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Matthew Krueger (10051 KP) rated Ghost Stories in Tabletop Games
Jul 28, 2020 (Updated Jul 30, 2020)
The Gameplay (4 more)
The Strategy
Replay Value
Thinking Ten Steps Ahead
The Concept
Hard (2 more)
Luck of the dice
The cruse dice
Spooky Scary Ghosts
I learned about this game through Dice Tower reviews, Rahdo runthrough and BoardGameGeek. And it looked really good. A cooperative game in which the players protect the village from incarnations of the lord of hell – Wu-Feng – and his legions of ghosts before they haunt a town and recover the ashes that will allow him to return to life. That sounded really intresting and unquite. So i bought it and its a excellent game. Let me talk more about it..
Gameplay:
Each Player represents a Taoist monk working together with the others to fight off waves of ghosts.
The players, using teamwork, will have to exorcise the ghosts that appear during the course of the game. At the beginning of his turn, a player brings a ghost into play and places it on a free spot, and more than one can come in at the same time. The ghosts all have abilities of their own – some affecting the Taoists and their powers, some causing the active player to roll the curse die for a random effect, and others haunting the villager tiles and blocking that tile's special action. On his turn, a Taoist can move on a tile in order to exorcise adjacent ghosts or to benefit from the villager living on the tile, providing it is not haunted. Each tile of the village allows the players to benefit from a different bonus. With the cemetery, for example, Taoists can bring a dead Taoist back to life, while the herbalist allows to recover spent Tao tokens, etc. It will also be possible to get traps or move ghosts or unhaunt other village tiles.
To exorcise a ghost, the Taoist rolls three Tao dice with different colors: red, blue, green, yellow, black, and white. If the result of the roll matches the color(s) of the ghost or incarnation of Wu-Feng, the exorcism succeeds. The white result is a wild color that can be used as any color. For example, to exorcise a green ghost with 3 resistance, you need to roll three green, three white, or a combination of both. If your die rolls fall short, you can also use Tao tokens that match the color in addition to your roll. You may choose to use these after your roll. Taoists gain these tokens by using certain village tiles or by exorcising certain ghosts. One of the Taoists has a power that allows him to receive such a token once per turn.
To win, the players must defeat the incarnation of Wu-Feng, a boss who arrives at the end of the game. There are also harder difficulty levels that add more incarnations of Wu-Feng, in which to win, you must defeat all of them.
There are many more ways to lose, however. The players lose if three of the village's tiles are haunted, if the draw pile is emptied while the incarnation of Wu-Feng is still in play, or if all the priests are dead.
It is hard game but the strategy to this game is excellent cause you have to think about your moves and what to do next. That and the clock is ticking down to one of the ten Wu-Feng Minions. Also if 3 village spaces get crushed than you lose. Also the luck of the dice and the cards. The strategy is ten fold. Its hard but a excellent game and a must play game. Buy it if you havent already cause its a must. If you want to learn more or see a runthrough of the game go to BoardGameGeek, Rahdo Runthroughs or Dice Tower Reviews.
Gameplay:
Each Player represents a Taoist monk working together with the others to fight off waves of ghosts.
The players, using teamwork, will have to exorcise the ghosts that appear during the course of the game. At the beginning of his turn, a player brings a ghost into play and places it on a free spot, and more than one can come in at the same time. The ghosts all have abilities of their own – some affecting the Taoists and their powers, some causing the active player to roll the curse die for a random effect, and others haunting the villager tiles and blocking that tile's special action. On his turn, a Taoist can move on a tile in order to exorcise adjacent ghosts or to benefit from the villager living on the tile, providing it is not haunted. Each tile of the village allows the players to benefit from a different bonus. With the cemetery, for example, Taoists can bring a dead Taoist back to life, while the herbalist allows to recover spent Tao tokens, etc. It will also be possible to get traps or move ghosts or unhaunt other village tiles.
To exorcise a ghost, the Taoist rolls three Tao dice with different colors: red, blue, green, yellow, black, and white. If the result of the roll matches the color(s) of the ghost or incarnation of Wu-Feng, the exorcism succeeds. The white result is a wild color that can be used as any color. For example, to exorcise a green ghost with 3 resistance, you need to roll three green, three white, or a combination of both. If your die rolls fall short, you can also use Tao tokens that match the color in addition to your roll. You may choose to use these after your roll. Taoists gain these tokens by using certain village tiles or by exorcising certain ghosts. One of the Taoists has a power that allows him to receive such a token once per turn.
To win, the players must defeat the incarnation of Wu-Feng, a boss who arrives at the end of the game. There are also harder difficulty levels that add more incarnations of Wu-Feng, in which to win, you must defeat all of them.
There are many more ways to lose, however. The players lose if three of the village's tiles are haunted, if the draw pile is emptied while the incarnation of Wu-Feng is still in play, or if all the priests are dead.
It is hard game but the strategy to this game is excellent cause you have to think about your moves and what to do next. That and the clock is ticking down to one of the ten Wu-Feng Minions. Also if 3 village spaces get crushed than you lose. Also the luck of the dice and the cards. The strategy is ten fold. Its hard but a excellent game and a must play game. Buy it if you havent already cause its a must. If you want to learn more or see a runthrough of the game go to BoardGameGeek, Rahdo Runthroughs or Dice Tower Reviews.
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Bob Mann (459 KP) rated Flatliners (2017) in Movies
Sep 29, 2021
The undiscovered country… which they shouldn’t have returned to.
The movies have depicted the hereafter in varied ways over the years. From the bleached white warehouses of Powell and Pressburger’s “A Matter of Life and Death” in 1946 and Warren Beatty’s “Heaven Can Wait” in 1978 to – for me – the peak of the game: Vincent Ward’s mawkish but gorgeously rendered oil-paint version of heaven in 1998’s “What Dreams May Come”. Joel Schmacher’s 1990’s “Flatliners” saw a set of “brat pack” movie names of the day (including Kevin Bacon, Julia Roberts, William Baldwin and Kiefer Sutherland) as experimenting trainee doctors, cheating death to experience the afterlife and getting more than they bargained for. The depictions of the afterlife were unmemorable: in that I don’t remember them much! (I think there was some sort of spooky tree involved, but that’s about it!)
But the concept was sufficiently enticing – who isn’t a little bit intrigued by the question of “what’s beyond”? – that Cross Creek Pictures thought it worthy of dusting off and giving it another outing in pursuit of dirty lucre. But unfortunately this offering adds little to the property’s reputation.
In this version, the lead role is headed up by Ellen Page (“Inception”) who is a great actress… too good for this stuff. Also in that category is Diego Luna, who really made an impact in “Rogue One” but here has little to work with in terms of backstory. The remaining three doctors – Nina Dobrev as “the sexy one”; James Norton (“War and Peace”) as “the posh boy” and Kiersey Clemons as the “cute but repressed one”, all have even less backstory and struggle to make a great impact.
Still struggling to get the high score on Angry Birds: from left to right Ray (Diego Luna), Sophia (Kiersey Clemons), Marlo (Nina Dobrev), Courtney (Ellen Page) and Jamie (James Norton).
Also putting in an appearance, as the one link from the original film, is Kiefer Sutherland as a senior member of the teaching staff. But he’s not playing the same character (that WOULD have been a bloody miracle!) and although Sutherland adds gravitas he really is given criminally little to do. What was director Niels Arden Oplev (“The Girl with the Dragon Tattoo”) thinking?
In terms of the story, it’s pretty much a re-hash of Peter Filardi’s original, with Ben Ripley (“Source Code”) adding a few minor tweaks to the screenplay to update it for the current generation. But I will levy the same criticism of this film as I levied at the recent Stephen King adaptation of “It”: for horror to work well it need to obey some decent ‘rules of physics’ and although most of the scenes work (since a lot of the “action” is sensibly based inside the character’s heads) there are the occasional linkages to the ‘real world’ that generate a “WTF???” response. A seemingly indestructible Mini car (which is also clearly untraceable by the police!) and a knife incident at the dockside are two cases in point.
Is there anything good to say about this film? Well, there are certainly a few tense moments that make the hairs on your neck at least start to stand to attention. But these are few and far between, amongst a sea of movie ‘meh’. It’s certainly not going to be the worst film I see this year, since at least I wasn’t completely bored for the two hours. But I won’t remember this one in a few weeks. As a summary in the form of a “Black Adder” quote, it’s all a bit like a broken pencil….. pointless.
But the concept was sufficiently enticing – who isn’t a little bit intrigued by the question of “what’s beyond”? – that Cross Creek Pictures thought it worthy of dusting off and giving it another outing in pursuit of dirty lucre. But unfortunately this offering adds little to the property’s reputation.
In this version, the lead role is headed up by Ellen Page (“Inception”) who is a great actress… too good for this stuff. Also in that category is Diego Luna, who really made an impact in “Rogue One” but here has little to work with in terms of backstory. The remaining three doctors – Nina Dobrev as “the sexy one”; James Norton (“War and Peace”) as “the posh boy” and Kiersey Clemons as the “cute but repressed one”, all have even less backstory and struggle to make a great impact.
Still struggling to get the high score on Angry Birds: from left to right Ray (Diego Luna), Sophia (Kiersey Clemons), Marlo (Nina Dobrev), Courtney (Ellen Page) and Jamie (James Norton).
Also putting in an appearance, as the one link from the original film, is Kiefer Sutherland as a senior member of the teaching staff. But he’s not playing the same character (that WOULD have been a bloody miracle!) and although Sutherland adds gravitas he really is given criminally little to do. What was director Niels Arden Oplev (“The Girl with the Dragon Tattoo”) thinking?
In terms of the story, it’s pretty much a re-hash of Peter Filardi’s original, with Ben Ripley (“Source Code”) adding a few minor tweaks to the screenplay to update it for the current generation. But I will levy the same criticism of this film as I levied at the recent Stephen King adaptation of “It”: for horror to work well it need to obey some decent ‘rules of physics’ and although most of the scenes work (since a lot of the “action” is sensibly based inside the character’s heads) there are the occasional linkages to the ‘real world’ that generate a “WTF???” response. A seemingly indestructible Mini car (which is also clearly untraceable by the police!) and a knife incident at the dockside are two cases in point.
Is there anything good to say about this film? Well, there are certainly a few tense moments that make the hairs on your neck at least start to stand to attention. But these are few and far between, amongst a sea of movie ‘meh’. It’s certainly not going to be the worst film I see this year, since at least I wasn’t completely bored for the two hours. But I won’t remember this one in a few weeks. As a summary in the form of a “Black Adder” quote, it’s all a bit like a broken pencil….. pointless.
Cyn Armistead (14 KP) rated Moon Fever (Includes: Primes, #6.5) in Books
Mar 1, 2018
This was one of those "I finished the last thing I was reading and I'm bored, what's already loaded on the iTouch?" reads. It was on there because the anthology includes [a:Lori Handeland|17060|Lori Handeland|http://photo.goodreads.com/authors/1236700197p2/17060.jpg]'s "Cobwebs Over the Moon" (Nightcreatures, #10) and I read all of that series a while back. I didn't care to read the rest of the anthology at the time, but I hadn't gotten around to deleting the book. Ah, happy digital packrat am I!
If I've read anything by [a:Susan Sizemore|88608|Susan Sizemore|http://photo.goodreads.com/authors/1254303347p2/88608.jpg] other than "Tempting Fate" (Primes #6.5), it was eminently forgettable. I'm absolutely sure that I haven't read anything else in her <a href="http://www.goodreads.com/series/41947-primes">Primes</a>; series, because I probably would have thrown said material firmly into the nearest hard surface (or whatever the equivalent is with bytes) because of the insanely annoying number of times Sizemore feels it necessary to remind us that her vampires are Primes! Alpha Primes! They are! Really! And that means they fight a lot! Especially over women! Otherwise, it's a Mary Jane story set in New Orleans. I have a strong feeling that most of the Primes series is Mary Jane-ish, but I may at some point be trapped and forced with the prospect of staring at the inside of my eyeballs or reading more of Sizemore's stuff. I'm not sure which would be worse right now. I'll get back to you on that.
"The Darkness Within" by [a:Maggie Shayne|17064|Maggie Shayne|http://photo.goodreads.com/authors/1215028948p2/17064.jpg] feels terribly familiar, although I'm sure I haven't read it before. I have, however, read other Shayne novellas in other anthologies, and this story follows a familiar pattern. Sexy gal who doesn't think she's attractive has had a run of hard luck and may lose the house she has bought relatively recently and loves. Said house has a spooky past that she didn't know about when she bought it. Stalwart too-sexy-for-her man gets involved somehow, preferably in a way that allows her to question his motives. They are inexplicably drawn to each other and screw like bunnies (or near as makes no difference), then blame their lapse in judgement on whatever weirdness is going on in the house. (Yep, that's what they all say - and no safer sex anywhere! Does paranormal activity preclude discussion of sexual history and prevent STD transmission?)
"Cobwebs Over the Moon" by [a:Lori Handeland|17060|Lori Handeland|http://photo.goodreads.com/authors/1236700197p2/17060.jpg] (<a href="http://www.goodreads.com/series/41626-nightcreature">Nightcreatures</a>;, #10) isn't the most logical entry in that series. Neither is it the most illogical - but by the tenth entry, the series' mythology has gotten a bit ridiculous, so I don't know why I even bother bringing up something as irrelevant as logic. Silly me! In every book, we're introduced to a woman who is in some way tangled up with werewolves, then to a man who is tangled up with her and/or the creatures and, of course, whose loyalties are uncertain. There is always an element of danger to add spice to the romance that has to grow between the two. The formula never changes at all. There are always evil werewolves, but sometimes there are also good ones. If you like predictability in your paranormal romance, <a href="http://www.goodreads.com/series/41626-nightcreature">Nightcreatures</a>; is a great series for you.
I suppose [a:Caridad Piñeiro|2944621|Caridad Piñeiro|http://photo.goodreads.com/authors/1305975476p2/2944621.jpg]'s "Crazy for the Cat" isn't technically any better or worse than any of the other three stories. There's more variety in the shapeshifting and the main setting is the Amazon jungle. I couldn't get past the bigotry and colonialism, though. Dark is bad, light is good, of course! Those poor benighted natives couldn't possibly handle a few rogues without that white woman, could they? Spare me.
If I've read anything by [a:Susan Sizemore|88608|Susan Sizemore|http://photo.goodreads.com/authors/1254303347p2/88608.jpg] other than "Tempting Fate" (Primes #6.5), it was eminently forgettable. I'm absolutely sure that I haven't read anything else in her <a href="http://www.goodreads.com/series/41947-primes">Primes</a>; series, because I probably would have thrown said material firmly into the nearest hard surface (or whatever the equivalent is with bytes) because of the insanely annoying number of times Sizemore feels it necessary to remind us that her vampires are Primes! Alpha Primes! They are! Really! And that means they fight a lot! Especially over women! Otherwise, it's a Mary Jane story set in New Orleans. I have a strong feeling that most of the Primes series is Mary Jane-ish, but I may at some point be trapped and forced with the prospect of staring at the inside of my eyeballs or reading more of Sizemore's stuff. I'm not sure which would be worse right now. I'll get back to you on that.
"The Darkness Within" by [a:Maggie Shayne|17064|Maggie Shayne|http://photo.goodreads.com/authors/1215028948p2/17064.jpg] feels terribly familiar, although I'm sure I haven't read it before. I have, however, read other Shayne novellas in other anthologies, and this story follows a familiar pattern. Sexy gal who doesn't think she's attractive has had a run of hard luck and may lose the house she has bought relatively recently and loves. Said house has a spooky past that she didn't know about when she bought it. Stalwart too-sexy-for-her man gets involved somehow, preferably in a way that allows her to question his motives. They are inexplicably drawn to each other and screw like bunnies (or near as makes no difference), then blame their lapse in judgement on whatever weirdness is going on in the house. (Yep, that's what they all say - and no safer sex anywhere! Does paranormal activity preclude discussion of sexual history and prevent STD transmission?)
"Cobwebs Over the Moon" by [a:Lori Handeland|17060|Lori Handeland|http://photo.goodreads.com/authors/1236700197p2/17060.jpg] (<a href="http://www.goodreads.com/series/41626-nightcreature">Nightcreatures</a>;, #10) isn't the most logical entry in that series. Neither is it the most illogical - but by the tenth entry, the series' mythology has gotten a bit ridiculous, so I don't know why I even bother bringing up something as irrelevant as logic. Silly me! In every book, we're introduced to a woman who is in some way tangled up with werewolves, then to a man who is tangled up with her and/or the creatures and, of course, whose loyalties are uncertain. There is always an element of danger to add spice to the romance that has to grow between the two. The formula never changes at all. There are always evil werewolves, but sometimes there are also good ones. If you like predictability in your paranormal romance, <a href="http://www.goodreads.com/series/41626-nightcreature">Nightcreatures</a>; is a great series for you.
I suppose [a:Caridad Piñeiro|2944621|Caridad Piñeiro|http://photo.goodreads.com/authors/1305975476p2/2944621.jpg]'s "Crazy for the Cat" isn't technically any better or worse than any of the other three stories. There's more variety in the shapeshifting and the main setting is the Amazon jungle. I couldn't get past the bigotry and colonialism, though. Dark is bad, light is good, of course! Those poor benighted natives couldn't possibly handle a few rogues without that white woman, could they? Spare me.
Gareth von Kallenbach (980 KP) rated The House with a Clock in Its Walls (2018) in Movies
Jul 2, 2019
The year is 1955 and a newly orphaned young man named Lewis (portrayed by the incredibly talented Owen Vaccaro) arrives in the small town of New Zebedee, Michigan to live with his estranged uncle Jonathan (Jack Black). Upon his arrival he discovers that his Uncle Jonathan and his neighbor/friend Florence (Cate Blanchet) are frantically attempting to find a mysterious clock in the wall of the house, with the clock’s dark purpose still a mystery.
The character of Lewis is your stereotypical weakly newcomer, who has no friends and has no athletic ability what-so-ever. This is portrayed in an extremely comical scene in the beginning of the film where his new classmates are picking basketball teams and would rather take a kid on crutches over Lewis. This one scene did an excellent job of making Lewis very endearing and the underdog you want to root for. Not only is Lewis having a hard time fitting in at school, but he is finding his home life is also a bit unsettling. Lewis and his uncle have a few odd interactions, and eventually he finds out his eccentric uncle is actually a warlock, or as Lewis lovingly likes to call him, a man-witch. After they finally have a heartfelt talk and realize they are both “black swans” in life, his uncle reluctantly agrees to train Lewis to become a warlock. The training sets in motion a series of events that not only grow Lewis as a more powerful warlock-in-training, but also as a person. Ultimately, Lewis must use his new-found magical gift and the power of his new family to prevent the clock from carrying out its devious plan.
Eli Roth, better known for his less kid friendly movies such as Hostel and Cabin Fever, did an astounding job of bringing the film to life. While there are certainly intense moments that may not be entirely suitable for younger viewers, it brought enough scares and creepy moments to entertain both young and old alike. The level of intensity is comparable to other kid friendly horror titles such as the Goosebumps series and this film does a good job of mixing up the lighter moments, jump scares and the use of creepy props to bring both a sense of terror and wonder to the screen at the same time. I do have to say, the scene where a bunch of spooky dolls come to life hit a bit too close to home considering my wife has a very large doll collection. After seeing this film, walking into her doll room will never be the same again.
Owen Vaccaro does an extraordinary job in his role of the quirky and nerdy Lewis and Jack Black is his usual zany self in the role of Uncle Jonathan, but he also does a great job with the more serious moments as well. Cate Blanchet, however, was one of the biggest surprises. Her talents are usually seen in dramas and playing more serious characters, so it was nice to see her in a more fun and playful role. All the characters have an excellent chemistry from the moment we are introduced to them, and that captivating chemistry carries through to the very end.
The House with a Clock in Its Walls certainly kept me entertained throughout. The characters and story were interesting, and the suspense and thrills were scary enough to elicit the occasional jump. While I hesitate to say it’s fun for the whole family as once again, some of the scenes may be a little too frightening for younger audiences, it certainly is a great movie for kids who are a bit older or who are not easily spooked. If you are a fan of lighthearted Halloween movies and can overlook a few silly and unnecessary moments, then this film has the potential to be an instant family classic and one that you will likely want to watch every Halloween season. Hmm, suddenly, I have a craving for homemade chocolate chip cookies and when you see the film, you will completely understand why.
The character of Lewis is your stereotypical weakly newcomer, who has no friends and has no athletic ability what-so-ever. This is portrayed in an extremely comical scene in the beginning of the film where his new classmates are picking basketball teams and would rather take a kid on crutches over Lewis. This one scene did an excellent job of making Lewis very endearing and the underdog you want to root for. Not only is Lewis having a hard time fitting in at school, but he is finding his home life is also a bit unsettling. Lewis and his uncle have a few odd interactions, and eventually he finds out his eccentric uncle is actually a warlock, or as Lewis lovingly likes to call him, a man-witch. After they finally have a heartfelt talk and realize they are both “black swans” in life, his uncle reluctantly agrees to train Lewis to become a warlock. The training sets in motion a series of events that not only grow Lewis as a more powerful warlock-in-training, but also as a person. Ultimately, Lewis must use his new-found magical gift and the power of his new family to prevent the clock from carrying out its devious plan.
Eli Roth, better known for his less kid friendly movies such as Hostel and Cabin Fever, did an astounding job of bringing the film to life. While there are certainly intense moments that may not be entirely suitable for younger viewers, it brought enough scares and creepy moments to entertain both young and old alike. The level of intensity is comparable to other kid friendly horror titles such as the Goosebumps series and this film does a good job of mixing up the lighter moments, jump scares and the use of creepy props to bring both a sense of terror and wonder to the screen at the same time. I do have to say, the scene where a bunch of spooky dolls come to life hit a bit too close to home considering my wife has a very large doll collection. After seeing this film, walking into her doll room will never be the same again.
Owen Vaccaro does an extraordinary job in his role of the quirky and nerdy Lewis and Jack Black is his usual zany self in the role of Uncle Jonathan, but he also does a great job with the more serious moments as well. Cate Blanchet, however, was one of the biggest surprises. Her talents are usually seen in dramas and playing more serious characters, so it was nice to see her in a more fun and playful role. All the characters have an excellent chemistry from the moment we are introduced to them, and that captivating chemistry carries through to the very end.
The House with a Clock in Its Walls certainly kept me entertained throughout. The characters and story were interesting, and the suspense and thrills were scary enough to elicit the occasional jump. While I hesitate to say it’s fun for the whole family as once again, some of the scenes may be a little too frightening for younger audiences, it certainly is a great movie for kids who are a bit older or who are not easily spooked. If you are a fan of lighthearted Halloween movies and can overlook a few silly and unnecessary moments, then this film has the potential to be an instant family classic and one that you will likely want to watch every Halloween season. Hmm, suddenly, I have a craving for homemade chocolate chip cookies and when you see the film, you will completely understand why.
Gareth von Kallenbach (980 KP) rated Annabelle (2014) in Movies
Aug 6, 2019
Annabelle is the newest demon-based spooky fright film produced by James Wan (producer Saw II-IV & director Insidious 1&2). The trailers would have you believe that it is a prequel to the Conjuring. Well I suppose it is, although a very loose prequel.
Annabelle, the possessed doll, is mentioned a few times in “The Conjuring,” but it doesn’t contain any of the cast from the original . The film takes place in the 1970s and focuses on a married couple who have just moved in to a new house and the wife, Mia (Annabelle Wallis) is pregnant. Her husband (played extremely woodenly by actor Ward Horton) buys her a long sought after custom doll named Annabelle. Shortly after, the couple is attacked by their neighbors who we find are satanic cult members. Mia is stabbed in her belly (threatening the life of her child); the female Satanist neighbor dies clutching the Annabelle doll, her blood dripping and seemingly sucked into the eye socket of the doll, ushering in the demonic reign of Annabelle.
You’d assume that this is a standard “killer doll” horror flick, you’d also be a bit misled, and that’s a good thing in my opinion. This isn’t Chucky. You won’t see Annabelle speaking or running around the house brandishing a knife. That isn’t to say that the movie doesn’t have its share of genre tropes, it has plenty of those.
As so many other possession/haunting movies involving a couple, for the most part the lonely wife is preyed upon while the husband is away at work. Throughout the film the writers find multiple ways of keeping Mia at home alone with the demon. John is called away on a business trip on one of the more traumatic encounters Mia has with Annabelle, resulting in Mia being placed on bed rest, giving her a reason to stay at home in the demons clutches. Later John is placed on the night shift, once again placing him out of the way so the demon can terrorize Mia at night where things are scary. It is inevitable that a scene takes place where her husband doesn’t believe her and thinks she’s going crazy. I can think of so many films that go this same route. The prerequisite priest comes along to help the family figure out their demonic happenings and oh yes, let’s not forget the sagely African American that needs to help Mia find her way and lead her both in knowledge of the demon and its demise. The story manages to throw in some mysterious children to once scene just to make sure that the trope is checked off the list. The remainder of the movie after the introductory attack by the satanic neighbors has Mia and later her child being threatened by the demon possessing Annabelle, the search for what it is, and what it wants and then its climax and disposal. Nothing new to this genre found here.
Annabelle does come with its share of scares (most of these can be seen in the previews), however the pacing is bad. I found myself bored out of my mind by the plot between the scares. So bored and disinterested that once the scary scenes occurred which seemed to be paced almost on a timer there wasn’t enough scare to raise the adrenaline needed to make it to the next fright. I will say that having a child endangered and threatened by the demonic spirit does bump up the tension and nerves and was a necessary inclusion to raise the stakes and pull out some reason to care about the victims by the audience.
Mia and John are so one-imensional that one would be hard-pressed to care about what happens to either of them. The demon effects are about as scary as a guy in a rubber suit lurking around a two-bit horror house, I mean pretty bad. I’ve seen a scarier demon on a TV episode of “Unsolved Mysteries” from 1988. Annabelle is good for a fright or two, and a reason to grab some popcorn and pig-out, but just be prepared to take a siesta three or four times in-between bouts of popcorn binge.
Annabelle, the possessed doll, is mentioned a few times in “The Conjuring,” but it doesn’t contain any of the cast from the original . The film takes place in the 1970s and focuses on a married couple who have just moved in to a new house and the wife, Mia (Annabelle Wallis) is pregnant. Her husband (played extremely woodenly by actor Ward Horton) buys her a long sought after custom doll named Annabelle. Shortly after, the couple is attacked by their neighbors who we find are satanic cult members. Mia is stabbed in her belly (threatening the life of her child); the female Satanist neighbor dies clutching the Annabelle doll, her blood dripping and seemingly sucked into the eye socket of the doll, ushering in the demonic reign of Annabelle.
You’d assume that this is a standard “killer doll” horror flick, you’d also be a bit misled, and that’s a good thing in my opinion. This isn’t Chucky. You won’t see Annabelle speaking or running around the house brandishing a knife. That isn’t to say that the movie doesn’t have its share of genre tropes, it has plenty of those.
As so many other possession/haunting movies involving a couple, for the most part the lonely wife is preyed upon while the husband is away at work. Throughout the film the writers find multiple ways of keeping Mia at home alone with the demon. John is called away on a business trip on one of the more traumatic encounters Mia has with Annabelle, resulting in Mia being placed on bed rest, giving her a reason to stay at home in the demons clutches. Later John is placed on the night shift, once again placing him out of the way so the demon can terrorize Mia at night where things are scary. It is inevitable that a scene takes place where her husband doesn’t believe her and thinks she’s going crazy. I can think of so many films that go this same route. The prerequisite priest comes along to help the family figure out their demonic happenings and oh yes, let’s not forget the sagely African American that needs to help Mia find her way and lead her both in knowledge of the demon and its demise. The story manages to throw in some mysterious children to once scene just to make sure that the trope is checked off the list. The remainder of the movie after the introductory attack by the satanic neighbors has Mia and later her child being threatened by the demon possessing Annabelle, the search for what it is, and what it wants and then its climax and disposal. Nothing new to this genre found here.
Annabelle does come with its share of scares (most of these can be seen in the previews), however the pacing is bad. I found myself bored out of my mind by the plot between the scares. So bored and disinterested that once the scary scenes occurred which seemed to be paced almost on a timer there wasn’t enough scare to raise the adrenaline needed to make it to the next fright. I will say that having a child endangered and threatened by the demonic spirit does bump up the tension and nerves and was a necessary inclusion to raise the stakes and pull out some reason to care about the victims by the audience.
Mia and John are so one-imensional that one would be hard-pressed to care about what happens to either of them. The demon effects are about as scary as a guy in a rubber suit lurking around a two-bit horror house, I mean pretty bad. I’ve seen a scarier demon on a TV episode of “Unsolved Mysteries” from 1988. Annabelle is good for a fright or two, and a reason to grab some popcorn and pig-out, but just be prepared to take a siesta three or four times in-between bouts of popcorn binge.
Sarah (7800 KP) rated Truth Seekers - Season 1 in TV
Nov 8, 2020
Enjoyably British
Truth Seekers is the latest collaboration from Nick Frost and Simon Pegg, and centres around employees of a network services provider who run a YouTube channel as amateur paranormal investigators.
The series follows Gus Roberts (Nick Frost), the top installation engineer for network provider Smyle. He lives with his dad (Malcolm McDowell) and investigates paranormal activities in his spare time, running his own YouTube channel as ‘The Truth Seeker’. His boss Dave (Simon Pegg) pairs Gus with a new employee Elton John (Samson Kayo), and Truth Seekers follows the pair as they increasingly encounter paranormal and mysterious entities as they go about their daily work, including a haunted young woman called Astrid (Emma D’Arcy).
Truth Seekers starts off as a case by episode series, with a new spooky encounter every time (think Supernatural but very British) and then mid-way works into a bigger overall plot involving Julian Barratt’s Dr Peter Toynbee that seems to tie all the earlier elements together. As a supernatural horror show, this works really well. It doesn’t rely on typical jump scares, and instead uses well known horror situations to be as creepy as possible. Admittedly this is a tad cliched – think of all the known supernatural experiences you’d expect to see (psychiatric hospitals, hotels, demons and satanic books to name a few) and you’ll definitely find them here. However this doesn’t matter as they’re done well and in such a smart, creepy and very British way. Even the special effects are impressive for something that looks like it should be fairly low budget.
Whilst this is made out to be a horror comedy, it’s the comedy side that appears to be a little lacking. Don’t get me wrong, this has its’s funny and witty moments and seems to relish all of the pop culture references it throws in at every opportunity, however it doesn’t seem quite as edgy and quick witted as Frost and Pegg’s previous collaborations. Frost delivers his usual deadpan style well and is ably supported by Samson Kayo’s Elton as his rather adorable and unwitting partner. The standout though is unsurprisingly Malcolm McDowell as Gus’ dad Richard. Right from the first episode McDowell shines and is an absolute riot. Every scene he’s in gives rise to so many laughs and in particular there’s one scene featuring him going upstairs on a stair lift so slowly that nearly had me crying with laughter. But despite this the humour is maybe a little lacking from what we’d expect. I also felt like some of the pop culture references were a little forced and unnatural, which is a shame as there were also a lot that worked quite well – nods to Aliens and The Shawshank Redemption were particularly appreciated.
Truth Seekers may be lacking a little in humour, but what is there is adeptly delivered by a rather stellar cast. Pegg takes a backseat as boss Dave with an atrocious hairpiece and there are some small roles for Kelly MacDonald, Susie Wokoma and Julian Barratt, but everyone puts in a great performance no matter the screen time. McDowell undoubtedly steals the show, but the main trio of Frost, Kayo and D’Arcy carry the show well between them.
What surprised me the most about Truth Seekers is how short it was. A mere eight episodes running at 30 minutes each doesn’t seem like enough – by the end of the eighth episode I was shocked to see there wasn’t any more, although the final scenes do at least set this up for a second series that will hopefully come to fruition. I was a little concerned about the main plot involving Toynbee as it did get a little convoluted towards the end, and the final scenes do nothing but add to this and hint at a much bigger story going on. This could end up being rather good, but it could also turn what is by and large a very enjoyable British supernatural series into something rather crazy and confused. Only series two will tell.
The series follows Gus Roberts (Nick Frost), the top installation engineer for network provider Smyle. He lives with his dad (Malcolm McDowell) and investigates paranormal activities in his spare time, running his own YouTube channel as ‘The Truth Seeker’. His boss Dave (Simon Pegg) pairs Gus with a new employee Elton John (Samson Kayo), and Truth Seekers follows the pair as they increasingly encounter paranormal and mysterious entities as they go about their daily work, including a haunted young woman called Astrid (Emma D’Arcy).
Truth Seekers starts off as a case by episode series, with a new spooky encounter every time (think Supernatural but very British) and then mid-way works into a bigger overall plot involving Julian Barratt’s Dr Peter Toynbee that seems to tie all the earlier elements together. As a supernatural horror show, this works really well. It doesn’t rely on typical jump scares, and instead uses well known horror situations to be as creepy as possible. Admittedly this is a tad cliched – think of all the known supernatural experiences you’d expect to see (psychiatric hospitals, hotels, demons and satanic books to name a few) and you’ll definitely find them here. However this doesn’t matter as they’re done well and in such a smart, creepy and very British way. Even the special effects are impressive for something that looks like it should be fairly low budget.
Whilst this is made out to be a horror comedy, it’s the comedy side that appears to be a little lacking. Don’t get me wrong, this has its’s funny and witty moments and seems to relish all of the pop culture references it throws in at every opportunity, however it doesn’t seem quite as edgy and quick witted as Frost and Pegg’s previous collaborations. Frost delivers his usual deadpan style well and is ably supported by Samson Kayo’s Elton as his rather adorable and unwitting partner. The standout though is unsurprisingly Malcolm McDowell as Gus’ dad Richard. Right from the first episode McDowell shines and is an absolute riot. Every scene he’s in gives rise to so many laughs and in particular there’s one scene featuring him going upstairs on a stair lift so slowly that nearly had me crying with laughter. But despite this the humour is maybe a little lacking from what we’d expect. I also felt like some of the pop culture references were a little forced and unnatural, which is a shame as there were also a lot that worked quite well – nods to Aliens and The Shawshank Redemption were particularly appreciated.
Truth Seekers may be lacking a little in humour, but what is there is adeptly delivered by a rather stellar cast. Pegg takes a backseat as boss Dave with an atrocious hairpiece and there are some small roles for Kelly MacDonald, Susie Wokoma and Julian Barratt, but everyone puts in a great performance no matter the screen time. McDowell undoubtedly steals the show, but the main trio of Frost, Kayo and D’Arcy carry the show well between them.
What surprised me the most about Truth Seekers is how short it was. A mere eight episodes running at 30 minutes each doesn’t seem like enough – by the end of the eighth episode I was shocked to see there wasn’t any more, although the final scenes do at least set this up for a second series that will hopefully come to fruition. I was a little concerned about the main plot involving Toynbee as it did get a little convoluted towards the end, and the final scenes do nothing but add to this and hint at a much bigger story going on. This could end up being rather good, but it could also turn what is by and large a very enjoyable British supernatural series into something rather crazy and confused. Only series two will tell.
Heather Cranmer (2721 KP) rated Music Box (Dark Carousel #4) in Books
Nov 23, 2020
I've loved the Dark Carousel series by Anya Allyn. I couldn't wait to dive into Music Box, the last book in the series, but at the same time, I was saddened that it was coming to an end. Music Box was definitely a thrilling read!
Cassie has given up hope of not being Balthazar's bride. She's about to just give in to it when she finds a way to the tower where the spooky figure she has seen lives. Scared as she is of the figure, she decides to investigate and is shocked to discover who the figure is. Cassie, with the help of her friends, must find some way to defeat the serpent shadows before they take over the Earth all while battling the humans and spirits of the castle. While she and her friends put their lives in great peril, they never give up hope of returning the Earth to its former glory.
The plot of Music Box did a fantastic job of holding my attention throughout. While there are some parts of this novel that are a bit too fast paced like in previous books in the series, for the most part, the pacing is easy to follow along with. There are a few plot twists that I wasn't able to predict. There was so much action going on in Music Box, and I loved it. It wasn't overwhelming, and it was underwhelming. Anya Allyn did a fantastic job with getting the ratio of action to narrative perfect! I did have a feeling that one of the characters in the Dollhouse would make an appearance, and I wasn't wrong. I liked the way all the loose ends from the previous books in the series were all tied up nicely. While I wasn't really a fan of how the book ended, I will say that it didn't have a rushed ending feel. I just wish things would have turned out a bit differently. However, I did love how the author explains more of the ending and what she believes happened to all the other characters in the afterword, so definitely don't skip out on reading the afterword!
As always, Anya Allyn was amazing at making her characters come alive. It was so easy to relate to all of them (bad guys and girls aside). Cassie was even more hardcore in this book! I loved how Cassie was willing to sacrifice everything to protect her friends and others. Ethan was the same as Cassie. He tried to protect innocents from the bad guys. While I liked Molly, I still don't think her character was needed, same with Frances. Don't get me wrong, they are great characters and written really well, but they seemed a bit pointless. I was happy about Aisha in this book. (I won't go into greater detail due to minor spoilers.) I absolutely loved Zack, and I was always secretly hoping that Cassie would end up with him. Zack turned out to be such a gentlemen from the second book. I loved how he was willing to cut ties from his family to help Cassie even though he knew it was an unrequited love. Henry was another character that I really loved. I felt that he wasn't all bad and that there was some good in him. The book he was seeking in the novel was what brought out the bad. He did have a bunch of redeeming qualities though. I was overjoyed that Jessamine was finally featured a bit more in this book! Jessamine has been my favorite character throughout this series. I was thrilled with how her story ended. I always knew she'd turn out to be awesome!
Trigger warnings for Music Box include violence, death, murder, suicide, attempted rape, minor swearing, the occult, and imprisonment.
While I'm devastated that the Dark Carousel series has come to an end, I am so grateful that Music Box was a great read. All of the characters were still so amazing, the story was thrilling, and everything was so nicely explained. I would definitely recommend Music Box (and all of the Dark Carousel series) by Anya Allyn. If you want a book with lots of action and a great cast of characters, this is your book. Do be prepared to suffer from a book hangover when you're done reading it though!
Cassie has given up hope of not being Balthazar's bride. She's about to just give in to it when she finds a way to the tower where the spooky figure she has seen lives. Scared as she is of the figure, she decides to investigate and is shocked to discover who the figure is. Cassie, with the help of her friends, must find some way to defeat the serpent shadows before they take over the Earth all while battling the humans and spirits of the castle. While she and her friends put their lives in great peril, they never give up hope of returning the Earth to its former glory.
The plot of Music Box did a fantastic job of holding my attention throughout. While there are some parts of this novel that are a bit too fast paced like in previous books in the series, for the most part, the pacing is easy to follow along with. There are a few plot twists that I wasn't able to predict. There was so much action going on in Music Box, and I loved it. It wasn't overwhelming, and it was underwhelming. Anya Allyn did a fantastic job with getting the ratio of action to narrative perfect! I did have a feeling that one of the characters in the Dollhouse would make an appearance, and I wasn't wrong. I liked the way all the loose ends from the previous books in the series were all tied up nicely. While I wasn't really a fan of how the book ended, I will say that it didn't have a rushed ending feel. I just wish things would have turned out a bit differently. However, I did love how the author explains more of the ending and what she believes happened to all the other characters in the afterword, so definitely don't skip out on reading the afterword!
As always, Anya Allyn was amazing at making her characters come alive. It was so easy to relate to all of them (bad guys and girls aside). Cassie was even more hardcore in this book! I loved how Cassie was willing to sacrifice everything to protect her friends and others. Ethan was the same as Cassie. He tried to protect innocents from the bad guys. While I liked Molly, I still don't think her character was needed, same with Frances. Don't get me wrong, they are great characters and written really well, but they seemed a bit pointless. I was happy about Aisha in this book. (I won't go into greater detail due to minor spoilers.) I absolutely loved Zack, and I was always secretly hoping that Cassie would end up with him. Zack turned out to be such a gentlemen from the second book. I loved how he was willing to cut ties from his family to help Cassie even though he knew it was an unrequited love. Henry was another character that I really loved. I felt that he wasn't all bad and that there was some good in him. The book he was seeking in the novel was what brought out the bad. He did have a bunch of redeeming qualities though. I was overjoyed that Jessamine was finally featured a bit more in this book! Jessamine has been my favorite character throughout this series. I was thrilled with how her story ended. I always knew she'd turn out to be awesome!
Trigger warnings for Music Box include violence, death, murder, suicide, attempted rape, minor swearing, the occult, and imprisonment.
While I'm devastated that the Dark Carousel series has come to an end, I am so grateful that Music Box was a great read. All of the characters were still so amazing, the story was thrilling, and everything was so nicely explained. I would definitely recommend Music Box (and all of the Dark Carousel series) by Anya Allyn. If you want a book with lots of action and a great cast of characters, this is your book. Do be prepared to suffer from a book hangover when you're done reading it though!
Heather Cranmer (2721 KP) rated Sinister Entity in Books
Jun 7, 2018
(This review can also be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
I had been craving a good ghost story, so when Sarah from Fae Books recommended Sinister Entity by Hunter Shea, I bought it on Amazon right afterwards. I'm glad I did because it was a fantastic read!
(Now I've read that most readers of review blogs don't like when a blog basically says again what a book is about, so I'm just going to give you a little bit more about what the book is about since it's not just about a doppelganger.) Jessica and Eddie are ghost hunters both with unique abilities. When they get a call from the Leigh family saying that they are seeing their daughter's double, Eddie and Jessica jump at the chance to help. However, the doppelganger is the least of the Leigh's problem. A more sinister force has set its sight on their 16 year old daughter. She is in more danger than anyone could have imagined.
Anything that has the word "entity" in it, I'm loving. I'm a sucker for ghost stories so the title definitely got my attention.
The cover conveys that it's going to be a scary story, but I think the cover could've been a little bit better. I would've liked to see a picture of Selena (the Leigh's daughter) and her doppelganger in a scary setting or something similar.
The world building was done rather well. I've been a part of a ghost hunting team, so I was more critical one it came to that aspect. However, Shea didn't disappoint. Not once did it feel as if the whole scary entity thing was over the top. I can't fault the world building at all. The whole normal family in suburbia thing feels natural and not pushed upon the reader.
The pacing at the beginning was a little slow. I felt that, at the beginning, it was too much info dumping. The book starts off with Jessica investigating another house. I felt like we didn't really need to read about that. The fact that she was a ghost hunter which we are told in the beginning was good enough. Also, we are also introduced to Eddie's special abilities in a university research type setting. I felt like this was a bit overkill. Just let Eddie explain his special abilities throughout the story instead of dumping them on us in the beginning. Saying that, the pacing picked up after the info dump at the beginning. I couldn't put the book down after that. The story continues to flow smoothly throughout the rest of the book.
Even though the plot in this type of story has been done before, I still enjoyed it. I love the doppelganger spin on this type of classic ghost story. I also must mention the plot reminded me of the stories of the late great Richard Laymon. (If you don't know who he is, look him up, and then read some of his novels). I also enjoyed the fact that the plot didn't really have any romance in it which was refreshing.
I enjoyed each of the characters even the sinister entity and Selena's doppelganger. I felt that each character was written exceptionally well. I especially enjoyed how strong of a character Jessica was. I never felt like she was inferior to Eddie just because she is a female. Both characters were just as strong as each other. As for Selena, I could actually feel her fear. I love how the author actually made her come across as a teenage girl. The way Selena acted and spoke were exactly what I imagined someone of her age doing/saying. I felt sorry for Selena throughout most of the book due to what was happening to her. I enjoyed the scenes with her doppelganger immensely, and I never expected the twist to happen. I even enjoyed how evilly the sinister entity was written.
The dialogue was really fun to read as it left me feeling a little bit afraid for everyone in the book. Not once did the dialogue between the characters feel forced. Like the pacing, the dialogue was smooth. As for the language, there are a few bad words when it comes to female and male anatomy, so just be warned if you're not big on that.
Overall, Sinister Entity by Hunter Shea is a very good and spooky ghost story. It has a classic ghost story feel which I enjoyed thoroughly.
I'd recommend this book to all fans of horror aged 17+ due to language used and themes throughout.
I had been craving a good ghost story, so when Sarah from Fae Books recommended Sinister Entity by Hunter Shea, I bought it on Amazon right afterwards. I'm glad I did because it was a fantastic read!
(Now I've read that most readers of review blogs don't like when a blog basically says again what a book is about, so I'm just going to give you a little bit more about what the book is about since it's not just about a doppelganger.) Jessica and Eddie are ghost hunters both with unique abilities. When they get a call from the Leigh family saying that they are seeing their daughter's double, Eddie and Jessica jump at the chance to help. However, the doppelganger is the least of the Leigh's problem. A more sinister force has set its sight on their 16 year old daughter. She is in more danger than anyone could have imagined.
Anything that has the word "entity" in it, I'm loving. I'm a sucker for ghost stories so the title definitely got my attention.
The cover conveys that it's going to be a scary story, but I think the cover could've been a little bit better. I would've liked to see a picture of Selena (the Leigh's daughter) and her doppelganger in a scary setting or something similar.
The world building was done rather well. I've been a part of a ghost hunting team, so I was more critical one it came to that aspect. However, Shea didn't disappoint. Not once did it feel as if the whole scary entity thing was over the top. I can't fault the world building at all. The whole normal family in suburbia thing feels natural and not pushed upon the reader.
The pacing at the beginning was a little slow. I felt that, at the beginning, it was too much info dumping. The book starts off with Jessica investigating another house. I felt like we didn't really need to read about that. The fact that she was a ghost hunter which we are told in the beginning was good enough. Also, we are also introduced to Eddie's special abilities in a university research type setting. I felt like this was a bit overkill. Just let Eddie explain his special abilities throughout the story instead of dumping them on us in the beginning. Saying that, the pacing picked up after the info dump at the beginning. I couldn't put the book down after that. The story continues to flow smoothly throughout the rest of the book.
Even though the plot in this type of story has been done before, I still enjoyed it. I love the doppelganger spin on this type of classic ghost story. I also must mention the plot reminded me of the stories of the late great Richard Laymon. (If you don't know who he is, look him up, and then read some of his novels). I also enjoyed the fact that the plot didn't really have any romance in it which was refreshing.
I enjoyed each of the characters even the sinister entity and Selena's doppelganger. I felt that each character was written exceptionally well. I especially enjoyed how strong of a character Jessica was. I never felt like she was inferior to Eddie just because she is a female. Both characters were just as strong as each other. As for Selena, I could actually feel her fear. I love how the author actually made her come across as a teenage girl. The way Selena acted and spoke were exactly what I imagined someone of her age doing/saying. I felt sorry for Selena throughout most of the book due to what was happening to her. I enjoyed the scenes with her doppelganger immensely, and I never expected the twist to happen. I even enjoyed how evilly the sinister entity was written.
The dialogue was really fun to read as it left me feeling a little bit afraid for everyone in the book. Not once did the dialogue between the characters feel forced. Like the pacing, the dialogue was smooth. As for the language, there are a few bad words when it comes to female and male anatomy, so just be warned if you're not big on that.
Overall, Sinister Entity by Hunter Shea is a very good and spooky ghost story. It has a classic ghost story feel which I enjoyed thoroughly.
I'd recommend this book to all fans of horror aged 17+ due to language used and themes throughout.
Gareth von Kallenbach (980 KP) rated Truth or Dare (2018) in Movies
Jul 8, 2019
Growing up with four sisters who would regularly have slumber parties, I was no stranger to the game Truth or Dare. For those who were never lucky enough to experience this game for themselves, the premise is simple, decide whether to tell the truth, regardless of what was asked or take a dare. I’m certain many friendships and relationships were lost over this simple game, because most people probably didn’t want to tell the truth or had friends who would come up with the most embarrassing dare imaginable. Hopefully, the game didn’t result in the death of most of your friends though, unlike the film Truth or Dare produced by Blumhouse Productions and directed by Jeff Wadlow (Kick-Ass 2).
Truth or Dare is a film that starts off with simple beginnings, a group of friends in their final year of college decide to spend their last spring break partying it up in Mexico. Olivia (Lucy Hale), being the responsible one, is reluctant to go choosing instead to spend her spring break building houses for Habitat for Humanity. Her best friend Markie (Violett Bean) pulls out all the stops and convinces her reluctant bestie to forgo Habitat and spend the week in Mexico instead. On their final night Olivia is approached by a handsome stranger named Carter (Landon Liboiron) who convinces her and her friends to join him for a rousing game of Truth or Dare in a spooky old abandoned Mexican mission. What could go wrong?
The game seemed simple enough, and everyone traveled home thinking that the game was only a game and ended when they left Mexico. It is only after their return, and strangers begin smiling at them and Truth or Dare voices appear from out of nowhere, that the game has only just begun. Play the game or face the consequences, fail to tell the truth, you die; fail your dare, you die…the rules are simple, but obeying them is what gradually tears the group of friends apart.
Truth or Dare follows much of the same plot twists and turns that other teen-based horror movies (I Know What You Did Last Summer, Final Destination, etc.) do. Initially the characters don’t buy into what is happening and it takes a few horrific events to convince them that what is going on is real. While the movie sticks very close to the formula of those before it, there are still the occasional plot twists or jump scares to keep things interesting. The movie attempts to play on the moral dilemma that comes with playing a game of Truth or Dare; the player must usually decide between hurting someone with honesty or harming themselves or someone else by taking the dare. Without giving away any spoilers, there is a “truth” question posed to Olivia at the beginning of the game that comes full circle at the end which demonstrates this point brilliantly.
Lucy Hale did an incredible job in her portrayal of Olivia, a young college student who tries to do the right thing, even if that happens to be at the expense of those around her. The rest of the cast however seemed to be a little more inconsistent in their character portrayals. It’s not that any one of them did a particularly poor job, their characters just felt more like cardboard cutouts, sticking to their given teen stereotype that teetered between believable and frustrating. There are certainly plenty of moments where you will be face-palming yourself on how the characters are behaving, considering the very real consequences they are facing. Remember they are all very aware of the rules, so accepting someone’s truth or the consequences of a dare, you’d think would be a given.
Overall, I enjoyed Truth or Dare. It doesn’t break any new ground and in many ways, resembles the teen suspense/horror movies of the mid 90’s. There are plenty of jump scares, and also a fair share of groan worthy moments. It’s the type of movie that won’t likely have any lasting impact once you leave the theater but is entertaining enough that you won’t be looking at your watch wondering when it’ll be over. It’s a fun movie that likely won’t be nominated for any awards, but that’s okay. Sometimes all you want is an escape, a movie that accepts what it is, and hopefully gives the audience exactly what they were expecting.
Truth or Dare is a film that starts off with simple beginnings, a group of friends in their final year of college decide to spend their last spring break partying it up in Mexico. Olivia (Lucy Hale), being the responsible one, is reluctant to go choosing instead to spend her spring break building houses for Habitat for Humanity. Her best friend Markie (Violett Bean) pulls out all the stops and convinces her reluctant bestie to forgo Habitat and spend the week in Mexico instead. On their final night Olivia is approached by a handsome stranger named Carter (Landon Liboiron) who convinces her and her friends to join him for a rousing game of Truth or Dare in a spooky old abandoned Mexican mission. What could go wrong?
The game seemed simple enough, and everyone traveled home thinking that the game was only a game and ended when they left Mexico. It is only after their return, and strangers begin smiling at them and Truth or Dare voices appear from out of nowhere, that the game has only just begun. Play the game or face the consequences, fail to tell the truth, you die; fail your dare, you die…the rules are simple, but obeying them is what gradually tears the group of friends apart.
Truth or Dare follows much of the same plot twists and turns that other teen-based horror movies (I Know What You Did Last Summer, Final Destination, etc.) do. Initially the characters don’t buy into what is happening and it takes a few horrific events to convince them that what is going on is real. While the movie sticks very close to the formula of those before it, there are still the occasional plot twists or jump scares to keep things interesting. The movie attempts to play on the moral dilemma that comes with playing a game of Truth or Dare; the player must usually decide between hurting someone with honesty or harming themselves or someone else by taking the dare. Without giving away any spoilers, there is a “truth” question posed to Olivia at the beginning of the game that comes full circle at the end which demonstrates this point brilliantly.
Lucy Hale did an incredible job in her portrayal of Olivia, a young college student who tries to do the right thing, even if that happens to be at the expense of those around her. The rest of the cast however seemed to be a little more inconsistent in their character portrayals. It’s not that any one of them did a particularly poor job, their characters just felt more like cardboard cutouts, sticking to their given teen stereotype that teetered between believable and frustrating. There are certainly plenty of moments where you will be face-palming yourself on how the characters are behaving, considering the very real consequences they are facing. Remember they are all very aware of the rules, so accepting someone’s truth or the consequences of a dare, you’d think would be a given.
Overall, I enjoyed Truth or Dare. It doesn’t break any new ground and in many ways, resembles the teen suspense/horror movies of the mid 90’s. There are plenty of jump scares, and also a fair share of groan worthy moments. It’s the type of movie that won’t likely have any lasting impact once you leave the theater but is entertaining enough that you won’t be looking at your watch wondering when it’ll be over. It’s a fun movie that likely won’t be nominated for any awards, but that’s okay. Sometimes all you want is an escape, a movie that accepts what it is, and hopefully gives the audience exactly what they were expecting.