching for two hours, to be fair. Bruce Willis has little to do but brood, and Samuel L. Jackson becomes totally laughable as he strains with the script to find any grounding in real character, and descends into cartoon / pantomime villain very quickly, losing all validity carried over from Unbreakable.
It’s a shame, because there is an idea in there somewhere; this just wasn’t it. No doubt, he has left it open for further exploration with these characters, and will in time return to them. I just hope he takes his time to consider the script properly before diving headlong into another disappointment of cliche and bad plotting. I just feel sorry for McAvoy, who deserved much better.
Ross (3284 KP) rated The Eleven in Books
Apr 23, 2020
Fantastic characters and original story
* I received an advance reader copy from the author and netgalley in exchange for an honest review *
Quite simply: this is a fantastic book.
The characters involved are all well-crafted and unique. They have their own back-stories that we learn over time, appreciating who they are, what they have been through and why they are how they are.
The main character is Keira, a human who spent a large part of her late childhood imprisoned, tortured and raped by the upper echelons of the government. She escapes and seeks revenge on her abusers, but needs Courage to achieve this. We first meet her as she begins her attack on the first such abuser.
She teams up with Rowan, an assassin, though the circumstances of their meeting don't become clear until later, and travels to a magical realm to track down more of her tormentors. The details of Rowan's current assignment are somewhat mysterious and only revealed later.
They eventually meet Dess, who we have started to get to know, an elf-like magical scholar who has had his own issues in adolescence and is seeking revenge on the people involved in the murder of the love of his life.
And finally we have Sirris, a funny little slave creature who seeks escape from his life of misery, abuse and servitude.
Those back-stories are gradually woven together over the course of the book in a very ambitious, and flawlessly executed, series of split timelines. Fans of Mark Lawrence's knack for splitting a story into separate timelines will love the way Gaskill has done this and more here. We have the "present" story, told from a number of different viewpoints and places, as well as each of the main characters' backstories. Over time we learn to understand how people met, what tensions there are (or could be lurking under the surface) and what each is trying to achieve. These interactions, conflicts and tensions are masterfully written and revealed.
The action throughout the book is fairly gruesome and gritty, and some of the sexual scenes of torture and rape are a little hard to take. Rather than being gratuitous on the whole though they do serve to give the reader a better appreciation for the terrors the characters have been through.
Over the course of the book we see Keira ticking the names off her list of the eleven, albeit out of sync due to the split timelines.
This really was a wonderful book that got me out of something of a slump, keeping me engaged and guessing the next revelation all the way through.
I sincerely hope Gaskill writes the hinted at follow-up book, as there certainly is scope for it in the world he has masterfully created and the cast of (surviving) characters.
Quite simply: this is a fantastic book.
The characters involved are all well-crafted and unique. They have their own back-stories that we learn over time, appreciating who they are, what they have been through and why they are how they are.
The main character is Keira, a human who spent a large part of her late childhood imprisoned, tortured and raped by the upper echelons of the government. She escapes and seeks revenge on her abusers, but needs Courage to achieve this. We first meet her as she begins her attack on the first such abuser.
She teams up with Rowan, an assassin, though the circumstances of their meeting don't become clear until later, and travels to a magical realm to track down more of her tormentors. The details of Rowan's current assignment are somewhat mysterious and only revealed later.
They eventually meet Dess, who we have started to get to know, an elf-like magical scholar who has had his own issues in adolescence and is seeking revenge on the people involved in the murder of the love of his life.
And finally we have Sirris, a funny little slave creature who seeks escape from his life of misery, abuse and servitude.
Those back-stories are gradually woven together over the course of the book in a very ambitious, and flawlessly executed, series of split timelines. Fans of Mark Lawrence's knack for splitting a story into separate timelines will love the way Gaskill has done this and more here. We have the "present" story, told from a number of different viewpoints and places, as well as each of the main characters' backstories. Over time we learn to understand how people met, what tensions there are (or could be lurking under the surface) and what each is trying to achieve. These interactions, conflicts and tensions are masterfully written and revealed.
The action throughout the book is fairly gruesome and gritty, and some of the sexual scenes of torture and rape are a little hard to take. Rather than being gratuitous on the whole though they do serve to give the reader a better appreciation for the terrors the characters have been through.
Over the course of the book we see Keira ticking the names off her list of the eleven, albeit out of sync due to the split timelines.
This really was a wonderful book that got me out of something of a slump, keeping me engaged and guessing the next revelation all the way through.
I sincerely hope Gaskill writes the hinted at follow-up book, as there certainly is scope for it in the world he has masterfully created and the cast of (surviving) characters.
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Sarah (7800 KP) rated the PlayStation 4 version of A Way Out in Video Games
Apr 28, 2018
Doesn't live up to its potential
A game designed entirely with co-op play is a rarity now, so A Way Out is a refreshing change. Its just a shame that the gameplay itself isn't as promising as the concept.
Graphics wise it's very good and the scenery is very well done. The whole concept of the game with split screen co-op gameplay is fantastic, and having to work together with another player is a fun idea. The problem with this game is it just doesn't live up to it's potential. There are far too many cut scenes throughout the entire game and this gets very boring after a while. The co-operative gameplay although fun, seems very basic and repetitive after a while. I feel like they couldve done so much more. There's also the fact that this gives you the ability to explore a location, but other than playing random games, conversing with the locals doesn't appear to add any benefit or link in to your storyline whatsoever. This game is also very short, and despite my above criticisms, I could've played it for a lot longer!
This had a lot of potential but was sadly a bit of a let down. If they improved the game play options and made the interactions a little more similar to something like Until Dawn, it would be much better.
Graphics wise it's very good and the scenery is very well done. The whole concept of the game with split screen co-op gameplay is fantastic, and having to work together with another player is a fun idea. The problem with this game is it just doesn't live up to it's potential. There are far too many cut scenes throughout the entire game and this gets very boring after a while. The co-operative gameplay although fun, seems very basic and repetitive after a while. I feel like they couldve done so much more. There's also the fact that this gives you the ability to explore a location, but other than playing random games, conversing with the locals doesn't appear to add any benefit or link in to your storyline whatsoever. This game is also very short, and despite my above criticisms, I could've played it for a lot longer!
This had a lot of potential but was sadly a bit of a let down. If they improved the game play options and made the interactions a little more similar to something like Until Dawn, it would be much better.
Nikki Massey (8 KP) rated The Bletchley Circle - Season 2 in TV
Feb 8, 2019
This continues on from the first series of The Bletchley Circle, following for friends and former colleagues after WWII.
This series is split in two. In the first part, one of their fellow former colleagues is accused of murder. Can these ladies unravel the truth and prove her innocence? In the second part, as the ladies caused a few headaches for the military in uncovering their secrets and shady ways they find they have lost their security clearances so some of the women are no longer able to carry on with their jobs such as translation work. So they have to give other avenues to make money and it winds one of them up in a very sticky situation.
As before, I really warmed to the characters and was genuinely sad when one moved on to another life. I grew to love these women; I felt they were almost my friends and I actually cared for them and their outcomes.
You could feel the suspense of them closing in on the truth but realising time was running out. It really kept me gripped until the end.
I do love how they made being intelligent cool by being steps ahead of the police but also in forming such bonds with one another.
We could learn a thing or two from these ladies and their bravery.
This series is split in two. In the first part, one of their fellow former colleagues is accused of murder. Can these ladies unravel the truth and prove her innocence? In the second part, as the ladies caused a few headaches for the military in uncovering their secrets and shady ways they find they have lost their security clearances so some of the women are no longer able to carry on with their jobs such as translation work. So they have to give other avenues to make money and it winds one of them up in a very sticky situation.
As before, I really warmed to the characters and was genuinely sad when one moved on to another life. I grew to love these women; I felt they were almost my friends and I actually cared for them and their outcomes.
You could feel the suspense of them closing in on the truth but realising time was running out. It really kept me gripped until the end.
I do love how they made being intelligent cool by being steps ahead of the police but also in forming such bonds with one another.
We could learn a thing or two from these ladies and their bravery.
Awix (3310 KP) rated War of the Worlds (2005) in Movies
Mar 25, 2018 (Updated Mar 25, 2018)
Here's the paradox: H.G. Wells' original novel is an absolute classic. The 1953 film version is not particularly faithful to the book, but still really a classic. Spielberg's film kind of tries to split the difference between the two and ends up not being a classic. (Maybe he should have kept the definite article in the title.) Belligerent aliens whose technological mastery is oddly lacking when it comes to getting their vaccinations embark upon slightly eccentric invasion scheme; Tom Cruise spends most of the film running away, bravely.
Still, it's not all bad: looking back on it, this is yet another of those films which attempts to use SF as a device to try and process the September 11th attacks and ends up not being nearly as profound as it thinks it is, and the way it's structured so that, hey, cities are smashed and thousands slaughtered by the Martians (look, they could be Martians, it doesn't say they're not), but at least Cruise gets to become a better dad, so it's not all bad news, is quite fatuous. But it does get closer to Wells' original intent, just about, it looks very good, and there's always Spielberg's casual mastery of the genre to enjoy. A decent stab at a book which probably isn't as easy to adapt as it first appears.
Still, it's not all bad: looking back on it, this is yet another of those films which attempts to use SF as a device to try and process the September 11th attacks and ends up not being nearly as profound as it thinks it is, and the way it's structured so that, hey, cities are smashed and thousands slaughtered by the Martians (look, they could be Martians, it doesn't say they're not), but at least Cruise gets to become a better dad, so it's not all bad news, is quite fatuous. But it does get closer to Wells' original intent, just about, it looks very good, and there's always Spielberg's casual mastery of the genre to enjoy. A decent stab at a book which probably isn't as easy to adapt as it first appears.