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Color by Numbers - Flowers
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If your child likes flowers, this coloring game is made for them. Beautiful flowers make them feel...
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Join now and we’ll match your first bet up to $100 in Bonus Bets (T&Cs apply. Excludes residents...
Mothergamer (1521 KP) rated the PC version of Assassin's Creed: Brotherhood in Video Games
Apr 3, 2019
just got done playing Assassin's Creed Brotherhood and I'll level with you, the ending did cause me to have a what the heck is going on moment. The ending is abrupt and leaves you with a cliffhanger, only drawing forth more questions, and leaves one feeling a bit disappointed and frustrated. However, it does open up many possibilities for the story and for another Assassin's Creed game.
Cliffhanger ending aside, Brotherhood does not disappoint. You get to play as Ezio Auditore once again fighting against the Borgia clan. Ezio is now a leader and you can recruit assassins throughout the city of Rome and build up assassin signals to take out guards, enemies, and even send them out on contract missions. There are many great side quests, including one with Ezio's old friend Leonardo Da Vinci. Leonardo's Machines was one of my favorite side quests because not only was it fun to play, but it was interesting to see all the great designs spring to life for the various missions. The tank was my favorite by far! The rebuilding quest is back, only this time you rebuild Rome and there are many great rewards with it.
Brotherhood isn't completely perfect as there are a few bugs that the developers seem to have missed. One frustrating bug was if you went through one of the hidden tunnels before you were formally introduced to it in the game, you would spawn in front of it and desynchronize repeatedly. There was nothing to do about it, except start a new game. Another bug was a design graphic error with the cinematic of when you recruit an assassin to your cause. The new recruit was just a floating head with a body following it, and their neck was missing. There is also a bug where the game will freeze during game play for no reason at all and the only thing you can do is reboot everything. I only had this happen to me once, but a couple of my friends had it freeze up on them two or three times during missions.
Overall, the game was a blast to play and I did love that all you had to do was whistle or make a hand motion to call on several assassins to take out all your enemies. The historical notes are informative as well and the artwork and music enhance the experience of playing the main missions and the side ones. There's great downloadable content also to add to the fun. I will definitely be playing through it again and have a great time doing it. If you haven't picked up Assassin's Creed Brotherhood yet, I suggest you do so because it is a game that definitely entertains.
Cliffhanger ending aside, Brotherhood does not disappoint. You get to play as Ezio Auditore once again fighting against the Borgia clan. Ezio is now a leader and you can recruit assassins throughout the city of Rome and build up assassin signals to take out guards, enemies, and even send them out on contract missions. There are many great side quests, including one with Ezio's old friend Leonardo Da Vinci. Leonardo's Machines was one of my favorite side quests because not only was it fun to play, but it was interesting to see all the great designs spring to life for the various missions. The tank was my favorite by far! The rebuilding quest is back, only this time you rebuild Rome and there are many great rewards with it.
Brotherhood isn't completely perfect as there are a few bugs that the developers seem to have missed. One frustrating bug was if you went through one of the hidden tunnels before you were formally introduced to it in the game, you would spawn in front of it and desynchronize repeatedly. There was nothing to do about it, except start a new game. Another bug was a design graphic error with the cinematic of when you recruit an assassin to your cause. The new recruit was just a floating head with a body following it, and their neck was missing. There is also a bug where the game will freeze during game play for no reason at all and the only thing you can do is reboot everything. I only had this happen to me once, but a couple of my friends had it freeze up on them two or three times during missions.
Overall, the game was a blast to play and I did love that all you had to do was whistle or make a hand motion to call on several assassins to take out all your enemies. The historical notes are informative as well and the artwork and music enhance the experience of playing the main missions and the side ones. There's great downloadable content also to add to the fun. I will definitely be playing through it again and have a great time doing it. If you haven't picked up Assassin's Creed Brotherhood yet, I suggest you do so because it is a game that definitely entertains.
Movie Metropolis (309 KP) rated Gods Of Egypt (2016) in Movies
Jun 10, 2019
God Awful
Those of you who keep up to date with the goings on in the film world may be thinking Gods of Egypt was released way back in February; and you’d be right for thinking that.
The film, directed by Alex Proyas (I, Robot, Knowing) performed so poorly in America at the start of the year that its UK release was scrapped, until now. But is the resulting film as bad as its figures would suggest? Or are we looking at a future cult classic?
Good god no. From shocking dialogue to laughable special effects; Gods of Egypt is a dreadful dirge of a movie with practically no saving graces. It’s just that bad.
The survival of mankind hangs in the balance when Set (Gerard Butler), the merciless god of darkness, usurps Egypt’s throne and plunges the empire into chaos. Hoping to save the world and rescue his true love, a defiant mortal named Bek (Brenton Thwaites) forms an alliance with the powerful god Horus (Nikolaj Coster-Waldau) to stop Set before he destroys everything.
Thankfully, the plot itself isn’t too bad and has a vaguely interesting premise. The problem is how it is executed. Alex Proyas takes our protagonists on a rollercoaster ride of bland set pieces, populated by cardboard enemies and special effects that manage to look expensive and awful at the same time.
Gold, blood red, sparkling granite and deep, rich blacks all combine for a nauseating colour palate, only worsened by the cinematography. No shot is lingered on for any great amount of time – it’s like Alex Proyas was too terrified of allowing his audience to see the mess up close, shifting from frame to frame every few seconds.
Elsewhere, the acting is fairly inconsistent. Gerard Butler yet again channels his character from 300, while newcomer Brenton Thwaites looks po-faced as he spouts complete and utter drivel, a departure from his promising turn in 2013’s The Giver. The painful attempts at comedy fall flat on every single occasion and ensure no cast member leaves with their dignity intact.
2016 has thrown up some pretty bad films. London Has Fallen, Through the Looking Glass and Zoolander 2 spring immediately to mind, but this manages to outdo them by a country mile.
Overall, Gods of Egypt leaves you with more questions than it answers. Why is the Egyptian god of darkness Scottish? Why is it over two hours long? What on earth was Summit Entertainment thinking pouring $140million into this thing?
There is some good news at the end of this rather murky rainbow however. Your question as to whether you should go and see it may well be the only question that can be answered.
https://moviemetropolis.net/2016/06/18/god-awful-gods-of-egypt-review/
The film, directed by Alex Proyas (I, Robot, Knowing) performed so poorly in America at the start of the year that its UK release was scrapped, until now. But is the resulting film as bad as its figures would suggest? Or are we looking at a future cult classic?
Good god no. From shocking dialogue to laughable special effects; Gods of Egypt is a dreadful dirge of a movie with practically no saving graces. It’s just that bad.
The survival of mankind hangs in the balance when Set (Gerard Butler), the merciless god of darkness, usurps Egypt’s throne and plunges the empire into chaos. Hoping to save the world and rescue his true love, a defiant mortal named Bek (Brenton Thwaites) forms an alliance with the powerful god Horus (Nikolaj Coster-Waldau) to stop Set before he destroys everything.
Thankfully, the plot itself isn’t too bad and has a vaguely interesting premise. The problem is how it is executed. Alex Proyas takes our protagonists on a rollercoaster ride of bland set pieces, populated by cardboard enemies and special effects that manage to look expensive and awful at the same time.
Gold, blood red, sparkling granite and deep, rich blacks all combine for a nauseating colour palate, only worsened by the cinematography. No shot is lingered on for any great amount of time – it’s like Alex Proyas was too terrified of allowing his audience to see the mess up close, shifting from frame to frame every few seconds.
Elsewhere, the acting is fairly inconsistent. Gerard Butler yet again channels his character from 300, while newcomer Brenton Thwaites looks po-faced as he spouts complete and utter drivel, a departure from his promising turn in 2013’s The Giver. The painful attempts at comedy fall flat on every single occasion and ensure no cast member leaves with their dignity intact.
2016 has thrown up some pretty bad films. London Has Fallen, Through the Looking Glass and Zoolander 2 spring immediately to mind, but this manages to outdo them by a country mile.
Overall, Gods of Egypt leaves you with more questions than it answers. Why is the Egyptian god of darkness Scottish? Why is it over two hours long? What on earth was Summit Entertainment thinking pouring $140million into this thing?
There is some good news at the end of this rather murky rainbow however. Your question as to whether you should go and see it may well be the only question that can be answered.
https://moviemetropolis.net/2016/06/18/god-awful-gods-of-egypt-review/
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review</i>
The author of the <i>Hush, Hush</i> saga, Becca Fitzpatrick, steps away from the paranormal genre with this brand new contemporary thriller, <i>Black Ice</i>. Britt Pfeiffer has persuaded her best friend, Korbie, to go on an adventurous backpacking trip in the Tenton mountains for their senior spring break. It immediately gets off to a bad start when the girls get caught in a freak snowstorm and stranded a long way from their lodge. Luckily they come across a cabin owned by a guy named Shaun who is there with his friend Mason. But it may not be the safe haven they hoped it to be. With her best friend’s life in danger as well as her own, Britt has to remain strong in order to save themselves; either that or hope that her ex-boyfriend will realize they are missing and rescue them.
Initially it was difficult to connect with Britt who narrates the entire story. She, as well as Korbie, is a rather annoying, spoilt daddy’s girl and equally annoying to read about. This did not set the novel up well as it appeared it was going to be about two whining teenagers, both used to getting their own ways, fending for themselves in the mountains. Once the girls were faced with a life or death situation, Britt’s character developed rapidly. She became more independent, clever and likable, which made the story a lot easier to read and enjoy.
<i>Black Ice</i> is a thriller containing a murder mystery, which links all the characters together but in ways that you would not originally expect. It is also a romance novel. Although Mason is perceived as a bad guy, Britt ends up falling for him, and he her, sparking a risky relationship.
Despite the shaky start, Fitzpatrick’s latest novel is full of exciting twists and turns. There is the high risk of death, either from murder or exposure to the elements. Also, with a breathtaking conclusion, it is exhilarating to try and work out who is good, who is bad and who has been murdering girls in the mountains.
Fans of Fitzpatrick’s previous works may be disappointed with the lack of the paranormal and fantasy creatures that she has become known for, however this is still an enjoyable book. Personally I preferred it to <i>Hush, Hush</i> which I admittedly did not care for. I confess that I did not expect to like this book, especially as the main character began as a very irritating person, but it does get so much better.
The author of the <i>Hush, Hush</i> saga, Becca Fitzpatrick, steps away from the paranormal genre with this brand new contemporary thriller, <i>Black Ice</i>. Britt Pfeiffer has persuaded her best friend, Korbie, to go on an adventurous backpacking trip in the Tenton mountains for their senior spring break. It immediately gets off to a bad start when the girls get caught in a freak snowstorm and stranded a long way from their lodge. Luckily they come across a cabin owned by a guy named Shaun who is there with his friend Mason. But it may not be the safe haven they hoped it to be. With her best friend’s life in danger as well as her own, Britt has to remain strong in order to save themselves; either that or hope that her ex-boyfriend will realize they are missing and rescue them.
Initially it was difficult to connect with Britt who narrates the entire story. She, as well as Korbie, is a rather annoying, spoilt daddy’s girl and equally annoying to read about. This did not set the novel up well as it appeared it was going to be about two whining teenagers, both used to getting their own ways, fending for themselves in the mountains. Once the girls were faced with a life or death situation, Britt’s character developed rapidly. She became more independent, clever and likable, which made the story a lot easier to read and enjoy.
<i>Black Ice</i> is a thriller containing a murder mystery, which links all the characters together but in ways that you would not originally expect. It is also a romance novel. Although Mason is perceived as a bad guy, Britt ends up falling for him, and he her, sparking a risky relationship.
Despite the shaky start, Fitzpatrick’s latest novel is full of exciting twists and turns. There is the high risk of death, either from murder or exposure to the elements. Also, with a breathtaking conclusion, it is exhilarating to try and work out who is good, who is bad and who has been murdering girls in the mountains.
Fans of Fitzpatrick’s previous works may be disappointed with the lack of the paranormal and fantasy creatures that she has become known for, however this is still an enjoyable book. Personally I preferred it to <i>Hush, Hush</i> which I admittedly did not care for. I confess that I did not expect to like this book, especially as the main character began as a very irritating person, but it does get so much better.
Kirk Bage (1775 KP) rated After Life in TV
Mar 3, 2020
As Ricky Gervais cheekily crow-barred in to his opening speech at the 2020 Golden Globes a few weeks ago, it is possible to watch all of After Life series one in less time than it takes to watch The Irishman. And that is exactly what I did; binged the whole thing on autoplay until it was done! Not to get it over with as soon as possible, but rather because it is hard to turn off – you just keep wanting more.
It’s not a complicated idea – Tony’s wife has died of cancer and he wishes he was dead too. Surrounded by tedious work colleagues in a dead end job, a father in a home with dementia, and having only a very hungry dog to lean on, he is filled with such bitterness and grief that he decides there is no point not doing anything he wants and being as nasty as possible to all around him.
The show glides effortlessly between hilarious situations, filled with sharp dialogue / small moments of comedy genius, and genuinely sad moments that leave a lump in the throat. It is a trick Gervais has been honing in all his shows since The Office, and now he has it down to a work of art you just have to applaud. No matter how ridiculous, it always seems rooted in truth and real emotion. Each vitriolic outburst is written so well we empathise with Tony almost every time, because he is usually right; and when he isn’t right, that moment of awkwardness is used with almost preternatural understanding of the audience to demonstrate the point of the whole conceit.
It boils down to the truth that no matter how much you want to give up on life and people, you can’t forget that happiness is a gift. Not just yours, but anyone’s. And to go around being an arsehole, wallowing in self-pity is entirely selfish, even if you have good reason to be that way. Distilled into less than 3 hours in total, After Life is no less than a magic trick, in not only achieving the passing on of that message, but in entertaining us every single minute in the meantime!
Thinking of how to rate it, I just can’t find much fault in what it sets out to be. It isn’t a grand or expensive production, it feels humble and economical, but oh so very focused. Do we want more bells and whistles? Have we come to expect that from our entertainment now. Is that what is missing? I feel I would recommend this show to anyone, and am very much looking forward to a second season in the Spring, but I also feel like it doesn’t need to have its trumpet over-blown; it’s just a lovely, funny, simple show about being alive.
It’s not a complicated idea – Tony’s wife has died of cancer and he wishes he was dead too. Surrounded by tedious work colleagues in a dead end job, a father in a home with dementia, and having only a very hungry dog to lean on, he is filled with such bitterness and grief that he decides there is no point not doing anything he wants and being as nasty as possible to all around him.
The show glides effortlessly between hilarious situations, filled with sharp dialogue / small moments of comedy genius, and genuinely sad moments that leave a lump in the throat. It is a trick Gervais has been honing in all his shows since The Office, and now he has it down to a work of art you just have to applaud. No matter how ridiculous, it always seems rooted in truth and real emotion. Each vitriolic outburst is written so well we empathise with Tony almost every time, because he is usually right; and when he isn’t right, that moment of awkwardness is used with almost preternatural understanding of the audience to demonstrate the point of the whole conceit.
It boils down to the truth that no matter how much you want to give up on life and people, you can’t forget that happiness is a gift. Not just yours, but anyone’s. And to go around being an arsehole, wallowing in self-pity is entirely selfish, even if you have good reason to be that way. Distilled into less than 3 hours in total, After Life is no less than a magic trick, in not only achieving the passing on of that message, but in entertaining us every single minute in the meantime!
Thinking of how to rate it, I just can’t find much fault in what it sets out to be. It isn’t a grand or expensive production, it feels humble and economical, but oh so very focused. Do we want more bells and whistles? Have we come to expect that from our entertainment now. Is that what is missing? I feel I would recommend this show to anyone, and am very much looking forward to a second season in the Spring, but I also feel like it doesn’t need to have its trumpet over-blown; it’s just a lovely, funny, simple show about being alive.
Sonic The Hedgehog Classic
Games, Entertainment and Stickers
10.0
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The Sonic game that started it all is now free-to-play and optimized for mobile devices! Race at...
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Shallow Graves: The Hunt for the New Bedford Highway Serial Killer
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Eleven women went missing over the spring and summer of 1988 in New Bedford, Massachusetts, an old...
You Must Build A Boat
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*** App Store Best of 2015! *** So you think you are good at matching? Time to put those skills to...