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Emma @ The Movies (1786 KP) rated The Dead Don't Die (2019) in Movies
Jun 20, 2020
I'm a little sad to say that I spent real money on this film. It wasn't showing at my Cineworld and the chance of a second stage release with the summer holidays approaching was unlikely. Luckily one of my Showcase Cinemas had it on and I ventured out into the real world to see it.
I won't bother with an extended synopsis because honestly I don't know what the point would be... it's zombies, everyone is trying to stay alive, literally nothing else is really happening in the story.
Up until this point I never really understood people using the word "meta" (unless it was DC related), I get it now. Officer Peterson, played by Adam Driver, is so meta that there actually may not be any more to go around.
The cast felt like it was just quirky enough to work together, especially as this wasn't going to be a traditional zombie movie. Looking back at the actors now I'm wondering if I might have enjoyed this movie more if it had unknown actors in it. I don't think it would have risen much higher in the rankings but I would have been less annoyed by some of the happenings.
Bill Murray plays Chief Robertson, a man who is seemingly always slightly confused by everything and also never becomes more than mildly alarmed by what's going on. The character and the performance were both rather boring. Murray came alive about as much as any of the zombies did.
The same can be said for Adam Driver, though I actually think that's par for the course with the way he acts rather than anything else. He always feels like mid-tier Keanu Reeves without the range. Once you realise that Peterson has the meta inside track it becomes a challenge to see anything he says in any other way. The script became rather frustrating because of this.
We're shown a very strange Tilda Swinton in the trailer and you have to wonder if the make-up direction was just "I want her to be the palest she's ever been and throw in a little "Ring" vibe for good measure." Zelda is probably the perfect zombie apocalypse companion, but she doesn't make for very dynamic viewing.
All of this negative feeling can be laid squarely at the script's door. It has little of interest to warrant a story at all, which is weird because there are elements that you think lead somewhere and then inexplicably don't. The ending is particularly bad and is what I've dubbed the "Stephen King ending". I won't expand on that here because it definitely constitutes spoilers if you haven't seen it.
There are some nice touches. The animal behaviour, the character of Mallory, and some of the effects on Selena Gomez. There's also some that left me questioning how they've portrayed zombies in this compared to other z-movies, but it's not in the trailer and while it's in my notes I'm wondering if I didn't just imagine the whole thing.
Those few little snippets can't save this movie. The poor script has several (that's me being generous) holes in it that just don't stand up when you look closely, and it's not good enough to give you anything else to look at apart from those holes. From its "maybe sciency things will cover the lack of reasoning" beginning to the "Stephen King ending" I was very disappointed.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/07/the-dead-dont-die-movie-review.html
I won't bother with an extended synopsis because honestly I don't know what the point would be... it's zombies, everyone is trying to stay alive, literally nothing else is really happening in the story.
Up until this point I never really understood people using the word "meta" (unless it was DC related), I get it now. Officer Peterson, played by Adam Driver, is so meta that there actually may not be any more to go around.
The cast felt like it was just quirky enough to work together, especially as this wasn't going to be a traditional zombie movie. Looking back at the actors now I'm wondering if I might have enjoyed this movie more if it had unknown actors in it. I don't think it would have risen much higher in the rankings but I would have been less annoyed by some of the happenings.
Bill Murray plays Chief Robertson, a man who is seemingly always slightly confused by everything and also never becomes more than mildly alarmed by what's going on. The character and the performance were both rather boring. Murray came alive about as much as any of the zombies did.
The same can be said for Adam Driver, though I actually think that's par for the course with the way he acts rather than anything else. He always feels like mid-tier Keanu Reeves without the range. Once you realise that Peterson has the meta inside track it becomes a challenge to see anything he says in any other way. The script became rather frustrating because of this.
We're shown a very strange Tilda Swinton in the trailer and you have to wonder if the make-up direction was just "I want her to be the palest she's ever been and throw in a little "Ring" vibe for good measure." Zelda is probably the perfect zombie apocalypse companion, but she doesn't make for very dynamic viewing.
All of this negative feeling can be laid squarely at the script's door. It has little of interest to warrant a story at all, which is weird because there are elements that you think lead somewhere and then inexplicably don't. The ending is particularly bad and is what I've dubbed the "Stephen King ending". I won't expand on that here because it definitely constitutes spoilers if you haven't seen it.
There are some nice touches. The animal behaviour, the character of Mallory, and some of the effects on Selena Gomez. There's also some that left me questioning how they've portrayed zombies in this compared to other z-movies, but it's not in the trailer and while it's in my notes I'm wondering if I didn't just imagine the whole thing.
Those few little snippets can't save this movie. The poor script has several (that's me being generous) holes in it that just don't stand up when you look closely, and it's not good enough to give you anything else to look at apart from those holes. From its "maybe sciency things will cover the lack of reasoning" beginning to the "Stephen King ending" I was very disappointed.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/07/the-dead-dont-die-movie-review.html
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Kaysee Hood (83 KP) rated Fangirl in Books
Oct 3, 2017
Fangirling (2 more)
College Life
Carry On
Oh can I relate!
Rainbow Rowell’s Fangirl speaks to the hearts of the current generation of teenagers and young adults who have found love in fandoms, but cannot seem to figure it out in the real world when their heads are in the clouds full of fanfics and theories.
As we grow to become adults we must venture through events of many firsts like kissing, love, heartbreak, and more. It is how we figure out who we are and who we are meant to be even if sometimes the road is not so easy to travel; however, for Cath she was never alone to experience life with her twin sister. This was until Freshmen year of college when Wren wants to separate herself from Cath because they have done everything together always for their whole lives. Cath does not want this. She’s scared to not have Wren feet away from her. She fearful of the strangeness college will offer. She terrified she’s crazy and people will find her weird for her fanfics of Simon and Baz.
Wren does not give in. She moves in with her roommate, Coutrny, and spends her free time getting drunk at parties. She distances herself from Cath to the point they do not even speak to one another. Thus Cath finds out who she is under the layers she’s wrapped around herself since her mom left without Wren to hold her hand to keep her steady. Oh boy, does this journey give her more adventures she has ever had in the last eighteen years of life all because of Nick (writing partner), Reagan (her roommate), and most importantly Levi (the boy who is always waiting outside her dorm for Reagan). There are other important characters at play in Cath’s life. Miniature quests wrapped around the biggest one of all: Cath learning to be her own person.
Rowell’s style is very pleasing when it comes to the flow between Cath around people in real life and how Cath is when she is logged in FanFixx posting Carry On, Simon chapters. We can relate to the girl who has hidden in her room relying on Wren to give little breathes of life from the one she is not living. She is realistic and not a carbon copy twisted to fit into a new plot to gain readers. In general Rowell writes her characters exquisitely as they stand out being not only realistic versions of possibly real people we could run into on the street, but all have their own lives not pieced together solely to further the plot for Cath alone shown with each word written through their actions or when they speak. Each could stand alone as interesting additions instead of misplaced messes. Even the subplots do not feel tacked on and further the story until the final page is done where it is easy to see how each line led to the end.
By the end of it all none of it felt overdone or predictable and I personally stood behind Cath cheering for her. Anyone could read Fangirl and enjoy Cath’s voyage alone as a Freshmen in college, but I think the fangirls and fanboys might enjoy it a bit more. Pick up a copy as soon as possible to learn how Cath’s story ends.
As we grow to become adults we must venture through events of many firsts like kissing, love, heartbreak, and more. It is how we figure out who we are and who we are meant to be even if sometimes the road is not so easy to travel; however, for Cath she was never alone to experience life with her twin sister. This was until Freshmen year of college when Wren wants to separate herself from Cath because they have done everything together always for their whole lives. Cath does not want this. She’s scared to not have Wren feet away from her. She fearful of the strangeness college will offer. She terrified she’s crazy and people will find her weird for her fanfics of Simon and Baz.
Wren does not give in. She moves in with her roommate, Coutrny, and spends her free time getting drunk at parties. She distances herself from Cath to the point they do not even speak to one another. Thus Cath finds out who she is under the layers she’s wrapped around herself since her mom left without Wren to hold her hand to keep her steady. Oh boy, does this journey give her more adventures she has ever had in the last eighteen years of life all because of Nick (writing partner), Reagan (her roommate), and most importantly Levi (the boy who is always waiting outside her dorm for Reagan). There are other important characters at play in Cath’s life. Miniature quests wrapped around the biggest one of all: Cath learning to be her own person.
Rowell’s style is very pleasing when it comes to the flow between Cath around people in real life and how Cath is when she is logged in FanFixx posting Carry On, Simon chapters. We can relate to the girl who has hidden in her room relying on Wren to give little breathes of life from the one she is not living. She is realistic and not a carbon copy twisted to fit into a new plot to gain readers. In general Rowell writes her characters exquisitely as they stand out being not only realistic versions of possibly real people we could run into on the street, but all have their own lives not pieced together solely to further the plot for Cath alone shown with each word written through their actions or when they speak. Each could stand alone as interesting additions instead of misplaced messes. Even the subplots do not feel tacked on and further the story until the final page is done where it is easy to see how each line led to the end.
By the end of it all none of it felt overdone or predictable and I personally stood behind Cath cheering for her. Anyone could read Fangirl and enjoy Cath’s voyage alone as a Freshmen in college, but I think the fangirls and fanboys might enjoy it a bit more. Pick up a copy as soon as possible to learn how Cath’s story ends.
Kaysee Hood (83 KP) rated Fangirl in Books
Nov 16, 2017
Twin Life (4 more)
College Life
Mental Illness
Carry On
Fan Fic
Fangirl speaks to the hearts of the current generation of teenagers and young adults who have found love in fandoms but cannot seem to figure it out in the real world when their heads are in the clouds full of fanfics and theories.
As we grow to become adults we must venture through events of many firsts like kissing, love, heartbreak, and more. It is how we figure out who we are, who we want to be, and where we want to go even if sometimes the road is not easy to travel; however, for Cath she was never alone with her twin sister and she never experienced much other than living through Wren. This was until Freshmen year of college because Wren wants to separate herself from Cath. They've done everything together since birth. Cath does not want this. Cath does not want the space. She's scared not to have Wren feet away. She's fearful of the strangeness college will offer. She's terrified she's crazy and people will find her weird for the Simon and Baz fanfics she's written.
Wren does not give in. She moves in with her roommate, Coutrny, and spends her free time getting drunk at parties. She distances herself from Cath to the point they do not even speak. Thus Cath finds out who she is under the layers she’s wrapped around herself since her mom left without Wren to hold her hand and keep her steady. Oh boy, does this journey give her more adventures she has ever had in the last eighteen years of life all because of Nick (writing partner), Reagan (her roommate), and most importantly Levi (the boy who is always waiting outside her dorm for Reagan). There are other important characters at play in Cath’s life. Miniature quests wrapped around the biggest one of all: Cath learning to be her own person.
Rowell’s style is very pleasing when it comes to the flow between Cath around people in real life and how Cath is when she is logged in FanFixx posting Carry On, Simon chapters. We can relate to the girl who has hidden in her room relying on Wren to give little breathes of life from the one she is not living. She is realistic and not a carbon copy twisted to fit into a new plot to gain readers. In general Rowell writes her characters exquisitely as they stand out being not only realistic versions of possibly real people we could run into on the street, but all have their own lives not pieced together solely to further the plot for Cath alone shown with each word written through their actions or when they speak. Each could stand alone as interesting additions instead of misplaced messes. Even the subplots do not feel tacked on and further the story until the final page is done where it is easy to see how each line led to the end.
By the end of it all none of it felt overdone or predictable and I personally stood behind Cath cheering for her. Anyone could read Fangirl and enjoy Cath’s voyage alone as a Freshmen in college, but I think the fangirls and fanboys might enjoy it a bit more. Pick up a copy as soon as possible to learn how Cath’s story ends.
As we grow to become adults we must venture through events of many firsts like kissing, love, heartbreak, and more. It is how we figure out who we are, who we want to be, and where we want to go even if sometimes the road is not easy to travel; however, for Cath she was never alone with her twin sister and she never experienced much other than living through Wren. This was until Freshmen year of college because Wren wants to separate herself from Cath. They've done everything together since birth. Cath does not want this. Cath does not want the space. She's scared not to have Wren feet away. She's fearful of the strangeness college will offer. She's terrified she's crazy and people will find her weird for the Simon and Baz fanfics she's written.
Wren does not give in. She moves in with her roommate, Coutrny, and spends her free time getting drunk at parties. She distances herself from Cath to the point they do not even speak. Thus Cath finds out who she is under the layers she’s wrapped around herself since her mom left without Wren to hold her hand and keep her steady. Oh boy, does this journey give her more adventures she has ever had in the last eighteen years of life all because of Nick (writing partner), Reagan (her roommate), and most importantly Levi (the boy who is always waiting outside her dorm for Reagan). There are other important characters at play in Cath’s life. Miniature quests wrapped around the biggest one of all: Cath learning to be her own person.
Rowell’s style is very pleasing when it comes to the flow between Cath around people in real life and how Cath is when she is logged in FanFixx posting Carry On, Simon chapters. We can relate to the girl who has hidden in her room relying on Wren to give little breathes of life from the one she is not living. She is realistic and not a carbon copy twisted to fit into a new plot to gain readers. In general Rowell writes her characters exquisitely as they stand out being not only realistic versions of possibly real people we could run into on the street, but all have their own lives not pieced together solely to further the plot for Cath alone shown with each word written through their actions or when they speak. Each could stand alone as interesting additions instead of misplaced messes. Even the subplots do not feel tacked on and further the story until the final page is done where it is easy to see how each line led to the end.
By the end of it all none of it felt overdone or predictable and I personally stood behind Cath cheering for her. Anyone could read Fangirl and enjoy Cath’s voyage alone as a Freshmen in college, but I think the fangirls and fanboys might enjoy it a bit more. Pick up a copy as soon as possible to learn how Cath’s story ends.
Kristy H (1252 KP) rated All the Crooked Saints in Books
Jan 10, 2018 (Updated Jan 10, 2018)
Story of love, loss, and sadness that everyone can appreciate
Maggie Stiefvater's latest--a stand-alone novel--tells the tale of the Soria family, who live in Bicho Raro, Colorado in the 1960s. On the family compound, you'll find the extended Soria family, including the three cousins: Beatriz, Daniel, and Joaquin. Beatriz is scientific-minded; so much, in fact, that she believes she has no feelings. Daniel is the Saint of Bicho Raro, and performs miracles for the Pilgrims who come in droves for the magic the Sorias can offer. Joaquin loves music and performs as Diablo Diablo on an illegal radio station he operates. The Sorias live apart from the Pilgrims they serve, believing helping and interfering with them after performing the first miracle will only bring on darkness. After all, it happened with Daniel's late parents. But when Daniel becomes involved with a Pilgrim named Marisita and a young man named Pete arrives at Bicho Raro looking for work, the Sorias are forced to confront many of their long-held beliefs.
I won't lie: it's a little hard to review this book, beyond saying that it's very much a Maggie Stiefvater novel. If you haven't read one of Stiefvater's novels before, I'm not sure I'd start with this one, even if it is one of her few stand-alone books. Her novels are typically full of all things fancy and fantastical, forcing the reader to suspend reality and be prepared to come along fully for the ride. If you can't do that, or don't enjoy such books, this isn't for you. Even I, who am familiar with her style, had a little trouble with this one at points.
Stiefvater has a way with language; she loves words and weaving a spell with them, and her novels are dense with beauty and picturesque scenes. She uses a repetitious style here in many of her sentences and the overall structure: again, something you might have to get used to.
Still, this book is bizarre but compelling. I put it aside the first night I started it and wasn't sure I'd enjoy it, but when I picked it up again, I was sucked into the Soria's story. The cousins are all rather enthralling characters, and you truly become a part of their journey. Sure, the miracle idea seems a little crazy, but it really just is part of the book, along with the owls, a giant, the moving earth, etc. It's really lovely at times, and I enjoyed the comparisons between miracles and radio waves.
As mentioned, Daniel, Beatriz, and Joaquin are all fascinating characters, and I also really grew to care for Pete, as well, along with another character named Tony. Even Marisita grew on me. There's a bit of suspense and tension to the novel, and you'll find yourself intrigued to see how things turn out. The themes of humanity, darkness, and family are well-done overall.
This probably isn't my favorite of Stiefvater's books; I love the Shiver series and The Raven Boys series, much like this novel, is even more mystical, but features the same sort of compelling characters as here. However, the story and characters grew on me, and I don't regret reading it. It's enjoyable, albeit somewhat odd at times. The story of love, loss, and sadness at its core is one everyone can appreciate.
I won't lie: it's a little hard to review this book, beyond saying that it's very much a Maggie Stiefvater novel. If you haven't read one of Stiefvater's novels before, I'm not sure I'd start with this one, even if it is one of her few stand-alone books. Her novels are typically full of all things fancy and fantastical, forcing the reader to suspend reality and be prepared to come along fully for the ride. If you can't do that, or don't enjoy such books, this isn't for you. Even I, who am familiar with her style, had a little trouble with this one at points.
Stiefvater has a way with language; she loves words and weaving a spell with them, and her novels are dense with beauty and picturesque scenes. She uses a repetitious style here in many of her sentences and the overall structure: again, something you might have to get used to.
Still, this book is bizarre but compelling. I put it aside the first night I started it and wasn't sure I'd enjoy it, but when I picked it up again, I was sucked into the Soria's story. The cousins are all rather enthralling characters, and you truly become a part of their journey. Sure, the miracle idea seems a little crazy, but it really just is part of the book, along with the owls, a giant, the moving earth, etc. It's really lovely at times, and I enjoyed the comparisons between miracles and radio waves.
As mentioned, Daniel, Beatriz, and Joaquin are all fascinating characters, and I also really grew to care for Pete, as well, along with another character named Tony. Even Marisita grew on me. There's a bit of suspense and tension to the novel, and you'll find yourself intrigued to see how things turn out. The themes of humanity, darkness, and family are well-done overall.
This probably isn't my favorite of Stiefvater's books; I love the Shiver series and The Raven Boys series, much like this novel, is even more mystical, but features the same sort of compelling characters as here. However, the story and characters grew on me, and I don't regret reading it. It's enjoyable, albeit somewhat odd at times. The story of love, loss, and sadness at its core is one everyone can appreciate.
Sassy Brit (97 KP) rated Tear Me Apart in Books
Jun 5, 2019
Tear Me Apart by J.T. Ellison is a “why done it,” instead of a “who done it.” She explores how one lie can build upon another as the resulting betrayal rips two families apart.
Originally known for her two series she has now switched to writing stand-alones. One series main character is Lt. Taylor Jackson a Nashville homicide detective who hunts down serial killers. The other series featured Dr. Samantha Owen, a medical examiner who came into prominence as the conscience of the Taylor Jackson series, and eventually morphed into her own series. Ellison noted, “Currently I will continue writing the stand-alones because the publisher loves them and they are doing better. With that said, I have already started the Samantha book and will eventually get to it. But for now, I will continue to write these psychological thrillers.”
While writing the series books, Ellison actually had an idea for this plot, back in 2011. “I had a guy at the funeral of his wife and baby. He dreamed of this little girl who became a professional ice skater. I then added layers including to have a story about committing suicide. I also had the letters originally as AOL chats, but after my mom read it, I changed the correspondence to letters. She did not know what an AOL chat was and I realized I would have a bunch of readers, both young and older, who would not know. Another change I made was to have Mindy as a professional skier, not skater. I based her on Lindsey Vonn, someone who had made multiple comebacks from injuries. I think of her as an incredible hero.”
This story begins with an Olympic downhill skier, Mindy Wright, crashing and severely breaking her leg. During the surgery, it’s discovered she has leukemia and will eventually need a stem cell transplant. In need of a bone marrow transplant both her parents are tested, where it is discovered that they are not a genetic match to Mindy. Questions arise as to what happened: was she switched at birth, or was there something more sinister, such as a baby farm? Her mother Lauren is hiding secrets, while her aunt Juliet is determined to find answers and a match to save Mindy’s life. As the story unravels so does Lauren’s life and mental state. She will go to almost any length to prevent people from knowing the truth about what happened.
Mindy is strong, determined, driven, and unemotional. “I wanted to write her as someone who takes control of every aspect of her life and mind. She is the 1% of the 1% of the 1%. She will do anything to achieve her goal, training very hard.”
Her mother Lauren is someone who created a life for herself. Once she became a mother she made a loving life for her daughter Mindy. She is the direct opposite of her sister, Juliet. While growing up, Lauren was her mother’s favorite, Juliet was the outsider. These siblings are eleven years apart, but were thick as thieves. Although both are devastated by the diagnosis, Ellison explores how a parent would react in that situation, seeing a child suffer and unable to fix it. “I wanted to write the essence of what a parent does, trying to make everything better.”
The plot examines the relationships between mothers and daughters as well as sisters. It sheds light on mental health problems and the terrible consequences that result when the emotional balance is neglected.
Originally known for her two series she has now switched to writing stand-alones. One series main character is Lt. Taylor Jackson a Nashville homicide detective who hunts down serial killers. The other series featured Dr. Samantha Owen, a medical examiner who came into prominence as the conscience of the Taylor Jackson series, and eventually morphed into her own series. Ellison noted, “Currently I will continue writing the stand-alones because the publisher loves them and they are doing better. With that said, I have already started the Samantha book and will eventually get to it. But for now, I will continue to write these psychological thrillers.”
While writing the series books, Ellison actually had an idea for this plot, back in 2011. “I had a guy at the funeral of his wife and baby. He dreamed of this little girl who became a professional ice skater. I then added layers including to have a story about committing suicide. I also had the letters originally as AOL chats, but after my mom read it, I changed the correspondence to letters. She did not know what an AOL chat was and I realized I would have a bunch of readers, both young and older, who would not know. Another change I made was to have Mindy as a professional skier, not skater. I based her on Lindsey Vonn, someone who had made multiple comebacks from injuries. I think of her as an incredible hero.”
This story begins with an Olympic downhill skier, Mindy Wright, crashing and severely breaking her leg. During the surgery, it’s discovered she has leukemia and will eventually need a stem cell transplant. In need of a bone marrow transplant both her parents are tested, where it is discovered that they are not a genetic match to Mindy. Questions arise as to what happened: was she switched at birth, or was there something more sinister, such as a baby farm? Her mother Lauren is hiding secrets, while her aunt Juliet is determined to find answers and a match to save Mindy’s life. As the story unravels so does Lauren’s life and mental state. She will go to almost any length to prevent people from knowing the truth about what happened.
Mindy is strong, determined, driven, and unemotional. “I wanted to write her as someone who takes control of every aspect of her life and mind. She is the 1% of the 1% of the 1%. She will do anything to achieve her goal, training very hard.”
Her mother Lauren is someone who created a life for herself. Once she became a mother she made a loving life for her daughter Mindy. She is the direct opposite of her sister, Juliet. While growing up, Lauren was her mother’s favorite, Juliet was the outsider. These siblings are eleven years apart, but were thick as thieves. Although both are devastated by the diagnosis, Ellison explores how a parent would react in that situation, seeing a child suffer and unable to fix it. “I wanted to write the essence of what a parent does, trying to make everything better.”
The plot examines the relationships between mothers and daughters as well as sisters. It sheds light on mental health problems and the terrible consequences that result when the emotional balance is neglected.
Connor Sheffield (293 KP) rated the Nintendo Switch version of PuPaiPo Space Deluxe in Video Games
Jan 21, 2020
Quick Gameplay (2 more)
Challenging
Adorable design
A Fun Fast Game
PuPaiPo Space Deluxe is a fun, fast paced game in which you battle wave after wave of enemies, shooting and dodging in order to survive and continue to the next stage. Each stage has it's own unique design which come with their own unique looking NPC's for you to dodge and shoot.
From developers BolHut, who also made the challenging yet entertaining game 'You Died But A Necromancer Revived You', have brought their adorable sprites to Nintendo Switch once again with their remastered deluxe edition of their very first game PuPaiPo Space.
You have a choice of characters to play as such as a rocket man, a pink octopus, a wooden character and a star man (not their official names), and with the choice to gather your friends and all play at once, you can enjoy a challenging battle to find the legendary space pizza. So gather your friends for a fun head to head co-op and see who can get the highest score and reach the pizza first, or play solo and take every slice for yourself!
The bosses of this game are challenging and fun to battle, as each loss is a learning curve in order for the player to learn each bosses move set, so that the next time you face them you can beat them with ease. Each sprite whether it's a common NPC, a boss, or the player themselves, has it's own unique personality that makes each design stand out from one another on screen, meaning you shouldn't get lost whilst flying around the armada of bullets and rockets fired.
The backgrounds for each stage give every level it's own personality as well, as each one comes with it's own types of enemies from fish in the deep water levels, to the fiery asteroids and bombs of the space levels. This keeps the game play interesting as there isn't much you can do with a shoot and dodge game, so each stage has to feel fresh and BolHut have managed to do just that with their retro art style and unique designs.
Among the battlefield, you'll also come across a variety of cool little power-ups that will aid you in your quest for the space pizza, from bigger bullets, to faster bullets, to a simple shield that helps add a little extra life to your character as you do your best to dodge the incoming dangers.
Overall the game is a fun and fast paced experience that you can either jump into to kill some time, or set up for a group of friends and challenge one another to see who can reach the pizza. It looks amazing on the switch and the sprites are adorable and unique to BolHut's style. I hope this company continues to bring more games out onto the Nintendo Switch because their designs and game play are always challenging and unique, which allows them to stand out among the ever growing library of indie games on the market.
PuPaiPo Space Deluxe is available on PC and will be available on Nintendo Switch on Thursday 23rd January 2020, but is available to pre-order now at a discounted price. However, talking of price, the release price of this game is £3.99 and any game that's this fun for under £5 is worth every penny, so go get this game, select which character you like best, give them a name that's better than any of the names I've given them in this review and find that delicious space pizza!
From developers BolHut, who also made the challenging yet entertaining game 'You Died But A Necromancer Revived You', have brought their adorable sprites to Nintendo Switch once again with their remastered deluxe edition of their very first game PuPaiPo Space.
You have a choice of characters to play as such as a rocket man, a pink octopus, a wooden character and a star man (not their official names), and with the choice to gather your friends and all play at once, you can enjoy a challenging battle to find the legendary space pizza. So gather your friends for a fun head to head co-op and see who can get the highest score and reach the pizza first, or play solo and take every slice for yourself!
The bosses of this game are challenging and fun to battle, as each loss is a learning curve in order for the player to learn each bosses move set, so that the next time you face them you can beat them with ease. Each sprite whether it's a common NPC, a boss, or the player themselves, has it's own unique personality that makes each design stand out from one another on screen, meaning you shouldn't get lost whilst flying around the armada of bullets and rockets fired.
The backgrounds for each stage give every level it's own personality as well, as each one comes with it's own types of enemies from fish in the deep water levels, to the fiery asteroids and bombs of the space levels. This keeps the game play interesting as there isn't much you can do with a shoot and dodge game, so each stage has to feel fresh and BolHut have managed to do just that with their retro art style and unique designs.
Among the battlefield, you'll also come across a variety of cool little power-ups that will aid you in your quest for the space pizza, from bigger bullets, to faster bullets, to a simple shield that helps add a little extra life to your character as you do your best to dodge the incoming dangers.
Overall the game is a fun and fast paced experience that you can either jump into to kill some time, or set up for a group of friends and challenge one another to see who can reach the pizza. It looks amazing on the switch and the sprites are adorable and unique to BolHut's style. I hope this company continues to bring more games out onto the Nintendo Switch because their designs and game play are always challenging and unique, which allows them to stand out among the ever growing library of indie games on the market.
PuPaiPo Space Deluxe is available on PC and will be available on Nintendo Switch on Thursday 23rd January 2020, but is available to pre-order now at a discounted price. However, talking of price, the release price of this game is £3.99 and any game that's this fun for under £5 is worth every penny, so go get this game, select which character you like best, give them a name that's better than any of the names I've given them in this review and find that delicious space pizza!
Sophia (Bookwyrming Thoughts) (530 KP) rated Knight Assassin in Books
Jan 23, 2020
Am I alone to say that this sort of felt like history + Downton Abbey + a little Arabian mythology? Perhaps it's the royal technicalities that make me think of Downton Abbey with its lords and ladies, despite the fact the book seems to be set around the Crusades and everyone seemed to be fighting over the Holy Land.
I was actually a bit reluctant to accept Knight Assassin for review for a few reasons:
1. It didn't sound very appealing A girl's mother gets murdered and she wants revenge. Then she meets a guy from her past who actually ends up being her enemy. Nope... not really for me, though the last part is semi-intriguing.
2. I don't know that much about the Knights Templar. I don't even remember that one book I read and it was nominated for a state award once.
3. I had a pretty big review pile already
However, as I got started, I realized I was underestimating, and I actually enjoyed it in most cases. But what really started to get the ball rolling?
Zayn's mother gets accused of witchcraft and burned to death.
I know it sounds really mean and really odd of me that it would catch my attention. But think about it. If that happened to me (or any of us really), I would be looking for revenge as well after I get over my initial shock, which could last for who knows how long.
Zayn gah, I keep putting an e at the end. One Direction, this is not the time to slip into a review is probably by far one of the strongest heroines I've read about. She goes through so many trials throughout the book from her mother's murder to rape to finding out what she really is and hasn't broken down for most of the book. Definitely shorter than me, but Zayn seems to be pretty impulsive for a good half of the book.
For the first half, there's a lot of flashbacks throughout the beginning to Zayn's childhood, in which I sort of found pointless. I'm not exactly sure what the connection really is, aside from how she meets Guy de Molay and Earic Goodwin. It's not until the second half where the interesting stuff happens and there's not as many flashbacks, but the first half by all means isn't boring at all. I find that Zayn has a lot of backstory, which frankly makes her less of a pancake (flat characters).
The ending though, felt like a stand alone, but it didn't feel like a stand alone. I'm surprised this isn't a series to be honest. However, if you're the type who enjoys reading a bit of history and a little mythology, perhaps you should consider Knight Assassin. It's a nice change from other genres (particularly aliens and angels at the moment) as there aren't many books set in the late 1100s.
<b>Random Thought:</b>
<blockquote>I will never recover my male ego, so long as Zayn is around to humble me.</blockquote>
Perhaps where there's a Carter, Jace, Daemon or a Herondale, there needs to be a Zayn. She might be able to keep their ego in check... well, particularly the third one. ;)
--------------------
Original Rating: 4.5 out of 5 Owls
Advance review copy provided by publisher for review
This review and more can be found at <a href="http://bookwyrming-thoughts.blogspot.com/2014/03/arc-review-knight-assassin-by-rima-jean.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://4.bp.blogspot.com/-Gi5Rk5yLloA/UtliaUbdL3I/AAAAAAAACbE/J27z92_qrYU/s1600/Official+Banner.png"; /></a>
I was actually a bit reluctant to accept Knight Assassin for review for a few reasons:
1. It didn't sound very appealing A girl's mother gets murdered and she wants revenge. Then she meets a guy from her past who actually ends up being her enemy. Nope... not really for me, though the last part is semi-intriguing.
2. I don't know that much about the Knights Templar. I don't even remember that one book I read and it was nominated for a state award once.
3. I had a pretty big review pile already
However, as I got started, I realized I was underestimating, and I actually enjoyed it in most cases. But what really started to get the ball rolling?
Zayn's mother gets accused of witchcraft and burned to death.
I know it sounds really mean and really odd of me that it would catch my attention. But think about it. If that happened to me (or any of us really), I would be looking for revenge as well after I get over my initial shock, which could last for who knows how long.
Zayn gah, I keep putting an e at the end. One Direction, this is not the time to slip into a review is probably by far one of the strongest heroines I've read about. She goes through so many trials throughout the book from her mother's murder to rape to finding out what she really is and hasn't broken down for most of the book. Definitely shorter than me, but Zayn seems to be pretty impulsive for a good half of the book.
For the first half, there's a lot of flashbacks throughout the beginning to Zayn's childhood, in which I sort of found pointless. I'm not exactly sure what the connection really is, aside from how she meets Guy de Molay and Earic Goodwin. It's not until the second half where the interesting stuff happens and there's not as many flashbacks, but the first half by all means isn't boring at all. I find that Zayn has a lot of backstory, which frankly makes her less of a pancake (flat characters).
The ending though, felt like a stand alone, but it didn't feel like a stand alone. I'm surprised this isn't a series to be honest. However, if you're the type who enjoys reading a bit of history and a little mythology, perhaps you should consider Knight Assassin. It's a nice change from other genres (particularly aliens and angels at the moment) as there aren't many books set in the late 1100s.
<b>Random Thought:</b>
<blockquote>I will never recover my male ego, so long as Zayn is around to humble me.</blockquote>
Perhaps where there's a Carter, Jace, Daemon or a Herondale, there needs to be a Zayn. She might be able to keep their ego in check... well, particularly the third one. ;)
--------------------
Original Rating: 4.5 out of 5 Owls
Advance review copy provided by publisher for review
This review and more can be found at <a href="http://bookwyrming-thoughts.blogspot.com/2014/03/arc-review-knight-assassin-by-rima-jean.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://4.bp.blogspot.com/-Gi5Rk5yLloA/UtliaUbdL3I/AAAAAAAACbE/J27z92_qrYU/s1600/Official+Banner.png"; /></a>
Bob Mann (459 KP) rated Wonder Woman (2017) in Movies
Sep 29, 2021
“What first attracted you Dr Mann to the movie with the scantily-clad Amazonians?”
Amazonians deliver! And how. The much anticipated new Wonder Woman movie is with us, and for once the film lives up to the wall-to-wall marketing hype.
With a heavy dose of mythology, Diana is growing up as the cossetted daughter of Hippolyta (Connie Nielsen, “Gladiator”), the Queen of the Amazons, on the hidden paradise island of Themyscira. Trained up as a warrior by Hippolyta’s sister, General Antiope (Robin Wright of “House of Cards”), Diana is clearly something special. Her ego is reinforced by the knowledge that she was made of clay with life breathed into her by the God Zeus. It’s enough to turn a girl’s head!
It’s 1917 and the man-free paradise is shaken up when an American spy by the name of Steve Trevor (Chris Pine, “Star Trek: Beyond“) crash-lands in the waters off Themyscira. (And yes… you didn’t mishear me… this film genuinely features a hero with both the names “Steve” and ‘Trevor”). Prince Eric – no, sorry, wrong film – is saved and awakened on the beach by Diana as the others arrive. “Thank God!”, say the Amazonians. “At last, someone to process the 200 year backlog of washing and ironing”!
But Steve (an “above average specimen”, LOL) is not long for paradise as he needs to return to the war with the results of his spy-work: a chemistry book stolen from the gorgeously deformed Dr Maru (Elena Anaya), gas-developer for the evil General Ludendorff (Danny Huston). Seeing Ludendorff to be her God-like nemesis Ares, Diana returns with Steve to the WW1 battlefields with the intent of killing the God of War and so ending the ‘war to end all wars’.
Much ‘fish out of water’ fun is had with Diana meeting civilised London society, although perhaps this section of the film doesn’t quite live up to its full potential: having ice cream for the first time, without any sign of surprise, all she can come up with is an amusing but rather lame “You must be very proud”.
But where the film really accelerates into awesomeness is when Diana reaches ‘The Front’. She emerges from the trenches like some shimmering vision of hotness, to set male and lesbian hearts a flutter. Its the most memorable trench-exit since the finale of “Black Adder 4”, and the subsequent scenes of Diana single-handedly facing the German guns is for me one of the most compelling and enjoyable scenes in any recent DC or Marvel movie.
Holding all this together is the ex-Israeli army-trainer Gal Gadot in the title role. And man oh man, what a Gal! Statuesque, athletic but also sweet, charming and emotionally fragile she completely owns this role from beginning to end. Gadot made a memorable entry in the otherwise poor “Batman v Superman: Dawn of Justice” (#marthagate #neverforget #neverforgive) but nothing prepares you for just how great she is in this outing. In fact, I’ll go as far as saying that this film, although having a UK 12 certificate, is a film of immense danger to heterosexual teenagers of any age (#humor):
All boys will be cast into a lifetime of misery, never able to find a woman that can possibly live up to the impossibly perfect vision of Diana Prince, tearing up the German army with fists and whip!;
All girls WILL BECOME LESBIANS AFTER WATCHING THIS FILM!
Parents: you have been warned! 🙂
Chris Pine – the thinking women’s Chris Pratt – once again proves himself as a talented actor who manages to successfully morph to inhabit the role he plays. Much as he did in the excellent “Hell or High Water“, not once did I equate him to be James Tiberius Kirk after the first 5 minutes.
Effective in supporting roles are David Thewlis (“Harry Potter”) as a ‘helpful’ army bod and an almost unrecognisable Lucy Davis (“The Office”) as Etta, Steve’s comedic secretary. Steve’s rather unlikely sidekicks of Sameer (Said Taghmaoui, “American Hustle“), Charlie (Ewen Bremner, “Trainspotting”) and ‘The Chief’ (Eugene Brave Rock “The Revenant“) all rather fade into the woodwork by comparison.
I saw the film in 3D (“careful now… you could take an eye out with those things”) and very good it was too. Aside from some rather unnecessary Amazonian arrows, its never feels overdone, and elements of it were extremely effective.
Another star of the show is the superb Wonder Woman theme by Hans Zimmer, here rolled out by the film’s composer Rupert Gregson-Williams (“Hacksaw Ridge“). Unfortunately, the rest of the soundtrack is not particularly memorable.
The film shifts into more traditional yawn-worthy ‘superhero finale’ mode in the last twenty minutes, which is a bit of a shame. It’s also really curious that for such a sexually charged film there is an almost complete absence of ‘lurrve’ on show. The one love scene coquettishly fades to a view of the outside window. Was this to protect the film’s family friendly rating (probably) or that the director didn’t want to show her heroine in a remotely submissive position (possibly)? More frustratingly, the morning after there is no mention of it at all! (“Move along, nothing to see here”). I at least wanted some sort of recognition that a human/God liaison had taken place: Steve grimacing a bit when he sits down; or Diana on the blower to Themyscira saying “Yes, you were right Mum. 5 minutes in, and it just snapped clean off!”
I know my friend David Moody (of markanddave vblog fame, and a big DC/Marvel fan) was generally disappointed with the film. Conversely, Amy Andrews from the ever-excellent Oh That Film Blog loved it. I’m with Amy on this one, and greatly enjoyed it as a well-constructed action rollercoaster. The nearly two and a half hours sped by. By the way (and I took one for the team here) there is no “monkey” at the end of the film’s credit to hang on for.
Patty Jenkins (“Monster”) directs and knows the audience she is aiming to please. One can only imagine the empowering impact this film will have on young girls, crossing their wrists to ‘THAT’ music and, in their imagination, casting terrorists into the hell that they should be consigned to. In this week of yet more Isis atrocity in London, Wonder Woman is a role-model we could all stand and salute: “I believe in love” too.
With a heavy dose of mythology, Diana is growing up as the cossetted daughter of Hippolyta (Connie Nielsen, “Gladiator”), the Queen of the Amazons, on the hidden paradise island of Themyscira. Trained up as a warrior by Hippolyta’s sister, General Antiope (Robin Wright of “House of Cards”), Diana is clearly something special. Her ego is reinforced by the knowledge that she was made of clay with life breathed into her by the God Zeus. It’s enough to turn a girl’s head!
It’s 1917 and the man-free paradise is shaken up when an American spy by the name of Steve Trevor (Chris Pine, “Star Trek: Beyond“) crash-lands in the waters off Themyscira. (And yes… you didn’t mishear me… this film genuinely features a hero with both the names “Steve” and ‘Trevor”). Prince Eric – no, sorry, wrong film – is saved and awakened on the beach by Diana as the others arrive. “Thank God!”, say the Amazonians. “At last, someone to process the 200 year backlog of washing and ironing”!
But Steve (an “above average specimen”, LOL) is not long for paradise as he needs to return to the war with the results of his spy-work: a chemistry book stolen from the gorgeously deformed Dr Maru (Elena Anaya), gas-developer for the evil General Ludendorff (Danny Huston). Seeing Ludendorff to be her God-like nemesis Ares, Diana returns with Steve to the WW1 battlefields with the intent of killing the God of War and so ending the ‘war to end all wars’.
Much ‘fish out of water’ fun is had with Diana meeting civilised London society, although perhaps this section of the film doesn’t quite live up to its full potential: having ice cream for the first time, without any sign of surprise, all she can come up with is an amusing but rather lame “You must be very proud”.
But where the film really accelerates into awesomeness is when Diana reaches ‘The Front’. She emerges from the trenches like some shimmering vision of hotness, to set male and lesbian hearts a flutter. Its the most memorable trench-exit since the finale of “Black Adder 4”, and the subsequent scenes of Diana single-handedly facing the German guns is for me one of the most compelling and enjoyable scenes in any recent DC or Marvel movie.
Holding all this together is the ex-Israeli army-trainer Gal Gadot in the title role. And man oh man, what a Gal! Statuesque, athletic but also sweet, charming and emotionally fragile she completely owns this role from beginning to end. Gadot made a memorable entry in the otherwise poor “Batman v Superman: Dawn of Justice” (#marthagate #neverforget #neverforgive) but nothing prepares you for just how great she is in this outing. In fact, I’ll go as far as saying that this film, although having a UK 12 certificate, is a film of immense danger to heterosexual teenagers of any age (#humor):
All boys will be cast into a lifetime of misery, never able to find a woman that can possibly live up to the impossibly perfect vision of Diana Prince, tearing up the German army with fists and whip!;
All girls WILL BECOME LESBIANS AFTER WATCHING THIS FILM!
Parents: you have been warned! 🙂
Chris Pine – the thinking women’s Chris Pratt – once again proves himself as a talented actor who manages to successfully morph to inhabit the role he plays. Much as he did in the excellent “Hell or High Water“, not once did I equate him to be James Tiberius Kirk after the first 5 minutes.
Effective in supporting roles are David Thewlis (“Harry Potter”) as a ‘helpful’ army bod and an almost unrecognisable Lucy Davis (“The Office”) as Etta, Steve’s comedic secretary. Steve’s rather unlikely sidekicks of Sameer (Said Taghmaoui, “American Hustle“), Charlie (Ewen Bremner, “Trainspotting”) and ‘The Chief’ (Eugene Brave Rock “The Revenant“) all rather fade into the woodwork by comparison.
I saw the film in 3D (“careful now… you could take an eye out with those things”) and very good it was too. Aside from some rather unnecessary Amazonian arrows, its never feels overdone, and elements of it were extremely effective.
Another star of the show is the superb Wonder Woman theme by Hans Zimmer, here rolled out by the film’s composer Rupert Gregson-Williams (“Hacksaw Ridge“). Unfortunately, the rest of the soundtrack is not particularly memorable.
The film shifts into more traditional yawn-worthy ‘superhero finale’ mode in the last twenty minutes, which is a bit of a shame. It’s also really curious that for such a sexually charged film there is an almost complete absence of ‘lurrve’ on show. The one love scene coquettishly fades to a view of the outside window. Was this to protect the film’s family friendly rating (probably) or that the director didn’t want to show her heroine in a remotely submissive position (possibly)? More frustratingly, the morning after there is no mention of it at all! (“Move along, nothing to see here”). I at least wanted some sort of recognition that a human/God liaison had taken place: Steve grimacing a bit when he sits down; or Diana on the blower to Themyscira saying “Yes, you were right Mum. 5 minutes in, and it just snapped clean off!”
I know my friend David Moody (of markanddave vblog fame, and a big DC/Marvel fan) was generally disappointed with the film. Conversely, Amy Andrews from the ever-excellent Oh That Film Blog loved it. I’m with Amy on this one, and greatly enjoyed it as a well-constructed action rollercoaster. The nearly two and a half hours sped by. By the way (and I took one for the team here) there is no “monkey” at the end of the film’s credit to hang on for.
Patty Jenkins (“Monster”) directs and knows the audience she is aiming to please. One can only imagine the empowering impact this film will have on young girls, crossing their wrists to ‘THAT’ music and, in their imagination, casting terrorists into the hell that they should be consigned to. In this week of yet more Isis atrocity in London, Wonder Woman is a role-model we could all stand and salute: “I believe in love” too.