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BankofMarquis (1832 KP) rated Judas and the Black Messiah (2021) in Movies
Feb 23, 2021
Kaluuya in an Oscar worthy performance
Ever since Daniel Kaluuya burst onto the scene in 2017’s GET OUT, he has been an actor to watch - one who’s brilliance bursts off the screen in whatever project he is in.
This brilliance shines brightly in his latest effort JUDAS AND THE BLACK MESSIAH that teams him up with his GET OUT co-star LaKeith Stanfield in the true story of 1960’s Chicago Black Panther leader Fred Hampton (Kaluuya) and his friend/Security Chief, Bill O’Neal (Stanfield) who just happens to be an FBI informant.
Directed and Written by Shaka King, JUDAS AND THE BLACK MESSIAH tells an important, under-told story of the African-American struggle in the wild, changing times of America in the 1960’s.
Kaluuya’s performance as Hampton is up to the challenge of a story this big and bold - his Fred Hampton is charismatic and involving, drawing all into his world. He’s a bigger-than-life icon that demands attention whenever Kaluuya/Hampton is on the stage. I expect an Oscar nomination (at least) for this performance.
The problem with this film is that Kaluuya’s Hampton is such a strong and commanding presence that the rest of the story and characters pale in comparison to him.
Such is the case with Stanfield’s portrayal of O’Neal. I really like LaKeith Stanfield as a performer and was really looking forward to seeing him and Kaluuya go toe-to-toe, but his character is swallowed up in the largess of the Hampton character and, so, I never connected or sympathized with him. I don’t blame this on the actor, I blame this on the script and the direction of King, making the O’Neal character weak - especially when he is up against Hampton.
The character/actor that WAS able to hold their own with Kaluuya/Hampton is Dominique Fishback as Hampton’s lover (and mother of his child), Deborah Johnson. The scenes of Hampton and Johnson together were sharp and interesting - perhaps because Hampton was toned down, but also because Fishback’s portrayal of Johnson was strong enough to stand up to Kaluuya’s portrayal of Hampton.
In addition, Kaluuya’s performance is so strong in this film that it is noticeable when it is absent, so when his character is sent to prison (and disappears) for the middle 1/3 of this film, the movie drags considerably.
Finally, the film hits a plateau at about the 4/5 mark and doesn’t really build to a crescendo at the end - an ending that should be powerful, but just sorts of lies there.
All-in-all, JUDAS AND THE BLACK MESSIAH is worth seeing for the powerful performance by Daniel Kaluuya that more than makes up for the shortcomings of the rest of the film.
Letter Grade: B
7 stars (out of 10) - and you can take that to the Bank(ofMarquis)
This brilliance shines brightly in his latest effort JUDAS AND THE BLACK MESSIAH that teams him up with his GET OUT co-star LaKeith Stanfield in the true story of 1960’s Chicago Black Panther leader Fred Hampton (Kaluuya) and his friend/Security Chief, Bill O’Neal (Stanfield) who just happens to be an FBI informant.
Directed and Written by Shaka King, JUDAS AND THE BLACK MESSIAH tells an important, under-told story of the African-American struggle in the wild, changing times of America in the 1960’s.
Kaluuya’s performance as Hampton is up to the challenge of a story this big and bold - his Fred Hampton is charismatic and involving, drawing all into his world. He’s a bigger-than-life icon that demands attention whenever Kaluuya/Hampton is on the stage. I expect an Oscar nomination (at least) for this performance.
The problem with this film is that Kaluuya’s Hampton is such a strong and commanding presence that the rest of the story and characters pale in comparison to him.
Such is the case with Stanfield’s portrayal of O’Neal. I really like LaKeith Stanfield as a performer and was really looking forward to seeing him and Kaluuya go toe-to-toe, but his character is swallowed up in the largess of the Hampton character and, so, I never connected or sympathized with him. I don’t blame this on the actor, I blame this on the script and the direction of King, making the O’Neal character weak - especially when he is up against Hampton.
The character/actor that WAS able to hold their own with Kaluuya/Hampton is Dominique Fishback as Hampton’s lover (and mother of his child), Deborah Johnson. The scenes of Hampton and Johnson together were sharp and interesting - perhaps because Hampton was toned down, but also because Fishback’s portrayal of Johnson was strong enough to stand up to Kaluuya’s portrayal of Hampton.
In addition, Kaluuya’s performance is so strong in this film that it is noticeable when it is absent, so when his character is sent to prison (and disappears) for the middle 1/3 of this film, the movie drags considerably.
Finally, the film hits a plateau at about the 4/5 mark and doesn’t really build to a crescendo at the end - an ending that should be powerful, but just sorts of lies there.
All-in-all, JUDAS AND THE BLACK MESSIAH is worth seeing for the powerful performance by Daniel Kaluuya that more than makes up for the shortcomings of the rest of the film.
Letter Grade: B
7 stars (out of 10) - and you can take that to the Bank(ofMarquis)
Erika (17789 KP) rated X-Men: Dark Phoenix (2019) in Movies
Jun 8, 2019 (Updated Jun 8, 2019)
Better than Last Stand
Last Stand didn't exactly set a high bar for the Dark Phoenix story line, and luckily, this film surpassed it. To be honest, the only reason they got my butt in a seat was for Michael Fassbender and James McAvoy.
The story goes the way you expect it to go. I'm not completely convinced Sophie Turner is a good actress. I'm also glad that they killed Raven (not a spoiler, it's common knowledge), though it wasn't quick enough in my opinion.
I'm unsure as to why Jessica Chastain was cast (or why she's ever cast in ANYTHING); her 'villain' was completely useless. The movie didn't even need that subplot, they would have had a better movie without it and her. Pro-tip: don't introduce new characters in the last film of a saga because no one will care enough about them. Seriously, I felt like my time was wasted having to watch her.
I will say, this film FINALLY gave us good scenes with the X-Men kicking some ass, all using their unique powers. They really gave Nicholas Hoult something to do, and he was great!
Finally, the reason I was there, McFassy. This was one of McAvoy's best Professor X performances, he wasn't black or white, he was more gray and it really worked. They didn't give Magneto much to do, but I loved that they introduced Genosha. This will be below the 'see more' line, so, the best flexing his power scene was when he lifted the subway through the concrete, it was almost on par with the submarine being lifted out of the sea in First Class, and pulling up the Auschwitz gate in Apocalypse.
The last scene shows the entire new saga go first circle. Of course, it's very Dark Knight Rises, but it was perfect. I'm only rating it a 6 because of that.
The story goes the way you expect it to go. I'm not completely convinced Sophie Turner is a good actress. I'm also glad that they killed Raven (not a spoiler, it's common knowledge), though it wasn't quick enough in my opinion.
I'm unsure as to why Jessica Chastain was cast (or why she's ever cast in ANYTHING); her 'villain' was completely useless. The movie didn't even need that subplot, they would have had a better movie without it and her. Pro-tip: don't introduce new characters in the last film of a saga because no one will care enough about them. Seriously, I felt like my time was wasted having to watch her.
I will say, this film FINALLY gave us good scenes with the X-Men kicking some ass, all using their unique powers. They really gave Nicholas Hoult something to do, and he was great!
Finally, the reason I was there, McFassy. This was one of McAvoy's best Professor X performances, he wasn't black or white, he was more gray and it really worked. They didn't give Magneto much to do, but I loved that they introduced Genosha. This will be below the 'see more' line, so, the best flexing his power scene was when he lifted the subway through the concrete, it was almost on par with the submarine being lifted out of the sea in First Class, and pulling up the Auschwitz gate in Apocalypse.
The last scene shows the entire new saga go first circle. Of course, it's very Dark Knight Rises, but it was perfect. I'm only rating it a 6 because of that.
Johnny Marr recommended Velvet Underground by The Velvet Underground in Music (curated)
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Braving the Wilderness: The Quest for True Belonging and the Courage to Stand Alone
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Phillip McSween (751 KP) rated Sixteen Candles (1984) in Movies
May 3, 2018
Fun 80's Comedy
Samantha's (Molly Ringwald) family is busy, so busy in fact that they forgot her sixteenth birthday. Samantha has to cope with this while dealing with various misadventures surrounding her life. It's an innocent 80's comedy that takes you on a fun ride from beginning to end.
Acting: 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 8
There are a number of memorable shots that stick out, including the opening scene where you're first introduced to Samantha's family in her Chicago home. Everything is pure chaos causing for a hilarious beginning. A number of other scenes stick out from Samantha's grandma feeling her up to Samantha's convo with The Geek (Anthony Michael Hall) inside the hollowed-out car in the school's garage. A lot of different set pieces kept the film interesting.
Conflict: 6
One of the weaker portions of the film for me. So people forgot her birthday, boo hoo. Don't get me wrong, Samantha is a very likable character and there was a large part of me that felt sorry for her. I'm just not sure her situation warranted an entire film. Perhaps a different angle would have created more conflict for me.
Genre: 8
Very solid 80's comedy. You can't name films within the decade that stand out without mentioning this one. Coming of age films? This ranks right up there although not quite as strong as some of the ones I've seen in recent years, masterpieces like Boyhood and Lady Bird.
Memorability: 10
Pace: 10
Plot: 7
The story itself is fine. It's believable even as comedies go. Again, the lack of conflict made things a little bland for me. I will say that the number of memorable moments helped pick up the slack from what the film lacked in conflict.
Resolution: 3
Overall: 82
Another 80's classic I can check off the list. A fun film that still stands the test of time.
Acting: 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 8
There are a number of memorable shots that stick out, including the opening scene where you're first introduced to Samantha's family in her Chicago home. Everything is pure chaos causing for a hilarious beginning. A number of other scenes stick out from Samantha's grandma feeling her up to Samantha's convo with The Geek (Anthony Michael Hall) inside the hollowed-out car in the school's garage. A lot of different set pieces kept the film interesting.
Conflict: 6
One of the weaker portions of the film for me. So people forgot her birthday, boo hoo. Don't get me wrong, Samantha is a very likable character and there was a large part of me that felt sorry for her. I'm just not sure her situation warranted an entire film. Perhaps a different angle would have created more conflict for me.
Genre: 8
Very solid 80's comedy. You can't name films within the decade that stand out without mentioning this one. Coming of age films? This ranks right up there although not quite as strong as some of the ones I've seen in recent years, masterpieces like Boyhood and Lady Bird.
Memorability: 10
Pace: 10
Plot: 7
The story itself is fine. It's believable even as comedies go. Again, the lack of conflict made things a little bland for me. I will say that the number of memorable moments helped pick up the slack from what the film lacked in conflict.
Resolution: 3
Overall: 82
Another 80's classic I can check off the list. A fun film that still stands the test of time.
BookwormMama14 (18 KP) rated Long Time Gone (The Cimarron Legacy, #2) in Books
Jan 2, 2019
Fast paced and filled with all the adventure, suspense, comedy, and romance that I have come to expect from Mary Connealy.
The Boden clan is a family that I am sad to say, I only JUST met in Long Time Gone. Even though I was able to pick up the gist of the story pretty quickly, I would suggest that you begin with book 1, No Way Up before diving into this one.
Angie and Justin are two peas in a pod. They really were made for each other and I just loved watching them bicker, tease, and fall in love. And they are both stubborn as mules. Justin, inexperienced when it comes to females, is adorable as he tries to sort out his feelings for Angie. Wanting to protect her, but trying not to come across as a dictator. Angie, still healing from the wounds of the past, is learning how to be her own woman, standing up for herself, defending herself. But we weren't made to do everything alone. That is why God sends us a partner to stand beside us, to fight with us. And above all we must never forget to lean on God for protection and strength. To trust that He is leading us down the right road. That no matter where life leads us, He will be by our side.
Mary's books have the great ability to make you laugh out loud, hold your breath in anticipation, shake your head in frustration, and curl your toes with the sweet romance.
Set in New Mexico Territory in 1880, we get to meet both outlaws and cowboys. Full of adventure and some hair raising escapades, Long Time Gone is sure to capture your attention, and the characters, your heart.
I received a complimentary copy of Long Time Gone from the publishers. I was not required to write a positive review. All opinions expressed are mine alone.
The Boden clan is a family that I am sad to say, I only JUST met in Long Time Gone. Even though I was able to pick up the gist of the story pretty quickly, I would suggest that you begin with book 1, No Way Up before diving into this one.
Angie and Justin are two peas in a pod. They really were made for each other and I just loved watching them bicker, tease, and fall in love. And they are both stubborn as mules. Justin, inexperienced when it comes to females, is adorable as he tries to sort out his feelings for Angie. Wanting to protect her, but trying not to come across as a dictator. Angie, still healing from the wounds of the past, is learning how to be her own woman, standing up for herself, defending herself. But we weren't made to do everything alone. That is why God sends us a partner to stand beside us, to fight with us. And above all we must never forget to lean on God for protection and strength. To trust that He is leading us down the right road. That no matter where life leads us, He will be by our side.
Mary's books have the great ability to make you laugh out loud, hold your breath in anticipation, shake your head in frustration, and curl your toes with the sweet romance.
Set in New Mexico Territory in 1880, we get to meet both outlaws and cowboys. Full of adventure and some hair raising escapades, Long Time Gone is sure to capture your attention, and the characters, your heart.
I received a complimentary copy of Long Time Gone from the publishers. I was not required to write a positive review. All opinions expressed are mine alone.
Hazel (1853 KP) rated Havana Sleeping in Books
Dec 17, 2018
<i>I received this book for free through Goodreads First Reads.</i>
<i>Havana Sleeping</i> is a historical mystery novel by British author Martin Davies, which is based on real events that occurred in Cuba during the 1850s. Although the Slave Trade had been abolished in England, there were still people in America and Cuba who would be happy for slavery to remain legal. George Backhouse was posted to Havana, Cuba as a British Judge to take a stand against the illegal slave trading.
Backhouse ends up getting involved in a lot of complicated situations that could potentially spark a devastating war. His path also becomes tied up with the other main character, Leandra Leigh. Whilst most of the characters are real historical figures, Leandra appears to be fictional. A dear friend of hers, a watchman, was murdered during a supposed robbery and although the matter has been closed for a couple of years Leandra is determined to find out the truth – something of limited value in Havana. To begin with Backhouse and Leandra’s investigations seem unrelated, but a connection begins to build up as the story goes on.
In all honesty, the novel was very difficult to get into. There is nothing wrong with the actual writing as such, it is in fact written well and grammatically correct, however there was a lack of excitement in the narrative. It was also difficult to keep track of the characters – admittedly that may have been the point in the case of a couple of people, but as a result it was impossible to connect story. There were a few attempts of showing emotion, mostly surrounding Leandra’s character, yet this failed to arouse much interest.
From a historical point of view, those interested in Cuban and British history of this time period may be interested in reading <i>Havana Sleeping</i> and the author also includes some factual notes at the end of the book, but anyone hoping to get a story of some kind is bound to be disappointed.
<i>Havana Sleeping</i> is a historical mystery novel by British author Martin Davies, which is based on real events that occurred in Cuba during the 1850s. Although the Slave Trade had been abolished in England, there were still people in America and Cuba who would be happy for slavery to remain legal. George Backhouse was posted to Havana, Cuba as a British Judge to take a stand against the illegal slave trading.
Backhouse ends up getting involved in a lot of complicated situations that could potentially spark a devastating war. His path also becomes tied up with the other main character, Leandra Leigh. Whilst most of the characters are real historical figures, Leandra appears to be fictional. A dear friend of hers, a watchman, was murdered during a supposed robbery and although the matter has been closed for a couple of years Leandra is determined to find out the truth – something of limited value in Havana. To begin with Backhouse and Leandra’s investigations seem unrelated, but a connection begins to build up as the story goes on.
In all honesty, the novel was very difficult to get into. There is nothing wrong with the actual writing as such, it is in fact written well and grammatically correct, however there was a lack of excitement in the narrative. It was also difficult to keep track of the characters – admittedly that may have been the point in the case of a couple of people, but as a result it was impossible to connect story. There were a few attempts of showing emotion, mostly surrounding Leandra’s character, yet this failed to arouse much interest.
From a historical point of view, those interested in Cuban and British history of this time period may be interested in reading <i>Havana Sleeping</i> and the author also includes some factual notes at the end of the book, but anyone hoping to get a story of some kind is bound to be disappointed.
Girls on Fire: A Girl's Guide to the Braai
Camilla Comins and Russel Wasserfall
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If you are heartily sick of going to braais where the guys stand around the fire drinking and...