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Colin Newman recommended The Amateur View by To Rococo Rot in Music (curated)
TravelersWife4Life (31 KP) rated Lethal Intent in Books
Feb 24, 2021
8 Awesome Lethally Good things about Cara Putman's new book!
• Cara Putman opens your eyes to just how far some people will go to find a cure
• From the first page, Cara Putman focuses on the details, explaining things (like medical terminology) through Caroline and her new job at a medical research company
• The legal and medical terminology added a great layer to this story and really made the whole thing totally realistic in its intensity
• Cara Putman wrote this story as if You were there with Caroline learning all this information for the first time and figuring out exactly what was going on, which I believe made it that much more compelling and it hooked me from the first page
• The characters are spot on, both Caroline and Brandon play off each other and show the intricacies of a couple learning how the other thinks and processes information
• I LOVED how Caroline was strong in her convictions or wrong and right; and how she was willing to stand up for what she believed in, no matter the personal costs
• Brandon... What a soft teddy bear with the heart of a lion for the kids in his care. I truly loved his patient nature and how he was so concerned with the kid’s welfare. Cara Putman did a great job drawing out his character and giving little mysterious hints about his background throughout the whole story
• The combination of suspense, mystery, thrill, and the medical end to this story was such a good combination that kept me up way past bedtime
Cara Putman weaved a wonderfully dramatic story set amid an up and coming cure being found! It was fun to learn from the characters the processes involved as well as learning what can hypothetically be done to medically treat people. I really enjoyed this experience with Cara Putman, and I am already looking forward to my next book from her. 4 out of 5 stars.
• Cara Putman opens your eyes to just how far some people will go to find a cure
• From the first page, Cara Putman focuses on the details, explaining things (like medical terminology) through Caroline and her new job at a medical research company
• The legal and medical terminology added a great layer to this story and really made the whole thing totally realistic in its intensity
• Cara Putman wrote this story as if You were there with Caroline learning all this information for the first time and figuring out exactly what was going on, which I believe made it that much more compelling and it hooked me from the first page
• The characters are spot on, both Caroline and Brandon play off each other and show the intricacies of a couple learning how the other thinks and processes information
• I LOVED how Caroline was strong in her convictions or wrong and right; and how she was willing to stand up for what she believed in, no matter the personal costs
• Brandon... What a soft teddy bear with the heart of a lion for the kids in his care. I truly loved his patient nature and how he was so concerned with the kid’s welfare. Cara Putman did a great job drawing out his character and giving little mysterious hints about his background throughout the whole story
• The combination of suspense, mystery, thrill, and the medical end to this story was such a good combination that kept me up way past bedtime
Cara Putman weaved a wonderfully dramatic story set amid an up and coming cure being found! It was fun to learn from the characters the processes involved as well as learning what can hypothetically be done to medically treat people. I really enjoyed this experience with Cara Putman, and I am already looking forward to my next book from her. 4 out of 5 stars.
LeftSideCut (3776 KP) rated Once Upon a Time in Hollywood (2019) in Movies
Aug 28, 2019 (Updated Oct 25, 2019)
Another fantastic entry into Tarantino's legacy
If there's one thing that springs to mind after watching Once Upon a Time in Hollywood, is that's it's not particularly user friendly, it's not easily consumed.
It's a loooong film (perhaps a little too long), and I feel that even some proper Tarantino fans may struggle to get along with it.
The film feels like a full on love letter to Hollywood during the late 60s, and Tarantino's passion for this period is obvious.
The audience are spoiled with gorgeous shots throughout, set to a backdrop of great music (as per usual).
The cast are fantastic - I've mentioned before on here that I'm an unashamed Brad Pitt fanboy, and nothing here changes that. Leonardo DiCaprio is also great (just as he was in Django Unchained) as the two of them stick by each other as Rick Dalton's (DiCaprio) acting career starts to waver.
Living just up the road from Rick are Roman Polanski and Sharon Tate (played by a hugely charming Margot Robbie).
As the film progresses, I found myself wondering what story was trying to be told, but it does all tie up in a very Tarantino way. It's pretty glorious (no spoilers here).
The plot certainly benefits from the viewer having prior knowledge to the horrific Manson family/Tate murder.
The final 20 minutes is where things ramp up, after a very slow burning 2 hours... and after Tarantino's last 3 movies, which I found more action heavy than some of his early work, it's a different approach, and a reason why I think some people may struggle with it.
The pacing is, weirdly, most akin to Death Proof - an extremely dialogue heavy movie with a crazy final act.
But the huge amount of dialogue we're subjected to is pretty much perfect. It's a real treat if you have the patience.
Once Upon a Time... can proudly stand shoulder to shoulder with the rest of Tarantino's portfolio.
It's a loooong film (perhaps a little too long), and I feel that even some proper Tarantino fans may struggle to get along with it.
The film feels like a full on love letter to Hollywood during the late 60s, and Tarantino's passion for this period is obvious.
The audience are spoiled with gorgeous shots throughout, set to a backdrop of great music (as per usual).
The cast are fantastic - I've mentioned before on here that I'm an unashamed Brad Pitt fanboy, and nothing here changes that. Leonardo DiCaprio is also great (just as he was in Django Unchained) as the two of them stick by each other as Rick Dalton's (DiCaprio) acting career starts to waver.
Living just up the road from Rick are Roman Polanski and Sharon Tate (played by a hugely charming Margot Robbie).
As the film progresses, I found myself wondering what story was trying to be told, but it does all tie up in a very Tarantino way. It's pretty glorious (no spoilers here).
The plot certainly benefits from the viewer having prior knowledge to the horrific Manson family/Tate murder.
The final 20 minutes is where things ramp up, after a very slow burning 2 hours... and after Tarantino's last 3 movies, which I found more action heavy than some of his early work, it's a different approach, and a reason why I think some people may struggle with it.
The pacing is, weirdly, most akin to Death Proof - an extremely dialogue heavy movie with a crazy final act.
But the huge amount of dialogue we're subjected to is pretty much perfect. It's a real treat if you have the patience.
Once Upon a Time... can proudly stand shoulder to shoulder with the rest of Tarantino's portfolio.
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Debbiereadsbook (1533 KP) rated Kicks (Pleasure Seekers, #2) in Books
May 19, 2024
a perfect follow up to book one!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 2 in the Pleasure Seekers series, but it can be read as a stand alone book. I loved book one, Thrill, and would strongly recommend it but it's not necessary, you know?
I loved Eddie and Scott in book one, and I was looking forward to getting to know them better, because I was fairly certain they are putting on a face for the world. But I discovered, not so much for Eddie. He's very laid back, until he lays eyes on Billy, then all bets are off!
I thoroughly enjoyed this book, but I didn't love it, and I don't know why and my book brain hates that I cannot voice why!
I liked Eddie and Billy, separately and apart. We got a lot of Billy's family here, raising his teenage sister and reconnecting with his older brother but we don't get much about Eddie's. I kinda missed that.
There is powerful and immediate attraction for these two and it burns hot and bright through the whole book. That is, until Billy finds out what Eddie did and then, all bets are off again!
Tyler is still living with Eddie and Scott and as such, Tyler and Danny, along with Scott play a large part here. I liked that we got to catch up with them.
Not an especially emotional read, but sometimes, that's just what you need.
Scott is next. Now Scott, I know, is putting on a face, and the poor man has a case of envy, given that his two flatmates are now loved up and I look forward to getting his story!
As I said, I liked this book, just couldn't quite love it though, like book one, (sorry!)
4 very VERY good stars
*same worded review will appear elsewhere
This is book 2 in the Pleasure Seekers series, but it can be read as a stand alone book. I loved book one, Thrill, and would strongly recommend it but it's not necessary, you know?
I loved Eddie and Scott in book one, and I was looking forward to getting to know them better, because I was fairly certain they are putting on a face for the world. But I discovered, not so much for Eddie. He's very laid back, until he lays eyes on Billy, then all bets are off!
I thoroughly enjoyed this book, but I didn't love it, and I don't know why and my book brain hates that I cannot voice why!
I liked Eddie and Billy, separately and apart. We got a lot of Billy's family here, raising his teenage sister and reconnecting with his older brother but we don't get much about Eddie's. I kinda missed that.
There is powerful and immediate attraction for these two and it burns hot and bright through the whole book. That is, until Billy finds out what Eddie did and then, all bets are off again!
Tyler is still living with Eddie and Scott and as such, Tyler and Danny, along with Scott play a large part here. I liked that we got to catch up with them.
Not an especially emotional read, but sometimes, that's just what you need.
Scott is next. Now Scott, I know, is putting on a face, and the poor man has a case of envy, given that his two flatmates are now loved up and I look forward to getting his story!
As I said, I liked this book, just couldn't quite love it though, like book one, (sorry!)
4 very VERY good stars
*same worded review will appear elsewhere
graveyardgremlin (7194 KP) rated Vesper (Deviants, #1) in Books
Feb 15, 2019
The start of VESPERS immediately caught my attention with the transcript of an interview with Emily Webb, the protagonist, and an agent of the mysterious Vesper Company. This led to the first chapter where no time is wasted getting straight to the story. Emily is every introverted, insecure, don't-make-a-scene-or-stand-out girl out there, which made her very relatable to me; as a teen, I was just like her. Her transformations into Nighttime Emily, as she called herself, were well-done but I felt the author could have stretched a little further than the "wild child" persona he gave Emily during those times. I got a bit bored when she was in that stage and liked when she went back to Daytime Emily, her normal self, much better. At first, I was a little disappointed in where the story actually went, mainly what Emily ended up being (and that's all I'm saying, no spoilers here), but I accepted and enjoyed it anyway. The middle of the book lagged and I was afraid it would end up an average read, with too much wild behavior and not as much development as I would have liked. However, toward the end the story picked up and kept me riveted; it's always a good thing for an author to end his or her book on a high note. This isn't a YA book with romance as its central focus, but it does have its place in the story and doesn't overwhelm the main plot. The book as a whole could have been deeper than it was, but it's still a good start to the Deviants series and opened up numerous possibilities, with many unanswered questions for future endeavors. The use of six or so transcripts interspersed throughout the book was a nice element and I quite enjoyed them; the entire book could have easily been written this way. This would probably appeal more to teenagers but some adults would enjoy it as well. I did. THE VESPERS is a breeze to read, briskly-paced, and has a few snicker-worthy moments; maybe it's not perfect, but it's far from bad and I had a good time reading it.
3.5 stars
Note: There is some graphic violence, only one scene really, but it's there.
3.5 stars
Note: There is some graphic violence, only one scene really, but it's there.
Lee (2222 KP) rated The Festival (2018) in Movies
Aug 29, 2018
Fairly enjoyable comedy
The Festival is directed by Iain Morris, who co-created and wrote The Inbetweeners show and subsequent movies. It feels just like another Inbetweeners movie too, especially as star Joe Thomas plays what appears to be an exact copy of his Inbetweeners character Simon, pining for his girlfriend and obsessing over her throughout the movie. The result is a fairly likeable and enjoyable comedy, still a lot better than most movie comedies these days, and with some laugh out loud moments. But, you can't help comparing it to The Inbetweeners and, unfortunately, it's just nowhere near as good as that.
In The Festival, Joe Thomas plays Nick, preparing to graduate and soon to head off to a festival with best friend Shane and girlfriend Caitlin. After a cringe-worthy ejaculation gag involving his mother, getting dumped by Caitlin and having a breakdown on stage at his graduation ceremony, Nick becomes depressed and it's up to Shane to try and drag him along to the festival and moveon with life. On the train to the festival they meet up with Amy, who's also on her way to the festival, and when they do finally get there they end up camping right next to ex-girlfriend Caitlin and her friends.
Your level of enjoyment throughout The Festival is going to vary depending on how you feel about festivals as a whole. If you're like Nick for much of the movie, then you're going to share his discomfort with the mud, the toilets and the cramped camping arrangements, laughing at him and his frustrations with it all ("I just want to go home and have a nice shower and a poo!"). If you're a festival goer yourself then you'll revel in the whole experience lived out on screen, as the movie was actually filmed during a real festival. Along the way there's drink, drugs, druids(!) and nudity for Nick to endure as he hopes to get back with Caitlin, and then later on a blue smurf girl who he hooks up with for a one night stand.
The supporting cast are all fairly funny, particularly Hammed Animashaun and Claudia O'Doherty as friends Shane and Amy. But, it's the brilliant Jemaine Clement as Shanes stepdad who manages to steal every single scene he's in and is just hilarious. Sadly though he's not in it as much as he should be.
In The Festival, Joe Thomas plays Nick, preparing to graduate and soon to head off to a festival with best friend Shane and girlfriend Caitlin. After a cringe-worthy ejaculation gag involving his mother, getting dumped by Caitlin and having a breakdown on stage at his graduation ceremony, Nick becomes depressed and it's up to Shane to try and drag him along to the festival and moveon with life. On the train to the festival they meet up with Amy, who's also on her way to the festival, and when they do finally get there they end up camping right next to ex-girlfriend Caitlin and her friends.
Your level of enjoyment throughout The Festival is going to vary depending on how you feel about festivals as a whole. If you're like Nick for much of the movie, then you're going to share his discomfort with the mud, the toilets and the cramped camping arrangements, laughing at him and his frustrations with it all ("I just want to go home and have a nice shower and a poo!"). If you're a festival goer yourself then you'll revel in the whole experience lived out on screen, as the movie was actually filmed during a real festival. Along the way there's drink, drugs, druids(!) and nudity for Nick to endure as he hopes to get back with Caitlin, and then later on a blue smurf girl who he hooks up with for a one night stand.
The supporting cast are all fairly funny, particularly Hammed Animashaun and Claudia O'Doherty as friends Shane and Amy. But, it's the brilliant Jemaine Clement as Shanes stepdad who manages to steal every single scene he's in and is just hilarious. Sadly though he's not in it as much as he should be.
Mediocre sequel
I received a free copy from Netgalley in exchange for an honest review.
Shorefall picks up around three years after the events of Foundryside, when a small crew stand up against the mighty, powerful families of the city, stop their evil plotting and strike out on their own. They have set up their own, independent scriving house, making magical machinery, and helping others to do the same. A bit like BrewDog, but without the financially dubious shareholder arrangements.
In this world, magic comes in the form of scriving - bending reality to make objects behave in a certain way (persuading a door it cannot open without a specific person being present, convincing an arrow it is falling, so must accelerate accordingly, albeit in a straight line, etc). Most of the book's plot and action centre around this, and it becomes quite draining, and a stretch at times. I forgave the first book quite a lot in this regard, because it was world-building, but this much world-building in a second book seems wrong. And the mechanics of it are so much like coding that that is all you can think of. At times it is like watching an episode of 24, but instead of following Jack Bauer's thrilling escapades, you are watching Chloe coding a macro to speed up her timesheets while being vaguely aware that something exciting is happening.
The book starts very strongly, we are in the company of Sancia and Orso as they appear to be down on their luck and having to sell their work to make ends meet. Cue: exciting espionage scenes as Sancia sneaks off to steal.
Sadly, this opening chapter in which we had no idea what was happening was the best one. So many times throughout the book the crew were on some mission or other for some reason, but I couldn't for the life of me remember what or why, and nor did I particularly care. The plot just seemed to be in a backseat with the world-building driving with no sat-nav. And so was character development, as all the main characters just completely plateaud and didn't change in the slightest.
In short, I found the book very dull and drawn out and the second half was a real chore.
Shorefall picks up around three years after the events of Foundryside, when a small crew stand up against the mighty, powerful families of the city, stop their evil plotting and strike out on their own. They have set up their own, independent scriving house, making magical machinery, and helping others to do the same. A bit like BrewDog, but without the financially dubious shareholder arrangements.
In this world, magic comes in the form of scriving - bending reality to make objects behave in a certain way (persuading a door it cannot open without a specific person being present, convincing an arrow it is falling, so must accelerate accordingly, albeit in a straight line, etc). Most of the book's plot and action centre around this, and it becomes quite draining, and a stretch at times. I forgave the first book quite a lot in this regard, because it was world-building, but this much world-building in a second book seems wrong. And the mechanics of it are so much like coding that that is all you can think of. At times it is like watching an episode of 24, but instead of following Jack Bauer's thrilling escapades, you are watching Chloe coding a macro to speed up her timesheets while being vaguely aware that something exciting is happening.
The book starts very strongly, we are in the company of Sancia and Orso as they appear to be down on their luck and having to sell their work to make ends meet. Cue: exciting espionage scenes as Sancia sneaks off to steal.
Sadly, this opening chapter in which we had no idea what was happening was the best one. So many times throughout the book the crew were on some mission or other for some reason, but I couldn't for the life of me remember what or why, and nor did I particularly care. The plot just seemed to be in a backseat with the world-building driving with no sat-nav. And so was character development, as all the main characters just completely plateaud and didn't change in the slightest.
In short, I found the book very dull and drawn out and the second half was a real chore.
Dr. Panda Town
Education
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Let your imagination run wild and discover Dr. Panda Town! Step outside the house and go to the...