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Debbiereadsbook (1487 KP) rated Two For The Road in Books
Jan 28, 2019
I loved this bookj!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Dylan saw Riley when he was just 15, Riley was suited and booted and Dylan fell in love. At 22, Dylan manages to wrangle to lift to work with Riley, in an effort to get his man. Because Riley is HIS: Riley just needs to see it too. But Riley is 20 years older than Dylan, and Dylan's dad's best fried, even if a bit estranged. Coming back to the village he was born to spend time with his dying father was a shock to Riley's system, but a much needed one. Leaving his partner of 20 years not so much of a shock as a revelation of just what had been going on behind his back for the bigger part of that relationship. Dylan is a breath of fresh air to Riley, who is lonely after his dad passed away. Chatting on the 45 minute drive to work every day brings the two men closer, and when Dylan finally declares his intention to make Riley his, all Riley thinks about is what would Dylan's dad think. Can Riley get past the age gap?
I started reading this and I was liking it. It was shaping up nicely for a 4 star rating. Not loving, just really enjoying it. And then SOMETHING! I've no idea what happened, or who said what, but something happened and I began to LOVE this book! I loved it from that point!
Dylan is young, yes, but he is old enough to know what he wants, more importantly, WHO he wants, and Dylan WANTS Riley. Riley is his and no one else's and Dylan will fight for Riley, even if Riley is scared and worried and all those negative feelings. When Dylan finds out why Riley is scared (not cos of the age gap, that's mentioned a lot!) Dylan steps up his advances a notch and poor Riley doesn't stand a chance. But Dylan's dad catches them, and Riley pushes Dylan away, running at the first hurdle. Dylan though, he doesn't. He'll wait til Riley comes round, cos he WILL come round, just as Dylan's dad will. And they do, wonderfully.
This is one of those books that you just fall into and inhale, you know?? Not too complicated, but you have to pick up the clues about Riley's past relationship. It's not overly explicit, but it is incredibly sexy, especially when Riley's experience is bought to light, even with being in a 20 year relationship (I did NOT like that man!) There is angst and turmoil, but it's not too heavy. Just enough for you to shed a tear when Riley breaks down and cries for what could have been with Dylan.
This really is a warm and fuzzies slash too stinking cute book! It also seems to be the first I've read of Milne, so my wish list is now a little longer.
So!
5 full and shiny and COLOURFUL stars (because after 20 years of white, Riley needs colour)
**same worded review will appear elsewhere**
Dylan saw Riley when he was just 15, Riley was suited and booted and Dylan fell in love. At 22, Dylan manages to wrangle to lift to work with Riley, in an effort to get his man. Because Riley is HIS: Riley just needs to see it too. But Riley is 20 years older than Dylan, and Dylan's dad's best fried, even if a bit estranged. Coming back to the village he was born to spend time with his dying father was a shock to Riley's system, but a much needed one. Leaving his partner of 20 years not so much of a shock as a revelation of just what had been going on behind his back for the bigger part of that relationship. Dylan is a breath of fresh air to Riley, who is lonely after his dad passed away. Chatting on the 45 minute drive to work every day brings the two men closer, and when Dylan finally declares his intention to make Riley his, all Riley thinks about is what would Dylan's dad think. Can Riley get past the age gap?
I started reading this and I was liking it. It was shaping up nicely for a 4 star rating. Not loving, just really enjoying it. And then SOMETHING! I've no idea what happened, or who said what, but something happened and I began to LOVE this book! I loved it from that point!
Dylan is young, yes, but he is old enough to know what he wants, more importantly, WHO he wants, and Dylan WANTS Riley. Riley is his and no one else's and Dylan will fight for Riley, even if Riley is scared and worried and all those negative feelings. When Dylan finds out why Riley is scared (not cos of the age gap, that's mentioned a lot!) Dylan steps up his advances a notch and poor Riley doesn't stand a chance. But Dylan's dad catches them, and Riley pushes Dylan away, running at the first hurdle. Dylan though, he doesn't. He'll wait til Riley comes round, cos he WILL come round, just as Dylan's dad will. And they do, wonderfully.
This is one of those books that you just fall into and inhale, you know?? Not too complicated, but you have to pick up the clues about Riley's past relationship. It's not overly explicit, but it is incredibly sexy, especially when Riley's experience is bought to light, even with being in a 20 year relationship (I did NOT like that man!) There is angst and turmoil, but it's not too heavy. Just enough for you to shed a tear when Riley breaks down and cries for what could have been with Dylan.
This really is a warm and fuzzies slash too stinking cute book! It also seems to be the first I've read of Milne, so my wish list is now a little longer.
So!
5 full and shiny and COLOURFUL stars (because after 20 years of white, Riley needs colour)
**same worded review will appear elsewhere**
Darren (1599 KP) rated Villain (1971) in Movies
Jul 25, 2019
Story: Villain starts as we see how gangster Vic Dakin (Burton) controls London, he has people that will grass on him to the cops with Inspector Bob Matthews (Davenport) trying to bring down the criminal.
Vic continues to use his business connections to stay ahead of the police, with Wolfe Lissner (McShane) being the latest person the inspectors are turning to try and give up Vic’s secrets.
Thoughts on Villain
Characters – Vic Dakin runs London with his criminal activities, he is feared by most people and if you cross him, you will get hurt if not killed. He has become over confident that he can get away with anything, making him one of the prime targets for everyone involved in law. Wolf Lissner works for Vic, he is one of the youngster members of the crew and the one that the police are trying to use to turn on him, even if he the one person that Vic will always turn to. Bob Matthews is the inspector that has been trying to bring down Vic for years, he has risen up the ranks, got the people in the gang, but never been able to get the conviction. Gerald Draycott is the politician that is being blackmailed to keep the business under wraps for Vic.
Performances – We do have two big names in his film, first Richard Burton that doesn’t get to show the skill he could bring to a film, while a younger Ian McShane shows us that he could be set for a career in this sidekick gangster role. The rest of the cast are doing all they need to without being in anyway stand out through the film.
Story – The story follows a gangster that has the power over London, the police have been hunting him for years, but he always finds a way to get out of trouble. This time they get closer than ever before and could finally take down one of the biggest gangsters in London. When it comes to the gangster genre, we don’t really ever get much different when it comes to where the story goes, this one is based loosely on the Kray brother, but for some reason only one of the twins. It does feel like we have seen everything before, we don’t get drawn into support either side of the battle and end up feeling like it is just another gangster film.
Crime – The crime world we enter shows us just where the criminals operate and just where the police will need to turn to, in any hope of bringing him down.
Settings – The film is mostly set in London which see just how the criminals operate, where they can get away from crime.
Scene of the Movie – The opening scene as we see just how Vic can operate.
That Moment That Annoyed Me – The final shot.
Final Thoughts – This is a typical British gangster film that starts with an intense opening, only to become a drag as the film unfolds.
Overall: British Gangster 101.
Vic continues to use his business connections to stay ahead of the police, with Wolfe Lissner (McShane) being the latest person the inspectors are turning to try and give up Vic’s secrets.
Thoughts on Villain
Characters – Vic Dakin runs London with his criminal activities, he is feared by most people and if you cross him, you will get hurt if not killed. He has become over confident that he can get away with anything, making him one of the prime targets for everyone involved in law. Wolf Lissner works for Vic, he is one of the youngster members of the crew and the one that the police are trying to use to turn on him, even if he the one person that Vic will always turn to. Bob Matthews is the inspector that has been trying to bring down Vic for years, he has risen up the ranks, got the people in the gang, but never been able to get the conviction. Gerald Draycott is the politician that is being blackmailed to keep the business under wraps for Vic.
Performances – We do have two big names in his film, first Richard Burton that doesn’t get to show the skill he could bring to a film, while a younger Ian McShane shows us that he could be set for a career in this sidekick gangster role. The rest of the cast are doing all they need to without being in anyway stand out through the film.
Story – The story follows a gangster that has the power over London, the police have been hunting him for years, but he always finds a way to get out of trouble. This time they get closer than ever before and could finally take down one of the biggest gangsters in London. When it comes to the gangster genre, we don’t really ever get much different when it comes to where the story goes, this one is based loosely on the Kray brother, but for some reason only one of the twins. It does feel like we have seen everything before, we don’t get drawn into support either side of the battle and end up feeling like it is just another gangster film.
Crime – The crime world we enter shows us just where the criminals operate and just where the police will need to turn to, in any hope of bringing him down.
Settings – The film is mostly set in London which see just how the criminals operate, where they can get away from crime.
Scene of the Movie – The opening scene as we see just how Vic can operate.
That Moment That Annoyed Me – The final shot.
Final Thoughts – This is a typical British gangster film that starts with an intense opening, only to become a drag as the film unfolds.
Overall: British Gangster 101.
Kristy H (1252 KP) rated The Honey-Don't List in Books
Mar 26, 2020
Carey Douglas is looking forward to a much-needed vacation. She's spent nearly ten years serving as an assistant--and much more--to Melissa Tripp, one half of Melissa and Rusty Tripp. The Tripps are co-owners of the store Comb+Honey and best known for their home renovation TV shows and books. They have a new solo show, Home Sweet Home, about to launch on Netflix, accompanied by a book about their happy marriage. The only issue: Melissa and Rusty can't stand each other. So instead of giving their assistants--Carey and Rusty's assistant/engineer, James--a break while they go on book tour, the couple's behavior requires they be babysat so their mutual self-hatred does not go viral. Suddenly Carey and James find themselves stuck together on a tour bus, watching over two very irritable and often hateful people. James needs the engineering contacts and a job where everything is on the up-and-up--something his last couldn't offer. Carey requires health insurance and believes Melissa needs her more than anyone else. And who knows, the more time James and Carey spend together, the more they might wind up finding some good in all this mess.
"You wouldn't know from scrolling through their idyllic Instagram feed that Melly and Rusty aren't quite as sweet on each other anymore. Looking back, I'm not really sure when they decided their marriage mattered less than their brand."
This was a fun and engaging Christina Lauren read. I'd rank Carey and James as one of their good couples, though not perhaps in the great category. They are cute, however, with plenty of chemistry and lots of sexy banter.
"Your only job for the next ten days is to keep the Tripps from falling apart."
I enjoyed the HGTV feel of this book and the Tripps had a "Chip and Joanna Gaines" feel, if the Gaines went off the rails, or we were able to see their dark side. Things get a little repetitive in the middle, as the Tripps fight and Carey and James struggle with the "oh but we need our jobs" piece, but overall the book is humorous, tender, and fun. Sure, Carey and James are desperately thrown together and you have NO IDEA what will happen, right? It's all good; it's why I love a good romance. Their journey is enjoyable and the side characters--mainly the Tripps--are, well, a trip. Let me tell you, Melissa (Melly) is downright scary at times.
We also get the story told from both Carey and James' point of view, which I like, plus some police report excerpts (oh yeah) and parts of blogger and tabloid pieces. Our fabulous duo does a great job at putting us in the middle of the Tripps' scandal, and one of my favorite things about this one was that not only did we get to enjoy Carey and James' romance, but we felt like we were a part of the trainwreck sensation that was Melly and Rusty.
Overall, this is a fun read with a sexy romance and enjoyable characters. 3.75 stars, rounded to 4 stars here.
"You wouldn't know from scrolling through their idyllic Instagram feed that Melly and Rusty aren't quite as sweet on each other anymore. Looking back, I'm not really sure when they decided their marriage mattered less than their brand."
This was a fun and engaging Christina Lauren read. I'd rank Carey and James as one of their good couples, though not perhaps in the great category. They are cute, however, with plenty of chemistry and lots of sexy banter.
"Your only job for the next ten days is to keep the Tripps from falling apart."
I enjoyed the HGTV feel of this book and the Tripps had a "Chip and Joanna Gaines" feel, if the Gaines went off the rails, or we were able to see their dark side. Things get a little repetitive in the middle, as the Tripps fight and Carey and James struggle with the "oh but we need our jobs" piece, but overall the book is humorous, tender, and fun. Sure, Carey and James are desperately thrown together and you have NO IDEA what will happen, right? It's all good; it's why I love a good romance. Their journey is enjoyable and the side characters--mainly the Tripps--are, well, a trip. Let me tell you, Melissa (Melly) is downright scary at times.
We also get the story told from both Carey and James' point of view, which I like, plus some police report excerpts (oh yeah) and parts of blogger and tabloid pieces. Our fabulous duo does a great job at putting us in the middle of the Tripps' scandal, and one of my favorite things about this one was that not only did we get to enjoy Carey and James' romance, but we felt like we were a part of the trainwreck sensation that was Melly and Rusty.
Overall, this is a fun read with a sexy romance and enjoyable characters. 3.75 stars, rounded to 4 stars here.
Sarah (7800 KP) rated Airplane! (1980) in Movies
Dec 8, 2020
Surely you can't be serious?
Film #6 on the 100 Movies Bucket List: Airplane!
Airplane! is a well known comedy classic, but for me I’m ashamed to admit that aside from the infamous “Don’t call me Shirley” line, I could barely remember a thing about this film. Airplane! is undoubtedly the mother, and master, of all comedy spoof films. Written and directed by Jim Abrahams and David and Jerry Zucker, this focuses Ted Striker (Robert Hays) who despite his fear of flying boards a plane to win back his girlfriend Elaine (Julie Hagerty), only to wind up having to ensure the plane lands safely when the pilots get sick.
The plot is definitely basic, but what it lacks in proper story it more than makes up for in laughs. I’ve never seen a film so chock full of jokes and gags, and in such a wide variety too. This features everything from subtle(ish) background jokes to witty and smart dialogue and obvious physical humour, and aside for a few misses, the majority of these jokes land perfectly. There’s the crude and hilarious auto pilot scene, to the incredibly funny and smart lines like when stewardess Elaine asks Doctor Rumack (Leslie Nielsen) about the onboard illness, “A hospital? What is it?”, to which he replies “It’s a big building with patients”. There’s something incredibly simple about the humour in this film that works so well, and yet aside from those few misses, it never resorts to crudeness that becomes disgusting and overbearing like most modern comedies do. These gags paired with the spoofing and sending up of disaster movies (plus many other genres) is a winning formula that has been emulated many times over by the likes of The Naked Gun and Hot Shots films since this was released in 1980. Admittedly there are some jokes that nowadays would be considered unacceptable and would never see the light of day, but fortunately these are a small minority and don’t spoil the overall enjoyment of the film, even now 40 years later.
The cast excel too in pulling off the over the top cheesiness you’d expect from a parody, and this is no mean feat. Whilst Julie Hagerty and Robert Hays do well as the main characters, it’s the smaller supporting roles that really stand out especially as they appear to have been given the best lines. You have Leslie Nielsen as the deadpan Doctor Rumack who delivers some hilarious dialogue with such a straight face, Lloyd Bridges as Steve McCroskey with his immortal lines beginning with “Looks like I picked the wrong week to stop…” and my absolute favourite background character Johnny (Stephen Stucker) who has some of the funniest moments you’ll ever see from such a minor character. And a notable mention has to go to Otto the automatic pilot, who even gets a feature in the credits.
Airplane! is a rightful comedy classic that could beat modern comedy films hands down, and it truly is a shame they don’t make spoofs like this anymore. It’s hilariously funny, right until the very end of the credits and an entirely unforgettable comedy experience.
Airplane! is a well known comedy classic, but for me I’m ashamed to admit that aside from the infamous “Don’t call me Shirley” line, I could barely remember a thing about this film. Airplane! is undoubtedly the mother, and master, of all comedy spoof films. Written and directed by Jim Abrahams and David and Jerry Zucker, this focuses Ted Striker (Robert Hays) who despite his fear of flying boards a plane to win back his girlfriend Elaine (Julie Hagerty), only to wind up having to ensure the plane lands safely when the pilots get sick.
The plot is definitely basic, but what it lacks in proper story it more than makes up for in laughs. I’ve never seen a film so chock full of jokes and gags, and in such a wide variety too. This features everything from subtle(ish) background jokes to witty and smart dialogue and obvious physical humour, and aside for a few misses, the majority of these jokes land perfectly. There’s the crude and hilarious auto pilot scene, to the incredibly funny and smart lines like when stewardess Elaine asks Doctor Rumack (Leslie Nielsen) about the onboard illness, “A hospital? What is it?”, to which he replies “It’s a big building with patients”. There’s something incredibly simple about the humour in this film that works so well, and yet aside from those few misses, it never resorts to crudeness that becomes disgusting and overbearing like most modern comedies do. These gags paired with the spoofing and sending up of disaster movies (plus many other genres) is a winning formula that has been emulated many times over by the likes of The Naked Gun and Hot Shots films since this was released in 1980. Admittedly there are some jokes that nowadays would be considered unacceptable and would never see the light of day, but fortunately these are a small minority and don’t spoil the overall enjoyment of the film, even now 40 years later.
The cast excel too in pulling off the over the top cheesiness you’d expect from a parody, and this is no mean feat. Whilst Julie Hagerty and Robert Hays do well as the main characters, it’s the smaller supporting roles that really stand out especially as they appear to have been given the best lines. You have Leslie Nielsen as the deadpan Doctor Rumack who delivers some hilarious dialogue with such a straight face, Lloyd Bridges as Steve McCroskey with his immortal lines beginning with “Looks like I picked the wrong week to stop…” and my absolute favourite background character Johnny (Stephen Stucker) who has some of the funniest moments you’ll ever see from such a minor character. And a notable mention has to go to Otto the automatic pilot, who even gets a feature in the credits.
Airplane! is a rightful comedy classic that could beat modern comedy films hands down, and it truly is a shame they don’t make spoofs like this anymore. It’s hilariously funny, right until the very end of the credits and an entirely unforgettable comedy experience.
Andy K (10823 KP) rated Dial M for Murder (1954) in Movies
Sep 15, 2019
An unsavory proposition
When ranking Hitchcock's elite films, Dial M For Murder doesn't usually get mentioned in the top 5 including Psycho, Rear Window, Vertigo North By Northwest and maybe The Birds, but it should be. I went through a Hitchcock phase myself a few years back (I would think most serious film fans would at some point). Although, I still have several to go, most still hold up as suspense/thriller classics definitely including this film.
Ex tennis pro Tony Wendice, now married to beautiful and wealthy Margot, has discovered her secret, she's been seeing another man. Months earlier he discovered a love letter from her lover in her handbag and secretly blackmailed for with this information.
Tony decides to invite an old college acquaintance, currently an unsavory character over to their home to explain his plot for this man killing his wife. He would then stand to inherit her fortunes as he is the beneficiary of her will. The man agrees so the plot is set.
The next evening, Tony is out with friends (to ensure his alibi) and phones Margot late in the evening so she rises to answer with the perpetrator waiting for her. After he slips a stocking around her neck to strangle her, a struggle ensues. Instead of her murder, Margot manages to stab the assailant in the back with a pair of nearby scissors. The man falls to the ground in pain driving the scissors deeper within finishing the job for him instead.
The ensuing police investigation initially feels the facts just don't add up since there was no break in and the man did not have a key on him, but he did have the love letter Tony planted on him before the police initially arrived. Fingers eventually point toward Margot as the killer since the facts seem to lead that way.
The 3rd act is brilliant in the way the eventual plot is discovered and how the police ensure Tony incriminates himself as the true antagonist.
Hitchcock's use of camera framing and movement to reveal certain scene elements only when he wants you to see them is one of my favorite elements of his films. He obviously chose source materials which suited his natural abilities to tell sinister or suspenseful stories and this one works just as well as some of his more famous classics.
Ray Milland is charming and diabolical as Tony, never letting on to his beautiful wife (the gorgeous Princess Grace Kelly) the dastardly scheme he has cooked up for her demise or his initial deeds of blackmail. The reveal at the beginning of the murder plot takes the audience on maybe a typical Hitchcock suspense route, but you never know where or when the twists are going to come, but you are willing to go along for the ride.
Your emotions turn from shock having seen the murder to disgust when Margot is eventually blamed for it and then finally to delight when Tony performs just as the police want him to in the end.
Ex tennis pro Tony Wendice, now married to beautiful and wealthy Margot, has discovered her secret, she's been seeing another man. Months earlier he discovered a love letter from her lover in her handbag and secretly blackmailed for with this information.
Tony decides to invite an old college acquaintance, currently an unsavory character over to their home to explain his plot for this man killing his wife. He would then stand to inherit her fortunes as he is the beneficiary of her will. The man agrees so the plot is set.
The next evening, Tony is out with friends (to ensure his alibi) and phones Margot late in the evening so she rises to answer with the perpetrator waiting for her. After he slips a stocking around her neck to strangle her, a struggle ensues. Instead of her murder, Margot manages to stab the assailant in the back with a pair of nearby scissors. The man falls to the ground in pain driving the scissors deeper within finishing the job for him instead.
The ensuing police investigation initially feels the facts just don't add up since there was no break in and the man did not have a key on him, but he did have the love letter Tony planted on him before the police initially arrived. Fingers eventually point toward Margot as the killer since the facts seem to lead that way.
The 3rd act is brilliant in the way the eventual plot is discovered and how the police ensure Tony incriminates himself as the true antagonist.
Hitchcock's use of camera framing and movement to reveal certain scene elements only when he wants you to see them is one of my favorite elements of his films. He obviously chose source materials which suited his natural abilities to tell sinister or suspenseful stories and this one works just as well as some of his more famous classics.
Ray Milland is charming and diabolical as Tony, never letting on to his beautiful wife (the gorgeous Princess Grace Kelly) the dastardly scheme he has cooked up for her demise or his initial deeds of blackmail. The reveal at the beginning of the murder plot takes the audience on maybe a typical Hitchcock suspense route, but you never know where or when the twists are going to come, but you are willing to go along for the ride.
Your emotions turn from shock having seen the murder to disgust when Margot is eventually blamed for it and then finally to delight when Tony performs just as the police want him to in the end.
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Amanda (96 KP) rated More Than We Can Tell (Letters to the Lost # 2) in Books
Mar 14, 2019
One of the things I don’t pay attention to when I read a book is if it is in a series. Most of the time I’ll catch it, but in this case, I didn’t know it was part of the LETTERS TO THE LOST verse. I didn’t catch it till the book REFERENCED a scene from that book. I adored LETTERS TO THE LOST. This book DID reference, but it is a stand alone story, so if you want to read it, you DO NOT have to read LETTERS TO THE LOST – although I HIGHLY recommend it.
Each chapter is told in separate POV’s
Rev Fletcher – He lives with his foster parents and is closed off due to physical torment from his highly religious nut father.
Emma Blue – Known as Azure M in her online game – She created this game and has made it public for other users to play, one user in particular is harassing her. Her parents are a different story. Her mother is a bit controlling while her father is more of a friend who designs video games.
This book, for starters, totally DID NOT use one of my least favorite tropes and have non existent parents in a world where it’s teenagers telling this story. Kudos for giving parents roles of being parents – with the exception of Emma’s father. He doesn’t really play the role of father, and it kind of makes it known in the story, which is fine with me.
Emma keeps this new game she created to herself mostly because her mother has tried to get her away from games, going as far as turning off the internet. See, if I were trying to do that, I would have taken the router/modem with me as well, not just unplugged it. That’s just me. She finds comfort in not only an online friend she made called, ETHAN, but also when she meets REV outside a church.
Rev has his own baggage. His father gave up his parental rights, and now, he’s emailing Rev and basically stirring up old resentment, but also feelings of wanting to please his father. I feel bad for Rev and I can’t even get frustrated with him when he completely shuts down even though his best friend tries to get him to talk and help him.
Emma was being stubborn, although most times I can understand with her mother, but when things escalate between her and ETHAN (and I mean they ESCALATED!) I wanted to just shake her for being so…stupid.
It is NEVER OKAY to not at least be supportive of your friend’s interest, even if you don’t find it all that interesting – just saying.
Despite a few annoyances, some from Emma and her mother, but also Rev on some occasions, I actually enjoyed this book. I liked how this story unraveled and how that while it’s told from another verse, it’s still a book by itself. I’m left with more questions than answers. I like how the author didn’t use one of my least favorite tropes even though she could have. I wind up really liking Emma’s mother and she has put up with A LOT – so it was nice seeing how Emma actually TRIES to let her mother into her life, even if there are still baby steps to be made.
Rev realizes that his father, despite being this man who tortured, he is just a man.
It was an enjoyable read with a couple of twists that maybe I should have seen coming, but I didn’t. I don’t think that’s a bad thing, however. You really get a sense of where Rev lives and his adoptive parents.
I won’t give away anymore than LETTERS TO THE LOST is worth the read. If anything, just so you can get all excited like I did when it’s referenced in this book.
Each chapter is told in separate POV’s
Rev Fletcher – He lives with his foster parents and is closed off due to physical torment from his highly religious nut father.
Emma Blue – Known as Azure M in her online game – She created this game and has made it public for other users to play, one user in particular is harassing her. Her parents are a different story. Her mother is a bit controlling while her father is more of a friend who designs video games.
This book, for starters, totally DID NOT use one of my least favorite tropes and have non existent parents in a world where it’s teenagers telling this story. Kudos for giving parents roles of being parents – with the exception of Emma’s father. He doesn’t really play the role of father, and it kind of makes it known in the story, which is fine with me.
Emma keeps this new game she created to herself mostly because her mother has tried to get her away from games, going as far as turning off the internet. See, if I were trying to do that, I would have taken the router/modem with me as well, not just unplugged it. That’s just me. She finds comfort in not only an online friend she made called, ETHAN, but also when she meets REV outside a church.
Rev has his own baggage. His father gave up his parental rights, and now, he’s emailing Rev and basically stirring up old resentment, but also feelings of wanting to please his father. I feel bad for Rev and I can’t even get frustrated with him when he completely shuts down even though his best friend tries to get him to talk and help him.
Emma was being stubborn, although most times I can understand with her mother, but when things escalate between her and ETHAN (and I mean they ESCALATED!) I wanted to just shake her for being so…stupid.
It is NEVER OKAY to not at least be supportive of your friend’s interest, even if you don’t find it all that interesting – just saying.
Despite a few annoyances, some from Emma and her mother, but also Rev on some occasions, I actually enjoyed this book. I liked how this story unraveled and how that while it’s told from another verse, it’s still a book by itself. I’m left with more questions than answers. I like how the author didn’t use one of my least favorite tropes even though she could have. I wind up really liking Emma’s mother and she has put up with A LOT – so it was nice seeing how Emma actually TRIES to let her mother into her life, even if there are still baby steps to be made.
Rev realizes that his father, despite being this man who tortured, he is just a man.
It was an enjoyable read with a couple of twists that maybe I should have seen coming, but I didn’t. I don’t think that’s a bad thing, however. You really get a sense of where Rev lives and his adoptive parents.
I won’t give away anymore than LETTERS TO THE LOST is worth the read. If anything, just so you can get all excited like I did when it’s referenced in this book.