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Haley Mathiot (9 KP) rated The Making of a Duchess (The Sons of the Revolution, #1) in Books
Apr 27, 2018
Sarah Smith is just a governess… but then her employer sends her off to spy on the French Duc de Valère, Julien. Sarah takes on an identity of someone who died years ago. Insecure and out of her comfort zone, she does her best to figure out if Julien is a traitor… but gets nearly swept away by him. Being discovered as a spy doesn't help her situation any, either. But Julien isn't going to turn her out on the streets. He's going to use her to keep himself safe from the men trying to catch him… and he might just marry her.
Julien knows it's his duty to ask Serafina Artoris to marry him, and after seeing her once and being astounded by her beauty, he's fully prepared to marry her—but she rejects him. He tries his best to keep his head on straight as he continues his search for his brothers, who he is convinced are alive. But he never counted on Serafina being so attractive, so unique, so different… and discovers that he is willing to give her a second chance.
Both Julien and Sarah struggle with their feelings about each other, but unite in a common cause: to prove that Julien is not a traitor to his country, by finding his brother who may or may not be alive, using information from a man who may or may not be luring them into a trap. But there are many mysteries and complications along the way, such as compromised reputations, jail breaks, at least three marriage proposals, and pirates… and a Duc madly in love with a governess.
The Making of a Duchess was romantic, exciting, and sweet. It kept me reading and sat in the forefront of my mind.
The plot was exciting near the end when the action took place, but there wasn't much happening through the rest besides a lot of sneaking and a lot of kissing. I figured out a key element of the story the second the hint was dropped, in one of the first chapters, and I was a little disappointed that the mystery didn't get unveiled later. And, again with the last-page love confession… is it a requirement for men in romance novels to put off saying "I love you" for as long as they can? It was the only thing that bugged me about Julien. He was such a bright man, but he didn't even tell her that he loved her. Not until it was quite obvious. At least he said it, though.
I liked the characters a lot: I felt really bad for poor Sarah—although her repetition of doubts did get annoying after a while—and I cared a lot for her happy ending. She had so many doubts about who she was, her family, what was right and what was wrong, and even whom she was loyal to. Julien was just one of those heroes that everyone wants but nobody can seem to get their hands on, so there was no way to not love him. He was brave, courageous, had his priorities set straight, a hard worker, and a romantic (and extremely good looking). Their relationship was a little fast paced, and it was hard to see what it was based off of at first. Sarah had a hard time figuring out what was desire, and what was love… but I think she got it right in the end.
Content/Recommendation: little language, some sex. Ages 18+
Julien knows it's his duty to ask Serafina Artoris to marry him, and after seeing her once and being astounded by her beauty, he's fully prepared to marry her—but she rejects him. He tries his best to keep his head on straight as he continues his search for his brothers, who he is convinced are alive. But he never counted on Serafina being so attractive, so unique, so different… and discovers that he is willing to give her a second chance.
Both Julien and Sarah struggle with their feelings about each other, but unite in a common cause: to prove that Julien is not a traitor to his country, by finding his brother who may or may not be alive, using information from a man who may or may not be luring them into a trap. But there are many mysteries and complications along the way, such as compromised reputations, jail breaks, at least three marriage proposals, and pirates… and a Duc madly in love with a governess.
The Making of a Duchess was romantic, exciting, and sweet. It kept me reading and sat in the forefront of my mind.
The plot was exciting near the end when the action took place, but there wasn't much happening through the rest besides a lot of sneaking and a lot of kissing. I figured out a key element of the story the second the hint was dropped, in one of the first chapters, and I was a little disappointed that the mystery didn't get unveiled later. And, again with the last-page love confession… is it a requirement for men in romance novels to put off saying "I love you" for as long as they can? It was the only thing that bugged me about Julien. He was such a bright man, but he didn't even tell her that he loved her. Not until it was quite obvious. At least he said it, though.
I liked the characters a lot: I felt really bad for poor Sarah—although her repetition of doubts did get annoying after a while—and I cared a lot for her happy ending. She had so many doubts about who she was, her family, what was right and what was wrong, and even whom she was loyal to. Julien was just one of those heroes that everyone wants but nobody can seem to get their hands on, so there was no way to not love him. He was brave, courageous, had his priorities set straight, a hard worker, and a romantic (and extremely good looking). Their relationship was a little fast paced, and it was hard to see what it was based off of at first. Sarah had a hard time figuring out what was desire, and what was love… but I think she got it right in the end.
Content/Recommendation: little language, some sex. Ages 18+
Emma @ The Movies (1786 KP) rated Anna (2019) in Movies
Jun 20, 2020
Appearances are deceiving, not only with our main character Anna but with the trailer for this film too. What I was expecting was Atomic Blonde, what I got was Atomic Blonde mixed with Red Sparrow but with none of the redeeming features of either.
I would normally at this point write a slightly expanded synopsis of the film, but reading back my notes even I can't remember (or work out) what happened at the beginning of the film.
This confusion is the one consistent thing throughout the whole film.
The TV shows Hustle and Leverage like to do the reveal where they show you a scene unfold and then play it back a little later showing you the truth behind what actually happened. Anna does this too, excessively. We jump around the timeline so much that eventually when you see the words "X months earlier" you just let out a resigned sigh.
I've been contemplating how the film would have played out if they'd don't it in a more traditional/chronological order. I'm not sure that there would have been enough to keep you interested in what was going on. It certainly would have left the ending surprise heavy with little to no pay off for your patience.
Anna looked to be a serious action-fest and in the trailer we see a well choreographed restaurant fight that I had particularly been looking forward to. The finished product was somehow incredibly dull and unengaging and I think that's entirely down to the music. In the trailer they picked an upbeat track and the action is cut to coincide with the punchy notes, it makes you react to what's happening. The music in the final cut does not contribute anything to what's going on at all. I've seen this happen previously with Kingsman: The Golden Circle, although in that case the scene wasn't hurt as much as here.
Luke Evans is the main Russian spy, Alex, he's strong and decisive. Cillian Murphy is the CIA agent, Lenny, he's abrasive and suspicious. Both characters are ultimately the same, but different. There's little to work out about either man or their relationship with Anna.
Anna is played by Sasha Luss, her only other acting credit is in Valerian and the City with a longer than necessary name (actual title of the film... I'm sure of it), I honestly wouldn't have recognised her from it. There's little that's memorable about her in this, which is worrying as the main character. The part was let down by the story, and while I'm sure she has the ability to do Anna justice I don't think anything here gave her the opportunity to try.
We're also treated to Helen Mirren, she is wonderful all the time, and this wasn't any different. I loved her performance in this as it was something a bit grittier, but I don't think her character and the script really aligned. She's shown as an astute spy and she picks up on the little details... unless it's essential to the plot that she doesn't.
Perhaps I'm being too harsh, but the promise of the trailer and the delivery of the film held very different things for the viewer. There are much better examples of this sort of film out there, it doesn't feel like it brings anything new to the table.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/07/anna-movie-review.html
I would normally at this point write a slightly expanded synopsis of the film, but reading back my notes even I can't remember (or work out) what happened at the beginning of the film.
This confusion is the one consistent thing throughout the whole film.
The TV shows Hustle and Leverage like to do the reveal where they show you a scene unfold and then play it back a little later showing you the truth behind what actually happened. Anna does this too, excessively. We jump around the timeline so much that eventually when you see the words "X months earlier" you just let out a resigned sigh.
I've been contemplating how the film would have played out if they'd don't it in a more traditional/chronological order. I'm not sure that there would have been enough to keep you interested in what was going on. It certainly would have left the ending surprise heavy with little to no pay off for your patience.
Anna looked to be a serious action-fest and in the trailer we see a well choreographed restaurant fight that I had particularly been looking forward to. The finished product was somehow incredibly dull and unengaging and I think that's entirely down to the music. In the trailer they picked an upbeat track and the action is cut to coincide with the punchy notes, it makes you react to what's happening. The music in the final cut does not contribute anything to what's going on at all. I've seen this happen previously with Kingsman: The Golden Circle, although in that case the scene wasn't hurt as much as here.
Luke Evans is the main Russian spy, Alex, he's strong and decisive. Cillian Murphy is the CIA agent, Lenny, he's abrasive and suspicious. Both characters are ultimately the same, but different. There's little to work out about either man or their relationship with Anna.
Anna is played by Sasha Luss, her only other acting credit is in Valerian and the City with a longer than necessary name (actual title of the film... I'm sure of it), I honestly wouldn't have recognised her from it. There's little that's memorable about her in this, which is worrying as the main character. The part was let down by the story, and while I'm sure she has the ability to do Anna justice I don't think anything here gave her the opportunity to try.
We're also treated to Helen Mirren, she is wonderful all the time, and this wasn't any different. I loved her performance in this as it was something a bit grittier, but I don't think her character and the script really aligned. She's shown as an astute spy and she picks up on the little details... unless it's essential to the plot that she doesn't.
Perhaps I'm being too harsh, but the promise of the trailer and the delivery of the film held very different things for the viewer. There are much better examples of this sort of film out there, it doesn't feel like it brings anything new to the table.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/07/anna-movie-review.html
A Great Place to Have a War by Joshua Kurlantzick is a book about the history of Laos. The synopsis caught by eye since I lived and worked in Laos for a year as an English teacher. The book is about the conflict which occurred in Laos roughly during the same period of the Vietnam War. This is an interesting and impressive book, yet depressing. Details the rise of the CIA as a war machine during the Vietnam War, which was fought to a great extent in Laos. It looks at some of people involved in building the war to epic proportions, and then withdrawing, leaving the country to collapse into yet more suffering.
This is a fascinating look at the shadow war in Laos, staged by the CIA, during the Vietnam War. It's an extremely interesting history of the how that war came to be, some of the main people involved in that war, and the rise of the CIA as an organization conducting paramilitary operations, not just spy missions. It also relates the political intrigues of the time, and the fate of Hmong who fought for Laos, and with and for America.
I learned a lot about the history of the conflict itself, and the characters on both sides of the war. This war which has been hidden in the shadows, and the author has given the people involved a chance to have their deeds, or misdeeds aired in the light of day. As with most of the little wars that occurred during the Cold War period, there is a lot of political manoeuvring which occurs in the background.
This is a fascinating look at the shadow war in Laos, staged by the CIA, during the Vietnam War. It's an extremely interesting history of the how that war came to be, some of the main people involved in that war, and the rise of the CIA as an organization conducting paramilitary operations, not just spy missions. It also relates the political intrigues of the time, and the fate of Hmong who fought for Laos, and with and for America.
I learned a lot about the history of the conflict itself, and the characters on both sides of the war. This war which has been hidden in the shadows, and the author has given the people involved a chance to have their deeds, or misdeeds aired in the light of day. As with most of the little wars that occurred during the Cold War period, there is a lot of political manoeuvring which occurs in the background.
MaryAnn (14 KP) rated The Yellow Lantern in Books
Nov 4, 2019
osephine Is Forced to Spy for Grave Robbers
Step into True Colorsa new series of Historical Stories of Romance and American Crime
In Massachusetts in 1824, Josephine Clayton awakes on the table of the doctor shes assisted all these months. She was presumed dead by all and has become the doctors next corpse for his medical research. Frightened, the doctor tries to kill her, but Josephine begs to be spared. A deal is struckJosie will leave her village and work at a distant cotton mill. All the while, shell await her true missionposing as a mourner to help his body snatcher procure her replacement. At the mill though, Josie is praised for her medical remedies among the mill girls, gaining attention from the handsome factory manager Braham Taylor. Yet, when Brahams own loved one becomes the prey for the next grave robbing, Josie must make a choice that could put her dark past behind her or steal away the promise of any future at all. What price will Josie pay for love when her secrets begin to unravel
My Thoughts: This is a very unique mystery that will captivate readers from the beginning. A fictional novel based on true facts, this story gives the reader an insight to the horrific things that happened at the turn of the century.
This story will certainly keep the readers' attention. The author has created very believable characters. The readers will either like them or hate them.
This is a wonderful story for those who like a good mystery. This one has many twists in the plot to keep the readers on their toes.
Step into True Colorsa new series of Historical Stories of Romance and American Crime
In Massachusetts in 1824, Josephine Clayton awakes on the table of the doctor shes assisted all these months. She was presumed dead by all and has become the doctors next corpse for his medical research. Frightened, the doctor tries to kill her, but Josephine begs to be spared. A deal is struckJosie will leave her village and work at a distant cotton mill. All the while, shell await her true missionposing as a mourner to help his body snatcher procure her replacement. At the mill though, Josie is praised for her medical remedies among the mill girls, gaining attention from the handsome factory manager Braham Taylor. Yet, when Brahams own loved one becomes the prey for the next grave robbing, Josie must make a choice that could put her dark past behind her or steal away the promise of any future at all. What price will Josie pay for love when her secrets begin to unravel
My Thoughts: This is a very unique mystery that will captivate readers from the beginning. A fictional novel based on true facts, this story gives the reader an insight to the horrific things that happened at the turn of the century.
This story will certainly keep the readers' attention. The author has created very believable characters. The readers will either like them or hate them.
This is a wonderful story for those who like a good mystery. This one has many twists in the plot to keep the readers on their toes.
Petralex Hearing aid
Medical and Health & Fitness
2.0
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