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Gymnastics Salon

Games and Education

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Here you get a chance at living your dream of gymnastics superstar! Get into the swing of things as...

SUP Trails

Health & Fitness and Sports

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Whether you are a Stand Up Paddle-boarding (SUP) novice or seasoned professional, SUP Trails has...

Brusfri

Music

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IMPORTANT! Brusfri is currently AUv3 only, which means it won’t work in stand alone mode. It must...

Amy Norman (1048 KP) rated The Umbrella Academy - Season 2 in TV

Aug 5, 2020

The Umbrella Academy - Season 2

2020 | Drama, Fantasy, Sci-Fi

8.2

(10 Ratings)

TV Season Rating

Soundtrack (0 more)

This quirky show always seems to deliver!

I don't normally start out by mentioning soundtracks but from the get-go it packed an absolute punch, and became a living, breathing, essential part of the show.
There was a good range of old and modern, foreign language versions, and just a whole mix of genres - that had me looking up tracks and adding them to my playlists.
Adele's 'Hello' will never be the same again.

This season I genuinely sang, laughed, cried, cheered, and my jaw dropped. Watching programmes on my own means it is normally hard to elicit an actual physical, or emotional, response.

The show has definitely eased into a comfortable stride, and the characters were far more likeable, now that a lot of the angst is out of the way. All the characters have matured somewhat but retained many of their issues, it's what makes them them, and in any good TV show, it takes a bit of time to fully overcome these.
I have come to love and appreciate many of the characters differently from season one. Season one had a few more stand out characters, and they really pushed those ones on to the audience. Whereas this time, it felt more like an ensemble piece, with all the parts being essential (and did I mention more likeable 😅).

The show touched on some tricky themes, and resonates with the current political climate. I feel like the show dealt with these historically horrific times with an elegance and dignity that was in keeping with the feel of the programme.

A few more puzzle pieces fell into place but there is still plenty of mystery left to keep you wanting more.
The whole thing is over the top, messy, and utterly outrageous at times, but that is all part of the charm.
I am eager for the next season, and hope it isn't delayed too much.

Kudos

LeftSideCut (3776 KP) rated American Horror Story - Season 9 in TV

May 10, 2020

The ninth season of AHS, subtitled "1984" is definitely up there in terms of silliness. However, where this has been an issue for me with a few previous seasons, this time around it's a huge strong point.

1984 is one big homage to 80s slasher films, in particular Friday the 13th. If you've read my any of my reviews before, you will know that I bloody love a slasher, even the shitty ones, so this premise was always going to be a winner for me.

A big change this time around is the absence of big AHS names. No Sarah Paulson, no Evan Peters, no Kathy Bates. Their presence is certainly missed in some sort of capacity, but the cast we have do a solid job at carrying the season. Emma Roberts and Billie Lourd take centre stage here, and are both great. We also see some familiar faces in Leslie Grossman, Cody Fern, John Carroll Lynch, Finn Wittrock, Leslie Jordan, Lily Rabe, and Dylan McDermott, so it still has that signature AHS feel. A couple of newcomers are introduced as well - Matthew Morrison and Gus Kenworthy are both hilarious. Zach Villa plays real life serial killer Richard Ramirez (who briefly appeared all the way back in Hotel) and the guy is genuinely menacing. If another season of Twin Peaks ever gets made - he's a dead ringer for Killer Bob.
One of the highlights is "villain" Mr. Jingles (John Carroll Lynch). He's such a finely crafted character, that he honestly deserves to stand next to the Jason and Freddy's of the slasher world.

The story is pretty fun. Mixing 80s campy horror with more familiar AHS elements (such as ghosts not being able to leave the place they died etc) and is pretty engaging for the most part. It gets a little convoluted near the end, and lacks the depth that seasons such as Asylum and Roanoke gave, but it's forgiveable considering the quality of everything else.

As a final thought - the synthwave version of the theme tune is fucking awesome.