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Phillip McSween (751 KP) rated Barbarella (1968) in Movies
Aug 10, 2020
Vaguely Memorable
An outer space agent travels to another galaxy in search of a missing inventor.
Acting: 2
Good cast, none of whom are swinging for the fences in Barbarella. Honestly, I can compare the acting chops in this movie to the likes of a softcore porn. Science fiction or not, there is absolutely nothing believable about this movie in the slightest. The acting made the rest of the movie hard to watch.
Beginning: 10
Characters: 10
Despite the terrible acting, I didn’t hate the characters, namely the woman of the hour Barbarella (Jane Fonda). She’s quirky and I loved all of her inuendo references to sex. The movie is very sex-oriented and it succeeds, albeit minutely, in Barbarella’s experience and everyone else’s lack thereof. If they had given the movie more of a solid story, the characters would have had a fighting chance at being a part of a solid movie.
Cinematography/Visuals: 10
Not terrible in the way of sci-fi. They tried a number of cool things that really are fairly impressive for a 1968 movie. From the weapons to the numerous space settings, I wasn’t disappointed by what was showing up on screen.
Conflict: 6
I think Barbarella cared more about being trippy than having a true conflict to drive the story. There are points where I cared about the outcome, but it seems more often than not that the movie is satisfied with being light-hearted and slowly paced. There was not enough going on for me to overly care.
Entertainment Value: 9
Memorability: 6
There are a handful of moments that stand out, but there isn’t a lot of replay value here. Even as I rewatch it as we speak, there are some spots that I forgot even happened. Definitely not a movie I need to see twice.
Pace: 5
Plot: 1
Never a good sign when I have to look the story up on Rotten Tomatoes. It was honestly that forgettable. I think the 800 screenwriters on this movie cared more about being funny than they did writing a good movie. Not impressed.
Resolution: 2
Overall: 61
I wanted to like Barbarella, but they gave me nothing to work with unfortunately. I wouldn’t even advise the Amazon Prime users (where the movie is available) to give it a shot. Steer clear.
Acting: 2
Good cast, none of whom are swinging for the fences in Barbarella. Honestly, I can compare the acting chops in this movie to the likes of a softcore porn. Science fiction or not, there is absolutely nothing believable about this movie in the slightest. The acting made the rest of the movie hard to watch.
Beginning: 10
Characters: 10
Despite the terrible acting, I didn’t hate the characters, namely the woman of the hour Barbarella (Jane Fonda). She’s quirky and I loved all of her inuendo references to sex. The movie is very sex-oriented and it succeeds, albeit minutely, in Barbarella’s experience and everyone else’s lack thereof. If they had given the movie more of a solid story, the characters would have had a fighting chance at being a part of a solid movie.
Cinematography/Visuals: 10
Not terrible in the way of sci-fi. They tried a number of cool things that really are fairly impressive for a 1968 movie. From the weapons to the numerous space settings, I wasn’t disappointed by what was showing up on screen.
Conflict: 6
I think Barbarella cared more about being trippy than having a true conflict to drive the story. There are points where I cared about the outcome, but it seems more often than not that the movie is satisfied with being light-hearted and slowly paced. There was not enough going on for me to overly care.
Entertainment Value: 9
Memorability: 6
There are a handful of moments that stand out, but there isn’t a lot of replay value here. Even as I rewatch it as we speak, there are some spots that I forgot even happened. Definitely not a movie I need to see twice.
Pace: 5
Plot: 1
Never a good sign when I have to look the story up on Rotten Tomatoes. It was honestly that forgettable. I think the 800 screenwriters on this movie cared more about being funny than they did writing a good movie. Not impressed.
Resolution: 2
Overall: 61
I wanted to like Barbarella, but they gave me nothing to work with unfortunately. I wouldn’t even advise the Amazon Prime users (where the movie is available) to give it a shot. Steer clear.
Lottie disney bookworm (1056 KP) rated She Who Became The Sun in Books
Aug 30, 2021
Beware those who journey further – a fairytale this ain’t!
After a fortune teller destines her brother for greatness and her own life to be worthless, a peasant girl may be expected to resign herself to her fate. However, upon her brother’s premature death, the girl seizes an opportunity to adopt both his name and his destiny.
She Who Became the Sun is a brutal, hard hitting debut to The Radiant Emperor series. Comparisons tend to quote Mulan due to the setting and the nature of Zhu disguising her female birth, but this is honestly where the comparison ends. For me, this novel is as if Mulan was in the Game of Thrones novels: warring factions, political backstabbing and the quest for power, Parker-Chan really doesn’t hold back.
As the debut novel, She Who Became the Sun has a lot of work to do in world-building and revealing the history behind the main characters. As a result, the pace of writing can feel a little slow at times but the final few chapters are well worth any previous perseverance.
Despite the pace in the middle of the novel, Parker-Chan’s writing is lyrical and intense simultaneously. Zhu’s desire to live gives a desperate, raw undertone to every one of the chapters under her POV. This is in direct juxtaposition from our other main character, Ouyang, who exudes cold detachment.
Zhu and Ouyang are both orphans, both queer and, as a girl and a eunuch, are both shunned by society. However, they consistently find themselves facing each other on opposite sides of a war: they may be ‘like and like’ but they are both characters who believe that their path is already decided for them, and neither will let anyone stand in their way!
Zhu and Ouyang are complex, well-developed characters, but they are nothing without their stunning supporting cast! I particularly loved Xu Da, Esen and Ma who never showed any prejudice against our main protagonists and purely accepted them for who they were.
She Who Became the Sun intertwines historical fiction with fantasy, war strategies with spirits and death with fate. This novel manages to be gritty and violent whilst also exploring gender identity in an open and refreshing manner. Morality is blurred and ghosts are rife: I can’t wait to see what happens next.
Thank you to Netgalley and Pan Macmillan for gifting me an e-ARC of She Who Became the Sun.
After a fortune teller destines her brother for greatness and her own life to be worthless, a peasant girl may be expected to resign herself to her fate. However, upon her brother’s premature death, the girl seizes an opportunity to adopt both his name and his destiny.
She Who Became the Sun is a brutal, hard hitting debut to The Radiant Emperor series. Comparisons tend to quote Mulan due to the setting and the nature of Zhu disguising her female birth, but this is honestly where the comparison ends. For me, this novel is as if Mulan was in the Game of Thrones novels: warring factions, political backstabbing and the quest for power, Parker-Chan really doesn’t hold back.
As the debut novel, She Who Became the Sun has a lot of work to do in world-building and revealing the history behind the main characters. As a result, the pace of writing can feel a little slow at times but the final few chapters are well worth any previous perseverance.
Despite the pace in the middle of the novel, Parker-Chan’s writing is lyrical and intense simultaneously. Zhu’s desire to live gives a desperate, raw undertone to every one of the chapters under her POV. This is in direct juxtaposition from our other main character, Ouyang, who exudes cold detachment.
Zhu and Ouyang are both orphans, both queer and, as a girl and a eunuch, are both shunned by society. However, they consistently find themselves facing each other on opposite sides of a war: they may be ‘like and like’ but they are both characters who believe that their path is already decided for them, and neither will let anyone stand in their way!
Zhu and Ouyang are complex, well-developed characters, but they are nothing without their stunning supporting cast! I particularly loved Xu Da, Esen and Ma who never showed any prejudice against our main protagonists and purely accepted them for who they were.
She Who Became the Sun intertwines historical fiction with fantasy, war strategies with spirits and death with fate. This novel manages to be gritty and violent whilst also exploring gender identity in an open and refreshing manner. Morality is blurred and ghosts are rife: I can’t wait to see what happens next.
Thank you to Netgalley and Pan Macmillan for gifting me an e-ARC of She Who Became the Sun.
James P. Sumner (65 KP) created a post
Aug 22, 2019
Phillip McSween (751 KP) rated Green Book (2018) in Movies
Dec 23, 2018
Phenomenal
Sometimes a solid film can catch you off guard. Blockbusters, Marvel films, anything Disney, those are the ones you expect to succeed and most times they do. However, sometimes films come along that aren’t highly publicized that gives you a glimpse of its potential in a trailer you never even would have seen had you not gone to see a certain movie. Enter Green Book, the story of famous black pianist Dr. Don Shirley (Mahershala Ali) and his decision to embark on a tour in the deep south accompanied by his driver and protector, an American-Italian man named Tony Lip (Viggo Mortensen).
Acting: 10
You can tell someone is killing at their job as an actor in a movie when you don’t even recognize them. Viggo Mortensen is out of this world amazing in his performance as Tony. He’s tough as nails, but you can see his softer side coming forth as the movie progresses. He and Mahershala Ali have a phenomenal chemistry that carries the story and entertains you from start to finish. They make you feel as if they’re actually becoming the best of friends as their worlds collide. I loved the intensity of some of their scenes and how they could turn on a dime and bring you a little laughter. Also, not-so-small shout out to Linda Cardellini who plays Lip’s wife Dolores as her performance was extremely solid as well.
Beginning: 10
Characters: 10
Tony Lip is easily one of my favorite characters in any 2018 movie this year. He is the typical gruff male and the stereotypical American-Italian type, but it’s eye-opening and fun to watch a character like that in a setting that’s not a mafia movie. His progression is what makes him great, or adds to his greatness rather. I couldn’t imagine coming across a guy like Tony Lip and not liking him after five minutes of meeting him.
I don’t want to downplay Don Shirley’s character, although Lip does steal the show. Shirley is one we can learn from, a guy that fights through adversity and is determined to win at all costs. He is a lost soul that drowns himself in the highs and lows of alcohol and music. You pity him and you cheer for him at the same time.
Cinematography/Visuals: 9
I am always impressed with period pieces and how they are able to capture regions so well. There is such a great depiction here of the northeast vs. the deep south that transports you easily from one region to the next. One minute you’re on a bustling street in the middle of New York and the next you’re on country road surrounded by trees being taken to a backwoods gas station. Just thinking about it even now made me add another point on. I also loved the stark contrast between the beautiful venues where Shirley would play and the grimy hotels he had to stay in because of the color of his skin. It was a major eye-opener and a punch to the gut when you see it on screen.
Conflict: 10
Genre: 8
Memorability: 10
Great choice on the title as it alone helps the film to stand out. You will understand when you see it, trust me. Overall Green Book is a beautiful tale that ultimately breaks stereotypes and spin things in a different light we don’t quite expect. I loved how there were a number of scenes that were not only funny, but touching at the same time.
Pace: 10
Plot: 10
Resolution: 10
Slightly cheesy, slightly unrealistic. I don’t care. To me, it was a fitting ending to an overall solid story. It’s got my seal of approval.
Overall: 97
I love when unexpected gems hit me in the face like Green Book. Go see this film. You will not be disappointed.
Acting: 10
You can tell someone is killing at their job as an actor in a movie when you don’t even recognize them. Viggo Mortensen is out of this world amazing in his performance as Tony. He’s tough as nails, but you can see his softer side coming forth as the movie progresses. He and Mahershala Ali have a phenomenal chemistry that carries the story and entertains you from start to finish. They make you feel as if they’re actually becoming the best of friends as their worlds collide. I loved the intensity of some of their scenes and how they could turn on a dime and bring you a little laughter. Also, not-so-small shout out to Linda Cardellini who plays Lip’s wife Dolores as her performance was extremely solid as well.
Beginning: 10
Characters: 10
Tony Lip is easily one of my favorite characters in any 2018 movie this year. He is the typical gruff male and the stereotypical American-Italian type, but it’s eye-opening and fun to watch a character like that in a setting that’s not a mafia movie. His progression is what makes him great, or adds to his greatness rather. I couldn’t imagine coming across a guy like Tony Lip and not liking him after five minutes of meeting him.
I don’t want to downplay Don Shirley’s character, although Lip does steal the show. Shirley is one we can learn from, a guy that fights through adversity and is determined to win at all costs. He is a lost soul that drowns himself in the highs and lows of alcohol and music. You pity him and you cheer for him at the same time.
Cinematography/Visuals: 9
I am always impressed with period pieces and how they are able to capture regions so well. There is such a great depiction here of the northeast vs. the deep south that transports you easily from one region to the next. One minute you’re on a bustling street in the middle of New York and the next you’re on country road surrounded by trees being taken to a backwoods gas station. Just thinking about it even now made me add another point on. I also loved the stark contrast between the beautiful venues where Shirley would play and the grimy hotels he had to stay in because of the color of his skin. It was a major eye-opener and a punch to the gut when you see it on screen.
Conflict: 10
Genre: 8
Memorability: 10
Great choice on the title as it alone helps the film to stand out. You will understand when you see it, trust me. Overall Green Book is a beautiful tale that ultimately breaks stereotypes and spin things in a different light we don’t quite expect. I loved how there were a number of scenes that were not only funny, but touching at the same time.
Pace: 10
Plot: 10
Resolution: 10
Slightly cheesy, slightly unrealistic. I don’t care. To me, it was a fitting ending to an overall solid story. It’s got my seal of approval.
Overall: 97
I love when unexpected gems hit me in the face like Green Book. Go see this film. You will not be disappointed.
BankofMarquis (1832 KP) rated No Time to Die (2021) in Movies
Oct 16, 2021
Works well enough - despite a weak villain
The Daniel Craig James Bond films are a different breed of Bond films. Instead of each one being a “one-off, fun romp” filled with Gadgets, Villains, Beautiful Ladies and Wild Stunts, the 5 films of the “Daniel Craig era” of Bond films was something else…gritty, serious and serialized, each film standing on it’s own but also building on the previous one to tell one long story.
It will be up to the individual to decide whether this type of storytelling works for Bond.
For me, it does.
Picking up where SPECTRE left off, NO TIME TO DIE follows Bond and his lady love from that film, Madeliene (Lea Seydoux) as they are followed and threatened by agents from SPECTRE. After an action-packed opening, Bond heads into retirement only to be drawn back in.
Director Cary Fukunaga (BEASTS OF NO NATION) crafts a satisfying, if somewhat too long and dragged out, finale for Craig as Bond battles villains joined by old friends (and fiends) along the way (as a bit of a final Curtain Call for them all), meets some new allies (and adversaries) all while dealing with his own feelings.
And it is this part of the film that “Bond purists” will be the most annoyed about. JAMES BOND HAS FEELINGS! He isn’t just a “Super-Spy” with a quip and a gadget, Fukunaga and perennial Bond writers Neal Purvis & Robert Wade (along with Fukunaga and Phoebe Waller-Bridge) craft a Bond that has cracks in his veneer that show doubts and fears underneath.
This rounding out of the character works for me in this film, especially if you put this film in the context of all 5 Craig Bond films. It is a natural growth for the character and one that Craig handles well.
As for the performances, regular Bond players Ralph Fiennes (M), Naomi Harris (Moneypenny), Ben Whishaw (Q), Rory Kinnear (Tanner) and Jeffrey Wright (CIA Agent Felix Leiter) all have a moment (or 2) to shine and they show up on the screen like old friends showing up at a going away party. Christoph Walz also reprises his role of Blofeld from SPECTRE (it’s not a spoiler, it’s in the trailers) and it was good to see Blofeld and Bond play chess one last time and Seydoux’s performance as Bond’s “lady love” is “good enough”.
But it is the newcomers to this story that stand out to me - with one strong exception. Lashana Lynch (as a fellow 00 agent) and Billy Magnussen both shine in this film as do Ana de Armas as another femme that Bond encounters - this is the 3rd strong performance I’ve seen from the former model (following strong turns in BLADE RUNNER 2049 and opposite Craig in KNIVES OUT) and am eagerly awaiting what she will do next.
Only Rami Malek as villain Safin fails to be interesting and that’s where this film falls down. Safin’s encounters with Bond bring the energy and excitement down, thanks to Malek’s “underplaying” of a role that should have been overplayed. His performance just doesn’t work.
But, this is a Bond film, so the acting and plot always take a backseat to the action - and the action in this film is better than average, but not A-M-A-Z-I-N-G as one expects from Bond films. Couple that with Malek’s underwhelming performance and this Bond film will leave audiences with an unfulfilled feeling.
Unless, you are invested in the journey that Craig has taken Bond on - and the culmination of that journey to conclude this film. If you are invested in that, this film work. If you are not, it will not.
It worked for me.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
It will be up to the individual to decide whether this type of storytelling works for Bond.
For me, it does.
Picking up where SPECTRE left off, NO TIME TO DIE follows Bond and his lady love from that film, Madeliene (Lea Seydoux) as they are followed and threatened by agents from SPECTRE. After an action-packed opening, Bond heads into retirement only to be drawn back in.
Director Cary Fukunaga (BEASTS OF NO NATION) crafts a satisfying, if somewhat too long and dragged out, finale for Craig as Bond battles villains joined by old friends (and fiends) along the way (as a bit of a final Curtain Call for them all), meets some new allies (and adversaries) all while dealing with his own feelings.
And it is this part of the film that “Bond purists” will be the most annoyed about. JAMES BOND HAS FEELINGS! He isn’t just a “Super-Spy” with a quip and a gadget, Fukunaga and perennial Bond writers Neal Purvis & Robert Wade (along with Fukunaga and Phoebe Waller-Bridge) craft a Bond that has cracks in his veneer that show doubts and fears underneath.
This rounding out of the character works for me in this film, especially if you put this film in the context of all 5 Craig Bond films. It is a natural growth for the character and one that Craig handles well.
As for the performances, regular Bond players Ralph Fiennes (M), Naomi Harris (Moneypenny), Ben Whishaw (Q), Rory Kinnear (Tanner) and Jeffrey Wright (CIA Agent Felix Leiter) all have a moment (or 2) to shine and they show up on the screen like old friends showing up at a going away party. Christoph Walz also reprises his role of Blofeld from SPECTRE (it’s not a spoiler, it’s in the trailers) and it was good to see Blofeld and Bond play chess one last time and Seydoux’s performance as Bond’s “lady love” is “good enough”.
But it is the newcomers to this story that stand out to me - with one strong exception. Lashana Lynch (as a fellow 00 agent) and Billy Magnussen both shine in this film as do Ana de Armas as another femme that Bond encounters - this is the 3rd strong performance I’ve seen from the former model (following strong turns in BLADE RUNNER 2049 and opposite Craig in KNIVES OUT) and am eagerly awaiting what she will do next.
Only Rami Malek as villain Safin fails to be interesting and that’s where this film falls down. Safin’s encounters with Bond bring the energy and excitement down, thanks to Malek’s “underplaying” of a role that should have been overplayed. His performance just doesn’t work.
But, this is a Bond film, so the acting and plot always take a backseat to the action - and the action in this film is better than average, but not A-M-A-Z-I-N-G as one expects from Bond films. Couple that with Malek’s underwhelming performance and this Bond film will leave audiences with an unfulfilled feeling.
Unless, you are invested in the journey that Craig has taken Bond on - and the culmination of that journey to conclude this film. If you are invested in that, this film work. If you are not, it will not.
It worked for me.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
BankofMarquis (1832 KP) rated Bombshell (2019) in Movies
Jan 31, 2020
Well acted - and important - film
The new Jay Roach film, BOMBSHELL - the Fox News sex scandal film - focuses on the struggles of 3 female protagonists - Gretchen Carlson (Nicole Kidman), Megyn Kelly (Charlize Theron) and Kayla Pospisil (Margot Robbie) - as they attempt to climb (or stay at the top of) the Corporate Ladder while battling sexism and a toxic work culture at Fox News. It is a powerful story that is a necessary tale in the "#MeToo" era that demands viewers to stand up and take notice.
And with powerhouse actresses leading this film - standing up and taking notice is an easy thing to do.
Based on factual events, BOMBSHELL portrays the sexism that female on air personalities encounter at FoxNews - a place filled with "good ol' boys" who patronize and sexualize the females in the office to the detriment of the females and the benefit and gratification of the males. Surprisingly, they are joined in this by some other females in the office who figure "better them than me". At the top of the office - and the toxic work culture - is Roger Ailes (an almost unrecognizable John Lithgow) who is hailed by Fox as the man who can create the news - and profits.
Kidman, Theron and Robbie are well cast in their roles, showing nuance, concern and strength as these negative conditions rear their ugly heads over and over again. All 3 produce powerhouse performances - certainly up there amongst the best of their careers - and Theron and Robbie are well deserved Oscar nominees for their performances. Kidman was NOT nominated for her performance, but she is just as deserving as the other two.
But, for me, the real surprise - and the best performance - of this film belongs to Lithgow's portrayal of Ailes. His characterization shows a real wolf, taking advantage of his status and position, to prey upon those in his office. It is a sly, evil performance of a sly, evil man. What impressed me the most is that this performance - and this character - could have easily gone "over the top" into "pure villain" territory and Lithgow resists this temptation - to the betterment of this film, but to the detriment of his Oscar chances.
As written by Charles Randolph (THE BIG SHORT) this film has a pacing/theming issue for the first 1/2 hour of this film. Is it a serious film? Is it sarcastic look at toxic masculinity work culture? Is it an indictment on our current society as a whole? Randolph's script uses some of the same tactics as THE BIG SHORT, having performers breaking the 4th wall and commenting and narrating the events while looking directly at the camera. While this tactic worked very well in THE BIG SHORT (if you haven't seen this film, I highly recommend you do), it works less well here and Director Jay Roach (TRUMBO) wisely drops that "gimmick" after the first 1/2 hour.
This film is filled with wonderful character actors making extended (and powerful) cameos. The likes of Kate McKinnon, Allyson Janney, Holland Taylor, Connie Britton, Stephen Root, Malcolm McDowell, Robin Weigert, Mark Duplass, Richard Kind, Mark Moses and Tricia Helfer all contribute greatly to the film while shining in the little screen time they have.
A necessary - and powerful - film filled with tremendous performances that shine a light on a problem that is pervasive today. Which makes this film a must watch - as difficult as it is to watch at times.
Letter Grade: A- (the first 1/2 hour brings it down a point)
8 stars (out of 10) and you can take that to the Bank(OfMarquis)
And with powerhouse actresses leading this film - standing up and taking notice is an easy thing to do.
Based on factual events, BOMBSHELL portrays the sexism that female on air personalities encounter at FoxNews - a place filled with "good ol' boys" who patronize and sexualize the females in the office to the detriment of the females and the benefit and gratification of the males. Surprisingly, they are joined in this by some other females in the office who figure "better them than me". At the top of the office - and the toxic work culture - is Roger Ailes (an almost unrecognizable John Lithgow) who is hailed by Fox as the man who can create the news - and profits.
Kidman, Theron and Robbie are well cast in their roles, showing nuance, concern and strength as these negative conditions rear their ugly heads over and over again. All 3 produce powerhouse performances - certainly up there amongst the best of their careers - and Theron and Robbie are well deserved Oscar nominees for their performances. Kidman was NOT nominated for her performance, but she is just as deserving as the other two.
But, for me, the real surprise - and the best performance - of this film belongs to Lithgow's portrayal of Ailes. His characterization shows a real wolf, taking advantage of his status and position, to prey upon those in his office. It is a sly, evil performance of a sly, evil man. What impressed me the most is that this performance - and this character - could have easily gone "over the top" into "pure villain" territory and Lithgow resists this temptation - to the betterment of this film, but to the detriment of his Oscar chances.
As written by Charles Randolph (THE BIG SHORT) this film has a pacing/theming issue for the first 1/2 hour of this film. Is it a serious film? Is it sarcastic look at toxic masculinity work culture? Is it an indictment on our current society as a whole? Randolph's script uses some of the same tactics as THE BIG SHORT, having performers breaking the 4th wall and commenting and narrating the events while looking directly at the camera. While this tactic worked very well in THE BIG SHORT (if you haven't seen this film, I highly recommend you do), it works less well here and Director Jay Roach (TRUMBO) wisely drops that "gimmick" after the first 1/2 hour.
This film is filled with wonderful character actors making extended (and powerful) cameos. The likes of Kate McKinnon, Allyson Janney, Holland Taylor, Connie Britton, Stephen Root, Malcolm McDowell, Robin Weigert, Mark Duplass, Richard Kind, Mark Moses and Tricia Helfer all contribute greatly to the film while shining in the little screen time they have.
A necessary - and powerful - film filled with tremendous performances that shine a light on a problem that is pervasive today. Which makes this film a must watch - as difficult as it is to watch at times.
Letter Grade: A- (the first 1/2 hour brings it down a point)
8 stars (out of 10) and you can take that to the Bank(OfMarquis)
Heather Cranmer (2721 KP) rated Small Spaces (Small Spaces #1) in Books
Jul 29, 2019
I love creepy books, so when I came across Small Spaces by Katherine Arden, it immediately caught my attention. I don't normally read middle grade fiction, but I do make an exception for middle grade horror, and I'm really glad I had the chance to read Small Spaces.
Olivia, or Ollie as she prefers, is in middle school. She loves reading and books, so when she comes across a sobbing lady getting ready to throw a book in a river, she steals it before the woman has a chance to do so. Ollie thinks the book she stole is just a creepy ghost story, but she soon realizes it is anything but fiction! When her class goes on a field trip to a farm, Ollie realizes just how true the book is. When the field trip bus breaks down in the middle of nowhere, Ollie and two friends decided to leave the bus fearing that they may be in even worse danger if they stay on the bus. With the help of her broken watch from her deceased mother, Ollie must be very careful if she wants to return home unscathed.
I did enjoy the plot of Small Spaces. I felt like I was reading a R.L. Stine novel! Katherine Arden did such a fantastic job with this story in keeping it interesting. There were a few times were the story felt a little disjointed with what was going on as it sometimes seemed as if Small Spaces wanted to be more of a ghost story other than what it actually was. However, it was still a great plot! There was one plot twist I didn't see coming which I thought was great considering I'm an adult, and this is a middle grade story. Usually I can figure out the plot twists, but not this time! One thing that got me wondering is how all these 11 and 12 year old kids each had their own cell phone. I know it's not impossible for a whole class of junior high children to have a cell phone, but it just seems improbable. While most of my questions were answered, I was left pondering over the ending as to why more questions weren't asked by the police or the parents. Another question I had, I won't go into detail because of spoilers, but it pertained to the kids and the water. I'll just leave it at that. Although Small Spaces is a series, it can be read as a standalone as there is no cliff hanger ending.
The pacing for Small Spaces starts out a bit slow, but it picks up quickly to a fantastic pace a few chapters in. It stays at a decent pace for the majority of the book until it slows a little bit towards the ending. I wouldn't say the pacing lets the book down in any way though.
I felt all the characters in Small Spaces were written very well especially as the main characters were written as middle schoolers. I felt every character was solid. I didn't really care for Ollie's personality though. For the first half of the book, especially, she came across as a bully. As this book is aimed towards kids that are impressionable, it kind of irked me that the main character was a little mean to others. I liked Brian. I thought he seemed like he'd be a great kid in real life. I admire how he wasn't ashamed to show his emotions at certain times. My favorite character was Coco. Coco had just moved from the city to Ollie's middle school. She seemed really vulnerable, yet Ollie was mean to her a lot of the time. I just wanted to hug and protect Coco. She was such a sweet girl to everyone unlike Ollie. Coco came across as a happy go lucky girl.
Trigger warnings in Small Spaces besides being a scary story include death, minor violence, a minor profanity (one of the characters says hell), ghosts, and bullying.
All in all, Small Spaces is a fantastic scary read despite some minor flaws. It's got such a great spooky plot and characters that feel realistic. I would definitely recommend Small Spaces by Katherine Arden to everyone aged 10+ who love to be spooked! R.L. Stine better watch out; Katherine Arden could give him a run for his money judging by this book! Even though Small Spaces can stand on its own, I will definitely be reading the next book in the Small Spaces series.
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(Thank you to Netgalley for providing me with an eBook of Small Spaces by Katherine Arden in exchange for an honest and unbiased review.)
Olivia, or Ollie as she prefers, is in middle school. She loves reading and books, so when she comes across a sobbing lady getting ready to throw a book in a river, she steals it before the woman has a chance to do so. Ollie thinks the book she stole is just a creepy ghost story, but she soon realizes it is anything but fiction! When her class goes on a field trip to a farm, Ollie realizes just how true the book is. When the field trip bus breaks down in the middle of nowhere, Ollie and two friends decided to leave the bus fearing that they may be in even worse danger if they stay on the bus. With the help of her broken watch from her deceased mother, Ollie must be very careful if she wants to return home unscathed.
I did enjoy the plot of Small Spaces. I felt like I was reading a R.L. Stine novel! Katherine Arden did such a fantastic job with this story in keeping it interesting. There were a few times were the story felt a little disjointed with what was going on as it sometimes seemed as if Small Spaces wanted to be more of a ghost story other than what it actually was. However, it was still a great plot! There was one plot twist I didn't see coming which I thought was great considering I'm an adult, and this is a middle grade story. Usually I can figure out the plot twists, but not this time! One thing that got me wondering is how all these 11 and 12 year old kids each had their own cell phone. I know it's not impossible for a whole class of junior high children to have a cell phone, but it just seems improbable. While most of my questions were answered, I was left pondering over the ending as to why more questions weren't asked by the police or the parents. Another question I had, I won't go into detail because of spoilers, but it pertained to the kids and the water. I'll just leave it at that. Although Small Spaces is a series, it can be read as a standalone as there is no cliff hanger ending.
The pacing for Small Spaces starts out a bit slow, but it picks up quickly to a fantastic pace a few chapters in. It stays at a decent pace for the majority of the book until it slows a little bit towards the ending. I wouldn't say the pacing lets the book down in any way though.
I felt all the characters in Small Spaces were written very well especially as the main characters were written as middle schoolers. I felt every character was solid. I didn't really care for Ollie's personality though. For the first half of the book, especially, she came across as a bully. As this book is aimed towards kids that are impressionable, it kind of irked me that the main character was a little mean to others. I liked Brian. I thought he seemed like he'd be a great kid in real life. I admire how he wasn't ashamed to show his emotions at certain times. My favorite character was Coco. Coco had just moved from the city to Ollie's middle school. She seemed really vulnerable, yet Ollie was mean to her a lot of the time. I just wanted to hug and protect Coco. She was such a sweet girl to everyone unlike Ollie. Coco came across as a happy go lucky girl.
Trigger warnings in Small Spaces besides being a scary story include death, minor violence, a minor profanity (one of the characters says hell), ghosts, and bullying.
All in all, Small Spaces is a fantastic scary read despite some minor flaws. It's got such a great spooky plot and characters that feel realistic. I would definitely recommend Small Spaces by Katherine Arden to everyone aged 10+ who love to be spooked! R.L. Stine better watch out; Katherine Arden could give him a run for his money judging by this book! Even though Small Spaces can stand on its own, I will definitely be reading the next book in the Small Spaces series.
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(Thank you to Netgalley for providing me with an eBook of Small Spaces by Katherine Arden in exchange for an honest and unbiased review.)
Kristy H (1252 KP) rated I Know You Know in Books
Mar 12, 2019
Fascinating and compelling mystery
For twenty years, Sidney Noyce has claimed his innocence for the murders of Charlie Paige and Scott Ashby. In 1996, their bodies were found dumped by a dog track near the estate where they lived. Their friend, Cody Swift, who was ten like Charlie, lived, and now, twenty years later, is reviving the case via a podcast, It's Time to Tell. He too has his doubts about Sidney's guilt. He returns home to Bristol to start investigating. But not everyone wants this case reopened, including Charlie's mother, Jessica, who has started a new life, with a new family. And then there's the investigating detective, John Fletcher, who found the boys. Charlie died in his arms; you don't forget a case like that. Now, he's investigating another body--found buried in a location near where the boys died. Are the two cases related? Is there a murderer still out there?
I still remember the moment I discovered Gilly Macmillan, and her books are such a treat. This one was no exception. This is a stand-alone novel, or at least not one of her Jim Clemo novels, and I found it to be a highly enjoyable and compelling mystery. When I first realized that part of the book was being told via the podcast format, I felt a bit of deja-vu, as I had just recently finished another book in that structure (Sadie), but have no fear: the organization of this one is fresh and flawless.
The book is told via the podcast; Jessica's point of view; and Fletcher's perspective--both now and back then, when he was a rookie cop, investigating the boys' death. You have to get used to the book swinging back and forth in time with Fletcher, but it doesn't take much, and it's worth it, because Macmillan parallels things so well in time. The juxtaposition of the past and present with the two cases (current body, the boys' case - plus Cody's podcast) is really brilliant. Plus, we get to see the trajectory of Fletcher's life and the many decisions that have led him to where he his today. His character, for me, was fascinating and one of the best surprises of the book.
One of my favorite aspects of any Macmillan novel is her characters. They are always so detailed and fully fleshed out. That is the case here: you will find yourself transported back to the estate twenty years ago, with Charlie, Scott, and Cody running around, and then to the present, with Cody and his podcast, Jessica struggling to keep her new life afloat, and Fletcher, unraveling the details on a new--potentially related--case.
There are multiple mystery threads to keep any detective fan happy: what happened to Charlie and Scott all those years ago? Was it really Sidney Noyce? How about the body Fletcher just discovered nearby? Just a coincidence? I loved the way Macmillan weaved the pieces of all these stories together. There are some wonderful and unexpected turns here. I adore a book that surprises me, and it was great to have some twists and turns that shocked me.
Overall, this is a fascinating and compelling mystery that expertly weaves together the thread of two cases separated by twenty years. The characters are well-detailed and the book is beautifully plotted. It's hard to go wrong with a Macmillan mystery, and this one is no exception.
I received a copy of this novel from the publisher and Edelweiss in return for an unbiased review (thank you!).
I still remember the moment I discovered Gilly Macmillan, and her books are such a treat. This one was no exception. This is a stand-alone novel, or at least not one of her Jim Clemo novels, and I found it to be a highly enjoyable and compelling mystery. When I first realized that part of the book was being told via the podcast format, I felt a bit of deja-vu, as I had just recently finished another book in that structure (Sadie), but have no fear: the organization of this one is fresh and flawless.
The book is told via the podcast; Jessica's point of view; and Fletcher's perspective--both now and back then, when he was a rookie cop, investigating the boys' death. You have to get used to the book swinging back and forth in time with Fletcher, but it doesn't take much, and it's worth it, because Macmillan parallels things so well in time. The juxtaposition of the past and present with the two cases (current body, the boys' case - plus Cody's podcast) is really brilliant. Plus, we get to see the trajectory of Fletcher's life and the many decisions that have led him to where he his today. His character, for me, was fascinating and one of the best surprises of the book.
One of my favorite aspects of any Macmillan novel is her characters. They are always so detailed and fully fleshed out. That is the case here: you will find yourself transported back to the estate twenty years ago, with Charlie, Scott, and Cody running around, and then to the present, with Cody and his podcast, Jessica struggling to keep her new life afloat, and Fletcher, unraveling the details on a new--potentially related--case.
There are multiple mystery threads to keep any detective fan happy: what happened to Charlie and Scott all those years ago? Was it really Sidney Noyce? How about the body Fletcher just discovered nearby? Just a coincidence? I loved the way Macmillan weaved the pieces of all these stories together. There are some wonderful and unexpected turns here. I adore a book that surprises me, and it was great to have some twists and turns that shocked me.
Overall, this is a fascinating and compelling mystery that expertly weaves together the thread of two cases separated by twenty years. The characters are well-detailed and the book is beautifully plotted. It's hard to go wrong with a Macmillan mystery, and this one is no exception.
I received a copy of this novel from the publisher and Edelweiss in return for an unbiased review (thank you!).
Kristy H (1252 KP) rated The Most Dangerous Place on Earth in Books
Feb 13, 2018
Mill Valley is the perfect little town, and Molly Nicoll is excited to start a teaching career in English at the local high school. However, when she starts up mid-year, she has no idea about a tragedy that occurred in her students' eighth grade year. To Miss Nicoll, these kids are in deep need of understanding and guidance, even if they are sometimes a bit rude and unfocused. There's Abby, the perfect student prepping for her Ivy League future, but also hiding a secret; Nick, an intelligent kid with a trick for every situation; Cally, a prominent player in the early tragedy, who now floats through school with the other hippie kids; Emma, a talented dancer who loves to let go and party on the weekends; Damon, who just wants to have fun; Ryan, a popular kid who hangs with Nick and Damon; Elizabeth, the most beautiful girl in school - and the one without any friends; and Dave, who is struggling with the weight of his parents' expectations. These kids have known each other for years, and their lives are shared in every way possible - in their small town, at school, and across all forms of social media.
I'd heard a lot of advance praise for this novel, and had put it on hold at my local library ages ago. I was excited to finally get a chance to read it, but upon finishing it, was left feeling conflicted. This is going to be yet another one of those lauded novels that everyone loves where I feel a bit "eh." Don't get me wrong: this is a well-written book--even a beautiful one at times--and it often tells a compelling and sometimes frightening story of kids growing up in suburbia. The novel starts with the gang in eighth grade and goes through their senior year. It's told in snippets from various students, as well as Miss Nicoll.
The problem, for me, is that it read more like a series of interconnected short stories than a novel. We get brief insights into a variety of students, but no real depth or insight into anyone. You're able to infer a lot about each and how their home life and past has affected them, but every student's piece leaves you wanting more, feeling unfinished. Even Miss Nicoll's role sort of trails off. It's a shame, because most of the teens are so clearly written that you can visualize them so well - they each stand out on the page, and each one could have commanded the book on their own. Instead, they come and go, and at times, the plot veers off into strange side stories that seem unnecessary or unbelievable.
This is one of those novels that terrifies me to have my children grow up, because it presents high school as one never-ending saga of bullying and partying. The rich, disaffected teens are abandoned by their similarly rich and disaffected parents and no one really seems to care about anything. Still, you find yourself getting into one kids' story, only to have the point of view turn and you're thrust into another student's life instead. By the end, I found myself frustrated, wanting to know more, and wishing for more finality to, well, everything. 3.5 stars
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
I'd heard a lot of advance praise for this novel, and had put it on hold at my local library ages ago. I was excited to finally get a chance to read it, but upon finishing it, was left feeling conflicted. This is going to be yet another one of those lauded novels that everyone loves where I feel a bit "eh." Don't get me wrong: this is a well-written book--even a beautiful one at times--and it often tells a compelling and sometimes frightening story of kids growing up in suburbia. The novel starts with the gang in eighth grade and goes through their senior year. It's told in snippets from various students, as well as Miss Nicoll.
The problem, for me, is that it read more like a series of interconnected short stories than a novel. We get brief insights into a variety of students, but no real depth or insight into anyone. You're able to infer a lot about each and how their home life and past has affected them, but every student's piece leaves you wanting more, feeling unfinished. Even Miss Nicoll's role sort of trails off. It's a shame, because most of the teens are so clearly written that you can visualize them so well - they each stand out on the page, and each one could have commanded the book on their own. Instead, they come and go, and at times, the plot veers off into strange side stories that seem unnecessary or unbelievable.
This is one of those novels that terrifies me to have my children grow up, because it presents high school as one never-ending saga of bullying and partying. The rich, disaffected teens are abandoned by their similarly rich and disaffected parents and no one really seems to care about anything. Still, you find yourself getting into one kids' story, only to have the point of view turn and you're thrust into another student's life instead. By the end, I found myself frustrated, wanting to know more, and wishing for more finality to, well, everything. 3.5 stars
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
MichaelS (0 KP) rated Justice League (2017) in Movies
Feb 20, 2018
"Meanwhile, at the Hall Of Justice..."
This movie is the culmination of a childhood full of Saturday mornings in front of the tv in pajamas with a bowl of cereal. "Superfriends" was superheroes at it's most basic. The bad guys wanted to take over or destroy the world and the good guys have to stop them. That was the depth of the plots for both those classic cartoons, and this movie. It's pure cartoon fun brought to life, and I loved every minute of it.
The plot only serves as a reason for these heroes to come together. So you can say that story is not a top priority. Character is the name of the game here, and on that level, the movie is gold. Each character is fully realized, with their own individual situation they need to grow from. Every hero is given his or her moment to shine as an individual. When they stand as a team, it's some of the best superhero action we've ever gotten.
The performances of the League members is spot on across the board. Every character is presented exactly the way they should be. Ben Affleck continues to prove all the doubters wrong, by giving us the best live action version of Batman we've ever seen. Right from the start you see how he demands fear from evildoers, but filled with hope for the good things in the world. Gal Gadot IS Wonder Woman. If there was any doubt left after her solo movie, it should be thoroughly erased now. She's strong in body, mind, and spirit. Jason Mamoa forever erases the idea of Aquaman being the wimpiest superhero. His "surfer dude" take on the character brings all the recklessness and abandon you'd expect from a beach bum. He's almost like a Spartan soldier that lives for the excitement of battle. Ezra Miller brings a youthful excitement of someone who is simply jazzed by what he, and others, can do with their abilities. He's almost the comic relief until you realize that the excited reactions he gives to everything is exactly what we would to if we were dropped in that situation.
SPOILER TERRITORY....skip to "END SPOILERS" if you don't want anything ruined
Although it should really come as no surprise to anyone, Superman does indeed return from the dead in this movie. Not only is that he's resurrected very cool, but the aftermath gives us the best fight scene of the film. Superman vs The Justice League. 'nuff said? I've always loved Henry Cavill as Superman, but now he owns the role. He has grown from a man filled with self doubt, trying to find his place in the world, to a man who now fully realizes who he is, and what purpose he serves to mankind. Lots of great Superman stuff in this movie, and that is the thing I'm most thankful for.
END SPOILERS
This is the most fun I've had with a superhero movie in a long time. It may not have the deepest plot, but that is fine with me, because this is truly a comic book come to life. It's full of the action and joyful spirit that the boy in me tuned into every weekend. Now, if the post credit scene in the movie delivers, it REALLY will be everything that the classic Challenges Of The Superfriends, and reduce me to that boy in pajamas again, cereal in hand, and a smile on my face.
The plot only serves as a reason for these heroes to come together. So you can say that story is not a top priority. Character is the name of the game here, and on that level, the movie is gold. Each character is fully realized, with their own individual situation they need to grow from. Every hero is given his or her moment to shine as an individual. When they stand as a team, it's some of the best superhero action we've ever gotten.
The performances of the League members is spot on across the board. Every character is presented exactly the way they should be. Ben Affleck continues to prove all the doubters wrong, by giving us the best live action version of Batman we've ever seen. Right from the start you see how he demands fear from evildoers, but filled with hope for the good things in the world. Gal Gadot IS Wonder Woman. If there was any doubt left after her solo movie, it should be thoroughly erased now. She's strong in body, mind, and spirit. Jason Mamoa forever erases the idea of Aquaman being the wimpiest superhero. His "surfer dude" take on the character brings all the recklessness and abandon you'd expect from a beach bum. He's almost like a Spartan soldier that lives for the excitement of battle. Ezra Miller brings a youthful excitement of someone who is simply jazzed by what he, and others, can do with their abilities. He's almost the comic relief until you realize that the excited reactions he gives to everything is exactly what we would to if we were dropped in that situation.
SPOILER TERRITORY....skip to "END SPOILERS" if you don't want anything ruined
Although it should really come as no surprise to anyone, Superman does indeed return from the dead in this movie. Not only is that he's resurrected very cool, but the aftermath gives us the best fight scene of the film. Superman vs The Justice League. 'nuff said? I've always loved Henry Cavill as Superman, but now he owns the role. He has grown from a man filled with self doubt, trying to find his place in the world, to a man who now fully realizes who he is, and what purpose he serves to mankind. Lots of great Superman stuff in this movie, and that is the thing I'm most thankful for.
END SPOILERS
This is the most fun I've had with a superhero movie in a long time. It may not have the deepest plot, but that is fine with me, because this is truly a comic book come to life. It's full of the action and joyful spirit that the boy in me tuned into every weekend. Now, if the post credit scene in the movie delivers, it REALLY will be everything that the classic Challenges Of The Superfriends, and reduce me to that boy in pajamas again, cereal in hand, and a smile on my face.