Search
Search results
Patrick Wilson recommended Star Wars: Episode V – The Empire Strikes Back (1980) in Movies (curated)
LoganCrews (2861 KP) rated Chocolat (2000) in Movies
Sep 21, 2020
Chocolate is like some ancient Mayan magic that cures bigotry delivered by globetrotting, all-knowing hooded messengers… or some shit? Lol idek just imagine taking any of this dumb shit seriously, couldn't be me. Spoof level of this sort of pure sap Oscar bait, like the full product of one of Kirk Lazarus' 𝘛𝘳𝘰𝘱𝘪𝘤 𝘛𝘩𝘶𝘯𝘥𝘦𝘳 trailers. Binoche is beyond annoying as one of those one-dimensional, overly-effervescent 'Mary Sue' (I shudder to even use that term after the Star Wars fanboys sucked it of all its meaning) types - I'm truthfully shocked they didn't cast Julia Roberts here lmao. Part unintentionally comical (Alfred Molina brutally murdering a chocolate assortment display with a letter opener), part irresistibly sweet - much like a confectionary itself (kudos to Dench and Depp), all brainless silliness (just have to wade through a lot of inauthentic syrup to get to the good stuff - which still ultimately isn't enough). Why was this genre of film ever an unironic fad? Still convinced the only reason this was made was for Peter Stormare to be able to successfully use every accent known to man in movies. So it's such a shame that with all this considered it ends up being just watchable.
David McK (3369 KP) rated Star Wars X-Wing: Wedge's Gamble (Rogue Squadron #2) in Books
Sep 8, 2024 (Updated Sep 8, 2024)
Second entry in Michael A Stackpole's Star Wars: X-Wing series (a total of 10 novels, the first four written by Stackpole and centring around a reconstituted Rogue Squadron), following on from'Rogue Squadron' and taking as its inspiration the old LucasArt X-Wing/TIE fighter series of computer games. Hadn't read books these since the late 90s.
These novels (and the aforementioned games, now all considered 'Legends' by Disney) are my head-canon of what the sequel trilogy should have been.
Anyway, in this novel in particular, the action now moves from space to the city-planet of Coruscant, the seat of the Imperial Government that took over from the Old Republic and - in the Legends continuity at least - also that of the New Republic.
Here, we have the members of Rogue Squadron infiltrating said city planet and looking for a way to bring down the planetary shields so that the rest of the fleet can arrive, but they may be playing into the villain-of-the-piece Ysanne Isard's hands in so doing ...
For anybody that hasn't read this, it ends in a massive cliff-hanger, so be warned you'll be wanting to move onto the sequel 'The Krytos Trap' not long after finishing it ...
These novels (and the aforementioned games, now all considered 'Legends' by Disney) are my head-canon of what the sequel trilogy should have been.
Anyway, in this novel in particular, the action now moves from space to the city-planet of Coruscant, the seat of the Imperial Government that took over from the Old Republic and - in the Legends continuity at least - also that of the New Republic.
Here, we have the members of Rogue Squadron infiltrating said city planet and looking for a way to bring down the planetary shields so that the rest of the fleet can arrive, but they may be playing into the villain-of-the-piece Ysanne Isard's hands in so doing ...
For anybody that hasn't read this, it ends in a massive cliff-hanger, so be warned you'll be wanting to move onto the sequel 'The Krytos Trap' not long after finishing it ...
Invasion: Modern Empire
Games and Entertainment
App
Selected by Facebook as one of BEST MOBILE GAMES Invasion: Modern Empire is an online war-themed...
LeftSideCut (3778 KP) rated Solo: A Star Wars Story (2018) in Movies
Mar 26, 2020
Let's be honest, Solo was getting un-earnt hate from the minute it was announced. "No one asked for this" was thrown around often. "It's not Harrison Ford" was another one, and as a result, it was met in release with a fair amount of vitriol, and underperformed at the box office (apparently, still made shit tons of money...)
This is a great shame in my opinion. Solo isn't a perfect film by any means but it's still a fun and enjoyable sci-fi adventure.
Seeming as the plot revolves mainly around Han Solo, who of course is a huge staple character in the original trilogy, set after this one, the stakes are relatively low, and this gives the film room to relax a present us with what is essentially a heist movie, just one thats set in the Star Wars universe.
Alden Ehrenreich is fine as the titular Solo. He isn't trying to just copy Harrison Ford, but still provides something that feels familiar, whilst giving his own take on the character.
Donald Glover is pitch perfect as a young Lando Calrissian, and is arguably the highlight cast member.
It's great to have the likes of Thandie Newton and Woody Harrelson involved as well.
As I've said in my GoT reviews, I've always struggled to full get on board with Emilia Clarke, and it's no different here. She's just kind of there, and I honestly feel that the film wouldn't have suffered to greatly without her character.
My main gripe with Solo is the constant need to over explain everything - ever wondered how Han got his blaster and jacket? No? Well tough shit because we're going to tell you! Ever wondered where he got those dice that hang in the Millennium Falcon for like two seconds in one of the films? No? Shut up and watch dammit. Ever wondered why Han's second name is Solo? No? Well fuck you, because you're about to find out (and it's horribly cringey) Ever wanted to see what the Kessel Run is that Han spoke about once in the history of Star Wars? Well, maybe, kind of, but surprise, ITS A BIG CGI SQUID HAHAHA.
Any mystery and intrigue that you may have about Han Solo is explained away in incessant detail to the point where it becomes quickly tiresome. Not everything needs a back story dammit.
Honestly though, Solo could have been soooo much worse, but as it happens, it actually decent. It's not perfect as I mentioned, but I would happily take it over episodes 8 and 9. If you're one is those fans who have just straight up refused to watch it for some reason, stop being a silly goose and give it a go.
This is a great shame in my opinion. Solo isn't a perfect film by any means but it's still a fun and enjoyable sci-fi adventure.
Seeming as the plot revolves mainly around Han Solo, who of course is a huge staple character in the original trilogy, set after this one, the stakes are relatively low, and this gives the film room to relax a present us with what is essentially a heist movie, just one thats set in the Star Wars universe.
Alden Ehrenreich is fine as the titular Solo. He isn't trying to just copy Harrison Ford, but still provides something that feels familiar, whilst giving his own take on the character.
Donald Glover is pitch perfect as a young Lando Calrissian, and is arguably the highlight cast member.
It's great to have the likes of Thandie Newton and Woody Harrelson involved as well.
As I've said in my GoT reviews, I've always struggled to full get on board with Emilia Clarke, and it's no different here. She's just kind of there, and I honestly feel that the film wouldn't have suffered to greatly without her character.
My main gripe with Solo is the constant need to over explain everything - ever wondered how Han got his blaster and jacket? No? Well tough shit because we're going to tell you! Ever wondered where he got those dice that hang in the Millennium Falcon for like two seconds in one of the films? No? Shut up and watch dammit. Ever wondered why Han's second name is Solo? No? Well fuck you, because you're about to find out (and it's horribly cringey) Ever wanted to see what the Kessel Run is that Han spoke about once in the history of Star Wars? Well, maybe, kind of, but surprise, ITS A BIG CGI SQUID HAHAHA.
Any mystery and intrigue that you may have about Han Solo is explained away in incessant detail to the point where it becomes quickly tiresome. Not everything needs a back story dammit.
Honestly though, Solo could have been soooo much worse, but as it happens, it actually decent. It's not perfect as I mentioned, but I would happily take it over episodes 8 and 9. If you're one is those fans who have just straight up refused to watch it for some reason, stop being a silly goose and give it a go.
Neon's Nerd Nexus (360 KP) rated the Playstation 5 version of Guardians of the Galaxy in Video Games
Oct 25, 2021
YOU GOT THE TOUCH. YOU GOT THE POWER... YEAH!
This game is absolutely fantastic and a contender for one of my favourite games of this year. In fact I actually prefer Starlord in this game to how he's portrayed in the films. I guess it's also safe to say Im really enjoying this game as I've played it solidly now for two days, I'm only on chapter 8 and there's apparently 16 chapters so I'd say if that's true it's a pretty meaty game. I'm honestly having and absolute blast with it and if you are a fan of the characters, the world and the lore you really should pick it up for sure. Id say is a cross between The Order a light version of Mass Effect and Tales Of Arise If you need a comparison and more importantly it's nothing really like the recent Avengers game. It's not overly challenging however on medium anyway unless you let enemies overwhelm you (I've died roughly 4 times I'd say) but that's not bothering me at all because it's so much fun and if you want more of a challenge you can crank it up. Graphics are awsome, voice acting is great and the humour is on point, controls are responsive and characters have a nice weight to them and overall it's an incredibly polished game that's clearly had a lot of love put into it by huge fans of the source material. The soundtrack also kickass and really does add to it alot really getting you going when it all kicks off action wise. Ive only had 3 really annoying bugs one where I got stuck in the floor and had to restart, one where a character was stood on a bar with his head in the roof and the other where a tutorial message got stuck in the middle of the screen but reloading sorted them. Like I said earlier however it's the lore, environments, characters and creatures that have mainly pulled me and it's a joy to explore the different detailed areas (even though they are quite linear experiences) and it's absolutely crammed to the teeth with dialogue, collectables, costumes and little details everywhere from the films and comics. The end of the day it's quite a casual affair but to me that doesn't matter I'm just loving spending more time with these characters and essentially living in a rich and dense sci-fi world (it's almost like a Star Wars game at times and is better than any of the Star Wars games we have had so far if I'm honest). An absolute must buy for any sci-fi or Guardians fan.
Awix (3310 KP) rated At the Earth's Core (1976) in Movies
Nov 10, 2018 (Updated Nov 10, 2018)
Second in Amicus's series of Burroughs-inspired pulp adventures with Doug McClure. Adventurers seeking to drill through the mountains from England to Wales take a wrong turn and end up in a terrifying wasteland dominated by sub-human beasts; it takes them a while to figure out their mistake. It turns out the Earth's core is ruled by evil giant pterodactyls with hypnotic powers - having taken a fancy to the local princess (Munro), the beefier of the visitors (McClure) resolves to sort the situation out.
One of the final examples of the kind of cheap and cheerful genre movie that the success of Star Wars the following year was to transform utterly. This one is notable for some of the worst man-in-a-suit monster effects ever seen outside Japan, the closest thing to a bad performance ever given by Peter Cushing, and an oddly inconsistent tone - much of it is rather juvenile, but some of the violence is a bit heavy for what often feels like a knockabout kid's film (the Earth's core is a wholly abstinent place - there isn't even the suggestion of funny business between McClure and Munro). The Iron Mole model is actually not bad, and the prog rock soundtrack certainly makes it distinctive. Kind of fun, in the end. Contains the line 'You can't mesmerise me, I'm British!'
One of the final examples of the kind of cheap and cheerful genre movie that the success of Star Wars the following year was to transform utterly. This one is notable for some of the worst man-in-a-suit monster effects ever seen outside Japan, the closest thing to a bad performance ever given by Peter Cushing, and an oddly inconsistent tone - much of it is rather juvenile, but some of the violence is a bit heavy for what often feels like a knockabout kid's film (the Earth's core is a wholly abstinent place - there isn't even the suggestion of funny business between McClure and Munro). The Iron Mole model is actually not bad, and the prog rock soundtrack certainly makes it distinctive. Kind of fun, in the end. Contains the line 'You can't mesmerise me, I'm British!'
David McK (3369 KP) rated Wraith Squadron (Star Wars: X-Wing, #5) in Books
Jan 30, 2019
How best to describe 'X-Wing: Wraith Squadron', the fifth book in the Star Wars series of books (loosely) based on the old video-games? I think the following exchange from the early part of the novel sums it up best (with Wedge speaking):
' " .. I'd originally thought that Rogue Squadron would be used opportunistically: a strike mission would reveal a ground-based weakness, and we'd have the training and supplies ot go down and perform the necessary ground mission. The way it turned out, we keep landing full-fledged commando missions. So I think we need another Commando X-Wing squadron, one where we choose pilots so as to have a full range of intrusion and subversion skills. Rogue Sqaudron was designed as a fighter unit first, commando unit second; this time, I want to go the other way around."
...
"I want pilots no one else want. Washouts. Pilots staring court-martials in the face. Trouble-makers and screw-ups." '
The rest of the novel deals, primarily, with the formation of that unit and their first mission, concentrating in particular on two members of that unit and their own internal battle against themselves.
While not the strongest of spin-off novels (and, maybe, slightly longer than it needs to be), this is still an enjoyable enough diversion for a couple of days light reading.
' " .. I'd originally thought that Rogue Squadron would be used opportunistically: a strike mission would reveal a ground-based weakness, and we'd have the training and supplies ot go down and perform the necessary ground mission. The way it turned out, we keep landing full-fledged commando missions. So I think we need another Commando X-Wing squadron, one where we choose pilots so as to have a full range of intrusion and subversion skills. Rogue Sqaudron was designed as a fighter unit first, commando unit second; this time, I want to go the other way around."
...
"I want pilots no one else want. Washouts. Pilots staring court-martials in the face. Trouble-makers and screw-ups." '
The rest of the novel deals, primarily, with the formation of that unit and their first mission, concentrating in particular on two members of that unit and their own internal battle against themselves.
While not the strongest of spin-off novels (and, maybe, slightly longer than it needs to be), this is still an enjoyable enough diversion for a couple of days light reading.
David McK (3369 KP) rated A Princess of Mars (Barsoom, #1) in Books
Jan 30, 2019
To most people, if you mention the name Edgar Rice Burroughs the first thing that they will think of, in all likelihood, is his creation of the character Tarzan. Alongside this, however, he also wrote the <i>Barsoom</i> series of books, of which this is the first (published in 1912).
Commonly regarded as classics of the Pulp Sci-Fi genre of books, and with the new Disney movie <i>John Carter of Mars</i> recently released (even if it is getting a panning from the critics), and finally with <i>The John Carter collection</i> (consisting of <i>A Princess of Mars</i>, <i>The Gods of Mars</i>, <i>The Warlord of Mars</i>, <i>Thuvia, Maid of Mars</i> and <i>The Chessmen of Mars</i>) available on Apple's ibooks stores for 99p, how could I resist picking them up?
Having now read the first book, it's easy to see the influence these particular novels had on later writings and popular culture. James Cameron is on record as stating this particular work as an influence on his movie <i>Avatar</i>, while it is also possible to trace elements of <i>Star Wars</i> (inspired by <i>Flash Gordon</i>, itself inspired by this) back to this work.
In short: this is pretty much a prime example of early pulp SF!
Commonly regarded as classics of the Pulp Sci-Fi genre of books, and with the new Disney movie <i>John Carter of Mars</i> recently released (even if it is getting a panning from the critics), and finally with <i>The John Carter collection</i> (consisting of <i>A Princess of Mars</i>, <i>The Gods of Mars</i>, <i>The Warlord of Mars</i>, <i>Thuvia, Maid of Mars</i> and <i>The Chessmen of Mars</i>) available on Apple's ibooks stores for 99p, how could I resist picking them up?
Having now read the first book, it's easy to see the influence these particular novels had on later writings and popular culture. James Cameron is on record as stating this particular work as an influence on his movie <i>Avatar</i>, while it is also possible to trace elements of <i>Star Wars</i> (inspired by <i>Flash Gordon</i>, itself inspired by this) back to this work.
In short: this is pretty much a prime example of early pulp SF!
David McK (3369 KP) rated Rebellion (Matthew Hawkwood, #4) in Books
Jan 30, 2019
The fourth book in James McGee's Matthew Hawkwood series of books, and over the course of the last two (in particular), the eponymous Bow Street Runner is getting further and further away from his usual haunts!
In this installment, Hawkwood actually spends the vast majority of it in the heart of Imperial France: in Paris itself, while Napoleon is away on his ill-fated Russian campaign. Again taking real historical facts as its basis, this novel concerns itself primarily with a conspiracy attempt to over-throw the regime: an event which, obviously, did not succeed.
If I'm honest, and to draw an anology between these books and the Star Wars films (which might seem strange, but bear with me!), the first couple of books in the series are like the original couple of films: full of danger, action and excitement. This one, unfortunately, is more like Episode I: seeming to be setting itself up for a broader story arc, and more concerned with politics than with action and excitement.
Worth a read? Yes, but if this was my introduction to the series as a whole - which can, by and large, be read independently as they only occassionally refer to earlier events - I wouldn't be going out of my way to look for any others in thes series, unlike if I had read any of the others first.
In this installment, Hawkwood actually spends the vast majority of it in the heart of Imperial France: in Paris itself, while Napoleon is away on his ill-fated Russian campaign. Again taking real historical facts as its basis, this novel concerns itself primarily with a conspiracy attempt to over-throw the regime: an event which, obviously, did not succeed.
If I'm honest, and to draw an anology between these books and the Star Wars films (which might seem strange, but bear with me!), the first couple of books in the series are like the original couple of films: full of danger, action and excitement. This one, unfortunately, is more like Episode I: seeming to be setting itself up for a broader story arc, and more concerned with politics than with action and excitement.
Worth a read? Yes, but if this was my introduction to the series as a whole - which can, by and large, be read independently as they only occassionally refer to earlier events - I wouldn't be going out of my way to look for any others in thes series, unlike if I had read any of the others first.