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David McK (3425 KP) rated Rogue One: A Star Wars Story (2016) in Movies
Dec 18, 2019 (Updated Jun 16, 2020)
"It is a period of civil war. Rebel spaceships, striking from a hidden base, have won their first victory against the evil Galactic Empire. During the battle, Rebel spies managed to steal secret plans to the Empire's ultimate weapon, the DEATH STAR, an armored space station with enough power to destroy an entire planet.
Pursued by the Enpire's sinister agents, Princess Leia races home abord her starship, custodian of the stolen plans that can save her people and restore freedom to the galaxy ..."
So reads the opening crawl to the first Star Wars film (otherwise known as "Episode IV: A New Hope"), with this opening crawl becoming a feature of all the Star Wars films to date.
That is, until this one - the first to NOT have an opening crawl, and the first to NOT focus on any of the Skywalkers. Instead, this film deals with what was originally only just described in that crawl; by the mission to steal those Death Star plans and, as such, is the first completely self-contained and stand-alone Star Wars film.
I'd heard this described as a war movie, and that's probably a pretty fair comparison - this is more serious than the other six (especially the prequel Trilogy), maybe a bit darker in places, with the Rebel Alliance not afraid of getting their hands dirty and not quite the idealists they were originally portrayed as.
As this is back in galactic Civil War territory, we also have the return of some of the original villains of the saga - it's no secret that Darth Vader casts a shadow over the film (while not being the main villain of it), with an extended sequence towards the end showing just why he was so feared, and probably destined to become - like the 3-way Qui-Gonn Jinn/Kenobi/Maul fight in 'The Phantom Menace', or Vader vs Luke in 'The Empire Strikes back' - one of the most talked about scenes in the entire saga.
(As an aside, and talking of scenes: yes, there are scenes shown in the trailers that don't make it to the final cut, but since I managed to avoid (most of) those trailers, I can't really comment on that.)
Maybe a tad slow in getting started, but the bombastic final act more than makes up for it!
Pursued by the Enpire's sinister agents, Princess Leia races home abord her starship, custodian of the stolen plans that can save her people and restore freedom to the galaxy ..."
So reads the opening crawl to the first Star Wars film (otherwise known as "Episode IV: A New Hope"), with this opening crawl becoming a feature of all the Star Wars films to date.
That is, until this one - the first to NOT have an opening crawl, and the first to NOT focus on any of the Skywalkers. Instead, this film deals with what was originally only just described in that crawl; by the mission to steal those Death Star plans and, as such, is the first completely self-contained and stand-alone Star Wars film.
I'd heard this described as a war movie, and that's probably a pretty fair comparison - this is more serious than the other six (especially the prequel Trilogy), maybe a bit darker in places, with the Rebel Alliance not afraid of getting their hands dirty and not quite the idealists they were originally portrayed as.
As this is back in galactic Civil War territory, we also have the return of some of the original villains of the saga - it's no secret that Darth Vader casts a shadow over the film (while not being the main villain of it), with an extended sequence towards the end showing just why he was so feared, and probably destined to become - like the 3-way Qui-Gonn Jinn/Kenobi/Maul fight in 'The Phantom Menace', or Vader vs Luke in 'The Empire Strikes back' - one of the most talked about scenes in the entire saga.
(As an aside, and talking of scenes: yes, there are scenes shown in the trailers that don't make it to the final cut, but since I managed to avoid (most of) those trailers, I can't really comment on that.)
Maybe a tad slow in getting started, but the bombastic final act more than makes up for it!
Sophia (Bookwyrming Thoughts) (530 KP) rated All Our Yesterdays in Books
Jan 23, 2020
I'm a little fond of <i>All Our Yesterdays</i>.
Terrill writes the book in a very weird format – it takes awhile to get into the story and get a grip of what is really going on. Marina is a self-conscious person who lets her friends dictate <em>everything</em> for her – how to win boys, how to dress, how to talk, etc. Marina just comes across as a very shallow person hoping to win over the love of her best friend, James Shaw, while trying to find out who is attempting to murder him.
Em, on the other hand, is someone completely different – she's more determined, went through more trauma... Basically, Em has been through more than Marina, and I think she's a vital asset to the story's enjoyment (Marina plays a vital role as well, but if it were just her, it would have been boring). She teams up with Finn in the hopes to shut down Cassandra, a time travel device created with the intention for good things (stopping wars and disasters, for instance) but later became more of a problem rather than for everyone's good.
But back to the whole weird format. Since I've never actually come across Terrill's format ever in another time travel book, it's completely mind-boggling. One minute it seems like both Em and Marina are the same, the next, they're completely different. The only constant variable going on throughout the entire book is James and Finn (even those two were different and the same – they were just obvious). It really just takes awhile to realize the time period is the same, but the viewpoints are different.
Quite literally, 350+ pages of <i>All Our Yesterdays</i> is dedicated to getting rid of the evil mastermind behind Cassandra, but it's so much fun seeing how <i>Terrill</i> clicked the weird format so well together.
P.S. I personally think <i>All Our Yesterdays</i> works out just fine as a stand-alone. Although I would love to see a sequel and how Terrill will take the story now that the main problem has been solved, I don't really see anything that could happen aside from a "tragic" love story.
<a href="https://bookwyrmingthoughts.com/review-all-our-yesterdays-by-cristin-terrill/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Terrill writes the book in a very weird format – it takes awhile to get into the story and get a grip of what is really going on. Marina is a self-conscious person who lets her friends dictate <em>everything</em> for her – how to win boys, how to dress, how to talk, etc. Marina just comes across as a very shallow person hoping to win over the love of her best friend, James Shaw, while trying to find out who is attempting to murder him.
Em, on the other hand, is someone completely different – she's more determined, went through more trauma... Basically, Em has been through more than Marina, and I think she's a vital asset to the story's enjoyment (Marina plays a vital role as well, but if it were just her, it would have been boring). She teams up with Finn in the hopes to shut down Cassandra, a time travel device created with the intention for good things (stopping wars and disasters, for instance) but later became more of a problem rather than for everyone's good.
But back to the whole weird format. Since I've never actually come across Terrill's format ever in another time travel book, it's completely mind-boggling. One minute it seems like both Em and Marina are the same, the next, they're completely different. The only constant variable going on throughout the entire book is James and Finn (even those two were different and the same – they were just obvious). It really just takes awhile to realize the time period is the same, but the viewpoints are different.
Quite literally, 350+ pages of <i>All Our Yesterdays</i> is dedicated to getting rid of the evil mastermind behind Cassandra, but it's so much fun seeing how <i>Terrill</i> clicked the weird format so well together.
P.S. I personally think <i>All Our Yesterdays</i> works out just fine as a stand-alone. Although I would love to see a sequel and how Terrill will take the story now that the main problem has been solved, I don't really see anything that could happen aside from a "tragic" love story.
<a href="https://bookwyrmingthoughts.com/review-all-our-yesterdays-by-cristin-terrill/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Sophia (Bookwyrming Thoughts) (530 KP) rated Ice Like Fire (Snow Like Ashes, #2) in Books
Jan 23, 2020
I don't know what to say about this one. (Aside from the fact the author is just another evil writing spawn...)
Anyways. Let's get this up and out of the way: I enjoyed <i><a title="Snow Like Ashes review" href="http://www.bookwyrmingthoughts.com/2015/04/review-snow-like-ashes-by-sara-raasch.html"; target="_blank" rel="noopener tag">Snow Like Ashes</a></i> much much better than <i>Ice Like Fire</i>. In fact, it would have been <i>great</i> as a stand alone novel as well, aside from the fact it would be an open-ended ending that would probably just demand a series in the end.
<i>Ice Like Fire</i> is basically a reconstruction phrase for the Winterians, who are recovering from the harsh conditions of their work camps in Spring (or maybe another kingdom). Under Cordell's orders (and because Winter is in debt to the kingdom for their assistance in getting rid of Angra), the Winterians are mining and searching for the origins of the conduits, and the source of powerful magic. When they find the magic chasm, everyone has different viewpoints: Theron wants to open the chasm and unite the world, Meira wants to keep the chasm closed and answers, and Mather just wants the Winterians to be free.
And to hopefully accomplish all of that and gain allies, Meira and Theron set off on a journey to the other kingdoms, primarily Summer, Yakim, and Ventralli. If you ask me, nothing terribly action packed is going on in this sequel unless visiting kingdoms and seeing their traditions in action is considered "action."
But let's talk about this love triangle established from <i>Snow Like Ashes</i> and continuing with <i>Ice Like Fire</i>. Mather is compassionate and loyal and quotable, and Theron makes fantastic comments and has big dreams for the kingdoms. Both with good intentions and not exactly considered annoying thus far. I haven't actually made any progress with this love triangle – not when it comes to going with one side or another.
Ultimately, though, stay away from <i>Ice Like Fire</i>. The first book is more enjoyable, but the second book will leave readers wanting closure that won't actually happen until later on this year.
<a href="https://bookwyrmingthoughts.com/chibi-views-touch-jennifer-snyder-ice-like-fire-sara-raasch/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Anyways. Let's get this up and out of the way: I enjoyed <i><a title="Snow Like Ashes review" href="http://www.bookwyrmingthoughts.com/2015/04/review-snow-like-ashes-by-sara-raasch.html"; target="_blank" rel="noopener tag">Snow Like Ashes</a></i> much much better than <i>Ice Like Fire</i>. In fact, it would have been <i>great</i> as a stand alone novel as well, aside from the fact it would be an open-ended ending that would probably just demand a series in the end.
<i>Ice Like Fire</i> is basically a reconstruction phrase for the Winterians, who are recovering from the harsh conditions of their work camps in Spring (or maybe another kingdom). Under Cordell's orders (and because Winter is in debt to the kingdom for their assistance in getting rid of Angra), the Winterians are mining and searching for the origins of the conduits, and the source of powerful magic. When they find the magic chasm, everyone has different viewpoints: Theron wants to open the chasm and unite the world, Meira wants to keep the chasm closed and answers, and Mather just wants the Winterians to be free.
And to hopefully accomplish all of that and gain allies, Meira and Theron set off on a journey to the other kingdoms, primarily Summer, Yakim, and Ventralli. If you ask me, nothing terribly action packed is going on in this sequel unless visiting kingdoms and seeing their traditions in action is considered "action."
But let's talk about this love triangle established from <i>Snow Like Ashes</i> and continuing with <i>Ice Like Fire</i>. Mather is compassionate and loyal and quotable, and Theron makes fantastic comments and has big dreams for the kingdoms. Both with good intentions and not exactly considered annoying thus far. I haven't actually made any progress with this love triangle – not when it comes to going with one side or another.
Ultimately, though, stay away from <i>Ice Like Fire</i>. The first book is more enjoyable, but the second book will leave readers wanting closure that won't actually happen until later on this year.
<a href="https://bookwyrmingthoughts.com/chibi-views-touch-jennifer-snyder-ice-like-fire-sara-raasch/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Kirk Bage (1775 KP) rated Black Mirror - Season 5 in TV
Mar 3, 2020 (Updated Mar 3, 2020)
Contains spoilers, click to show
Striking Vipers - 5.5
Perhaps in retrospect, season 5 should have held out for some better scripts. All 3 (and notably there are only 3, because of the effort and time put into the stand alone feature length Bandersnatch) episodes seem a little rushed and weak in terms of depth of idea; replacing it with more gloss and production value. You can see the cash on the screen in this episode about the natural progression of VR becoming all about virtual sex, regardless of your sexuality in the real world (or maybe because of it). There is some irony in considering how Black Mirror began feeling very British and here feels entirely consumed by Netflix and American values. Is that a clever statement in itself? Not sure. Either way, I am not a big fan on this one. I mean, it’s fine, but we have come to expect more.
Smithereens - 6
If there are any clever links to anything else going on here, in what I am now thinking of as the Black Mirror Universe, then I haven’t picked up on it. This one feels quite surface, and just a very sad story about a man in distress that wants technology to answer for its responsibilities. Andrew Scott is ever excellent in the lead – man, he can really act! – but the rest of the cast seem a little lifeless and under-written. Perhaps they were trying for something more sharply focused, but, for me, the moral message of don’t use your phone whilst driving, is a bit weak.
Rachel, Jack and Ashley Too - 6.5
Known as the Miley Cyrus episode, because… she’s in it, and so is an electronic “toy” that replicates her personality for her teen fans. There is some intrigue around the nature of fandom and obsession; also the idea of media manipulation in projecting a saleable image that may be far from “the truth”. There is a lighter tone here, though, which betrays the Black Mirror ethos to some extent. It is an entertaining piece: the CGI on the toy Ashley is great, and there is a lovely twist 3/4 in when the true personality of it comes out to hilarious effect. But, on the whole, another under-written piece that leaves us hanging on the precipice of doubt leading into another season.
Perhaps in retrospect, season 5 should have held out for some better scripts. All 3 (and notably there are only 3, because of the effort and time put into the stand alone feature length Bandersnatch) episodes seem a little rushed and weak in terms of depth of idea; replacing it with more gloss and production value. You can see the cash on the screen in this episode about the natural progression of VR becoming all about virtual sex, regardless of your sexuality in the real world (or maybe because of it). There is some irony in considering how Black Mirror began feeling very British and here feels entirely consumed by Netflix and American values. Is that a clever statement in itself? Not sure. Either way, I am not a big fan on this one. I mean, it’s fine, but we have come to expect more.
Smithereens - 6
If there are any clever links to anything else going on here, in what I am now thinking of as the Black Mirror Universe, then I haven’t picked up on it. This one feels quite surface, and just a very sad story about a man in distress that wants technology to answer for its responsibilities. Andrew Scott is ever excellent in the lead – man, he can really act! – but the rest of the cast seem a little lifeless and under-written. Perhaps they were trying for something more sharply focused, but, for me, the moral message of don’t use your phone whilst driving, is a bit weak.
Rachel, Jack and Ashley Too - 6.5
Known as the Miley Cyrus episode, because… she’s in it, and so is an electronic “toy” that replicates her personality for her teen fans. There is some intrigue around the nature of fandom and obsession; also the idea of media manipulation in projecting a saleable image that may be far from “the truth”. There is a lighter tone here, though, which betrays the Black Mirror ethos to some extent. It is an entertaining piece: the CGI on the toy Ashley is great, and there is a lovely twist 3/4 in when the true personality of it comes out to hilarious effect. But, on the whole, another under-written piece that leaves us hanging on the precipice of doubt leading into another season.
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Kristy H (1252 KP) rated The Night Hawk in Books
Jul 15, 2021
Captivating and atmospheric mystery featuring archaeologist Ruth Galloway
In the 13th entry in the Ruth Galloway series, we find Ruth and her daughter Kate back in Norfolk. Ruth is now head of the department at the university, dealing with the perils of being in charge. This includes handling David Brown, her replacement as lecturer, who always seems to be in Ruth's business. As for Nelson, his boss Jo wants him to retire--something Nelson is firmly against. Instead, Nelson and team find a body washed up on shore, as well as a skeleton that Ruth believes may date to the Bronze Age. Thrown together again, Nelson and Ruth find themselves investigating a series of murders--all of which relate to a group of local metal detectorists, who keep finding the bodies, and the myth of the Black Shuck, a black dog who forewarns of death.
I love all of the Ruth books, but oh, this one was a particular favorite. It's creepy with the references to the Black Shuck filling you with an ominous sort of fear. There's the usual atmospheric feeling from a Ruth book, especially with Ruth returning to her beloved Norfolk--with the marshes, the sea, and the tides playing their own role in the story.
Griffiths writes with her typical charm and wit where you feel like you know Ruth, Nelson, and the whole gang. Clough shows up and Cathbad, our lovable druid and partner to Judy, Nelson's faithful DI, has a strong role. Everyone seems like an old friend at this point. The book is filled with Nelson and Ruth banter and plenty of tension between the two; it was excellent!
The mystery in this one is superb, as the bodies pile up and Nelson tries to figure out how the Night Hawks relate to his case, and why David Brown seems to follow Ruth everywhere. It kept me guessing, which is something I always appreciate! The Black Shuck myth adds a creepy element on top as well.
Overall, this is a lovely book with an captivating mystery and wonderful characters who are beloved. I'll be so sad when this series ends, but I'm loving it right now. This book will stand alone, but you'll fully appreciate the Ruth and Nelson nuances/dynamic if you read them all. 4.5 stars.
I love all of the Ruth books, but oh, this one was a particular favorite. It's creepy with the references to the Black Shuck filling you with an ominous sort of fear. There's the usual atmospheric feeling from a Ruth book, especially with Ruth returning to her beloved Norfolk--with the marshes, the sea, and the tides playing their own role in the story.
Griffiths writes with her typical charm and wit where you feel like you know Ruth, Nelson, and the whole gang. Clough shows up and Cathbad, our lovable druid and partner to Judy, Nelson's faithful DI, has a strong role. Everyone seems like an old friend at this point. The book is filled with Nelson and Ruth banter and plenty of tension between the two; it was excellent!
The mystery in this one is superb, as the bodies pile up and Nelson tries to figure out how the Night Hawks relate to his case, and why David Brown seems to follow Ruth everywhere. It kept me guessing, which is something I always appreciate! The Black Shuck myth adds a creepy element on top as well.
Overall, this is a lovely book with an captivating mystery and wonderful characters who are beloved. I'll be so sad when this series ends, but I'm loving it right now. This book will stand alone, but you'll fully appreciate the Ruth and Nelson nuances/dynamic if you read them all. 4.5 stars.
BookInspector (124 KP) rated The Chosen Ones in Books
Sep 24, 2020
Police detective Ian Bradshaw is assigned a case where it is believed, that five women are missing. He calls two journalists, Tom and Helen, to help him solve this case. I really liked that the author doesn’t leave these cases only to the police but also involves other people to help. I think, that there is no single main character in this book, Ian, Tom and Helen are equally important in this novel. I really loved that this book is told from multiple perspectives, allowing to understand the characters and to have a glimpse into different minds and lives. Even though it is told by multiple people, the mystery and suspense were very well kept throughout the book. I don’t think I could single out my favourite character, I think they all have very intriguing personalities, and I quickly warmed up to all the important characters in this book.
The narrative is very well developed in this novel. There is more than one investigation happening, and I think that made the whole book even richer and more absorbing. I really liked all the twists and turns this story had to offer, and I believe, the author really knows how to sidetrack the reader. The narrative kept changing continuously, depending on the character, that is why this book was a real page turner to me.
The writing style was very creative, but at the same time enjoyable and easy to read. The chapters are very well constructed and have a decent length, so for me, the pages just flew by. This book is fourth in the series, and it does carry quite a bit of information from the previous books, and I wish I read them before this one, however, I was able to understand of what was going on. So, you can read it as a stand alone, but I would recommend reading the previous books first. I really liked the way this book ended, it answered all my questions and gave a glimpse of what to come in the next book, which I will be looking out for.
So, to conclude, this book is dark, claustrophobic, and very gripping, filled with very well developed characters, absorbing plot and plenty of twists. I thoroughly enjoyed it, and I hope you will give it a try and will like it as much as I did.
The narrative is very well developed in this novel. There is more than one investigation happening, and I think that made the whole book even richer and more absorbing. I really liked all the twists and turns this story had to offer, and I believe, the author really knows how to sidetrack the reader. The narrative kept changing continuously, depending on the character, that is why this book was a real page turner to me.
The writing style was very creative, but at the same time enjoyable and easy to read. The chapters are very well constructed and have a decent length, so for me, the pages just flew by. This book is fourth in the series, and it does carry quite a bit of information from the previous books, and I wish I read them before this one, however, I was able to understand of what was going on. So, you can read it as a stand alone, but I would recommend reading the previous books first. I really liked the way this book ended, it answered all my questions and gave a glimpse of what to come in the next book, which I will be looking out for.
So, to conclude, this book is dark, claustrophobic, and very gripping, filled with very well developed characters, absorbing plot and plenty of twists. I thoroughly enjoyed it, and I hope you will give it a try and will like it as much as I did.
Whatchareadin (174 KP) rated Handle With Care in Books
Sep 2, 2019
Wren has been hired by the Moorehead family to handle the youngest of the family, Armstrong who is a PR nightmare. When the patriarch of the family passes away suddenly, the older son, Lincoln returns for the funeral. What he's not expecting is for his grandmother and mother to ask him to take over the company. Being a CEO has never been in Lincoln's mind, but he made a promise that he would stay for 6 months. Wren is then tasked with helping Lincoln to become the face of the company, which will be difficult since he's covered in fur. When Lincoln first meets Wren, he thinks she nothing but a high paid babysitter, but there is something about her that has sparked his interest and finds that he enjoys her being around. Wren feels it too, but knows her job is more important. Will they be able to keep their feelings to themselves, or will it all be too much?
Thank you to NetGalley and St. Martin's Press for the opportunity to read and review this book. Even though this book is part of a series, it can be read as a stand alone. I've read 3 of the books in this series and they are all hard to put down.
I love Wren in this book. She is a no-nonsense woman who knows how to handle difficult men. Armstrong is more than a handful to deal with and Wren hopes that Lincoln is not the same. She will soon come to realize that he is a totally different beast. This book was full of romance and suspense. The Moorehead family had secrets and Lincoln is determined to find them, not only for his sake, but for the sake of the entire family and the business. You don't want to be on the wrong side of this brother.
So far, I have loved everything Helena Hunting has written. The books are hard to put down. They have romance mixed with a little suspense. The characters are ones you can imagine yourself being friends with in real life and you want to spend time with them, well most of them, Armstrong can stay far away. If you have never read one of her books, I suggest you pick one up right away!
Thank you to NetGalley and St. Martin's Press for the opportunity to read and review this book. Even though this book is part of a series, it can be read as a stand alone. I've read 3 of the books in this series and they are all hard to put down.
I love Wren in this book. She is a no-nonsense woman who knows how to handle difficult men. Armstrong is more than a handful to deal with and Wren hopes that Lincoln is not the same. She will soon come to realize that he is a totally different beast. This book was full of romance and suspense. The Moorehead family had secrets and Lincoln is determined to find them, not only for his sake, but for the sake of the entire family and the business. You don't want to be on the wrong side of this brother.
So far, I have loved everything Helena Hunting has written. The books are hard to put down. They have romance mixed with a little suspense. The characters are ones you can imagine yourself being friends with in real life and you want to spend time with them, well most of them, Armstrong can stay far away. If you have never read one of her books, I suggest you pick one up right away!