"There’s Bonnie and Clyde. That’s a film that kind of started the new wave in the ’70s. That was incredible. I saw that when I was in about the eighth grade, I think. Those characters, and also the history of Bonnie and Clyde, you know… it was something new. I remember, in fact, Bonnie and Clyde came out in either late Spring or early Summer, and then it was pulled. I think it flopped when it came out, and then they brought it back out in the Fall. I mean, I loved it when I first saw it; then they brought it back out in the Fall and it was a huge success."

"Firstly I’m going to go for The Virgin Spring. It’s a film that may surprise people but it really had an impact on me and I was just amazed by it. I saw it in a relatively short period of my life when I was teaching at college. When I was younger I hadn’t been allowed to watch any because I went to a Baptist College, but by this time I had put the religion behind me and that was one of the first art films I saw and I was very impressed by it. I mean, I could list you a dozen movies from that era by European by European film directors by Godard, Truffaut – Breathless, 400 Blows, all those wonderful European movies.”"

"The rumour goes that when the guys from the record company [wanted to] hear Spirit Of Eden, knowing the commercial success of The Colour Of Spring, Talk Talk wouldn't let them hear a note until the album was finished. They took a long time. The story goes that the label guy went to the studio, they lit some candles and put on that record and he cried and left. To this day they don't know whether he was moved or thought it was terrible. But from a personal point of view, they started out by their own admission as a Duran Duran copy band. I was tempted to put a solo record [by Mark Hollis] on the list as well. But I thought that was labouring the point."