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BankofMarquis (1832 KP) rated The Hurricane Heist (2018) in Movies
Mar 10, 2018
Doesn't Go Far Enough
There are times when all I want to do is to sit in a darkened movie theater, turn off my brain, and let a movie with a silly, over-the-top premise wash all over me. THE FAST AND THE FURIOUS films are an example of an "A" in this category. Last year's GEOSTORM was a "B" (it was so over-the-top that it was fun, especially when the meteorologist declared - as if he was reciting Shakespeare - "Oh my God, it's a GEOSTORM!"). Unfortunately, a "C" example of this is THE HURRICANE HEIST.
Directed by Rob Cohen - who brought us the original FAST AND FURIOUS film lo' those many years ago - THE HURRICANE HEIST tells the tale of a HEIST set during a...anyone?...HURRICANE. That's pretty much all you need to know of the plot. The rest is action, escapes, weather gone bad, bad guys being bad guys and good guys being good guys.
The good guys are Toby Kebbel (so good as the motion capture bad-guy ape in DAWN OF THE PLANET OF THE APES), perennial "B"-movie actress Maggie Grace (TAKEN, LOST and the immortal HOT GIRL, FAST CAR, EATING A BANANA) and Ryan Kwanten (I guess he was in TRUE BLOOD). What do these good guys have in common? They are not hard to look at on the screen. The two men also have really bad Southern accents.
The bad guys are led by Ralph Ineson ( a perennial "that guy" in such films as STAR WARS: THE LAST JEDI, GUARDIANS OF THE GALAXY and KINGSMAN: THE SECRET SERVICE) and a host of "red shirts". The problem is that Ineson plays his bad guy role as a "that guy" and the "red shirts" have no personality at all. One guy tries to be the "loose cannon" but he doesn't go far enough, nor does Ineson or ANY of the bad guys.
Oh...did I mention Ben Cross (Sarek in the new STAR TREK films)? Cross leaped off the screen in the Oscar winning film CHARIOTS OF FIRE way back in 1981 and was going to be "the next big thing". How has that worked out for him? I'm sure he's making a nice living, but...
But...you don't come to this kind of films for the acting. You come to it for the insane premise, the over-the-top acting, the out-of-this-world stunts and special effects. Unfortunately, THE HURRICANE HEIST plays each one of these "safely". The premise is insane, just not insane enough. The acting is melodramatic - just not over-the-top. The script doesn't really have any "oh-my-gosh, did he just say that" lines and the action, stunts and special effects are pretty good, (maybe even good), but not great.
A pretty mediocre time at the movies. It did serve it's purpose, I turned my brain off for two hours. I just wish it didn't power down as well.
Letter Grade: C (thanks for trying)
5 (out of 10) stars and you can take that to the Bank(ofMarquis)
Directed by Rob Cohen - who brought us the original FAST AND FURIOUS film lo' those many years ago - THE HURRICANE HEIST tells the tale of a HEIST set during a...anyone?...HURRICANE. That's pretty much all you need to know of the plot. The rest is action, escapes, weather gone bad, bad guys being bad guys and good guys being good guys.
The good guys are Toby Kebbel (so good as the motion capture bad-guy ape in DAWN OF THE PLANET OF THE APES), perennial "B"-movie actress Maggie Grace (TAKEN, LOST and the immortal HOT GIRL, FAST CAR, EATING A BANANA) and Ryan Kwanten (I guess he was in TRUE BLOOD). What do these good guys have in common? They are not hard to look at on the screen. The two men also have really bad Southern accents.
The bad guys are led by Ralph Ineson ( a perennial "that guy" in such films as STAR WARS: THE LAST JEDI, GUARDIANS OF THE GALAXY and KINGSMAN: THE SECRET SERVICE) and a host of "red shirts". The problem is that Ineson plays his bad guy role as a "that guy" and the "red shirts" have no personality at all. One guy tries to be the "loose cannon" but he doesn't go far enough, nor does Ineson or ANY of the bad guys.
Oh...did I mention Ben Cross (Sarek in the new STAR TREK films)? Cross leaped off the screen in the Oscar winning film CHARIOTS OF FIRE way back in 1981 and was going to be "the next big thing". How has that worked out for him? I'm sure he's making a nice living, but...
But...you don't come to this kind of films for the acting. You come to it for the insane premise, the over-the-top acting, the out-of-this-world stunts and special effects. Unfortunately, THE HURRICANE HEIST plays each one of these "safely". The premise is insane, just not insane enough. The acting is melodramatic - just not over-the-top. The script doesn't really have any "oh-my-gosh, did he just say that" lines and the action, stunts and special effects are pretty good, (maybe even good), but not great.
A pretty mediocre time at the movies. It did serve it's purpose, I turned my brain off for two hours. I just wish it didn't power down as well.
Letter Grade: C (thanks for trying)
5 (out of 10) stars and you can take that to the Bank(ofMarquis)
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Puke Flyswatter (7 KP) rated Star Wars: Episode V – The Empire Strikes Back (1980) in Movies
Sep 12, 2017
Incredible special effects for the time (1 more)
Story writing and characters
The Force is strong with this one
Contains spoilers, click to show
Most fans argue over which of its ongoing episodes, is the best in the Star Wars saga. The Empire Strikes Back took a darker approach than its predecessor in delivering the story of the Rebellion's fight to bring peace and freedom to the galaxy by destroying the Empire who now rule with far more than just iron fist, having snatched its power from the dead hands of the Old Republic. This in my opinion, is what made it not only the best of the saga, but the best science fiction movie of all time and more controversially- one of the best movies ever made; an accolade that has still to be taken by any other movie of the genre to date.
George Lucas, ("the daddy" and brains behind the series of stories of intergalactic war and oppression), had reportedly suffered from exhaustion to the point of near breakdown- even suffering a near heart attack and so decided for the sake of his health and mental well-being not to helm this project which led to Irvin Kershner taking the reins instead.
Kershner's change in approach is apparent throughout the movie and even from the opening scene on Hoth- the barren ice planet- there is a palpably hollow and sombre overall feel which is more than likely deliberate so as to reflect the apparent futility and hopelessness of the protagonists’ struggle. This cleverly generated more empathy toward the characters, meaning the viewer became more invested in the outcome of the story.
The scope and scale of each scene is also cleverly used to give the viewer insight into the characters' state of mind and the choice in lighting and colour (or lack thereof) to deliver more impact and focus on the subject matter in each scene.
As far as story writing and script go, this is also miles ahead of the first and brilliant instalment of the saga. This was apparently due to George Lucas not being happy with the direction of the original draft of the screenplay and being forced to write a further two drafts for the movie following the death of the original screenplay author- the renowned Leigh Brackett who sadly died losing her battle with cancer. Lucas felt it necessary to then bring in Lawrence Kasdan to complete the writing of the screenplay, Kasdan would also go on to pen the screenplays for Raiders Of The Lost Ark, Return Of The Jedi, Star Wars VII The Force Awakens (as co-writer) and is also currently penning the screenplay for the upcoming Han Solo...solo movie. His input and impact on Empire took the saga from the swashbuckling heroic scenes of A New Hope to the almost World War-esque style in which characters are somewhat downtrodden and clearly showing the negative psychological effects on their personalities that are associated with any and every war. This set it apart from A New Hope which, despite the deaths of countless poor and innocent Jawas, inhabitants of Alderaan and Obi-Wan Kenobi, still managed to keep an optimistic outlook which while being an immensely fun and thrilling watch, did not do much in the way of drawing the viewer in and having a connection with the characters. This did not in any way ruin my enjoyment of the movie, I was a kid after all, but upon watching Empire for the first time, I was introduced to a new concept in cinema for me- one where the heroes do not always win, but who still carry on the fight no matter how emotionally scarred or beaten they may be. As a kid, this was so much more of a compelling and exciting movie as it was near impossible to guess where the story would lead and what the future would hold for the then trilogy.
Another highly positive aspect, is that the viewer did not necessarily need to have watched the previous movie and could jump straight into the story, able to enjoy it as each of the characters and the movie’s histories are cleverly re-introduced and explained without the use of exhausting flashbacks or back stories, effectively allowing it to serve as a standalone movie.
For people- who for some reason unbeknownst to me- that are not fans of the genre, this remains as a compelling, well-written and visually stunning piece of movie-making that still stands the test of time and one that anyone of any age can enjoy.
George Lucas, ("the daddy" and brains behind the series of stories of intergalactic war and oppression), had reportedly suffered from exhaustion to the point of near breakdown- even suffering a near heart attack and so decided for the sake of his health and mental well-being not to helm this project which led to Irvin Kershner taking the reins instead.
Kershner's change in approach is apparent throughout the movie and even from the opening scene on Hoth- the barren ice planet- there is a palpably hollow and sombre overall feel which is more than likely deliberate so as to reflect the apparent futility and hopelessness of the protagonists’ struggle. This cleverly generated more empathy toward the characters, meaning the viewer became more invested in the outcome of the story.
The scope and scale of each scene is also cleverly used to give the viewer insight into the characters' state of mind and the choice in lighting and colour (or lack thereof) to deliver more impact and focus on the subject matter in each scene.
As far as story writing and script go, this is also miles ahead of the first and brilliant instalment of the saga. This was apparently due to George Lucas not being happy with the direction of the original draft of the screenplay and being forced to write a further two drafts for the movie following the death of the original screenplay author- the renowned Leigh Brackett who sadly died losing her battle with cancer. Lucas felt it necessary to then bring in Lawrence Kasdan to complete the writing of the screenplay, Kasdan would also go on to pen the screenplays for Raiders Of The Lost Ark, Return Of The Jedi, Star Wars VII The Force Awakens (as co-writer) and is also currently penning the screenplay for the upcoming Han Solo...solo movie. His input and impact on Empire took the saga from the swashbuckling heroic scenes of A New Hope to the almost World War-esque style in which characters are somewhat downtrodden and clearly showing the negative psychological effects on their personalities that are associated with any and every war. This set it apart from A New Hope which, despite the deaths of countless poor and innocent Jawas, inhabitants of Alderaan and Obi-Wan Kenobi, still managed to keep an optimistic outlook which while being an immensely fun and thrilling watch, did not do much in the way of drawing the viewer in and having a connection with the characters. This did not in any way ruin my enjoyment of the movie, I was a kid after all, but upon watching Empire for the first time, I was introduced to a new concept in cinema for me- one where the heroes do not always win, but who still carry on the fight no matter how emotionally scarred or beaten they may be. As a kid, this was so much more of a compelling and exciting movie as it was near impossible to guess where the story would lead and what the future would hold for the then trilogy.
Another highly positive aspect, is that the viewer did not necessarily need to have watched the previous movie and could jump straight into the story, able to enjoy it as each of the characters and the movie’s histories are cleverly re-introduced and explained without the use of exhausting flashbacks or back stories, effectively allowing it to serve as a standalone movie.
For people- who for some reason unbeknownst to me- that are not fans of the genre, this remains as a compelling, well-written and visually stunning piece of movie-making that still stands the test of time and one that anyone of any age can enjoy.
LeftSideCut (3778 KP) rated Star Wars: Episode IX - The Rise of Skywalker (2019) in Movies
Dec 20, 2019 (Updated Jan 22, 2020)
Contains spoilers, click to show
Right then... I definitely need to go and see this again to properly digest it, so my thoughts on it will probably change...
Just like TLJ before it, there are things that I liked about Rise of Skywalker, and plenty that I didn't. There are also parts that I liked overall, but we're executed poorly - this unfortunately seems to be what to expect from Star Wars these days.
The opening act of ROS, so let's say the first 40ish minutes, felt like a complete mess to me. We are thrown from scene to scene without having much time to catch breath. It feels panicky, and not in a good way.
It not really until the-bit-from-the-trailer-where-rey-jumps-over-a-tie-fighter that the narrative seems to just calm down a bit and find it's footing.
What follows is a mixed bag of humour and mild action which is a bit so so, slowly leading up to the films finale.
I have to say, I actually really enjoyed the majority of the third act. The action scene that takes place on Endor is fantastic. It looks amazing, some of the visual shots are great, and the choreography just about resists falling into prequel territory lightsaber battles.
The final battle, again is visually stunning, and though at times corny, I felt it was a suitable end scene for the saga.
In terms of characters - I once again enjoyed Rey, even i was left undecided with how her arc was left off - the same goes for Kylo Ren, and once again, Adam Driver was a massive highlight throughout.
However, I once again found myself struggling to like Finn and Poe, and it seems that after the events of TFA, both of these characters were just a bit of dead weight, still included in the larger narrative because the actors had signed contracts. Finn runs into a group of defective stormtroopers at one point, and the movie sort of half-arses them into the story, but they ultimately serve no real purpose.
The narrative is also guilty of setting up a potentially important plot beat between him and Rey, which is eventually dropped and forgotten without mention.
Leia's story felt a bit unfleshed, and that surely down to the limited footage they had to work with.
There are two moments that stuck out when it comes to bad execution - the reveal of Rey's lineage is sudden and questionable, but the dialogue used when Kylo Ren delivers the revealing line is laughable, and spoils any weight the moment may have otherwise had. The second is when we are inevitably introduced to Luke's force ghost, a moment that has been coming since the events of TLJ, is delivered with a fan-service line referencing the moment where he threw his lightsaber away at the start of said film, and this bring me to one of my main criticisms of ROS.
I was not the biggest fan of TLJ, but as I mentioned in my review for it, I have a lot of respect for Rian Johnson for trying something new, and ROS reverses a lot of what he did. It feels a bit disrespectful, and a bit spineless.
This also happens a few more times in regards to plot points to do with Chewbacca, and C3-PO - the narrative sets up a fairly ballsy move, and then reverses it and plays it safe. It's a little frustrating.
Palpatines return is something that I can just about get behind - he looked suitably terrifying - but I just wish that the groundwork had been put down a bit more in previous films (films, not the TV shows). Instead, it does have a bit of a desperate ret-con feel about it.
But enough moaning from me, have some more positives - the music score is once again fantastic, the visual effects and CGI are pretty damn good (barring a couple of dodgy shots here and there), and I once again enjoyed the locations that we visited.
Rise of Skywalker will no doubt be devisive, just like The Last Jedi, and it's a film filled to the brim with thrilling Star Wars moments, as well as really really stupid moments, but to be honest, I've come to expect no more and no less at this point. Go and see it for what it is, and try and have a good time, because for the most part, it's pretty entertaining sci-fi fluff.
Side note - Everytime Merry from Lord of the Rings popped up, I found it completely distracting...
Just like TLJ before it, there are things that I liked about Rise of Skywalker, and plenty that I didn't. There are also parts that I liked overall, but we're executed poorly - this unfortunately seems to be what to expect from Star Wars these days.
The opening act of ROS, so let's say the first 40ish minutes, felt like a complete mess to me. We are thrown from scene to scene without having much time to catch breath. It feels panicky, and not in a good way.
It not really until the-bit-from-the-trailer-where-rey-jumps-over-a-tie-fighter that the narrative seems to just calm down a bit and find it's footing.
What follows is a mixed bag of humour and mild action which is a bit so so, slowly leading up to the films finale.
I have to say, I actually really enjoyed the majority of the third act. The action scene that takes place on Endor is fantastic. It looks amazing, some of the visual shots are great, and the choreography just about resists falling into prequel territory lightsaber battles.
The final battle, again is visually stunning, and though at times corny, I felt it was a suitable end scene for the saga.
In terms of characters - I once again enjoyed Rey, even i was left undecided with how her arc was left off - the same goes for Kylo Ren, and once again, Adam Driver was a massive highlight throughout.
However, I once again found myself struggling to like Finn and Poe, and it seems that after the events of TFA, both of these characters were just a bit of dead weight, still included in the larger narrative because the actors had signed contracts. Finn runs into a group of defective stormtroopers at one point, and the movie sort of half-arses them into the story, but they ultimately serve no real purpose.
The narrative is also guilty of setting up a potentially important plot beat between him and Rey, which is eventually dropped and forgotten without mention.
Leia's story felt a bit unfleshed, and that surely down to the limited footage they had to work with.
There are two moments that stuck out when it comes to bad execution - the reveal of Rey's lineage is sudden and questionable, but the dialogue used when Kylo Ren delivers the revealing line is laughable, and spoils any weight the moment may have otherwise had. The second is when we are inevitably introduced to Luke's force ghost, a moment that has been coming since the events of TLJ, is delivered with a fan-service line referencing the moment where he threw his lightsaber away at the start of said film, and this bring me to one of my main criticisms of ROS.
I was not the biggest fan of TLJ, but as I mentioned in my review for it, I have a lot of respect for Rian Johnson for trying something new, and ROS reverses a lot of what he did. It feels a bit disrespectful, and a bit spineless.
This also happens a few more times in regards to plot points to do with Chewbacca, and C3-PO - the narrative sets up a fairly ballsy move, and then reverses it and plays it safe. It's a little frustrating.
Palpatines return is something that I can just about get behind - he looked suitably terrifying - but I just wish that the groundwork had been put down a bit more in previous films (films, not the TV shows). Instead, it does have a bit of a desperate ret-con feel about it.
But enough moaning from me, have some more positives - the music score is once again fantastic, the visual effects and CGI are pretty damn good (barring a couple of dodgy shots here and there), and I once again enjoyed the locations that we visited.
Rise of Skywalker will no doubt be devisive, just like The Last Jedi, and it's a film filled to the brim with thrilling Star Wars moments, as well as really really stupid moments, but to be honest, I've come to expect no more and no less at this point. Go and see it for what it is, and try and have a good time, because for the most part, it's pretty entertaining sci-fi fluff.
Side note - Everytime Merry from Lord of the Rings popped up, I found it completely distracting...
Bob Mann (459 KP) rated Dune (2021) in Movies
Oct 28, 2021
“He’s Not The Messiah – He’s a Very Naughty Boy!”
Certain works of fiction have been labelled with the tag of “unfilmable”, and Frank Herbert’s 1965 novel “Dune” is one of those. It’s full of exposition done as internal monologues – which screams “movie voiceover”. And regular readers will know my hatred of those!
Amazingly, Denis Villeneuve manages to pull off the impossible with his version of Dune (part 1), which I saw last night as part of a Cineworld Unlimited preview event. It’s close to being a movie masterpiece.
Plot Summary:
The desert planet of Arrakis is home to the Freman tribe but is a political battleground since it is the only known source of ‘Spice’: a substance that enables interplanetary travel.
Paul (Timothée Chalamet) is the heir to the throne of the House of Atreides, headed by his father Duke Leto Atreides (Oscar Isaac). His mother (Rebecca Ferguson) is Leto’s concubine and possessed with hereditary gifts: mystical powers that make her part of a sect of galactic ‘witches’ with mystical powers. But the House of Atreides is gaining in power, and the Emperor throws a political spanner into the works by evicting the vicious House of Harkonnen from Arrakis and giving it to Atreides. This puts both Houses on the path of war.
Certification:
US: PG-13. UK: 12A.
Talent:
Starring: Timothée Chalamet, Rebecca Ferguson, Oscar Isaac, Zendaya, Jason Momoa, Stellan Skarsgård, Josh Brolin, Javier Bardem, Dave Bautista, Charlotte Rampling.
Directed by: Denis Villeneuve.
Written by: Jon Spaihts, Denis Villeneuve and Eric Roth. (Based on the novel by Frank Herbert).
“Dune” Review: Positives:
My 5*’s for this one goes for the overall vision, which is grandiose with scenes that stick in the brain. As he demonstrated in “Arrival“, Villeneuve likes to go for huge spacecraft that hang “in the sky in much the same way that bricks don’t”*. And the ships in this vision are just HUGE.
The ensemble cast does a great job, with Chalamet, Isaac and Ferguson being particularly impressive. Stellan Skarsgård (looking like he is about to tell “a very amusing story about a goat”, if you get that movie reference!) looks to have the most gruelling acting job, having to emerge from, and descend into, a bath of black goo!
Much like Villeneuve’s “Blade Runner 2049“, this movie has cinematography that is worthy of framing and sticking on your wall. (Greig Fraser is the man behind the camera here).
Hans Zimmer‘s music is phenomenal. I’m not sure it’s a good ‘sit down and listen to’ sort of soundtrack, but it fits the movie beautifully.
* I used this Douglas Adams quote for my “Arrival” review, and then Mark Kermode used the same quote: I like to think he read my review!
Negatives:
It wasn’t a problem for me, but I expect some will consider the movie to be too much mood and not enough action. I’ve seen some comment that the film was “emotionally empty”: but I really didn’t feel that, and am well-invested in the story ready for “Part 2”.
This is probably faithful to the books, but given all of the advanced spacecraft technology on show, and laser/blaster technology, it seems bonkers that when we get to hand-to-hand combat between the armies that we get into “swords and sandals” territory.
Observation:
There’s nothing new under the Tatooine suns. And so much of this film has you linking the concepts back to “Star Wars”:
“The Force” is now “The Way”
The Jedi are the ‘Ben and Jerry Set’. (Well, that’s what it sounded like to me… and I don’t even like Ice Cream!)
Both films centre on a Messiah-like “chosen one”, foretold by legend
“Spice” also features in “Star Wars” with “spice runners” (as in the Millenium Falcon doing the ‘Kessel Run’)
There’s even a ‘pit of sarlaac’ moment in “Dune”.
Of course, since Frank Herbert wrote “Dune” in 1965, there’s a significant question as to who is plagiarising who here!
Summary Thoughts on “Dune”
At 2 hours 35 minutes, it’s YET ANOTHER long movie: cementing October 2021 as the month of long movies. (I just did a quick tally, and of the six films I’ve seen this month they average 139 minutes in length: and that’s with “Venom: Let There Be Carnage” dragging the average down!)
But this is a movie that MUST be seen on the big screen. It’s a memorable movie experience and highly recommended.
I can’t wait for Villeneuve’s “Part 2”, currently in pre-production.
Amazingly, Denis Villeneuve manages to pull off the impossible with his version of Dune (part 1), which I saw last night as part of a Cineworld Unlimited preview event. It’s close to being a movie masterpiece.
Plot Summary:
The desert planet of Arrakis is home to the Freman tribe but is a political battleground since it is the only known source of ‘Spice’: a substance that enables interplanetary travel.
Paul (Timothée Chalamet) is the heir to the throne of the House of Atreides, headed by his father Duke Leto Atreides (Oscar Isaac). His mother (Rebecca Ferguson) is Leto’s concubine and possessed with hereditary gifts: mystical powers that make her part of a sect of galactic ‘witches’ with mystical powers. But the House of Atreides is gaining in power, and the Emperor throws a political spanner into the works by evicting the vicious House of Harkonnen from Arrakis and giving it to Atreides. This puts both Houses on the path of war.
Certification:
US: PG-13. UK: 12A.
Talent:
Starring: Timothée Chalamet, Rebecca Ferguson, Oscar Isaac, Zendaya, Jason Momoa, Stellan Skarsgård, Josh Brolin, Javier Bardem, Dave Bautista, Charlotte Rampling.
Directed by: Denis Villeneuve.
Written by: Jon Spaihts, Denis Villeneuve and Eric Roth. (Based on the novel by Frank Herbert).
“Dune” Review: Positives:
My 5*’s for this one goes for the overall vision, which is grandiose with scenes that stick in the brain. As he demonstrated in “Arrival“, Villeneuve likes to go for huge spacecraft that hang “in the sky in much the same way that bricks don’t”*. And the ships in this vision are just HUGE.
The ensemble cast does a great job, with Chalamet, Isaac and Ferguson being particularly impressive. Stellan Skarsgård (looking like he is about to tell “a very amusing story about a goat”, if you get that movie reference!) looks to have the most gruelling acting job, having to emerge from, and descend into, a bath of black goo!
Much like Villeneuve’s “Blade Runner 2049“, this movie has cinematography that is worthy of framing and sticking on your wall. (Greig Fraser is the man behind the camera here).
Hans Zimmer‘s music is phenomenal. I’m not sure it’s a good ‘sit down and listen to’ sort of soundtrack, but it fits the movie beautifully.
* I used this Douglas Adams quote for my “Arrival” review, and then Mark Kermode used the same quote: I like to think he read my review!
Negatives:
It wasn’t a problem for me, but I expect some will consider the movie to be too much mood and not enough action. I’ve seen some comment that the film was “emotionally empty”: but I really didn’t feel that, and am well-invested in the story ready for “Part 2”.
This is probably faithful to the books, but given all of the advanced spacecraft technology on show, and laser/blaster technology, it seems bonkers that when we get to hand-to-hand combat between the armies that we get into “swords and sandals” territory.
Observation:
There’s nothing new under the Tatooine suns. And so much of this film has you linking the concepts back to “Star Wars”:
“The Force” is now “The Way”
The Jedi are the ‘Ben and Jerry Set’. (Well, that’s what it sounded like to me… and I don’t even like Ice Cream!)
Both films centre on a Messiah-like “chosen one”, foretold by legend
“Spice” also features in “Star Wars” with “spice runners” (as in the Millenium Falcon doing the ‘Kessel Run’)
There’s even a ‘pit of sarlaac’ moment in “Dune”.
Of course, since Frank Herbert wrote “Dune” in 1965, there’s a significant question as to who is plagiarising who here!
Summary Thoughts on “Dune”
At 2 hours 35 minutes, it’s YET ANOTHER long movie: cementing October 2021 as the month of long movies. (I just did a quick tally, and of the six films I’ve seen this month they average 139 minutes in length: and that’s with “Venom: Let There Be Carnage” dragging the average down!)
But this is a movie that MUST be seen on the big screen. It’s a memorable movie experience and highly recommended.
I can’t wait for Villeneuve’s “Part 2”, currently in pre-production.
Shaun Collins (3 KP) rated Star Wars: Vader Down in Books
Jan 12, 2018
Vader goes from hunter to hunted in this crossover event from Marvel.
Firstly, "crossover" is a bit of a misnomer, since he's already a character in STAR WARS, but the idea was to broad strokes fill in some of the details of what he was doing when he wasn't on camera. Since these series are set between New Hope and Empire, there's a lot more wiggle room. Secondly, crossover events tend to be gimmicky and difficult for comic readers to track since they span multiple titles. Fortunately, there are only two titles here to deal with, so its a bit easier, but it still took some detective work to figure out the individual issues involved.
* VERY MILD SPOILERS (like the kind on a dust jacket) FOLLOW...
Okay, with the rant over, lets get to the good stuff. This book was good. This is really the first time we've seen the fearsome dark lord of the Sith AS a fearsome dark lord of the Sith, and not a broken down mechanical mystery monster who is really just a shadow of his former legendary self. This feels more like Anakin at the height of his powers, just evil. Alone on a planet with an entire battalion of Rebels on his trail, and Imperial agents who want to usurp him close behind, he's not worried, phased or hell even concerned. They're just dead men to him, and he tells them as much. This Vader is BAD-ASS.
Unfortunately, the counter plot to the Vader story is lighter in tone (and normally when those characters show up in the Vader comic I'm exceedingly happy for their brief forays into comedy to lighten up the proceedings), but here they are over used and quite honestly, detract from the bloodbath the Emperor's Fist finds himself in. While a dose of comedy can be welcome, this feels like the authors were trying too hard, and the result comes out as very uneven. Especially when the subject of the humor is Han. Han should be cool and unintentionally funny when things don't go his way, not bungling Mr. Bean style funny because he's inept.
Bottom line, the plot drove me through the rough spots, and I still think this is a great series, I only hope the luster is not starting to tarnish on this one, but that's what this volume feels like...
Firstly, "crossover" is a bit of a misnomer, since he's already a character in STAR WARS, but the idea was to broad strokes fill in some of the details of what he was doing when he wasn't on camera. Since these series are set between New Hope and Empire, there's a lot more wiggle room. Secondly, crossover events tend to be gimmicky and difficult for comic readers to track since they span multiple titles. Fortunately, there are only two titles here to deal with, so its a bit easier, but it still took some detective work to figure out the individual issues involved.
* VERY MILD SPOILERS (like the kind on a dust jacket) FOLLOW...
Okay, with the rant over, lets get to the good stuff. This book was good. This is really the first time we've seen the fearsome dark lord of the Sith AS a fearsome dark lord of the Sith, and not a broken down mechanical mystery monster who is really just a shadow of his former legendary self. This feels more like Anakin at the height of his powers, just evil. Alone on a planet with an entire battalion of Rebels on his trail, and Imperial agents who want to usurp him close behind, he's not worried, phased or hell even concerned. They're just dead men to him, and he tells them as much. This Vader is BAD-ASS.
Unfortunately, the counter plot to the Vader story is lighter in tone (and normally when those characters show up in the Vader comic I'm exceedingly happy for their brief forays into comedy to lighten up the proceedings), but here they are over used and quite honestly, detract from the bloodbath the Emperor's Fist finds himself in. While a dose of comedy can be welcome, this feels like the authors were trying too hard, and the result comes out as very uneven. Especially when the subject of the humor is Han. Han should be cool and unintentionally funny when things don't go his way, not bungling Mr. Bean style funny because he's inept.
Bottom line, the plot drove me through the rough spots, and I still think this is a great series, I only hope the luster is not starting to tarnish on this one, but that's what this volume feels like...
Andy K (10821 KP) rated Back to the Future (1985) in Movies
Apr 10, 2019
My entire childhood
So funny how seeing a "decked out" DeLorean in a Target parking lot the other day made me want to rewatch Back to the Future again soon. It had been on my rewatch list ever since I purchased the trilogy on Blu Ray on Black Friday, but just hadn't gotten around to it yet.
To say this movie (and the original Star Wars trilogy) defined my childhood is an understatement. The year 1985 meant I was 14 years old and lived within biking distance of the theatre where it was showing. Only Back to the Future and The Empire Strikes Back have the distinction of being movies I saw at least fifteen times during their initial run; at one point every day for a week straight.
The story of how the film got made is an interesting as the perfect screenplay itself. Basically Bob Zemeckis and Bob Gale shopped the movie around after they had made a few films, including Used Cars (good movie), but studios weren't interested. Except Spielberg. Unfortunately, the duo had just worked with Spielberg on 1941 and it was a dud.
Luckily, Zemeckis directed Romancing the Stone in 1984, so they finally went back to Spielberg with that clout and got the deal done. BTTF was actually the first film released under Spielberg's Amblin Entertainment (with the E.T. logo) that Spielberg himself did not direct.
Then, casting. Filmmakers really wanted Michael J. Fox, but he was not available due to his TV schedule filming sitcom Family Ties. They had to move on, so they cast Eric Stoltz and filmed for 5 weeks.
Zemeckis felt like something wasn't right and asked Spielberg to take a look at the dailies. They agreed Stoltz was a good actor, but not right for the part of Marty McFly. They begged the Family Ties people to let Michael do both and they finally agreed. I can't believe how Michael did two full time jobs during production, but he did and managed to create an unforgettable character that will live forever in movie history.
If anyone ever decides it is a good idea to remake, reboot and/or get a sequel going I will personally go to their house and punch them in the face! ?
To say this movie (and the original Star Wars trilogy) defined my childhood is an understatement. The year 1985 meant I was 14 years old and lived within biking distance of the theatre where it was showing. Only Back to the Future and The Empire Strikes Back have the distinction of being movies I saw at least fifteen times during their initial run; at one point every day for a week straight.
The story of how the film got made is an interesting as the perfect screenplay itself. Basically Bob Zemeckis and Bob Gale shopped the movie around after they had made a few films, including Used Cars (good movie), but studios weren't interested. Except Spielberg. Unfortunately, the duo had just worked with Spielberg on 1941 and it was a dud.
Luckily, Zemeckis directed Romancing the Stone in 1984, so they finally went back to Spielberg with that clout and got the deal done. BTTF was actually the first film released under Spielberg's Amblin Entertainment (with the E.T. logo) that Spielberg himself did not direct.
Then, casting. Filmmakers really wanted Michael J. Fox, but he was not available due to his TV schedule filming sitcom Family Ties. They had to move on, so they cast Eric Stoltz and filmed for 5 weeks.
Zemeckis felt like something wasn't right and asked Spielberg to take a look at the dailies. They agreed Stoltz was a good actor, but not right for the part of Marty McFly. They begged the Family Ties people to let Michael do both and they finally agreed. I can't believe how Michael did two full time jobs during production, but he did and managed to create an unforgettable character that will live forever in movie history.
If anyone ever decides it is a good idea to remake, reboot and/or get a sequel going I will personally go to their house and punch them in the face! ?
Maris (8 KP) rated Turtles All The Way Down in Books
Jun 10, 2019
SPOILER FREE!
This is the second book I ever read from John Green and I love everything about it. There is just something about John Green's writing that just keeps me going and going and not wanting to stop.
This story is exactly what I needed this weekend. Mix of mystery, romance, and a little bit of humor. The story was smoothly put together into place nicely where I have a full understanding of what's going on and enough action going on where it kept me reading.
We have a story where a 16-year-old Aza who is the main character and her best friend Daisy are investigating a fugitive who is a billionaire who is missing and there is a hundred thousand dollar reward leading to the fugitive named Russel Pickett. Aza used to hang out with the fugitive's son name Davis when they were kids. Aza and Davis reconnect with each other and build a relationship. Thru the whole book, we are in Aza's point of view on things and what she is dealing with.
Aza has severe Anxiety issue when it comes to health. John Green did a wonderful job writing about Aza and how she feels and what she is thinking. I truly enjoyed reading about her and how she deals with her life and everyone around her. Her relationship with her mother and her best friend and Davis is wonderful to read seeing the character growth thru out the book with them.
I would like to share that I absolutely love Daisy, Aza'a best friend! If Daisy was in the real world her and I would have been good friends. I love that she is a Star Wars fanatic and who she is as a person makes me smile and laugh where you need a Daisy in your life. The character growth between her and Aza was amazing to me, they are two different people who are best friends which reminds me of my best friend that I grew up with.
I was so curious to what happened to the missing fugitive and also wondering what the relationship with the characters would end up towards the end of the book. I am very pleased with this book and highly recommend it!
This is the second book I ever read from John Green and I love everything about it. There is just something about John Green's writing that just keeps me going and going and not wanting to stop.
This story is exactly what I needed this weekend. Mix of mystery, romance, and a little bit of humor. The story was smoothly put together into place nicely where I have a full understanding of what's going on and enough action going on where it kept me reading.
We have a story where a 16-year-old Aza who is the main character and her best friend Daisy are investigating a fugitive who is a billionaire who is missing and there is a hundred thousand dollar reward leading to the fugitive named Russel Pickett. Aza used to hang out with the fugitive's son name Davis when they were kids. Aza and Davis reconnect with each other and build a relationship. Thru the whole book, we are in Aza's point of view on things and what she is dealing with.
Aza has severe Anxiety issue when it comes to health. John Green did a wonderful job writing about Aza and how she feels and what she is thinking. I truly enjoyed reading about her and how she deals with her life and everyone around her. Her relationship with her mother and her best friend and Davis is wonderful to read seeing the character growth thru out the book with them.
I would like to share that I absolutely love Daisy, Aza'a best friend! If Daisy was in the real world her and I would have been good friends. I love that she is a Star Wars fanatic and who she is as a person makes me smile and laugh where you need a Daisy in your life. The character growth between her and Aza was amazing to me, they are two different people who are best friends which reminds me of my best friend that I grew up with.
I was so curious to what happened to the missing fugitive and also wondering what the relationship with the characters would end up towards the end of the book. I am very pleased with this book and highly recommend it!
Ross (3284 KP) rated Ralph Breaks the Internet: Wreck-It Ralph 2 (2018) in Movies
Dec 10, 2018
Stan Lee cameo (1 more)
Marvel / Disney Princess moments
Dragged (1 more)
Clumsy Product Placement
None of the charm of the original
I loved Wreck It Ralph, two misfits finding and helping each other to overcome their issues and find themselves. Full of charm, flawed but pure of heart characters looking out for each other, nice little video game references and clever world building.
Here so much of that is lost. There is far too much effort on trying to shoe-horn internet references in for comedy effect, which doesn't work. When Ralph and Venellope arrive in the internet we are treated to a full three minutes of staring at website logos. While this has an overall feel of Inside Out, with a make-believe world being put over something we can't really understand, at the time it was quite nauseating.
I enjoyed the moments interacting with the Marvel and Star Wars worlds (most notably when Vanellope bumps in to the avatar of certain old, moustachioed gentleman known for making cameos) and the Disney Princess moments were enjoyable.
Ralph and Vanellope are looking to buy a replacement part for Sugar Rush to avoid it being unplugged forever, and end up needing to raise a lot of money to buy it on eBay. The issue I have with this, is it gives kids the idea they can make a lot of money online in a short amount of time (either gaming or buy uploading videos in the hope of going viral), therefore why bother learning anything or going to school/work?! In this day and age where every child thinks "YouTuber" is a valid career to aspire to, I found this unnecessarily poor form from Disney.
The film eventually finds its feet and through Ralph and Vanellope's strained friendship it finds a plot with a bit more peril than simply needing some money.
The world of the arcade was completely left behind as soon as we entered the internet, I would have liked to see more of Fix-it Felix and Calhoun's time with the brats from Sugar Rush, if only as brief respite from website logos.
All in all I was massively disappointed in the film and feel a lot of the charm was case aside at the expense of advertising revenue.
Here so much of that is lost. There is far too much effort on trying to shoe-horn internet references in for comedy effect, which doesn't work. When Ralph and Venellope arrive in the internet we are treated to a full three minutes of staring at website logos. While this has an overall feel of Inside Out, with a make-believe world being put over something we can't really understand, at the time it was quite nauseating.
I enjoyed the moments interacting with the Marvel and Star Wars worlds (most notably when Vanellope bumps in to the avatar of certain old, moustachioed gentleman known for making cameos) and the Disney Princess moments were enjoyable.
Ralph and Vanellope are looking to buy a replacement part for Sugar Rush to avoid it being unplugged forever, and end up needing to raise a lot of money to buy it on eBay. The issue I have with this, is it gives kids the idea they can make a lot of money online in a short amount of time (either gaming or buy uploading videos in the hope of going viral), therefore why bother learning anything or going to school/work?! In this day and age where every child thinks "YouTuber" is a valid career to aspire to, I found this unnecessarily poor form from Disney.
The film eventually finds its feet and through Ralph and Vanellope's strained friendship it finds a plot with a bit more peril than simply needing some money.
The world of the arcade was completely left behind as soon as we entered the internet, I would have liked to see more of Fix-it Felix and Calhoun's time with the brats from Sugar Rush, if only as brief respite from website logos.
All in all I was massively disappointed in the film and feel a lot of the charm was case aside at the expense of advertising revenue.
Hazel (1853 KP) rated It's About Love in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review
It’s About Love</i> is not a typical love story. The author of Tape, Steven Camden, has written a story from the point of view of a sixteen-year-old boy named Luke. In his first week of college he meets a girl in his film studies class. Her name is Leia and, ignoring the Star Wars connection, their passion for film makes them the perfect partners.
Luke, however, comes from a very troubling background. He has purposefully chosen a college two bus journeys away in order to escape his past. He can try to hide his relation to his brother due to be released from prison, but he cannot cover up the scar on his face. Initially Luke wants as little attention as possible, although once he starts developing feelings for Leia he enjoys being around her and her friends.
Yet everything changes when Luke’s past life and friends collide with the new. Believing he has ruined everything with Leia, Luke needs all the encouragement he can get from his film studies tutor, Noah, to keep on going.
Camden writes the story through first person narrative, film directions and ideas in Luke’s notebooks. This is an interesting method and helps to create a clearer picture of Luke’s personality. He is a teenager with potential and the ability to think for himself. It is his past history that makes him feel like he does not deserve happiness or success.
Although I liked the concept I did not care for any of the characters. Many could be described as thuggish and a lot of violence was involved. I understand that Luke needed to be involved with these types of people for the storyline to work, but it was not for me.
Despite the title, <i>It’s About Love</i> is more suitable for young adult males than it is females due to the nature of the story and the main character. Whether a boy would happily be caught reading a book with ‘love’ written on the cover is another matter. Steven Camden clearly has the young adult audience in mind as he writes and, even though I did not think it anything special, I am sure there will be many readers who will love this book.
It’s About Love</i> is not a typical love story. The author of Tape, Steven Camden, has written a story from the point of view of a sixteen-year-old boy named Luke. In his first week of college he meets a girl in his film studies class. Her name is Leia and, ignoring the Star Wars connection, their passion for film makes them the perfect partners.
Luke, however, comes from a very troubling background. He has purposefully chosen a college two bus journeys away in order to escape his past. He can try to hide his relation to his brother due to be released from prison, but he cannot cover up the scar on his face. Initially Luke wants as little attention as possible, although once he starts developing feelings for Leia he enjoys being around her and her friends.
Yet everything changes when Luke’s past life and friends collide with the new. Believing he has ruined everything with Leia, Luke needs all the encouragement he can get from his film studies tutor, Noah, to keep on going.
Camden writes the story through first person narrative, film directions and ideas in Luke’s notebooks. This is an interesting method and helps to create a clearer picture of Luke’s personality. He is a teenager with potential and the ability to think for himself. It is his past history that makes him feel like he does not deserve happiness or success.
Although I liked the concept I did not care for any of the characters. Many could be described as thuggish and a lot of violence was involved. I understand that Luke needed to be involved with these types of people for the storyline to work, but it was not for me.
Despite the title, <i>It’s About Love</i> is more suitable for young adult males than it is females due to the nature of the story and the main character. Whether a boy would happily be caught reading a book with ‘love’ written on the cover is another matter. Steven Camden clearly has the young adult audience in mind as he writes and, even though I did not think it anything special, I am sure there will be many readers who will love this book.
Andy K (10821 KP) Mar 10, 2018
BankofMarquis (1832 KP) Mar 11, 2018