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Louise (64 KP) rated The Actual One: How I Tried, and Failed, to Remain Twenty-Something for Ever in Books
Jul 2, 2018
So Isy Suttie is the Comedian who plays Dobby in the peep show alongside David Mitchell and Robert Webb, Which is a pretty popular show. Before appearing as Dobby, Isy has been a live stand up, comedy musician and writer.
This book is Isy in her thirties trying to live like a twenty something year old and not grow up and become responsible, whilst her friends around her are settling down into relationships and starting a family. She goes through a list of her partners and why they wasn't the 'actual one'. There is also a lot of Isy reminiscing about the old days, when she started up as a stand up and how difficult it can be.
The book was very easy to read, humorous as expected and a lot of rambling. There were on slight occasions when I did get a bit bored and put this book down and then came back to it. This woman though get's herself into some really crazy situations and I would think that some of it may not be believable until I met someone exactly like this and understand that some people are clumsy and bad shit just happens to them all the time.
The funniest moment for me was when she went skiing with friends and practically rolled down (Laughing as remembering) and when she went down the slopes on a table....drunk obviously. Who on earth would use parcel tape to hold their breasts up in a dress? Crazy but very funny lady.
I found this book to be very nostalgic, as Isy was reminiscing her younger days with, Mix-tapes, New Kids on the Block, Take That, Crystal Maze and more
I recommend to anyone that is a fan of Isy Suttie, comedy or even just Dobby.
Overall I rated this 3.5 stars out of 5.
This book is Isy in her thirties trying to live like a twenty something year old and not grow up and become responsible, whilst her friends around her are settling down into relationships and starting a family. She goes through a list of her partners and why they wasn't the 'actual one'. There is also a lot of Isy reminiscing about the old days, when she started up as a stand up and how difficult it can be.
The book was very easy to read, humorous as expected and a lot of rambling. There were on slight occasions when I did get a bit bored and put this book down and then came back to it. This woman though get's herself into some really crazy situations and I would think that some of it may not be believable until I met someone exactly like this and understand that some people are clumsy and bad shit just happens to them all the time.
The funniest moment for me was when she went skiing with friends and practically rolled down (Laughing as remembering) and when she went down the slopes on a table....drunk obviously. Who on earth would use parcel tape to hold their breasts up in a dress? Crazy but very funny lady.
I found this book to be very nostalgic, as Isy was reminiscing her younger days with, Mix-tapes, New Kids on the Block, Take That, Crystal Maze and more
I recommend to anyone that is a fan of Isy Suttie, comedy or even just Dobby.
Overall I rated this 3.5 stars out of 5.
Some unique (Netflix Originals) programming, some classic TV shows and movies too. (2 more)
'My List' allows you to save shows and films to watch at a later stage.
Netflix are open to people sharing their accounts with others (within reason)
User interface is poor and sometimes you spend more time trying to find something to watch than you do actually watching something. (2 more)
A lot of the stand-up comedy is aimed at the USA audience which needs to be addressed as quite frankly the majority of them are just not funny!
Not on the same level as Sky when it comes to blockbuster movies.
Netflix Overview
LoganCrews (2861 KP) rated Eddie Murphy Raw (1987) in Movies
Jul 4, 2021
This >> ππ₯π₯πͺπ¦ ππΆπ³π±π©πΊ: ππ¦ππͺπ³πͺπ°πΆπ΄, the blue leather suit >> the red leather suit - however - the drunk father bit from ππ¦ππͺπ³πͺπ°πΆπ΄ >> the drunk father bit from this (even if the toy factory stuff is still hilarious). One of the most optimized stand-up routines in all of comedy, tapers off a bit in the last half hour but otherwise most of this flows together perfectly - not a word wasted, not a word too heavy, not a word missing. A breathless, hysterical tirade of brute toxicity which many performers today try and fail to emulate with their "can't say ANYTHING these days amirite??" out-of-touch middle-aged man energy. A simple facet of comedy this exemplifies which the aforementioned curdled attempts at Reddit-tier provocation fail to realize is that you have to try to be funny first, *then* go for the offensive stuff. The crowdwork here is just insane, Murphy as a stage performer was unmatched in the 80s: the energy, the creativity, the gravitas, the sheer talent. Not only are his vocal impersonations on point as always, but so too are his physical ones - a simple change in glance and facial expression and you feel like you're *actually* watching that person until the real Eddie 'returns'. It's nuts. Then it's also got such infectious 80s flair and is one of the few stand-up movies where the skit stuff at the beginning is actually worthwhile (looking at you, ππ¦π·πͺπ― ππ’π³π΅: ππ©π’π΅ ππ°πΈ?). Singular,
HLD (99 KP) rated 8 Out of 10 Cats Does Countdown in TV
Aug 30, 2018
Jimmy Carr is funny but not as overly offensive as his stand up (3 more)
Most of the time the panelists can make you laugh without resorting to offensive mundane jokes
The Countdown aspect is a lot of fun to watch
Jon Richardson just rolls with the punches
Bloody Hilarious
I don't really know what to compare the show to.
It's a comedy show that takes on the aspects of the much beloved, but quite boring show 'Countdown'.
Everything about it works, in my opinion. It's light-hearted, there are various guests - many make multiple appearances, and the laughs are constant!
Humour is subjective, yes. But, I urge anyone to give it a go, you might just love it.
It's a comedy show that takes on the aspects of the much beloved, but quite boring show 'Countdown'.
Everything about it works, in my opinion. It's light-hearted, there are various guests - many make multiple appearances, and the laughs are constant!
Humour is subjective, yes. But, I urge anyone to give it a go, you might just love it.
James Koppert (2698 KP) rated Funny Cow (2017) in Movies
Nov 6, 2019
Another bleak British belter
British cinema tends to be a)about working class people and b) be very miserable. I had a group of American friends staying over and shared with then a selection of British films. They all admitted to feeling suicidal at the end of it.
Some people will watch Funny Cow and expect a rip roaring comedy about a female stand up comedian. That it is not. This is the story of a working class rebel fighting domestic violence and oppression by seeing the funny side. It is brave and probably be very misunderstood by most. For me it was a poignant reminder of the fight some people have to be heard. A brave and strong film.
Some people will watch Funny Cow and expect a rip roaring comedy about a female stand up comedian. That it is not. This is the story of a working class rebel fighting domestic violence and oppression by seeing the funny side. It is brave and probably be very misunderstood by most. For me it was a poignant reminder of the fight some people have to be heard. A brave and strong film.
Kirk Bage (1775 KP) rated James Acaster: Repertoire in TV
Aug 6, 2020 (Updated Aug 6, 2020)
I have been a fan of stand up comedy, erm, all my lifeβ¦ well, at least since Billy Connely kinda invented it, in a way that wasnβt all about hating the mother in law and homophobia. When I moved to Edinburgh in 1999, I found myself at the epicentre of new comedy, every August at the unparalleled event that is the Fringe Festival.
Over the years I have seen most of the living greats at the art live, be it a full show or a smaller set at the legendary bullpit of Late and Live. Sad exceptions being Eddie Izzard and Dylan Moran, still on the bucket list. It has given me a pretty good eye for who is gonna make it big when they start out. I saw Jack Whitehall aged 16; Jimmy Carr before anyone knew who he was; and many others that have gone on to have decent TV and touring careers.
Having moved to Glasgow in recent years I started to see less comedy. Not that The Stand and other venues donβt have it going on, but because it just feels less of a thing outside of Edinburgh. So, when James Acaster came to my old place of work, the legendary Oran Mor, I booked tickets for myself, my daughter and her boyfriend in a heartbeat.
I had seen him do a lot of Mock The Week and a few other guest spots on TV, and thought from the start that this guy had something kinda special. The main good sign being that he made me laugh! A kind of blonder Jarvis Cocker, with the dress sense to match, he has a quirky, sleepy but cross delivery that is a total winner. He is very fast with an improvised moment, is very clever in his off kilter observations, and charmingly wanders into surreal tangents whenever possible. In other words, totally up my comedy avenue.
I was delighted to see that he had a new four part special on Netflix when I was recently surfing around old comedy shows Iβve seen half a dozen times. Repertoire is consecutive shows that work either alone, or payoff better as a whole, when early jokes get a back reference in a genius fashion. To explain why they are funny is not a thing Iβm about to attempt. Comedy is so subjective; if it makes you laugh then it is good, if notβ¦ it might still be good, but not for you. You have to watch it to know.
So many highlights. At least three moments that made me have to pause it because I was laughing almost too much and in danger of passing out. Generally, you get a content knowing smile out of it, patting yourself on the back for getting his multi-layered intentions. Some things are just weird or hilarious, but often there is an intelligent point being made on the sly. When the two combine, I find him one of the best around for quality of writing and delivery.
As a side note, in part 3 of Repertoire he makes reference to a recent nightmare gig, when the entire front row of a Glasgow show kicked off and threw verbal abuse at him. That was the show we were at! He handled it remarkably well, turning the final portion of the show into an improv about that, chucked the planned material away. It isnβt every stand-up that can handle hecklers that well. Total kudos, Mr Acaster.
Recommended big time.
Over the years I have seen most of the living greats at the art live, be it a full show or a smaller set at the legendary bullpit of Late and Live. Sad exceptions being Eddie Izzard and Dylan Moran, still on the bucket list. It has given me a pretty good eye for who is gonna make it big when they start out. I saw Jack Whitehall aged 16; Jimmy Carr before anyone knew who he was; and many others that have gone on to have decent TV and touring careers.
Having moved to Glasgow in recent years I started to see less comedy. Not that The Stand and other venues donβt have it going on, but because it just feels less of a thing outside of Edinburgh. So, when James Acaster came to my old place of work, the legendary Oran Mor, I booked tickets for myself, my daughter and her boyfriend in a heartbeat.
I had seen him do a lot of Mock The Week and a few other guest spots on TV, and thought from the start that this guy had something kinda special. The main good sign being that he made me laugh! A kind of blonder Jarvis Cocker, with the dress sense to match, he has a quirky, sleepy but cross delivery that is a total winner. He is very fast with an improvised moment, is very clever in his off kilter observations, and charmingly wanders into surreal tangents whenever possible. In other words, totally up my comedy avenue.
I was delighted to see that he had a new four part special on Netflix when I was recently surfing around old comedy shows Iβve seen half a dozen times. Repertoire is consecutive shows that work either alone, or payoff better as a whole, when early jokes get a back reference in a genius fashion. To explain why they are funny is not a thing Iβm about to attempt. Comedy is so subjective; if it makes you laugh then it is good, if notβ¦ it might still be good, but not for you. You have to watch it to know.
So many highlights. At least three moments that made me have to pause it because I was laughing almost too much and in danger of passing out. Generally, you get a content knowing smile out of it, patting yourself on the back for getting his multi-layered intentions. Some things are just weird or hilarious, but often there is an intelligent point being made on the sly. When the two combine, I find him one of the best around for quality of writing and delivery.
As a side note, in part 3 of Repertoire he makes reference to a recent nightmare gig, when the entire front row of a Glasgow show kicked off and threw verbal abuse at him. That was the show we were at! He handled it remarkably well, turning the final portion of the show into an improv about that, chucked the planned material away. It isnβt every stand-up that can handle hecklers that well. Total kudos, Mr Acaster.
Recommended big time.
Mike Wilder (20 KP) rated Horrible Bosses (2011) in Movies
May 30, 2018
Easily my favourite comedy of 2011
Contains spoilers, click to show
Easily my favourite comedy of 2011, with Crazy, Stupid, Love. coming a close second. The film is about three guys whose jobs are made hell by their bosses. They decide to kill them in a "Strangers on a train" style, where one kills another's boss so it can't be traced back to the employee. I wasn't sure what to expect from the cast that includes Kevin Spacey, Jason Bateman, Colin Farrell, Donald Sutherland, Jamie Foxx and Jennifer Aniston. Each fine actors but how would they fair in this film? Amazingly is how. Colin Farrell is almost unrecognizable as one of the bosses and Kevin Spacey is great as usual. However the stand out performance of the film is Jennifer Aniston. She plays a dentist, the boss of Dale (Charlie Day) and she is sexually harassing him. She really takes the role and plays it to perfection. Dale is her shy assistant who is engaged to Stacy (Lindsay Sloane). He is faithful to her and resists all advances from his over sexed boss. It is not a role we are used to seeing her play but it is a perfect performance. Another great performance was Jamie Foxx the murder consultant they hire. Horrible Bosses is a great comedy, almost a perfect comedy. The only flaw for me was it was all tied up a little too neatly. I saw the ending coming before it happened and it would have been nice to have an ending a little more surprising. Having said that I can't imagine how it could have been ended differently. The film doesn't have to resort to crude gags and just lets the script and performances of the cast tell the story. This works so well and full credit to the writers for a great comedy.
Aasiyah Sidat (34 KP) rated Counting on You in Books
Oct 2, 2018
Counting on You
βShe wasnβt the most boring person in the world, but she wasnβt exactly ready to start booking stand up routines at the comedy club either.β
Counting on You begins with our female lead, Hayleigh who is a successful maths teacher in her late twenties but has had some difficulty dating. Scratch that, she hasnβt dated since her high school boyfriend left her with a sour taste in her mouth. After an awkward first date at a dive bar, Amarillo Sour, she meets our male lead Ian; an app developer at Link digital who is Conveniently working on a dating app that is at the pinnacle of his career. This book follows Ian as he helps Hayleigh navigate the murky waters of the online dating world.
Continue reading my review at: https://www.readsandrecipes.co.uk/2018/08/counting-on-you-by-laura-chapman.html
Counting on You begins with our female lead, Hayleigh who is a successful maths teacher in her late twenties but has had some difficulty dating. Scratch that, she hasnβt dated since her high school boyfriend left her with a sour taste in her mouth. After an awkward first date at a dive bar, Amarillo Sour, she meets our male lead Ian; an app developer at Link digital who is Conveniently working on a dating app that is at the pinnacle of his career. This book follows Ian as he helps Hayleigh navigate the murky waters of the online dating world.
Continue reading my review at: https://www.readsandrecipes.co.uk/2018/08/counting-on-you-by-laura-chapman.html
Nickg24 (492 KP) rated Dolemite Is My Name (2019) in Movies
Oct 29, 2019
Murphy back to his best
Based on the true story of comedy and rap pioneer rudy ray moore,this is a delightful film that should launch eddie murphy back into the big time.
Murphy plays Moore,an entertainer desperately seeking that one break through moment that will lead to him becoming famous.That break eventually comes to him in the form of his outlandish and adult only records and stand up routine to the making and eventually success of his dolemite movie.
Murphy is at his very best here,delivering the hilarity and warmth of moore but also letting his other co-stars shine around him as well.A special mention has to go to wesley snipes as well who is hilarious as the co star and director of the dolemite movie who is always drunk off his ass and prone to the occasional temper tantrum.
Murphy plays Moore,an entertainer desperately seeking that one break through moment that will lead to him becoming famous.That break eventually comes to him in the form of his outlandish and adult only records and stand up routine to the making and eventually success of his dolemite movie.
Murphy is at his very best here,delivering the hilarity and warmth of moore but also letting his other co-stars shine around him as well.A special mention has to go to wesley snipes as well who is hilarious as the co star and director of the dolemite movie who is always drunk off his ass and prone to the occasional temper tantrum.
Phillip McSween (751 KP) rated Sixteen Candles (1984) in Movies
May 3, 2018
Fun 80's Comedy
Samantha's (Molly Ringwald) family is busy, so busy in fact that they forgot her sixteenth birthday. Samantha has to cope with this while dealing with various misadventures surrounding her life. It's an innocent 80's comedy that takes you on a fun ride from beginning to end.
Acting: 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 8
There are a number of memorable shots that stick out, including the opening scene where you're first introduced to Samantha's family in her Chicago home. Everything is pure chaos causing for a hilarious beginning. A number of other scenes stick out from Samantha's grandma feeling her up to Samantha's convo with The Geek (Anthony Michael Hall) inside the hollowed-out car in the school's garage. A lot of different set pieces kept the film interesting.
Conflict: 6
One of the weaker portions of the film for me. So people forgot her birthday, boo hoo. Don't get me wrong, Samantha is a very likable character and there was a large part of me that felt sorry for her. I'm just not sure her situation warranted an entire film. Perhaps a different angle would have created more conflict for me.
Genre: 8
Very solid 80's comedy. You can't name films within the decade that stand out without mentioning this one. Coming of age films? This ranks right up there although not quite as strong as some of the ones I've seen in recent years, masterpieces like Boyhood and Lady Bird.
Memorability: 10
Pace: 10
Plot: 7
The story itself is fine. It's believable even as comedies go. Again, the lack of conflict made things a little bland for me. I will say that the number of memorable moments helped pick up the slack from what the film lacked in conflict.
Resolution: 3
Overall: 82
Another 80's classic I can check off the list. A fun film that still stands the test of time.
Acting: 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 8
There are a number of memorable shots that stick out, including the opening scene where you're first introduced to Samantha's family in her Chicago home. Everything is pure chaos causing for a hilarious beginning. A number of other scenes stick out from Samantha's grandma feeling her up to Samantha's convo with The Geek (Anthony Michael Hall) inside the hollowed-out car in the school's garage. A lot of different set pieces kept the film interesting.
Conflict: 6
One of the weaker portions of the film for me. So people forgot her birthday, boo hoo. Don't get me wrong, Samantha is a very likable character and there was a large part of me that felt sorry for her. I'm just not sure her situation warranted an entire film. Perhaps a different angle would have created more conflict for me.
Genre: 8
Very solid 80's comedy. You can't name films within the decade that stand out without mentioning this one. Coming of age films? This ranks right up there although not quite as strong as some of the ones I've seen in recent years, masterpieces like Boyhood and Lady Bird.
Memorability: 10
Pace: 10
Plot: 7
The story itself is fine. It's believable even as comedies go. Again, the lack of conflict made things a little bland for me. I will say that the number of memorable moments helped pick up the slack from what the film lacked in conflict.
Resolution: 3
Overall: 82
Another 80's classic I can check off the list. A fun film that still stands the test of time.