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YA female Top Gun ... in space
*** Disclosure - I received a free advance copy of this book from NetGalley in exchange for an honest review ***
Sanderson's new series is a foray into proper sci-fi, but written for the Young Adult market (which should not be read as a bad thing, just something of a warning that for once any white middle-aged men might have to put some effort into thinking about how the main character might feel. Similar to his super-hero Steelheart series (also outwith his Cosmere univers), the story follows a young person who has had a hard life, has a dream to be something and has put every effort into learning the knowledge needed to achieve that, and just need a little luck to go their way. Sadly, Spensa is the daughter of renowned "coward" Chaser, a fighter pilot who fled the thick of battle against The Krell (a mysterious alien race who regularly attack the surface of the planet that has become the human race's last stand) and was shot down for his desertion. Spensa has to battle against all the odds to get a place on the flight training scheme and work hard to stay there.
The action sequences are decent and regularly spaced throughout the book, both in the simulator training scenes and the actual battle sequences.
The plot itself is fairly typical, and more or less the plot of the Hot Shots film, but in space. There was a tremendous amount of mystery surrounding aspects of the world the human race come to inhabit, and their alien attackers, which was rather clumsily all blurted out in a nonsense bit of exposition in the final 3 pages or so.
As with a lot of sci-fi, Sanderson gets quite bogged down in the made-up science and technology that might exist in the future and this, alongside some of the dialogue, was a little too geeky for my tastes (the use of Jerkface as an insult was cringeworthy the first time but is then used throughout the book).
All in all, a well told sci-fi tale that could easily be picked up by the YA audience but likewise should appeal to older sci-fi readers as well.
Sanderson's new series is a foray into proper sci-fi, but written for the Young Adult market (which should not be read as a bad thing, just something of a warning that for once any white middle-aged men might have to put some effort into thinking about how the main character might feel. Similar to his super-hero Steelheart series (also outwith his Cosmere univers), the story follows a young person who has had a hard life, has a dream to be something and has put every effort into learning the knowledge needed to achieve that, and just need a little luck to go their way. Sadly, Spensa is the daughter of renowned "coward" Chaser, a fighter pilot who fled the thick of battle against The Krell (a mysterious alien race who regularly attack the surface of the planet that has become the human race's last stand) and was shot down for his desertion. Spensa has to battle against all the odds to get a place on the flight training scheme and work hard to stay there.
The action sequences are decent and regularly spaced throughout the book, both in the simulator training scenes and the actual battle sequences.
The plot itself is fairly typical, and more or less the plot of the Hot Shots film, but in space. There was a tremendous amount of mystery surrounding aspects of the world the human race come to inhabit, and their alien attackers, which was rather clumsily all blurted out in a nonsense bit of exposition in the final 3 pages or so.
As with a lot of sci-fi, Sanderson gets quite bogged down in the made-up science and technology that might exist in the future and this, alongside some of the dialogue, was a little too geeky for my tastes (the use of Jerkface as an insult was cringeworthy the first time but is then used throughout the book).
All in all, a well told sci-fi tale that could easily be picked up by the YA audience but likewise should appeal to older sci-fi readers as well.
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BookInspector (124 KP) rated Perfectly Preventable Deaths in Books
Sep 24, 2020
The protagonist in this novel was Madeline, and the book is told from her perspective. Madeline is a very complex character, she is very introverted, lesbian, and socially awkward. Her twin sister, on the other hand, is the opposite. Catlin is the popular girl, she is extroverted, fearless and doesn’t care what others think. Madeline is very dependable on her twin sister, and her inability to function without her made me sad and kind of disappointed. I absolutely despised Catlin, she is arrogant and was very rude and disrespectful not only to her parents but to her sister as well. I wasn’t the biggest fan of Madeline as well, she allowed to be treated like she was a lowlife, and was scared to stand up for herself. I did enjoy Madeline’s discovery of whom she is really attracted to, and her effort to make friends and integrate into society.
The mood of this novel was very well set up. The whole book seeped with darkness, mystery and gloominess, and I think that created the perfect mood for the events described. The narrative was quite slow, and I was hoping for more mystery, twists and turns. I needed more suspense as well, it kind of just plodded along, sharing Madeline’s quite repetitive thoughts. There was quite a bit of magic involved, but I think the full potential of that magic was not utilized.
The writing style was very impressive, I found it incredibly poetic, very lyrical, and melodious. It was pleasant and easy to read, and the chapters were quite short. I really liked the names of each chapter, I learned a lot about the medicinal value of certain plants, that I will be using that in the future. The ending of this novel supposed to be promising, and it was quite intriguing, but again, it just made very little sense, and I would have loved a deeper digging into the history of the whole village, it’s residents and all the murders and other events that happened before.
I think this book had an amazing potential into becoming something absolutely sinister and amazing, instead, it concentrated more on the sisterly love, finding yourself and trying to be independent (and failing). Yes, it discussed teenage confusion and wish to fit in, but I was expecting more.
The mood of this novel was very well set up. The whole book seeped with darkness, mystery and gloominess, and I think that created the perfect mood for the events described. The narrative was quite slow, and I was hoping for more mystery, twists and turns. I needed more suspense as well, it kind of just plodded along, sharing Madeline’s quite repetitive thoughts. There was quite a bit of magic involved, but I think the full potential of that magic was not utilized.
The writing style was very impressive, I found it incredibly poetic, very lyrical, and melodious. It was pleasant and easy to read, and the chapters were quite short. I really liked the names of each chapter, I learned a lot about the medicinal value of certain plants, that I will be using that in the future. The ending of this novel supposed to be promising, and it was quite intriguing, but again, it just made very little sense, and I would have loved a deeper digging into the history of the whole village, it’s residents and all the murders and other events that happened before.
I think this book had an amazing potential into becoming something absolutely sinister and amazing, instead, it concentrated more on the sisterly love, finding yourself and trying to be independent (and failing). Yes, it discussed teenage confusion and wish to fit in, but I was expecting more.
Neon's Nerd Nexus (360 KP) rated Gretel & Hansel (2020) in Movies
Sep 10, 2020
Something Wicked
Gretel and hansel is everything I hoped it would be & more, a devilsh dive into witchcraft & an utterly nightmarish visual feast for both the eyes & senses. Gretel & Hansel is a new take on the well known Grimm fairytale & for a simple comparison it's much like one of my favourite horror films of all time 2015's The witch. Now I'm guessing that's put some people off already but those who are still with me are in for a delightful treat. Think Suspira if it were boiled in a pot with the witch, hagazussa & it comes at night & you have painted a picture of what to expect here. Extremely slow pacing, constantly lingering ominous dread & a soundtrack that's likely to cause the hairs on your neck to stand up every time it drones. To say this film is absolutely gorgeous is an insult, every single frame is awash with beautifully striking & highly interesting to explore imagery & colour. It's so visually striking & breathtaking I could happily of sat & watched it with no sound & still be as entranced by its wicked ways. However the way these visuals mash with the synth & droning soundtrack honestly kept me glued to the screen seemingly bewitched & fixated in a trance like state. As you can tell these types of films are my passion when it comes to horror, I much prefer the slow lingering constant sense of dread & creepy imagery that lead up to a shocking pay off while also intertwining the kind of depth & philosophy you have to unravel yourself instead of being spoon fed the plot by the characters themselves. This film is no different & as we delve deep into such themes as female empowerment, innocence, sacrifice, responsibility, naivety, addiction & greed as a viewer the web spun for you begins to unravel about what the film is truly trying to say at its core. Sophia Lillis who you may know from IT does wonders here as Gretel & it's her character, acting & attachment that really hooks you & makes every scene with her in feel calming amongst all the oddities going on. I honestly can not praise this film enough & say if your into art house cinema do not hesitate at grabbing this on glorious 4k. A stunning, breathless wonder of a movie to that will leave you feeling body unnerved & your mind shaken.
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Phillip McSween (751 KP) rated Barbarella (1968) in Movies
Aug 10, 2020
Vaguely Memorable
An outer space agent travels to another galaxy in search of a missing inventor.
Acting: 2
Good cast, none of whom are swinging for the fences in Barbarella. Honestly, I can compare the acting chops in this movie to the likes of a softcore porn. Science fiction or not, there is absolutely nothing believable about this movie in the slightest. The acting made the rest of the movie hard to watch.
Beginning: 10
Characters: 10
Despite the terrible acting, I didn’t hate the characters, namely the woman of the hour Barbarella (Jane Fonda). She’s quirky and I loved all of her inuendo references to sex. The movie is very sex-oriented and it succeeds, albeit minutely, in Barbarella’s experience and everyone else’s lack thereof. If they had given the movie more of a solid story, the characters would have had a fighting chance at being a part of a solid movie.
Cinematography/Visuals: 10
Not terrible in the way of sci-fi. They tried a number of cool things that really are fairly impressive for a 1968 movie. From the weapons to the numerous space settings, I wasn’t disappointed by what was showing up on screen.
Conflict: 6
I think Barbarella cared more about being trippy than having a true conflict to drive the story. There are points where I cared about the outcome, but it seems more often than not that the movie is satisfied with being light-hearted and slowly paced. There was not enough going on for me to overly care.
Entertainment Value: 9
Memorability: 6
There are a handful of moments that stand out, but there isn’t a lot of replay value here. Even as I rewatch it as we speak, there are some spots that I forgot even happened. Definitely not a movie I need to see twice.
Pace: 5
Plot: 1
Never a good sign when I have to look the story up on Rotten Tomatoes. It was honestly that forgettable. I think the 800 screenwriters on this movie cared more about being funny than they did writing a good movie. Not impressed.
Resolution: 2
Overall: 61
I wanted to like Barbarella, but they gave me nothing to work with unfortunately. I wouldn’t even advise the Amazon Prime users (where the movie is available) to give it a shot. Steer clear.
Acting: 2
Good cast, none of whom are swinging for the fences in Barbarella. Honestly, I can compare the acting chops in this movie to the likes of a softcore porn. Science fiction or not, there is absolutely nothing believable about this movie in the slightest. The acting made the rest of the movie hard to watch.
Beginning: 10
Characters: 10
Despite the terrible acting, I didn’t hate the characters, namely the woman of the hour Barbarella (Jane Fonda). She’s quirky and I loved all of her inuendo references to sex. The movie is very sex-oriented and it succeeds, albeit minutely, in Barbarella’s experience and everyone else’s lack thereof. If they had given the movie more of a solid story, the characters would have had a fighting chance at being a part of a solid movie.
Cinematography/Visuals: 10
Not terrible in the way of sci-fi. They tried a number of cool things that really are fairly impressive for a 1968 movie. From the weapons to the numerous space settings, I wasn’t disappointed by what was showing up on screen.
Conflict: 6
I think Barbarella cared more about being trippy than having a true conflict to drive the story. There are points where I cared about the outcome, but it seems more often than not that the movie is satisfied with being light-hearted and slowly paced. There was not enough going on for me to overly care.
Entertainment Value: 9
Memorability: 6
There are a handful of moments that stand out, but there isn’t a lot of replay value here. Even as I rewatch it as we speak, there are some spots that I forgot even happened. Definitely not a movie I need to see twice.
Pace: 5
Plot: 1
Never a good sign when I have to look the story up on Rotten Tomatoes. It was honestly that forgettable. I think the 800 screenwriters on this movie cared more about being funny than they did writing a good movie. Not impressed.
Resolution: 2
Overall: 61
I wanted to like Barbarella, but they gave me nothing to work with unfortunately. I wouldn’t even advise the Amazon Prime users (where the movie is available) to give it a shot. Steer clear.
ClareR (5681 KP) Nov 6, 2018
Ross (3284 KP) Nov 6, 2018