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Night Reader Reviews (683 KP) rated Ten Minutes On Mars in Books
Jan 10, 2020
Honest Review for Free Copy of Book
Ten Minutes on Mars by Jonathan Fisher is a small collection of eighteen short stories. Some, or rather, most of these stories are a bit on the twisted side so reader be warned. On a deeper level this book appears to explore the darker side of humanity and how we are monsters to each other and to animals.
Keeping with more of a horror theme this book starts off with a ghost in a graveyard although the ghost doesn't make another appearance until the end of the book. Readers are then taken on a hunting trip through the eyes of the prey. A truly scary experience. During the course of this book, the people who live in the cracks in the pavement or as it seemed to be the down and out or homeless are brought to light as well. Basically these are the people that the majority of society pretends don’t exist.
This journey takes readers to the far reaches of space abroad The Ascension. It is on The Ascension where tattoos can be used to control people and others are able to shapeshift. In our technologically advanced society, many wonder about what will happen when AI becomes so advanced that it sees itself as human or tries to take over. That is what happens in another one of the stories to a worker on another planet. Finally, readers see the lengths that a mother will go to in order to avenge a close friend and protect her own child. So sit back and relax as you are taken on a creepy trip deep into the monstrous world that we call humanity, in a town where monsters are normal.
What I liked best was that many of the stories overlapped with one another in some way. While they all take place in the same town the connections go deeper than just that. This book could almost read as each story being just a chapter instead of a stand-alone story. What I did not like was how often this book was confusing to me. I had to reread areas to clear up and be sure what I just read was correct. Some of the confusing points were just because of me misunderstanding the wording. On the other hand, some areas such as when it talks about a decapitated dolphin head being sentient and a vampire still confuse me.
The target readers for this book are adults and young adults. Specifically, those who like fantasy and horror should enjoy this book the most. There is cussing, murder, and the overall tone was not for children to read, even if it wasn’t that long. A high school student should be able to handle this book if they wanted to read it. I rate this book 2 out of 4. After reading this book a second time I might increase my score but for now, this is the best I can offer it. I found this book to be enjoyable yet at the same time, I did not really like it. On the surface I found some of the stories to be confusing or even pointless. When I looked deeper I found it had more depth about the nature of humans than I previously thought, although I do not know if this was the author’s intention.
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Keeping with more of a horror theme this book starts off with a ghost in a graveyard although the ghost doesn't make another appearance until the end of the book. Readers are then taken on a hunting trip through the eyes of the prey. A truly scary experience. During the course of this book, the people who live in the cracks in the pavement or as it seemed to be the down and out or homeless are brought to light as well. Basically these are the people that the majority of society pretends don’t exist.
This journey takes readers to the far reaches of space abroad The Ascension. It is on The Ascension where tattoos can be used to control people and others are able to shapeshift. In our technologically advanced society, many wonder about what will happen when AI becomes so advanced that it sees itself as human or tries to take over. That is what happens in another one of the stories to a worker on another planet. Finally, readers see the lengths that a mother will go to in order to avenge a close friend and protect her own child. So sit back and relax as you are taken on a creepy trip deep into the monstrous world that we call humanity, in a town where monsters are normal.
What I liked best was that many of the stories overlapped with one another in some way. While they all take place in the same town the connections go deeper than just that. This book could almost read as each story being just a chapter instead of a stand-alone story. What I did not like was how often this book was confusing to me. I had to reread areas to clear up and be sure what I just read was correct. Some of the confusing points were just because of me misunderstanding the wording. On the other hand, some areas such as when it talks about a decapitated dolphin head being sentient and a vampire still confuse me.
The target readers for this book are adults and young adults. Specifically, those who like fantasy and horror should enjoy this book the most. There is cussing, murder, and the overall tone was not for children to read, even if it wasn’t that long. A high school student should be able to handle this book if they wanted to read it. I rate this book 2 out of 4. After reading this book a second time I might increase my score but for now, this is the best I can offer it. I found this book to be enjoyable yet at the same time, I did not really like it. On the surface I found some of the stories to be confusing or even pointless. When I looked deeper I found it had more depth about the nature of humans than I previously thought, although I do not know if this was the author’s intention.
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Molly J (Cover To Cover Cafe) (106 KP) rated Sandpiper Cove (Hope Harbor, #3) in Books
Feb 27, 2019
<p style="text-align: center;"><strong><span style="color: #008080;">My Thoughts:</span></strong>
<strong><span style="color: #008080;"> When I think of Irene Hannon, I think of suspense and thrills. But, I must say that this book, really was amazing. She is absolutely wonderful in her writing styles. Her books are unique and captivating and always have a message within the pages for the readers to reflect on. I loved that!</span></strong>
<p style="text-align: center;"><strong><span style="color: #008080;">Lexie and Adam's characters are very complex yet blended smoothly in the story line. It's a powerful story line. Some of the issues in the story, really hit home with me as I have two teen sons who have faced some of the same issues. It's very heart wrenching, yet Ms. Hannon's words are inspiring. I loved being able to feel a part of the story and understanding some of the characters feelings.</span></strong>
<p style="text-align: center;"><strong><span style="color: #008080;">I loved the characters that Ms. Hannon added to the story. They all wrapped around Lexie and Adam and complimented them well! There were a few occasions I found my self chuckling out loud when the secondary characters showed up in the story. It rounded out the feels of the book.</span></strong>
<p style="text-align: center;"><strong><span style="color: #008080;">I would definitely recommend this book to all with 4 star praises! It's filled with heart stealing characters, a plot that will leave you thinking long after you've shut it's pages, and inspiring words that you just might need to read. I loved every minute of this book and it's definitely a keeper on my shelf! While this is the 3rd book in the Hope Harbor series, it's definitely easy to read as a stand alone. Although there are characters I'm hoping we will see more of in future books (hint, hint, Ms. Hannon!) and some that I'm looking forward to reading about in previous books. Great job, Ms. Hannon!</span></strong><a href="http://cafinatedreads.com/revell-reads-blog-tour-review-sandpiper-cove-by-irene-hannon/"; target="_blank">This review was originally posted on Cafinated Reads</a>
<strong><span style="color: #008080;"> When I think of Irene Hannon, I think of suspense and thrills. But, I must say that this book, really was amazing. She is absolutely wonderful in her writing styles. Her books are unique and captivating and always have a message within the pages for the readers to reflect on. I loved that!</span></strong>
<p style="text-align: center;"><strong><span style="color: #008080;">Lexie and Adam's characters are very complex yet blended smoothly in the story line. It's a powerful story line. Some of the issues in the story, really hit home with me as I have two teen sons who have faced some of the same issues. It's very heart wrenching, yet Ms. Hannon's words are inspiring. I loved being able to feel a part of the story and understanding some of the characters feelings.</span></strong>
<p style="text-align: center;"><strong><span style="color: #008080;">I loved the characters that Ms. Hannon added to the story. They all wrapped around Lexie and Adam and complimented them well! There were a few occasions I found my self chuckling out loud when the secondary characters showed up in the story. It rounded out the feels of the book.</span></strong>
<p style="text-align: center;"><strong><span style="color: #008080;">I would definitely recommend this book to all with 4 star praises! It's filled with heart stealing characters, a plot that will leave you thinking long after you've shut it's pages, and inspiring words that you just might need to read. I loved every minute of this book and it's definitely a keeper on my shelf! While this is the 3rd book in the Hope Harbor series, it's definitely easy to read as a stand alone. Although there are characters I'm hoping we will see more of in future books (hint, hint, Ms. Hannon!) and some that I'm looking forward to reading about in previous books. Great job, Ms. Hannon!</span></strong><a href="http://cafinatedreads.com/revell-reads-blog-tour-review-sandpiper-cove-by-irene-hannon/"; target="_blank">This review was originally posted on Cafinated Reads</a>
Cynthia Armistead (17 KP) rated Dead in the Family (Sookie Stackhouse, #10) in Books
Feb 23, 2018
The title could just as well have been Much Ado About Nothing (I'm sure that nobody will ever confuse Harris' work with that of the Bard).
As the GoodReads synopsis suggests, there are plenty of subplots that should keep a long-time reader busy, but I found most of them boring.
Jason has settled down with a decent-seeming woman - that's good. And he actually seems to be willing to stand by his sister when she needs him, which is even better--without being asked, without so much as a reminder! Will wonders ever cease? (That one example says so much about why I prefer the books to the televised version.)
Otherwise, though, Eric's maker has shown up with a "brother" for Eric - one who is utterly dysfunctional. If this maker were as powerful and decisive as we are told he is, why hasn't he already taken care of business and put the "brother" down? Why bring him to Eric, as if he needs Eric's help to do the deed? That's completely backwards for this (or any other) vampire mythos. If a younger vampire couldn't handle one of his offspring, he might bring that one to his sire for help or judgment. Now, knowing Eric, and how very proud he is - his sire <b>must</b> know him very deeply, and must know that asking Eric for help will lose Eric's respect completely. How could he possibly lower himself to do that?
I'm more willing to believe that Sookie is having problems with her experiences during the Faerie "war" - why doesn't anybody else ever have PTSD in paranormal romance or urban fantasy books? Her "cure" comes WAY too easily, but it is a fantasy.
Some of a faerie relative's "explanation" for his behavior simply doesn't jive with what we've been told in prior books. Maybe the person in charge of continuity lost his or her job. Maybe Harris is tired of the series. Who knows?
Some of the little details left me befuddled. Bill dated who and now reveals he's her what? Why do crosses hurt vampires, but Bibles don't?
Maybe this book should be left for the diehard Sookie fans. I don't think I count as one.
As the GoodReads synopsis suggests, there are plenty of subplots that should keep a long-time reader busy, but I found most of them boring.
Jason has settled down with a decent-seeming woman - that's good. And he actually seems to be willing to stand by his sister when she needs him, which is even better--without being asked, without so much as a reminder! Will wonders ever cease? (That one example says so much about why I prefer the books to the televised version.)
Otherwise, though, Eric's maker has shown up with a "brother" for Eric - one who is utterly dysfunctional. If this maker were as powerful and decisive as we are told he is, why hasn't he already taken care of business and put the "brother" down? Why bring him to Eric, as if he needs Eric's help to do the deed? That's completely backwards for this (or any other) vampire mythos. If a younger vampire couldn't handle one of his offspring, he might bring that one to his sire for help or judgment. Now, knowing Eric, and how very proud he is - his sire <b>must</b> know him very deeply, and must know that asking Eric for help will lose Eric's respect completely. How could he possibly lower himself to do that?
I'm more willing to believe that Sookie is having problems with her experiences during the Faerie "war" - why doesn't anybody else ever have PTSD in paranormal romance or urban fantasy books? Her "cure" comes WAY too easily, but it is a fantasy.
Some of a faerie relative's "explanation" for his behavior simply doesn't jive with what we've been told in prior books. Maybe the person in charge of continuity lost his or her job. Maybe Harris is tired of the series. Who knows?
Some of the little details left me befuddled. Bill dated who and now reveals he's her what? Why do crosses hurt vampires, but Bibles don't?
Maybe this book should be left for the diehard Sookie fans. I don't think I count as one.
Marylegs (44 KP) rated The Kite Runner in Books
Aug 14, 2019
Well, what to say about this book. I am the sort of reader who doesn’t really look at reviews until after I have finished a book. I find otherwise my opinion gets foggy with everyone else’s comments, that or people don’t know how to resist putting in spoilers which they then do not declare. Personally, I enjoyed the book, I want to say I liked it more than I did, I think because I found it thought provoking. I have to say I guessed the majority of the plot twists long before they happened, but there were a few surprises which I always appreciate.
When I give a star rating, I following the guideline comments as well as comparing how much I liked it compared to similar books. Now the trouble I’m having is I don’t normally read books like this, so I don’t really have anything to compare it with. I feel I can’t give it 4 or 5 stars, even though it may deserve them, just because I didn’t finish the book and feel… for want of a better word ‘wowed’. When I give 4 or 5 stars it is because I finish the book and can’t stop thinking about it, that I would wholeheartedly recommend to anyone who asked and that I will definitely read again. I just can’t say I felt like that about this book.
But, what I did like was, for me the chance to read something so different to my preferred reading genres. I personally liked that it was written in such a way that that you were unsure whether you were meant to like the narrator and main character Amir. That I felt for him, but also I wanted him to grow a backbone and stand up for what is right. I thought the book could have flowed better as I enjoyed the beginning and the ending, but felt it lost something in the middle. That the pace just completely dropped into nowhere. I think that it is likely that there are many inaccuracies (historically) within this book, but it is a work or fiction, not a true account of events. I enjoyed the journey, and I would probably read other books by the same author.
When I give a star rating, I following the guideline comments as well as comparing how much I liked it compared to similar books. Now the trouble I’m having is I don’t normally read books like this, so I don’t really have anything to compare it with. I feel I can’t give it 4 or 5 stars, even though it may deserve them, just because I didn’t finish the book and feel… for want of a better word ‘wowed’. When I give 4 or 5 stars it is because I finish the book and can’t stop thinking about it, that I would wholeheartedly recommend to anyone who asked and that I will definitely read again. I just can’t say I felt like that about this book.
But, what I did like was, for me the chance to read something so different to my preferred reading genres. I personally liked that it was written in such a way that that you were unsure whether you were meant to like the narrator and main character Amir. That I felt for him, but also I wanted him to grow a backbone and stand up for what is right. I thought the book could have flowed better as I enjoyed the beginning and the ending, but felt it lost something in the middle. That the pace just completely dropped into nowhere. I think that it is likely that there are many inaccuracies (historically) within this book, but it is a work or fiction, not a true account of events. I enjoyed the journey, and I would probably read other books by the same author.
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Emma @ The Movies (1786 KP) rated Ron's Gone Wrong (2021) in Movies
Oct 14, 2021
Cute animation with funny characters, this seemed like a nice diversion from the usual, mainly heavy, festival lineup.
Barney has an eccentric family. Dad is trying to make ends meet and Gran’s solution is food and a song. But for Barney, who just wants to fit in with his classmates, scraping by means not having the latest “Best friend in a box” robot to hang out with like everyone in his class.
As well as looking for something light hearted to watch, I was a little bit excited to see a children’s film in an adult only screening. I’m easily pleased, it’s the dream screening really.
When kids films from bigger studios don’t appear on my radar well in advance of their release I’m always a little sceptical. But the idea behind Ron’s Gone Wrong sounded like it was going to be a bit of a win, after all, it's either friendship or all out war, there's generally no in between.
Despite it having some bigger names in the cast, I really couldn’t put my finger on any of them as I watched. Performances were a little forgettable if I’m honest, out of everything, it’s the antics that are memorable, not the voices. The dialogue felt a little anaemic and it really just didn’t hit the spot for me.
Then there’s the animation, again, a bit of a shrug. It’s lovely but familiar. The little robots are a fun creation though and the way they interact with their humans and the online world is nicely done. As I watched it though I had flashes of other films. I tried to remember the name of the bots as I wrote the synopsis, but all I could think was PAL… but that’s Mitchell’s vs the Machines, and if you’ve seen that then you’ll more than likely draw some comparisons. That’s not the only film either.
Ron's Gone Wrong has some nice messages about friendship and it tries to shoehorn some ethics in there for the adults, but all in all, despite being a nice film, it doesn’t hold much of a punch to stand out from the crowd.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/10/rons-gone-wrong-movie-review.html
Barney has an eccentric family. Dad is trying to make ends meet and Gran’s solution is food and a song. But for Barney, who just wants to fit in with his classmates, scraping by means not having the latest “Best friend in a box” robot to hang out with like everyone in his class.
As well as looking for something light hearted to watch, I was a little bit excited to see a children’s film in an adult only screening. I’m easily pleased, it’s the dream screening really.
When kids films from bigger studios don’t appear on my radar well in advance of their release I’m always a little sceptical. But the idea behind Ron’s Gone Wrong sounded like it was going to be a bit of a win, after all, it's either friendship or all out war, there's generally no in between.
Despite it having some bigger names in the cast, I really couldn’t put my finger on any of them as I watched. Performances were a little forgettable if I’m honest, out of everything, it’s the antics that are memorable, not the voices. The dialogue felt a little anaemic and it really just didn’t hit the spot for me.
Then there’s the animation, again, a bit of a shrug. It’s lovely but familiar. The little robots are a fun creation though and the way they interact with their humans and the online world is nicely done. As I watched it though I had flashes of other films. I tried to remember the name of the bots as I wrote the synopsis, but all I could think was PAL… but that’s Mitchell’s vs the Machines, and if you’ve seen that then you’ll more than likely draw some comparisons. That’s not the only film either.
Ron's Gone Wrong has some nice messages about friendship and it tries to shoehorn some ethics in there for the adults, but all in all, despite being a nice film, it doesn’t hold much of a punch to stand out from the crowd.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/10/rons-gone-wrong-movie-review.html
Merissa (13197 KP) rated Bound (The Academy #3) in Books
Jan 12, 2022
BOUND is the third book in The Academy series, and we return to Jamie with Wren still unconscious after whatever happened to him in book two. Events are moving forward at a fast pace but now she has to stand on her own two feet, instead of leaning on Wren.
Romance is definitely down the list in this book, apart from hints of the dratted triangle. Maybe I'm cold-hearted but I can't say I was disappointed by what he did at the end! I do feel this side of things was let down in this book though. There was no development with Wren - being as he was out of it for 90% of the book. I would have liked to see how their lives were entwined together. It wasn't for Wren to save the day but it didn't seem like a partnership either.
Now, if you wanted action instead of romance, this is for you. The action is non-stop. Jamie still doesn't know who to trust, and now the Elders are involved too. Their participation just sort of fizzled out though, so unless there are more books planned, you'll never know what went on there. The same for Wren, really. The big bad is revealed at the end, and it was no surprise, although it was to Jamie. But were they the ones to poison Wren? How did that happen? Who did it? These are the questions I am left with unanswered.
Although Jamie's storyline is concluded, it has also been left wide open for stories from others - including Jacob and Cass, Forrest and Chloe - to name just two.
On the whole, this was a slightly different take on Shifters and their history. I loved hearing about Jeanetta. If you like your books heavy on action and less on romance, this could be just the series for you.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Romance is definitely down the list in this book, apart from hints of the dratted triangle. Maybe I'm cold-hearted but I can't say I was disappointed by what he did at the end! I do feel this side of things was let down in this book though. There was no development with Wren - being as he was out of it for 90% of the book. I would have liked to see how their lives were entwined together. It wasn't for Wren to save the day but it didn't seem like a partnership either.
Now, if you wanted action instead of romance, this is for you. The action is non-stop. Jamie still doesn't know who to trust, and now the Elders are involved too. Their participation just sort of fizzled out though, so unless there are more books planned, you'll never know what went on there. The same for Wren, really. The big bad is revealed at the end, and it was no surprise, although it was to Jamie. But were they the ones to poison Wren? How did that happen? Who did it? These are the questions I am left with unanswered.
Although Jamie's storyline is concluded, it has also been left wide open for stories from others - including Jacob and Cass, Forrest and Chloe - to name just two.
On the whole, this was a slightly different take on Shifters and their history. I loved hearing about Jeanetta. If you like your books heavy on action and less on romance, this could be just the series for you.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Lyndsey Gollogly (2893 KP) rated The Weight of Him in Books
Mar 6, 2022
40 of 230
Book
The Weight of Him
By Ethel Rohan
⭐️⭐️⭐️⭐️⭐️
In The Weight of Him Billy Brennan undergoes an unforgettable journey in a starting attempt to resurrect his family and reignite hearts, his own most of all.
At four hundred pounds, Billy can always count on food. From his earliest memories, he has loved food's colors, textures and tastes. The way flavors go off in his mouth. How food keeps his mind still and his bad feelings quiet. Food has always made everything better, until the day Billy's beloved son Michael takes his own life.
Billy determines to make a difference in Michael's memory and undertakes a public weight-loss campaign, to raise money for suicide prevention--his first step in an ambitious plan to save himself, and to save others. However, Billy's dramatic crusade appalls his family, who want to simply try to go on, quietly, privately.
Despite his crushing detractors, Billy gains welcome allies: his community-at-large; a co-worker who lost his father to suicide; a filmmaker with his own dubious agenda; and a secret, miniature kingdom that Billy populates with the sub-quality dolls and soldiers he saves from disposal at the toy factory where he works. But it is only if Billy can confront the truth of the suffering and brokenness within and around him that he and others will be able to realize the recovery they need.
Told against the backdrop of rural, contemporary Ireland, The Weight of Him is a big-hearted novel about loss and reliance that moves from tragedy to recrimination to what can be achieved when we take the stand of our lives.
This was not a book I’d normally pick up and it came to me in a box subscription. I’m so glad it did it was so beautifully written and dealt with a some important issues suicide, grief , depression, weight loss and lots more. I loved it I didn’t put it down it had such a sad underlying story. Definitely glad it landed on my tbr.
Book
The Weight of Him
By Ethel Rohan
⭐️⭐️⭐️⭐️⭐️
In The Weight of Him Billy Brennan undergoes an unforgettable journey in a starting attempt to resurrect his family and reignite hearts, his own most of all.
At four hundred pounds, Billy can always count on food. From his earliest memories, he has loved food's colors, textures and tastes. The way flavors go off in his mouth. How food keeps his mind still and his bad feelings quiet. Food has always made everything better, until the day Billy's beloved son Michael takes his own life.
Billy determines to make a difference in Michael's memory and undertakes a public weight-loss campaign, to raise money for suicide prevention--his first step in an ambitious plan to save himself, and to save others. However, Billy's dramatic crusade appalls his family, who want to simply try to go on, quietly, privately.
Despite his crushing detractors, Billy gains welcome allies: his community-at-large; a co-worker who lost his father to suicide; a filmmaker with his own dubious agenda; and a secret, miniature kingdom that Billy populates with the sub-quality dolls and soldiers he saves from disposal at the toy factory where he works. But it is only if Billy can confront the truth of the suffering and brokenness within and around him that he and others will be able to realize the recovery they need.
Told against the backdrop of rural, contemporary Ireland, The Weight of Him is a big-hearted novel about loss and reliance that moves from tragedy to recrimination to what can be achieved when we take the stand of our lives.
This was not a book I’d normally pick up and it came to me in a box subscription. I’m so glad it did it was so beautifully written and dealt with a some important issues suicide, grief , depression, weight loss and lots more. I loved it I didn’t put it down it had such a sad underlying story. Definitely glad it landed on my tbr.
James P. Sumner (65 KP) rated Joker (2019) in Movies
Oct 7, 2019
An unapologetic masterpiece.
I wasn't sure what to expect going into this film. I'm a huge comic book fan, so the controversy and scepticism surrounding this movie, as well as the fact it's based within an established story world, had me doubting how it would work and how good the execution of it would be.
I certainly didn't expect the film I saw.
The basis for this movie is simple and effective: Arthur Fleck (played with a career-defining performance by Joaquin Phoenix) is a mentally unstable and depressed wannabe stand-up comedian working as a clown in a 1980's Gotham City. The movie is set against a backdrop of civil unrest, worker strikes and city-wide poverty, with each being exaggerated to highlight both the severity of each one for the purposes of the film, but also to shine a spotlight on how tough the real world was back then.
A potentially fatal encounter on a late-night subway acts as a catalyst for Fleck, who is shown throughout the first 20 minutes to be a man living on a knife's edge - balancing his own pitiful existence with the way society believes he should act. You get the sense that it would take nothing more than a gentle push to send him one way or the other. The subway was that push.
In a city that very much reflects the character's state of mind, this served to push more than just Arthur Fleck over the edge. Because he happened to be dressed as a clown at the time, and because the *cough* victims *cough* worked for Wayne Enterprises (ran by Thomas Wayne himself), it's seen by many as a vigilante act - someone standing up to the rich elite. This sparks outrage and rioting across the city. The idea of a man dressed as a clown standing up for the little guy becomes the poster child for a civil movement, much in the styling of "V For Vendetta (2005)".
The more Arthur Fleck struggles personally, the worse the streets of Gotham seem to get, as if society's increasing tension and unrest is somehow linked to his own state of mind. He finally realises what he has inadvertently created and begins to transform himself into the vigilante icon people already believe him to be.
Despite the slow pace of the movie, it never seems to drag. The story of Fleck's inevitable descent unfolds patiently, showing you exactly what it wants you to see, when it wants you to see it. It's a very bold and confident step for a movie which would've known how controversial it was going to be before it was even released.
The style of the film is extremely clever. The soundtrack is little more than a low-frequency hum, which plays almost constantly throughout. The camerawork is also exceptional. In every shot of Arthur Fleck, the camera centres on him before very slowly closing in on him. It's subtle, perhaps only a few millimetres per shot, but it's noticeable enough that you feel yourself being pulled in, being legitimately gripped by what you're watching. This contributes to what is, overall, a claustrophobic and sometimes unnerving experience.
There has been initial controversy about the film, with reports of people leaving the cinema during the screening for varying reasons. You see this from time to time, and the cynic in me thinks this is rarely more than clever marketing tactics. And then you see the comments from people who say they were disgusted or sickened or disturbed or whatever. I usually think it's a load of rubbish. That people are just saying that for attention. I don't honestly believe people who are that easily offended by a movie would choose to see something that is clearly going to show you all the things you don't like.
However, with "Joker (2019)", I can actually understand it. This is a truly disturbing film. Not for the violence, which has been the subject of much debate. There's actually very little violence in the movie, but when it's there, it's pretty graphic, admittedly. But honestly, it's not anywhere near as bad as a lot of things you see nowadays. No, it's disturbing because of how believable Arthur Fleck is. Seeing how unstable he is. Seeing how easy he can choose to do terrible things. It's... uncomfortable to watch at times, but only because it's so well done, so well written, you hate yourself for sympathising with him.
If I had to draw comparisons for this movie, I would have to say it's more subtle than "Watchmen (2009)", it's grittier and darker than "Taxi Driver (1976)" or "Fight Club (1999)" and much more uncompromising and unapologetic than "Natural Born Killers (1994)". It is truly a modern-day masterpiece. There are two major plot twists, both occurring in the second act, which really highlight the genius behind the screenplay. This movie is written perfectly, and executed the same way on-screen by Phoenix, who draws from both Jack Nicholson and Heath Ledger to create this unique take on the character which more than holds its own.
Now, before I summarise, we do need to address the whole... y'know... Batman thing. This is the Joker's origin story, after all.
So, first thing's first: this isn't a comic book movie. Not by a long way. This belongs in the same conversation as Goodfellas, not Guardians of the Galaxy. Director Todd Phillips has even stated that this is simply a stand-alone movie telling a story that needed to be told. Yes, it has references to the DC comic universe (which I will omit here for fear of venturing into spolier territory), but it's unlikely to ever cross over with DC's attempt to mimic the MCU.
The nods to the comics are infrequent but clever, touching on themes and events we already know, and in some cases, re-writing them entirely - which definitely will draw controversy with the hardcore comic fans. For example, I did question why they used the civil unrest subplot and backdrop to essentially try and make Wayne Enterprises the villain of the story, but like it or not, it was necessary and it worked like a charm.
I don't know if this was intentional or not, but there was one scene in particular towards the end of the movie where the Joker (as he is now) is riding in the back of a car with his head leaning against the window. The camera was on the wing mirror, focused on his face, and almost frame-for-frame it reminded me of the iconic scene in "The Dark Knight (2008)" where Heath Ledger's Joker is driving with his head out of the window. I'd like to think this was a gracious tribute to the performance of this character that will never be topped.
For a film that breaks the conventions of story-telling by having no real build-up or climactic ending, I have to say I can't remember a time when I was so blown away, so moved, and so affected by a movie. As close to perfect as you'll see this year.
10/10
A quick side note:
The show "13 Reasons Why" has a disclaimer at the beginning of each series from the cast that essentially warns viewers that, due to the sensitive nature of the content, it's inadvisable to watch it if you're struggling with depression or suicidal thoughts. I genuinely think this film should carry a similar notice. It's a dark, grim, unrelenting journey into one man's depressive life. While I won't ever believe listening to Marilyn Manson can make you want to shoot schoolchildren, I do think that if someone is struggling with suicidal thoughts or depression, this movie probably isn't for them. The story focuses on the media glorifying the terrible acts of someone who is mentally unstable. Yes, it's a movie. It's not real. But for someone in a very bad place themselves, this probably isn't the kind of thing you need to, or should, watch.
I certainly didn't expect the film I saw.
The basis for this movie is simple and effective: Arthur Fleck (played with a career-defining performance by Joaquin Phoenix) is a mentally unstable and depressed wannabe stand-up comedian working as a clown in a 1980's Gotham City. The movie is set against a backdrop of civil unrest, worker strikes and city-wide poverty, with each being exaggerated to highlight both the severity of each one for the purposes of the film, but also to shine a spotlight on how tough the real world was back then.
A potentially fatal encounter on a late-night subway acts as a catalyst for Fleck, who is shown throughout the first 20 minutes to be a man living on a knife's edge - balancing his own pitiful existence with the way society believes he should act. You get the sense that it would take nothing more than a gentle push to send him one way or the other. The subway was that push.
In a city that very much reflects the character's state of mind, this served to push more than just Arthur Fleck over the edge. Because he happened to be dressed as a clown at the time, and because the *cough* victims *cough* worked for Wayne Enterprises (ran by Thomas Wayne himself), it's seen by many as a vigilante act - someone standing up to the rich elite. This sparks outrage and rioting across the city. The idea of a man dressed as a clown standing up for the little guy becomes the poster child for a civil movement, much in the styling of "V For Vendetta (2005)".
The more Arthur Fleck struggles personally, the worse the streets of Gotham seem to get, as if society's increasing tension and unrest is somehow linked to his own state of mind. He finally realises what he has inadvertently created and begins to transform himself into the vigilante icon people already believe him to be.
Despite the slow pace of the movie, it never seems to drag. The story of Fleck's inevitable descent unfolds patiently, showing you exactly what it wants you to see, when it wants you to see it. It's a very bold and confident step for a movie which would've known how controversial it was going to be before it was even released.
The style of the film is extremely clever. The soundtrack is little more than a low-frequency hum, which plays almost constantly throughout. The camerawork is also exceptional. In every shot of Arthur Fleck, the camera centres on him before very slowly closing in on him. It's subtle, perhaps only a few millimetres per shot, but it's noticeable enough that you feel yourself being pulled in, being legitimately gripped by what you're watching. This contributes to what is, overall, a claustrophobic and sometimes unnerving experience.
There has been initial controversy about the film, with reports of people leaving the cinema during the screening for varying reasons. You see this from time to time, and the cynic in me thinks this is rarely more than clever marketing tactics. And then you see the comments from people who say they were disgusted or sickened or disturbed or whatever. I usually think it's a load of rubbish. That people are just saying that for attention. I don't honestly believe people who are that easily offended by a movie would choose to see something that is clearly going to show you all the things you don't like.
However, with "Joker (2019)", I can actually understand it. This is a truly disturbing film. Not for the violence, which has been the subject of much debate. There's actually very little violence in the movie, but when it's there, it's pretty graphic, admittedly. But honestly, it's not anywhere near as bad as a lot of things you see nowadays. No, it's disturbing because of how believable Arthur Fleck is. Seeing how unstable he is. Seeing how easy he can choose to do terrible things. It's... uncomfortable to watch at times, but only because it's so well done, so well written, you hate yourself for sympathising with him.
If I had to draw comparisons for this movie, I would have to say it's more subtle than "Watchmen (2009)", it's grittier and darker than "Taxi Driver (1976)" or "Fight Club (1999)" and much more uncompromising and unapologetic than "Natural Born Killers (1994)". It is truly a modern-day masterpiece. There are two major plot twists, both occurring in the second act, which really highlight the genius behind the screenplay. This movie is written perfectly, and executed the same way on-screen by Phoenix, who draws from both Jack Nicholson and Heath Ledger to create this unique take on the character which more than holds its own.
Now, before I summarise, we do need to address the whole... y'know... Batman thing. This is the Joker's origin story, after all.
So, first thing's first: this isn't a comic book movie. Not by a long way. This belongs in the same conversation as Goodfellas, not Guardians of the Galaxy. Director Todd Phillips has even stated that this is simply a stand-alone movie telling a story that needed to be told. Yes, it has references to the DC comic universe (which I will omit here for fear of venturing into spolier territory), but it's unlikely to ever cross over with DC's attempt to mimic the MCU.
The nods to the comics are infrequent but clever, touching on themes and events we already know, and in some cases, re-writing them entirely - which definitely will draw controversy with the hardcore comic fans. For example, I did question why they used the civil unrest subplot and backdrop to essentially try and make Wayne Enterprises the villain of the story, but like it or not, it was necessary and it worked like a charm.
I don't know if this was intentional or not, but there was one scene in particular towards the end of the movie where the Joker (as he is now) is riding in the back of a car with his head leaning against the window. The camera was on the wing mirror, focused on his face, and almost frame-for-frame it reminded me of the iconic scene in "The Dark Knight (2008)" where Heath Ledger's Joker is driving with his head out of the window. I'd like to think this was a gracious tribute to the performance of this character that will never be topped.
For a film that breaks the conventions of story-telling by having no real build-up or climactic ending, I have to say I can't remember a time when I was so blown away, so moved, and so affected by a movie. As close to perfect as you'll see this year.
10/10
A quick side note:
The show "13 Reasons Why" has a disclaimer at the beginning of each series from the cast that essentially warns viewers that, due to the sensitive nature of the content, it's inadvisable to watch it if you're struggling with depression or suicidal thoughts. I genuinely think this film should carry a similar notice. It's a dark, grim, unrelenting journey into one man's depressive life. While I won't ever believe listening to Marilyn Manson can make you want to shoot schoolchildren, I do think that if someone is struggling with suicidal thoughts or depression, this movie probably isn't for them. The story focuses on the media glorifying the terrible acts of someone who is mentally unstable. Yes, it's a movie. It's not real. But for someone in a very bad place themselves, this probably isn't the kind of thing you need to, or should, watch.